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Archive for the ‘Clothes’ Category

Estimating lace and muslin: dress and fashion in Jane Austen and her world, by Jeffrey A. Nigro is a fabulous article about fashion in Jane’s day. This conference paper was published in Persuasions: The Jane Austen Journal in 2001. Some of Mr. Nigro’s observations include:

Convenience was another reason for the increasing simplicity in dress beginning in the 1780s. Dry cleaning was not invented until the middle of the nineteenth century, and did not become commonplace until the twentieth. In Austen’s time, a silk dress that got dirty was essentially ruined. The fabrics that started to become fashionable from the 1780s onward (muslin and other cotton fabrics, linen, lawn) were much easier to care for, which was part of their appeal. Nevertheless, given the absence of modern appliances, the care and maintenance of clothing still meant much work for the servants in upper- and middle-class households.

Outerwear garments included the spencer, a long-sleeved jacket that extended only to the raised waistline. Worn by both men and women, it was named for the 2nd Earl Spencer, who, according to one version of the story, cut off the coattails of his jacket after wagering that he could invent a new fashion. For colder weather, there was the pelisse, a skirt-length overcoat, often lined and trimmed with fur, which originated in Hungary as a part of military dress. Bonnets became fashionable, essentially smaller versions of the straw hats of the 1780s, but now pulled in to frame the face. Bonnets, like shawls, would become staples of feminine dress until at least the middle of the nineteenth century.

Click here for more links about fashion:

* Jane Austen Pellise coat

* A Quilted Regency Spencer Jacket

* The Spencer Jacket

* The Importance of Wearing White, Jane Austen Centre Magazine

* Kyoto Costume Institute

* Bonnets, Caps, Turbans, and Hats

Images:

Muslin dress, Vintage Textile (top)
Jane Austen’s Pellisse Coat (middle)
Kyoto Costume Institute, Spencer Jacket (bottom)

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    In “To Cut a Regency Coat”, Suzi Clarke, a British costumer, goes into great detail on how to make this man’s Regency garment.

    The basic man’s coat for the first twenty-five years of the 19th century changed very little. It was cut to fit very firmly across the shoulders, with a shoulder seam that sloped into the back armscye. There was a center back seam, and the side seams curved toward the center back from the same armscye, narrowing in towards the waist. The center back continued on into the skirt, although occasionally there was a waist seam. The two front skirts were cut in one piece with the body, usually with a “fish” or dart at waist level early in the century.

    All these coats were beautifully cut and sewn together, the stitching being very neat and small. English tailoring at this time was the envy of the fashionable world, and these coats were of the time of the famous George “Beau” Brummell. The top coat belonged to a banker, Mr. Coutts, and was made by the famous tailor, “Weston” of Savile Row, mentioned in Georgette Heyer, and possibly Jane Austen. It was lodged at Coutts Bank, together with other items of clothing, in 1805, and donated to the Museum of London many years later.

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    Progress of the Toilet, a series of engravings created in 1810 by James Gillray, a renowned and prolific British caricaturist, show three illustrations that depict a young lady being dressed by her maid. The details in these prints from an extensive print collection at the Yale University Library are striking and informative.

    In the first plate, The Stays, Gillray depicts a young lady in her undergarments and wearing a cap, stockings, and slippers. On the floor sit a bowl and pitcher with water. Toiletries, pins, and jewelry are scattered on top of her dressing table. She inserts a busk between her breasts as her maid tightens her stays. Find a more detailed explanation about regency undergarments and regency fashions by clicking on the bolded words.


    Elaborate powdered wigs of the previous century gave way to simpler hair styles, some cut quite short. In the illustration entitled The Wig, the maid prepares to place a short curly wig on her mistress’ head. Note that the mirror is now full length and that the side table looks different. Our young lady sits in a simple muslin day gown, with neck and arms covered, reading a book as her maid prepares her. A bonnet and an open robe or pelise (on chair) will complete her toilette. Find more regency hairstyles on this site.

    In the third engraving, Dress Completed, we observe our young lady dressed for the evening and putting on evening gloves, which, typical of the day, are loose at the top. Her maid holds a shawl and fan, and her reticule hangs on a hook on the wall. The side table is no longer visible; her fashion plate book/magazine lies discarded on the floor. Our young lady’s slippers probably looked like this pair below. For a comprehensive view of footwear during this era, click here.

    In The Mirror of Graces, 1811, a Lady of Distinction write, “Perhaps it is necessary to remind my readers that custom regulates the veiling or unveling the figure, according to different periods in the day. In the morning the arms and bosom must be completely covered to the throat and wrists. From the dinner-hour to the termination of the day, the arms, to a graceful height above the elbow, may be bare; and the neck and shoulders unveiled as far as delicacy will allow.”

    Find regency clothing for sale on this site and a regency timeline in fashion here.

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