Jane Austen&#039;s World

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

St. Swithin’s Walcot (Bath)

St. Paul’s Covent Garden (with links to other churches mentioned in Austen’s writings)

Godmersham

Goodnestone

More Austen family churches, external posts (will be added to JAW later):

Winchester Cathedral and Jane Austen

St. Peter and St. Paul, Tonbridge

St. Andrew’s Colyton, Devon

St. Peter’s Hurstbourne Tarrant (the Lloyds’ church)

JASNA Austen family churches

Posted in Anglican Church, Architecture, Churches of the Austen family, Jane Austen's religion, Jane Austen's World, Religion in Austen's England | Tagged Jane Austen Family Churches | 2 Comments »

Elizabeth Bennet’s Travels (Part 2): Derbyshire, Matlock, and Dovedale

April 22, 2026 by Rachel Dodge

Last month, we explored the route Elizabeth Bennet and Mr. and Mrs. Gardiner took on their journey to Derbyshire through Oxford, Blenheim, Warwick, Kenilworth, and Birmingham. This month, we begin our exploration of their time in Derbyshire, so that we might catch a glimpse of what travelers during Austen’s time would have seen when visiting there.

Austen first gives the details of their journey to Derbyshire:

It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay—Oxford, Blenheim, Warwick, Kenilworth, Birmingham, etc., are sufficiently known. A small part of Derbyshire is all the present concern.

Elizabeth Bennet (Jennifer Ehle) and Mrs. Gardiner (Joanna David), *Pride and Prejudice* (1995).

The Picturesque Tour

Scholars agree that Austen almost certainly never visited Derbyshire, so then how did she know so much about it? First, from William Gilpin’s popular book, Observations on Several Parts of England: particularly the mountains and lakes of Cumberland and Westmoreland: relative chiefly to picturesque beauty (1786), which made Matlock, Chatsworth, and Dovedale household names across England.

Elizabeth Bennet’s fictional visit to Derbyshire was also quite common during Austen’s lifetime. During the Napoleonic Wars, the Grand Tour of Europe wasn’t possible, so many genteel English travelers explored England more fully, traveling to seaside resorts and into Wales, the Lake District, and Derbyshire.

Guidebooks circulated widely as well in genteel circles, with engravings of Chatsworth, Dovedale, and Matlock Bath appearing in fashionable drawing rooms. Finally, Austen may have also heard about these destinations from friends or acquaintances who had traveled there.

Derbyshire:

While in Derbyshire, this is what Austen tells us they were to see and why it was of such interest to Mrs. Gardiner:

. . .they were obliged to give up the Lakes, and substitute a more contracted tour; and, according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.

Below is a detailed map of Derbyshire from 1627 that can help us to visualize the location of each site:

We know that Elizabeth did, in fact, visit Matlock and Dovedale because she and Mr. Darcy talk at length about where she has traveled and what she has seen:

He then asked her to walk into the house—but she declared herself not tired, and they stood together on the lawn. At such a time much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dovedale with great perseverance. Yet time and her aunt moved slowly—and her patience and her ideas were nearly worn out before the tête-à-tête was over.

With their conversation in mind, let us explore Matlock and Dovedale to find out what Elizabeth might have discussed with Mr. Darcy on their walk.

Elizabeth (Jennifer Ehle) and Mr. Darcy (Colin Firth) walking at Pemberley, *Pride and Prejudice* (1995).

Matlock

Matlock (and nearby Matlock Bath) are located on the south-east edge of the Peak District alongside the River Derwent. One of the reasons people visited Matlock Bath was for its natural thermal springs, which became popular and fashionable in the late 17th century. Much like visiting Bath to “take the waters,” aristocratic people visited Matlock Bath for the same reason: hoping for the health benefits of the springs.

In Molly Gorman’s, “A Guide to Jane Austen’s Derbyshire, England” (BBC Travel, April 20, 2025), she says this:

Austen was likely well aware of the town’s famed thermal waters. When Bennet enters Derbyshire with apprehension about seeing Darcy, she says, “But surely … I may enter his county without impunity and rob it of a few petrified spars without his perceiving me.” Austen might have been referring to Matlock Bath’s petrifying well – where the mineral-rich thermal water, turns objects into stone.

Gorman goes on to share what Elizabeth might have seen while visiting the area:

Matlock is also popular with walkers as it lies in a valley of the River Derwent. Pride and Prejudice fans may opt to explore the fittingly named Lovers’ Walks, a series of footpaths along the riverside, or if you’d prefer something more challenging, there are also trails that go up and over the wooded cliffs. But perhaps the most famous tourist attraction is the Heights of Abraham, where you can take a mountain cable car to the top of Masson Hill, a 60-acre hilltop estate with a panoramic view of the surrounding valley and town below.

Though we have no textual proof that Elizabeth and the Gardiners took the waters, we can imagine that they would have certainly enjoyed exploring such a naturally beautiful location.

François Vivares, *Matlock in Derbyshire*, engraving, 18th century. Public domain via Wikimedia Commons.

Dovedale

Dovedale is considered one of the most romantic landscapes in England. It includes a limestone valley with a dramatic ravine carved by the River Dove. Craggy cliffs rise up dramatically above the water. Many have painted and photographed it over the years, trying to capture its beauty.

This area drew visitors long before the Regency era and throughout Jane Austen’s lifetime–and it still does today. During the time Elizabeth Bennet would have traveled through Derbyshire, Dovedale was a popular destination for tourists, especially given the wild, rugged scenery that was prized during the Romantic era. Artists gathered there to sketch its ravines, woodlands, rock formations, and limestone caves. The river was also famous for its fishing, and Austen and her contemporaries would have been familiar with it because of Izaak Walton’s book, The Compleat Angler (1653).

Today, the National Trust owns the valley, and it has been a National Nature Reserve since 2006, recognized for its rare wildflowers, ash woodlands, and wildlife and fish. There is also a set of famous stepping stones, placed in the 1890s, that create a path across the river.

It’s wonderful to think about Elizabeth Bennet exploring this area, especially given her love of nature and long walks. Surely, the scenery would have inspired and refreshed her soul.

Joseph Wright of Derby, *Dovedale by Moonlight*, oil on canvas, c. 1784–85. Museum of Fine Arts, Houston. Public domain via Wikimedia Commons.

*Dovedale Stepping Stones, Derbyshire, England*, photochrome print postcard, c. 1890–1900. Library of Congress. Public domain via Wikimedia Commons.

More of Elizabeth Bennet’s Travels

Though Elizabeth did not make it to the Lake District, she certainly would have seen an abundance of breathtaking landscapes and rugged wilderness to spur on her imagination. Perhaps she was already falling in love with Derbyshire, long before her visit to Pemberley.

Next month, we’ll explore more of Elizabeth Bennet’s travels. We’ll take a closer look at Chatsworth and Austen’s inspiration for “Pemberley,” followed by the Peak District and Bakewell, a small village that many scholars believe might have been Austen’s inspiration for Lambton.

Until then, let us remember fondly Elizabeth’s famous words, “What are men to rocks and mountains?”

Posted in 18th Century England, 19th Century England, Derbyshire, Elizabeth Bennet, Georgian Life, Jane Austen's World, Pride and Prejudice, Regency, Regency Life, Regency Travel, Travel | 6 Comments »

Goodnestone and Holy Cross Church (Jane Austen’s Family Churches)

March 23, 2026 by Brenda S Cox

By Brenda S. Cox

“We dined at Goodnestone, and in the evening danced two country dances and the Boulangeries. I opened the ball with Edward Bridges . . . We supped there, and walked home at night under the shade of two umbrellas.”—Jsane Austen, Sept. 5, 1796.

More than thirty times in her letters, Jane Austen mentions Goodnestone (pronounced “GOOD-nuh-stun” or “gunston.”) The original name was Godwynestone, after the Anglo-Saxon family who lived in the area from before the Norman Conquest until the reign of King Henry VIII. The founder of the family, Earl Godwyn (or Godwin), was the father of King Harold II, killed in the Norman Conquest.

The estates of the area passed through a few other families. They were eventually acquired by Brook Bridges, Esq. in the early 1700s. He built Goodnestone Park. His son became a baronet, like Sir Thomas Bertram and Sir Walter Elliot in Austen’s novels. He passed that title down to his descendants, a Brook Bridges in each generation.

Jane Austen visited Goodnestone several times, and often refers to the comings and goings of her friends and relations there. What was her connection to this place?

Goodnestone Park and Farm and Rowlings

Last month on this site we “visited” Godmersham, home of the Knight family who adopted Jane Austen’s brother Edward. Edward Austen married Elizabeth Bridges, daughter of Sir Brook William Bridges, owner of the nearby estate of Goodnestone. When Edward and Elizabeth were first married, they lived at Rowling, about a mile from Goodnestone. Their first four children were born there. Jane Austen visited them there, socializing with Elizabeth’s family at Goodnestone Park. (See “A Walk in Kent” for photos of Rowling.)

Goodnestone Park, where Austen danced with Edward Bridges.
Photo by Nick Smith / Goodnestone House, 2007, CC BY-SA 2.0

Goodnestone Park in the 1770s
Public domain via wikimedia

“The Mrs. Finches were afraid you would find Goodnestone very dull; I wished when I heard them say so that they could have heard Mr. E. Bridges’ solicitude on the subject, and have known all the amusements that were planned to prevent it.”—Aug. 24, 1805, from Jane Austen at Godmersham Park to Cassandra Austen at Goodnestone Farm, Wingham

Edward and his wife inherited Godmersham and moved there at the end of 1797. Jane and Cassandra continued to visit other Bridges family members at Goodnestone Farm. Her nephew described Goodnestone Farm as “a comfortable house very near the great house, which has generally been inhabited as a dower house or by some younger member of the Bridges family, to whom it belongs.”

Jane’s friend Harriot (or Harriot-Mary), one of her sister-in-law Elizabeth’s younger sisters, insisted Jane stay longer on a visit in 1805. In the following year, Harriot married Rev. George Moore. He was the son of an archbishop and held four church livings. One of Elizabeth’s younger brothers, Rev. Brook-Edward, was perpetual curate of Goodnestone from 1802-9, as well as holding five other church livings at various times. His older brother, Rev. Brook-Henry, held two church livings. (They did like hyphenated names.) The Bridges family apparently had “considerable patronage in the church,” like the Darcys of Pemberley, or at least they had close connections with families who had patronage (the right to assign church livings).

The dower house at Goodnestone, where Jane Austen stayed on later visits to the Bridges family.

Holy Cross Goodnestone church

On her visits, Austen must have attended the local church, Holy Cross Goodnestone. This is now considered an “Austen Family Church,” like others we have visited in this series. Jane’s brother Edward married his wife Elizabeth in this church in 1791.

Faced flints (chipped or “knapped” to make them flat) cover the south wall of the Goodnestone church, giving it a unique appearance.

Path between yew trees at Goodnestone church. See Yew trees in churchyards. The path was recently renovated for easier access to the church. JASNA’s churches fund helped finance the renovation. Photo ©Sue Kittle, 2026

View of the Goodnestone church tower from one of the many beautiful gardens. Once used as a beaon tower and fortress, it is still a bell tower, with four bells, one of which was made in 1628. The church now has six “Ringers” who ring the bells on special occasions. A single bell is rung for church services. Photo by Adam Hincks, CC BY-SA 2.0

On one face of the Goodnestone church tower, a sundial, shown here, was inscribed “Every hour shortens life,” though the markings are very worn now. On another face is a Victorian clock, which has to be manually wound every eight days.
Detail of photo by Adam Hincks, CC BY-SA 2.0

Holy Cross Goodnestone church interior

The interior of the church was remodeled in the Gothic Revival style in 1841, so it looks different now than it did in Austen’s time.

An inscription over this arch commemorates Sir Brook William Bridges (Edward Austen’s father-in-law) who rebuilt the nave and chancel of the church in 1841.

Monuments on the church walls, and flagstones on the floor, still commemorate influential families. This is a monument to Sir Edward Engeham, who purchased the estate from the de Godwynstones, and his family. He died in 1636, age 65, a year after his wife’s death at age 52.

In Austen’s time, the nicer pews would have been rented or owned by wealthy families. These Goodnestone church pews are Victorian, and the organ dates from 1904, restored and augmented in 2014.

The Goodnestone organ also has wooden pipes, for the pedals.

Jane Austen may well have read these engravings on the wall, similar to those in many English country churches. The left side displays the Lord’s Prayer, the right side lists the Ten Commandments.

“We have walked to Rowling on each of the two last days after dinner, and very great was my pleasure in going over the house and grounds. We have also found time to visit all the principal walks of this place, except the walk round the top of the park, which we shall accomplish probably to-day.”—Jane Austen at Goodnestone Farm writing to Cassandra at Godmersham, August 30, 1805.

Church and Community

A congregation of about twenty people gather for Sunday services at the church (fewer when their excellent choir is not singing). But they may have 100 to 120 participants at services for holidays and weddings.

Like many country churches, the Goodnestone church is also used for various community services. Concerts are held there regularly, and the choir is excellent. They have sung Evensong in cathedrals as well. Schoolchildren come to the church once a week from the Church of England primary school in the village. The church even serves as a post office, open two mornings a week.

News article about the post office being opened in the Goodnestone church.

Goodnestone is part of the Canonry Benefice, which includes seven churches in East Kent. The vicar and other clergy for the benefice serve all the churches, at services alternating between the churches. For example, during the upcoming Holy Week, from Palm Sunday to Easter Sunday, fifteen church services will be held at the various churches (at least one per day). Three of them will be at Holy Cross, Goodnestone.

The church is well worth seeing if you visit the area. It is generally open during daylight hours. You can contact the church if you have questions. Jane Austen enjoyed the gardens and walks in the area, and you can also walk through the lovely gardens and the “Serpentine Walk.” See Visitor Information. Goodnestone Park is now used as a wedding venue.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

All photos in this post, unless otherwise marked, ©Brenda S. Cox, 2023

For Further Exploration

Holy Cross, Goodnestone

Goodnestone, Godmersham, and Canterbury

Rowling and Rowling House

Edward Austen Knight

Detailed History of Goodnestone and Church, written in 1902

More photos of Holy Cross, Goodnestone

Old Photographs of Goodnestone

History of Goodnestone Park with paintings

Goodnestone Park Grade II* listing (Grade II* means a “particularly important building of more than special interest.” Listed buildings require special permissions before any significant changes can be made.)

Church of the Holy Cross Grade I listing with photos (Grade I means “of exceptional interest.”)

Other Austen Family Churches

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

St. Swithin’s Walcot (Bath)

St. Paul’s Covent Garden (with links to other churches mentioned in Austen’s writings)

Godmersham

Posted in Anglican Church, Churches of the Austen family, Jane Austen's family, Jane Austen's World | Tagged Bridges family, English country churches, Goodnestone, Rowling | 1 Comment »

Elizabeth Bennet’s Travels (Part 1): Oxford, Blenheim, Warwick, Kenilworth, Birmingham

March 10, 2026 by Rachel Dodge

This is the time of year when I start to dream of traveling to England or other beautiful places over the summer. I know just how Elizabeth Bennet felt when looking forward to her trip with her Uncle and Aunt Gardiner.

What a delightful thought! Anticipation is half the joy of any exciting pursuit. Her words could not be more true:

Her tour to the Lakes was now the object of her happiest thoughts: it was her best consolation for all the uncomfortable hours which the discontentedness of her mother and Kitty made inevitable; and could she have included Jane in the scheme, every part of it would have been perfect.

“But it is fortunate,” thought she, “that I have something to wish for. Were the whole arrangement complete, my disappointment would be certain. But here, by carrying with me one ceaseless source of regret in my sister’s absence, I may reasonably hope to have all my expectations of pleasure realized. A scheme of which every part promises delight can never be successful; and general disappointment is only warded off by the defence of some little peculiar vexation.”

A view of the Lake District: Parker, John. Ullswater from Above Patterdale. 1825. Wikimedia Commons.

Travel Plans

Like many of us who have had our plans amended, Elizabeth has high expectations of all they might see on their trip, but eventually she finds contentment in the final plans to visit Derbyshire and the Peak District but not venture to the Lakes:

…they were obliged to give up the Lakes, and substitute a more contracted tour; and, according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.

Most of us can relate to Elizabeth’s feelings on the topic:

Elizabeth was excessively disappointed: she had set her heart on seeing the Lakes; and still thought there might have been time enough. But it was her business to be satisfied—and certainly her temper to be happy; and all was soon right again.

Wright of Derby, Joseph. Dovedale by Moonlight. c.1784–1785, oil on canvas. Wikimedia Commons.

Travel Route

Her trip was revised, but there was still much for her to see. I’ve always been intrigued by this paragraph that tells us about the route they took on their way to Derbyshire, for there would have been many interesting sights along the way:

It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay—Oxford, Blenheim, Warwick, Kenilworth, Birmingham, etc., are sufficiently known. A small part of Derbyshire is all the present concern.

If Elizabeth and the Gardiners stopped along the way, what might these locations have looked like at the time? Most scholars agree that this trip would have taken several days, which means they would have had to change horses several times and stop for food and rest and lodging. It’s fun to imagine what all they saw and where they stopped, though we know they would have wanted as much time as possible in Derbyshire.

For anyone curious about how far and how fast people could travel in Jane Austen’s England, I highly recommend Wade H. Mann’s article, “Distance and Time in Regency England” on Quills & Quartos. It breaks down the realities of journeying by carriage, horseback, and foot, giving a clear sense of the distances and travel times that shaped the world Austen’s characters inhabited.

Pollard, James. *London to Brighton Stage Coach.* c. 1822, coloured aquatint, engraved by Matthew Dubourg (attributed), Wikimedia Commons.

Oxford

Austen’s contemporary readers would have recognized Oxford as a center of learning and culture. High Street and Cornmarket Street bustled with shops, inns, and markets. The architecture would have also been of interest. There are many gardens and parks to explore and walk, museums and libraries, and several religious sites. There would have been much for Elizabeth and the Gardiners to experience along the way.

Blenheim

Blenheim Palace, the seat of the Dukes of Marlborough (which would later become the birthplace of Winston Churchill), was also on the route. As we see later when Elizabeth and the Gardiners visit Pemberley, by the late 18th and early 19th centuries, many famous estates in England had become informal tourist attractions. Wealthy travelers, and even respectable middle-class visitors, often toured grand houses while traveling through the countryside.

Warwick

Today, Warwick is a lovely little village, and the castle is one of my favorite sites to visit. During Austen’s time, Warwick Castle would have boasted recent new landscaping by Lancelot “Capability” Brown (1716–1783). Warwick Castle’s grounds were redesigned in the 18th century, and Brown’s landscapes created sweeping lawns, gentle vistas, and picturesque trees. Visitors like Elizabeth Bennet might have enjoyed exploring the grounds.

Kenilworth

Kenilworth Castle, already a famous historic ruin during the Regency Era, offered visitors sweeping views, crumbling walls, and picturesque gardens. Tourists like Elizabeth Bennet might have strolled the grounds and enjoyed the romantic, dramatic scenery that made it a highlight of Warwickshire travel.

Finally, in Austen’s day, Birmingham was a bustling market and industrial town rather than a landscaped estate. Travelers might stop for lodging, shopping, or supplies, experiencing the commerce of an emerging urban center instead of picturesque grounds or aristocratic architecture.

Derbyshire

Once they arrive in Derbyshire, we know whom Elizabeth and the Gardiners visit and what they see. Unlike Elizabeth Bennet, most of us will never enjoy living at such a glorious estate as Pemberley. But we can visit many of the real, historic sites. And if we’re very lucky, perhaps we might be invited to visit a historic estate or home one day, such as my visit to Sherbourne Park.

Most of all, Elizabeth’s travels remind us that the journey is often just as important and interesting as the destination. Unless, of course, Mr. Darcy is waiting at one of those destinations.

Tune in for more about Elizabeth’s travels in the coming months!

Posted in 18th Century England, Pride and Prejudice, Travel | Tagged books, england, History, jane austen, Travel | 6 Comments »

The Church at Godmersham: St. Lawrence the Martyr

February 26, 2026 by Brenda S Cox

By Brenda S. Cox

A few days ago we “visited” Godmersham, the estate of Jane Austen’s brother in Kent. Today we’ll continue that visit with the church she attended while she was there. Like so many English churches, it is named after a Christian saint.

St. Lawrence the Martyr: Who Was He?

More than 200 churches in England are named after St. Lawrence. The church at Godmersham, where Jane Austen often visited her brother Edward, is one of them, as is the church at Alton, closest town to Austen’s village of Chawton.

St. Lawrence the Martyr, parish church of Godmersham, which Jane Austen often attended.

The original St. Lawrence’s story is inspiring but rather grisly. He was a deacon in charge of the treasures of the church, and of distributing alms to the poor. When the Roman Emperor Valerian demanded that Christians sacrifice to the Roman gods or else be killed, they refused. Pope Sixtus II and his deacons were beheaded. Lawrence was told to hand over the church’s treasures. Instead of bringing gold, he brought in many of the poor and said they were the church’s treasure.

Valerian supposedly commanded that Lawrence be roasted on a gridiron, and Lawrence even made a joke as he was dying. (Some think he was actually beheaded and the gridiron is a transcription error; scroll down at this link.) He became the patron saint of comedians and poor people as well as those who work with open fires, such as bakers, and those who fear fires, such as librarians.

And, guess what else? He’s apparently the patron saint of barbecues. On August 10, St. Lawrence’s Day in the church calendar, many churches like this one celebrate by having a community-wide barbecue. Okay, that’s the grisly part. Moving on . . .

Godmersham Church and Jane Austen’s Family

Godmersham church plaque mentioning Jane Austen

Memorial to Jane Austen’s brother, Edward Austen Knight “of Godmersham Park in this parish, and of Chawton House in the country of Southampton,” and his wife Elizabeth. It tells about Edward’s name change and inheritance. Edward is described, “Living peaceably in his habitation, he was honored in his generation, a merciful man whose righteousness shall not be forgotten.” (This combines verses from Ecclesiasticus 44:6, 7, 10; Ecclesiasticus is a book of the Apocrypha.)

Memorial in the Godmersham church to the Knights that Edward inherited from, cousins of the Austens. The broken pillar symbolizes the end of the Brodnax family they were descended from. Thomas Brodnax, who built Godmersham Park (which was originally called Ford Place) in 1732, changed his name to May and then to Knight in order to inherit fortunes from distant relatives. His son, also named Thomas Knight, adopted Edward Austen as his heir.

Jane Austen, in a total of ten months staying at Godmersham, must have attended this church at least forty times. More likely eighty times, if they had morning and evening Sunday services as many churches did at the time. So she would have known it well.

In her time, the chuch had a triple-decker pulpit: a high wooden pulpit with a sounding board over it (a wooden structure reflecting the sound forward), from which the vicar would preach. Below that was the vicar’s “prayer desk,” from which he would lead the service, reading prayers and Scriptures. And below that, the “parish clerk’s pew,” from which the church clerk would lead congregational responses. (These are the three “decks” of the pulpit.) (See another example here.)

Across the church from this pulpit were two huge “box pews” for the major families of the parish. These were on top of burial vaults, so Austen would have walked up five steps and through an arched doorway to get to the Knight family’s “pew,” actually a separate room which enabled them to see over everyone’s heads to the top pulpit (See pages 70 and 73–pp. 26 and 29 of the pdf file– of The Parish Church of St Laurence). Quite a different experience than her tiny churches at Steventon and Chawton, where only the squire of the area and his family would have a box pew, on a much smaller scale.

Box Pew at **Steventon Church**, for the squire of the area and his family. The box pews at Godmersham were much larger and more ornate, but were demolished in the 1860s.

While the Godmersham church’s triple decker pulpit is gone, like most of this era, you can still see a triple-decker pulpit at the **John Wesley’s New Room Chapel in Bristol**. The congregation heard preaching from the top level, Scripture reading and prayers from the middle level, and responses led by the parish clerk from the lower table.

Like so many of the Austen-era churches, the Godmersham church was remodeled and expanded in the 1860s. According to the “Souvenir Guide” for the church, at that time “The Georgian furnishings (triple-decker pulpit, parlour pews, western gallery and box pews) were swept away and the entire building restored and refurbished.”

Interior of Godmersham church, much changed from Jane Austen’s time

This chapel under the tower of the Godmersham church was built in the twelfth century. Next to it hang ropes for ringing the bells in the tower. The eagle lectern, a stand for reading the Bible, is typical of English churches.

Church Bell-ringing is a challenging skill to learn. Five bells in the Godmersham church tower were cast in 1687, while a sixth was added in 1999.

Vicars

The Godmersham church had vicars over the centuries. English churches traditionally either have rectors, who received all the tithes of the parish, or vicars, who received only part of the tithes. For a church with a vicar, a nominal rector elsewhere received the main tithes. The only vicar in Austen’s novels is Mr. Elton, who thus received a lower income and needed to marry money. (Tithes are ten percent of the income of the people of the parish; in Austen’s time, it was legally required that this be paid to the parish priest, in either cash or in agricultural produce. The system and these definitions have changed, of course, in modern times.)

The “rector” of the Godmersham church, who received most of the tithe money, was the Dean and Chapter of Canterbury Cathedral, meaning the leaders of the Cathedral: the dean, canons, and prebendaries. Much of the parish income went to them, but some went to the vicar, who performed the daily responsibilities of the church and preached and led services. In Austen’s time, Francis Whitfield was vicar (1778-1811), then Joseph Godfrey Sherer (1811-1823). Jane visited Mrs. Sherer, and said in a letter that she liked Mr. Sherer very much (Sept. 23, 1813). She wrote to her brother Frank (Sept. 25, 1813):

“Mr. Sherer is quite a new Mr. Sherer to me; I heard him for the first time last Sunday, and he gave us an excellent Sermon—a little too eager sometimes in his delivery, but that is to me a better extreme than the want of animation, especially when it evidently comes from the heart, as in him. The Clerk is as much like you [Frank] as ever, I am always glad to see him on that account.”

Here we get a personal view of what Jane Austen liked in sermons: not too much emotion, but enough to show that the preacher is speaking from his heart. It reminds me of a section in her unfinished novel The Watsons, where Emma’s father, a clergyman, commends the sermon of the local minister (Emma’s love interest). Sermons were generally “read”:

“He [Mr. Howard] reads extremely well, with great propriety, and in a very impressive manner, and at the same time without any theatrical grimace or violence. I own I do not like much action in the pulpit; I do not like the studied air and artificial inflexions of voice which your very popular and most admired preachers generally have. A simple delivery is much better calculated to inspire devotion, and shows a much better taste. Mr. Howard read like a scholar and a gentleman.”

Mr. Sherer would have lived in this vicarage (also called a parsonage) close to the church. It is possible that Mr. Collins’s rectory is partially based on this building. It was enlarged in the 19^th century.

Austen continues in the same letter,

“But the Sherers are going away. He has a bad Curate at Westwell, whom he can eject only by residing there himself. He goes nominally for three years, and a Mr. Paget is to have the Curacy of Godmersham—a married man, with a very musical wife, which I hope may make her a desirable acquaintance to Fanny.”

A curate was an assistant or substitute clergyman, generally paid a low salary. Mr. Sherer will hold the office of vicar of Godmersham for life, unless he resigns it. But he can hire a curate to take his place while he resides in another parish for which he is presumably also rector or vicar.

Austen mentions several more visits by the Sherers until on Nov. 7 she says they are actually gone, although Mr. Paget has not yet come. As we often see in Austen’s novels, the clergyman was a central person in a country community.

Baptismal font and organ in the Godmersham church

This memorial on the church’s outside wall, to Susanna Sackree, the nursemaid who raised the Knight children after their mother’s death, was recently unveiled. Photo ©Deborah Barnum, 2025.

The Godmersham Church Today

Like so many English churches today, the Godmersham church is now combined with several other churches in the area, and they take turns hosting services. Our guide estimated that there are about three hundred people in the parish, and only 15 or 20 show up for regular Sunday services. However, larger crowds show up for events such as weddings, funerals, baptisms, and church holy days. The church is blessed to have funding from wealthy former owners of Godmersham Park who left money for the church.

Our guide said he loves the peace and quiet of the church area, and enjoys the changes in the seasons, seeing the snowdrops, the daffodils, and the holly berries. The Pilgrim’s Way from Winchester to Canterbury brings modern-day pilgrims down a path next to the church, where they can enjoy it also.

This lovely, historic country church welcomes visitors, but be sure to make arrangements beforehand. And check on visiting hours for the Heritage Centre.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

All photos in this post ©Brenda S. Cox, 2026 (except for Deb Barnum’s photo, which is labeled).

For Further Exploration

St. Lawrence the Martyr church at Godmersham

Brief History of the church

Services at the church

Detailed history of the Godmersham church (pp. 66-77, “The Church in Jane Austen’s Time” includes sketches of the church interior as Austen knew it. Note the huge box pews on p. 73. Austen would have sat in one of these when she was visiting her Knight relatives.)

The reference to Mr. Sherer’s church at Westwell may refer to this church in Kent.

Other Austen Family Churches

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

St. Swithin’s Walcot (Bath)

St. Paul’s Covent Garden (with links to other churches mentioned in Austen’s writings)

Posted in Anglican Church, Churches of the Austen family, Jane Austen's family, Jane Austen's religion, Jane Austen's World | Tagged Godmersham church | 2 Comments »

Godmersham: Inspiration for Pemberley?

February 23, 2026 by Brenda S Cox

By Brenda S. Cox

“I am all alone. Edward is gone into his woods. At this present time I have five tables, eight-and-twenty chairs, and two fires all to myself.”—Jane Austen writing from Godmersham, Nov. 3, 1813

Jane Austen’s brother Edward, adopted by wealthy relatives, inherited not one, but two extensive estates. Jane and her mother and sister eventually lived in a cottage at Chawton in the county of Hampshire, Edward’s secondary estate. You can still visit Chawton House and Chawton Church.

Godmersham Park

Jane and Cassandra often enjoyed the luxuries at Edward’s main residence at Godmersham Park, in the county of Kent. Edward, his wife Elizabeth, and their eleven children often needed the help and company of Edward’s poorer sisters. Sixty-one of Austen’s surviving letters (out of 161) were written either from or to Godmersham. Jane spent a total of ten months of her life at Godmersham.

Entrance to Godmersham Park today. American owners in the 1930s, Mr. and Mrs. Robert Tritton, remodeled the house. In Austen’s time it was three stories, with painted bricks on the front (which were turned around when the house was remodeled). The back and front of the house were reversed from today.

In 1808, Jane wrote of her brother James and his wife, “James and Mary are much struck with the beauty of the place” (June 15). She herself was enjoying ice cream, a Regency delicacy, and wine: “I shall eat Ice and drink French wine, and be above Vulgar Economy” (June 30). No doubt Elizabeth Bennet, once she marries Darcy, will enjoy such luxuries as well!

One of two “follies” at Godmersham Park built from two facades of white pillars that were originally at the front of the main house.

The Godmersham Park Heritage Centre is a small museum showcasing portraits, photos, and artefacts of earlier times.

Servant-Friends

Jane Austen made two friends among the servants at Godmersham. Anne Sharp was her niece Fanny’s governess; Jane later corresponded with her. Susannah Sackree was the children’s nurse. Both are often mentioned in Austen’s letters. For example:

“Pray say everything kind for us to Miss Sharpe, who could not regret the shortness of our meeting in Canterbury more than we did. I hope she returned to Godmersham as much pleased with Mrs. Knight’s beauty and Miss Milles’ judicious remarks as those ladies respectively were with hers.”—Jane Austen, Aug. 30, 1805

“Sackree is pretty well again, only weak. Much obliged to you for your message, &c.; it was very true that she blessed herself the whole time that the pain was not in her stomach. I read all the scraps I could of your letter to her. She seemed to like it, and says she shall always like to hear anything of Chawton now” —Jane Austen at Godmersham, Sept. 23, 1813

Memorial in the Godmersham church to Susanna Sackree, the Knight family’s beloved nurse. Sackree’s original memorial outside is illegible, so JASNA donated this parchment version. It calls her “faithful servant and friend for nearly 60 years” and says that at her own request the following was written on her tombstone: “Flee from evil, and do the thing that is good, for the Lord loves the thing that is good. Keep innocency, and take heed unto the thing that is right, for that shall bring a man peace at the last.” Then, “My dearest friends I leave behind/ Who were to me so good and kind/ The Lord I hope will all them bless/ And my poor soul will be at rest.”

One exhibit at the Godmersham Park Heritage Centre maps the living quarters of the servants and shows items they would have used.

The Library

Austen’s favorite part of the house, not surprisingly, was the extensive library. Like Darcy’s “delightful library” at Pemberley, it was “the work of many generations,” with Edward Knight “always buying books,” like Darcy, to add to it. Jane wrote:

“We live in the library except at meals, and have a fire every evening. . . . I am now alone in the library, mistress of all I survey; at least I may say so, and repeat the whole poem if I like it, without offence to anybody.”—Jane Austen at Godmersham, Sept. 23, 1813. The poem is “Verses on Alexander Selkirk” by William Cowper; Selkirk’s real adventures were the inspiration for Robinson Crusoe.

“The Comfort of the Billiard Table here is very great. It draws all the gentlemen to it whenever they are within, especially after dinner, so that my brother, Fanny, and I have the library to ourselves in delightful quiet.”—Oct. 14, 1813

The 1818 catalogue of the library lists more than 1200 books. The books in the library were removed to Chawton before Godmersham was sold in 1874. Most were later dispersed. The library’s bookshelves were removed and the area split into offices. The website “Reading with Austen” is an attempt to digitally recreate the library Jane Austen so much enjoyed.

Godmersham Park is now a college of the Association of British Dispensing Opticians (ABDO College) and is not open to the public. However, we were allowed to see the front rooms. Here you can see the collage of the old, classical decorations of the entry room and the newer apparatus of the opticians association.

Godmersham Park still has beautiful gardens. The grounds were once quite extensive, like those of Pemberley, and you can still roam around and see different types of gardens.

The “Lime Walk” is another lovely part of the Godmersham Park gardens. Emma walks in a lime walk at Donwell Abbey.

When Austen visited Godmersham, she attended church at St. Lawrence the Martyr parish church of Godmersham. On Thursday we explore that church.

All photos in this post ©Brenda S. Cox, 2026

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

For Further Exploration

Edward Austen Knight: A tightwad or a man with heavy responsibilities?

Godmersham Library—“Reading with Austen”—Search to see what books Jane might have read there, and see annotations in some of the books.

Reading at Godmersham: Edward’s Library and Marianne’s Books

Godmersham Park Heritage Centre

Godmersham Village

Godmersham Walking Tour

Godmersham Park, history of the house

Review of Godmersham Park, novel by Gill Hornsby

Godmersham Park: A Novel of the Austen Family, is based on the story of Anne Sharpe, governess at Godmersham and friend of Jane Austen.

More Godmersham Photos in this post by Deb Barnum

Regency Ice Cream and Ice Cream in Jane Austen’s Day

Posted in 19th Century Servants, Architecture, Edward Knight, Jane Austen's family, Jane Austen's World | Tagged Anne Sharpe, Godmersham Library, Godmersham Park, Sackree | 3 Comments »

Wild Jane Austen?

January 26, 2026 by Brenda S Cox

Book Review by Brenda S. Cox

“Loving Jane Austen, to me, is dependent on continuing to find something new to appreciate, mull over, research, or reconsider in her writings. What’s wild is that although her books don’t change, I do. . . . Reading, and loving, Austen’s fiction means something far different to me at fifty-seven than it did at seventeen.”—Wild for Austen, 262.

A few days ago we reviewed Living with Jane Austen by Janet Todd. Today we get a personal perspective from another Austen expert, Devoney Looser, giving her view of Jane Austen as ‘wild,’ in Wild for Austen.

*Wild for Austen* by Devoney Looser seeks to undermine stereotypes about Austen.

Wild for Austen: A Rebellious, Subversive, and Untamed Jane, by Devoney Looser

Devoney (DEV-uh-nee) Looser takes pride in being rather ‘wild’ herself. She dedicates this book to people in “the international roller derby community,” saying: “You got me rolling, knocked me down, and lifted me up, not only as Stone Cold Jane Austen [Looser’s roller derby name] but as a stronger and more joyful teacher-scholar.”

Devoney’s goal is to demolish the “myth of Jane Austen as a quiet, bland spinster.” She finds ‘wildness’ in Austen’s novels, in the lives of Austen’s connections, and in Austen’s ‘afterlives.’

Looser says ‘wild’ is ‘a linchpin word in Austen’s fiction.’ In the Oxford English Dictionary (OED), we find examples from Jane Austen for the earliest uses of ‘wild’ to mean ‘passionately or excitedly desirous to do something’ (Mrs. Palmer is ‘wild to buy all’ in S&S; Elizabeth is ‘wild to be at home’ in P&P; the Musgrove girls are ‘wild for dancing’ in Persuasion). ‘Wild’ can also mean ‘elated, enthusiastic, raving’ (“The men are all wild after Miss Elliot.”). The OED also defines ‘wild’ as ‘artless, free, unconventional, fanciful, or romantic in style,’ which Looser says characterizes Austen’s novels.

Looser also argues against the myth of “Austen’s fiction having been largely forgotten until 1870. It wasn’t.” Austen’s novels were apparently widely read and familiar throughout the 1800s. Looser gives examples, from the years following Jane’s death, of the novels mentioned in magazines, poems, and a court case. Here’s an example I like: “Mansfield Park was said to be the secretly chosen favorite (on private slips of paper) of seven distinguished literary gentlemen in 1862.” Looser has also found clear imitations of Austen in other stories published in the 1800s.

Chapters in Wild for Austen

Part I: Wild Writings

Introduction: Austen Gone Wild
Fierce, Wild, and Ruthless: Austen’s Juvenilia
The Controversial Case of Sophia Sentiment (a letter in her brothers’ periodical The Loiterer, possibly Jane’s first published work)
Running Wild: The Winning Immorality of Lady Susan
Wildest: Sense and Sensibility (1811)
Almost Wild: Pride and Prejudice (1813)
Bewildering Mansfield Park (1814)
Wild Speculation: Emma (1816)
Wild to Know: Northanger Abbey (1818)
The Young People Were All Wild: Persuasion (1818)
Wild-Goose Chase: Unfinished Sanditon (111)
Oh, Subjects Rebellious: The Watsons and Last Words

Part II: Fierce Family Ties (explores unexpected people and events among Austen’s family and acquaintances)

Jane, the Wild Beast, and the Progressive Burdetts
Cousin Eliza’s Statesman, Singer, and Spy (a lurid murder of Austen’s acquaintances)
The Leighs as Learned Literary Ladies (authors among Austen’s relatives)
The Sensational Shoplifting Trial of Aunt Jane Leigh Perrot
Three Austen Brothers and the Abolition of Slavery (new evidence about Frank, Charles, and Henry)
The Austen Family Legacy, Suffrage, and Anti-Suffrage (Austen descendants for and against the vote for women)

Part III: Shambolic Afterlives (how people have seen and adapted Austen since her death. ‘Shambolic’ means ‘chaotic.’)

Seeing Jane Austen’s Ghost
Sense and Sensibility Goes to Court (Quotes from S&S were used as evidence in an 1825 breach of promise suit, to support the idea that a woman would not fall in love with a much older man; counsel had obviously not read the whole book! Austen’s novels have also been cited in much more recent court cases.)
Jane’s Imaginary Lover in Switzerland (Fake news in 1886 went viral.)
Almost Pride and Prejudice: The Wild Films That Never Were
Wild and Wanton: The Rise of Austen Erotica
Loving (and Hating) Jane Austen
Coda: Austen After 250

Marianne sees Willoughby and is about to approach him with the “wildest anxiety.”

Personally, I found the first two sections the most interesting. I’m still not convinced that Austen’s novels are what I would call ‘wild,’ though the Juvenilia and Lady Susan certainly are! But Looser brought out many intriguing insights about each novel, looking at the use of ‘wild’ in the books.

For example, she shows Sense and Sensibility defying expectations of romance novels: “the doublings and triplings, twists and turns, and backstories and backstabbings keep readers constantly on their toes” (46). Marianne is the “wildest,” speaking to Willoughby in “the wildest anxiety.” But the point of the story, recognized by early readers, is that both men and women should have a balance of both sense and sensibility; they need “both finely tuned minds and warm, rebellious feelings.” The best books should also “embody the best of both qualities” (57).

Mansfield Park has the least ‘wild’ heroine of the six novels. However, in my own humble opinion, it has the largest cast of other ‘wild’ characters—Henry Crawford, who commits arguably the worst action of the villains by eloping with a married woman, breaking up Maria’s marriage with no intention of marrying her; Mary Crawford, who makes a dirty joke and considers adultery ‘folly’; and Maria, who marries a man she hates and leaves him for a man she has already seen to be trifling and insincere. Julia, of course, elopes, which was also considered ‘wild.’ Tom Bertram not only convinces his household to put on a morally questionable play, but is so wild he drinks himself almost to death. Looser says Mansfield Park may have been “a jarring reading experience” for 1814 readers. She considers the wildest thing about it to be “its prompting of lively, difficult arguments and rousing debates” (76).

Wild for Austen, by Devoney Looser, may help you see Austen, her writings, and her connections in a new light. Or give you fodder for lively arguments. Enjoy Austen’s ‘wildness’! (UK link)

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Book review, Jane Austen's World | Tagged Austen experts, Devoney Looser, Wild for Austen | 4 Comments »

Jane Austen, Bright and Dark?

January 21, 2026 by Brenda S Cox

Book Review by Brenda S. Cox

“It’s an inspiring example [of growing older]—to be amazed, amused, and to laugh while choosing to wear just what you wanted.”—Janet Todd, in Living with Jane Austen, talks about Jane “writing little spoofs and funny letters to entertain her nieces and nephews,” in her late thirties, when she can dress for her own comfort rather than having to please others.

Many authors celebrated Austen’s 250^th birthday with books giving their own slants on our beloved Jane Austen. Two university professors attracted my attention because of their high qualifications combined with reader-friendly writing. I knew Janet Todd’s name as the general editor of the authoritative Cambridge Edition of the Works of Jane Austen, the version I quote from for serious Austen articles. I knew Devoney Looser’s name as a vibrant speaker at JASNA AGMs. I enjoyed personally meeting and hearing both of them in September, one in England, one in Atlanta, Georgia. I enjoyed their talks so much that since then I’ve read both their books. Today I’ll review Todd’s book, and in a few days I’ll review Looser’s book.

Living with Jane Austen, by Janet Todd

Living with Jane Austen by Janet Todd is like a fun ramble in the countryside with the author. She explores words, ideas, themes, connections, and sidelights of Austen’s novels and letters. Her introduction examines connections between her life and Austen’s, and the meanings of ‘memory’ in the novels. The other chapters cover an extensive array of topics. I’ll give you a quote from each chapter as a little taste, to whet your appetite.

Chapters in Living with Jane Austen

The Brightness of Pemberley

(mostly on the significance and implications of country estates)

“In the novels published after Pride and Prejudice, Jane Austen will give her heroines many comfortable homes, though none so grand as Pemberley. In the last, Persuasion, however, she lets her heroine be married with no home to go to at all. . . . In this novel, the distinction is clear at least between a house and a home: the sailors can make a home on a boat, or in a rental for a few months in Lyme Regis, but Anne’s father, the landowner Sir Walter, can’t make one anywhere. . . . Anne Elliot understands that people are more important than property, and that they are not at all the same thing” (37).

The Darkness of Darcy

(mostly on patriarchy, with some extensive comparisons with feminist Mary Wollstonecraft’s writings and life)

“Is Darcy not Patriarchy itself, with all its glittering, merciless, unequal glamour?” (53) “The fact that as readers we delight in what both Darcy and Elizabeth have gained through the great property is the smudge of darkness I find at the heart of this lightest and brightest of novels” (57).

“Sir Thomas [Bertram of MP] is another patriarch in a big house frightening the vitality out of his dependants. Could he be Mr. Darcy, grown older, if he’d been foolish enough to marry Caroline Bingley instead of Elizabeth Bennet?” (or, I would say, if he’d married Anne de Bourgh . . . )

Talking and Not Talking

(mostly about the right and the wrong words, class, and wit)

“I revere Emma but something disturbs me. . . . Anyone who fears she might be an interloper, the not-quite-proper arrival in a new place will understand. . . . Mrs. Elton dropped abruptly into Highbury; loud Mrs. Elton, not quite ‘a lady’” (59). Ooh, can we relate to Mrs. Elton, of all people? Moving right along . . .

“As aware of rank as snobbish Emma, Elizabeth takes an opposite tack: where Emma disparages those beneath her—the Martins, Coleses and Eltons—Elizabeth mocks the ranks above her” (79).

Emma disparages farmer Robert Martin to Harriet, considering him too far below her rank.

Elizabeth Bennet, on the other hand, laughs at those above her in rank, like Lady Catherine de Bourgh.

Making Patterns

(patterns and connections that bring us deeper; includes comparisons of Northanger Abbey and Sanditon, Austen’s first and last written novels.)

“Austen’s late revising of Northanger Abbey possibly triggered the whole project of ‘Sanditon’. In which case, she’d be reversing the sexes: using the Henry Tilney—Catherine Morland dynamic to create (in the absence of Sydney Parker) the sober-minded Charlotte and fiction-addled, quixotic Sir Edward. Unlikely though it sounds, perhaps, after the gentleman has been chastened and reformed rather than the lady, these two might make a match. We’ll never know.”

Poor Nerves

(connections of mind and body; mental stress causing physical symptoms)

“Yes, the sun was hot, yes, Fanny [Price] had a headache. But it’s difficult for the reader not to see other factors at work. Fanny forgets to lock the spare room in the parsonage. We wouldn’t expect her to be so careless. Was she . . . already letting jealousy infect her mind because Edmund was away with Mary Crawford?” (115)

The Unruly Body

(illness, nursing, the skin, teeth, and headaches in Austen’s life and novels)

“If you want advice about teeth from Jane Austen, there it is: stay away from dentists” (147).

Into Nature

(weather, umbrellas, estate improvements, long walks)

“Dramatised in the novels, the Church of England becomes a matter of sermons and parsonages, ordination and tithes, but in the letters, underneath the worldly concerns, the Church emerges as a way of life, of experiencing life, like noting when Spring arrives, Autumn fades or Christmas approaches. It’s a very ‘moderate’ seasonal English way of being religious” (165).

Giving and Taking Advice

(advice from conduct books; advice in love; guidebook advice; writing advice)

Virginia Woolf wrote that ‘a woman must have money and a room of her own if she is to write fiction,’ but Austen’s experience was different. Based on Austen:

“If you intend to write anything, best not follow Virginia Woolf and wait for your own room and money and certainly not depend on inspiration, but do avoid much housekeeping” (185).

Being in the Moment

(moments of stillness in Austen, Wollstonecraft, Wordsworth, Cowper; comfortable moments with good food)

“In the finished novels, there are moments when the heroines step aside. . . Without being overtly religious, these moments, prayerful and cloistered, resemble a stoical Christian meditative state in which the mind becomes stilled. Perhaps the woman is simply ‘reasoning with herself’, perhaps trying to gain composure to cope with a disruptive emotion or endeavouring to arrange feelings so they can be investigated later—or just accepting emptiness” (199).

How to Die

(death in Austen’s fiction and in her life)

After quoting Cassandra’s comments on Austen’s death, Todd summarizes: “Fortitude in life, patience in death, kindness and gratitude in both” (232).

Afterword

(One of the gifts Austen has given her is an appreciation of home.)

“Jane Austen . . . might have preferred to be in Chawton churchyard near the cottage where she’d now be lying with her mother and sister. It might have seemed more like home” (235).

These are just a few of the delightful tidbits I appreciated. Some references to other books of the time were less familiar, but still interesting. The book is full of fascinating insights, connections, and thoughts about Austen’s life, words, and world. I recommend Living with Jane Austen by Janet Todd. (UK link)

For a further perspective, read “Jane Austen and Me.”

In a few days we’ll look at a different perspective on Austen, Devoney Looser’s Wild for Austen.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Book review, Jane Austen's World | Tagged Austen experts, Janet Todd, Living with Jane Austen | 2 Comments »

Book Review: A Guide to Regency Dress

January 12, 2026 by Rachel Dodge

As we enter the new year, I introduce to you a beautiful new book by Hilary Davidson called A Guide to Regency Dress: from Corsets and Breeches to Bonnets and Muslins. This book is a true gem, and it was the perfect gift (to myself) for Christmas. I am a fashion and textiles nut, and a huge fan of Davidson’s work, including her previous book Jane Austen’s Wardrobe.

This is one of my favorite new books of the past year, and I plan to use it as I read and research Austen’s novels and watch the film adaptations. Davidson provides a comprehensive glossary of terms related to fashion and clothing during Austen’s time, included beautiful photography to help illustrate various items. Seeing everything in one place makes this a Jane Austen fashion dictionary and encyclopedia that is both fascinating and beautiful. What might normally take me hours to research for one of my articles, I can now find easily in one place.

I particularly enjoyed the way the book is broken up into sections, with a detailed glossary in each section. The sections include Women, Men, Hair and Beauty, Jewellry (sic), and Textiles and Trimmings. Each section includes information and a full glossary with exquisite, full-color photos and illustrations. I enjoyed reading about the differences between items such as women’s stockings and men’s stockings. Women are often the focal point of Regency dress, but men’s clothing and dress is just as interesting. As a writer, I also appreciated Richardson’s extensive bibliography at the end of the book.

You can peruse this book anytime you want to learn more about dress in Austen’s day or find inspiration for your next Regency tea party, event, or ball!

Order Your Copy Here

About the Book

An accessible, fun, yet authoritative guide to male and female Regency fashion: Celebrated dress historian Hilary Davidson brings together nearly 20 years of research on Regency fashion in an illustrated guide for the first time. All the elements of the Regency wardrobe of both men and women―from coats, gowns and undergarments to shoes, accessories, beauty, hair and jewellery―are assembled, along with their textiles and trimmings.

A Guide to Regency Dress is an essential companion to navigate the fashion world of Jane Austen or re-create the Regency look. Here’s a look inside the book:

About the Author

Hilary Davidson is a dress, textiles, and fashion historian and curator. Hilary trained as a bespoke shoemaker in her native Australia before completing a Masters in the History of Textiles and Dress at Winchester School of Art (University of Southampton) in 2004. As a skilled and meticulous hand-sewer, she has created replica clothing projects for a number of museums, including a ground-breaking replication of Jane Austen’s pelisse.

In 2007, Hilary became curator of fashion and decorative arts at the Museum of London. She also worked on the AHRC 5-star rated Early Modern Dress and Textiles Network (2007-2009) and from 2011 has appeared as an expert on a number of BBC historical television programs, and as a frequent radio guest speaker in London and Sydney. From 2012, Hilary worked between Sydney and London as a freelance curator, historian, broadcaster, teacher, lecturer, consultant and designer, while working on a PhD in Archaeology at La Trobe University, Melbourne. In 2022, she moved to New York City to take up the role of Associate Professor and Chair of the MA Fashion and Textile Studies: History, Theory, Museum Practice at the Fashion Institute of Technology.

Hilary has taught and lectured extensively at the University of Southampton, Central St Martins, the University of Cambridge, the University of Glasgow, New York University London, The American University Paris, Fashion Design Studio TAFE Sydney and the National Institute of Dramatic Art, Sydney. Her previous books include Dress in the Age of Jane Austen (2019) and Jane Austen’s Wardrobe (2023).

Final Thoughts

When I attended my first JASNA AGM many years ago, I wore a beautiful Regency dress my mother sewed for me to the banquet and ball. I received a lot of compliments, but I only had a dress. Since then, I’ve slowly added to my “Jane Austen closet” with various accessories. Now that I have this book, I can continue to expand my collection until I can dress in Regency clothing from head to toe.

I could easily spend hours researching the fashion and textiles of Jane Austen’s era, and I hope others of you will find this new resource as fascinating as I do!

Rachel Dodge Bio

Posted in 250th Anniversary of Jane Austen, Book review, Clothes, Fashions, Jane Austen's World, Regency Etiquette, Regency fashion, Regency Life, Regency style, Regency Women, Regency World | 8 Comments »

Dear Readers: Merry Holiday Season and Have a Happy New Year’s Eve!

December 28, 2025 by Vic

Ah, ’tis the season for celebrations! And what a better way to recall our dear Jane’s 250th birthday celebration than during the month of December?

This link leads you to a 2006 post of holiday celebrations Jane would have enjoyed.

Then, this YouTube video features both Chawton Cottage and Chawton House, and will take you on a walk past the beautifully preserved houses that Jane and Cassandra must have seen during their walks through the village.

Posted in 250th Anniversary of Jane Austen, Christmas, Jane Austen's World | Tagged Jane Austen Christmas | 8 Comments »

Jane Austen and Music

December 20, 2025 by Brenda S Cox

Interview by Brenda S. Cox

“no one can be really esteemed accomplished [without] a thorough knowledge of music, singing, drawing, dancing, and the modern languages”–Pride and Prejudice

Jane Austen and Company, who have given us many fascinating series of talks, have been focusing on Austen and music this year. We asked Inger Brodey, Eric Bontempo, and Susan Ellen Ford to tell us more about that.

JAW: Thanks for joining us, Inger, Eric, and Susan. I understand that the three of you are directing the Jane Austen & Company program. Jane Austen & Co has been doing a series on Music and the Regency this year. Readers can watch and listen to the recordings here. Can you tell us about that?

Jane Austen & Co. did a series on Music in the Regency during 2025, and you can still enjoy the recordings online for free.

Eric:

Sure! Music making and music appreciation could be complicated—even contested—activities during the late eighteenth and early nineteenth centuries. In 2025, Jane Austen & Co. wanted to look at aspects of public and domestic music in the Regency period, and zero in on Jane Austen’s own musical experience. Back in February, we kicked things off with Jeff Nigro’s talk on “Georgian Fangirls” and the influence that Italian castrati had on Regency Music in England. Then, Gillian Dooley discussed music in Austen’s life and work, including some of what Austen would have played and sang. Kathryn Libin moved our series outward to women and musical education during this period. In April, Laura Klein discussed the evolution of keyboard music during this period and considered the music Austen was practicing when she was writing.

This fall, we’ve added three more events to the series. Lidia Chang from Colorado College gave an insightful talk on “Frivolity, Foppery, and the English Gentleman at Music.” And just two weeks ago, Jeanice Brooks from the University of Southampton delighted us with her talk exploring how music making shaped perceptions of people and lands far beyond the British home. The grand finale of the series came in late November when Penelope Appleyard and Jonathan Delbridge revealed the new song they have commissioned, recorded, and released to celebrate Jane Austen’s 250th Anniversary.

JAW: Tell us a little about one of those recorded events that our readers might enjoy listening to.

Grand finale of Music and the Regency, “A Song for Jane”

Eric: I think our grand finale to “Music and the Regency” is definitely worth watching. The 90-minute episode has a little bit of everything: Penelope Appleyard and Jonathan Delbridge performed live, and you can watch their stunning renditions of songs that Jane Austen loved and copied down in her family’s music books. They performed “Robin Adair” and a “Song for Burns” before delighting us with their recently commissioned setting of Austen’s teenage poem “Ode to Pity.”

In between performances, they walked us through the historical context of these songs, the musical instrument being played by Jonathan, and their connection to Jane Austen and her novels. It was fascinating, and if you watch until the end, you’ll notice that the audience Q&A kept the momentum going!

JAW: What are a few interesting things that you personally have learned from that series?

Lidia Chang’s episode on music and gender

Susan: One of my favorite episodes was the interview with Lidia Chang. She taught me a great deal about music and gender. I was interested to hear about how seldom amateur men would perform music, compared to women. She also drew connections to the few examples from the novels where men perform for private audiences.

JAW: What will the next series be?

Susan: Jane Austen & Company is launching a brand new series focusing on Jane Austen’s “Unsung Characters.” We are envisioning a series of presentations that explores Austen’s minor characters and the un-thought-of connections that may tie them together. We will be announcing the list of speakers and presentations soon!

JAW: A few months ago I reviewed your lovely new site, Jane Austen’s Desk. How is that going?

Eliza de Feuillide is now in the travel section of Jane Austen’s Desk.

Inger: Yes, we were very grateful for your review! Since then, we have added a few things to Jane Austen’s Desk. Most importantly, we’ve added a new traveller: Eliza De Feuillide, Austen’s first cousin and sister-in-law. We included a new hand-drawn portrait of her and programmed in most of her travels during Austen’s lifetime. We really wanted another female traveller, along with Fanny Palmer Austen, to indicate what we are calling Austen’s “vicarious travels.” We are countering the image of Austen living a sheltered existence by showing visual, interactive representations of how much her correspondents travelled, giving her vivid, second-hand experience of diverse regions of the world.

Susan: In honor of our new holiday campaign to raise funds, we also added some professionally recorded Christmas music, performed by Laura Klein on a period harpsicord, and some holiday greenery. Have you seen them yet? (You have to ignore, momentarily, the unseasonable weather for March 30.)

Under the painting for travel sits a thus-far mostly silent pianoforte on the website Jane Austen’s Desk. We can participate in bringing it to life!

JAW: I understand you are raising money for adding music to that site. What are you hoping to add? How will that enrich the site?

Inger: Music was key to Jane Austen’s creative process. As you know, in her years at Chawton Cottage, she got up early in the mornings to play her pianoforte and compose her thoughts. This Kickstarter will raise the funds necessary to give tribute to the specific music Austen knew, loved, and transcribed by hand. We will add interactive tools with access to this music to our free website, making it come alive for all kinds of Janeites. The music will be performed by professional performers on historical instruments. We will provide historic illustrations, information about composers and specific pieces, and crisp images of Austen’s own sheet music.

An exciting part of the plan is to link the mentions of music in the novels to recordings by Laura Klein, and vice versa. So when you read about Mary Crawford playing a glee, for example, you can play an example and learn about what glees are. It’s an important dimension of our plan to show how the many different parts of Austen’s lived experience come together in her masterful novels.

JAW: That sounds fantastic, Inger. Why do you need to raise the money with a Kickstarter?

Inger: The design and building of our site has been primarily funded by two “Digital Projects for the Public” grants from the National Endowment for the Humanities. We were hoping for the largest, phase 3 grant in this line, but the whole program has been cancelled at the NEH, so we are forced to look elsewhere for our funding. What we really need is a patroness!

JAW: Lady Catherine de Bourgh, take note. Or perhaps someone who has “more true enjoyment of music” than she does, or “better natural taste”! How can our readers contribute, if they wish?

Inger: Our Kickstarter campaign is at: https://www.kickstarter.com/projects/janeaustencoll/adding-music-to-jane-austens-desk. On that site there are also two videos: one about our team that is making Jane Austen’s Desk and the other about the goals of our project. Kickstarter campaigns are all or nothing, so if we don’t meet our target by December 28th, then we don’t receive any of the promised funding! It’s a little nerve-wracking!

JAW: We very much hope you get all your need! Readers and music lovers, here’s an opportunity to contribute. Inger, Eric, and Susan, thanks for all your hard work to make so much great material available to us in such a fun way. (I vote that you do embroidery next 😊, but the music, “a very innocent diversion,” will be delightful!)

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Jane Austen's World, Music, Music popular in Jane Austen's lifetime, Music review, Regency Period | Tagged Jane Austen music series, Jane Austen websites, Jane Austen's Desk | 3 Comments »

More Birthday Events for Jane Austen!

December 18, 2025 by Brenda S Cox

By Brenda S. Cox

“One cannot have too large a party.” —Mr. Weston, Emma, volume 3, chapter 6

Happy Birthday all year long, dear Jane!

On Austen’s birthday, Dec. 16, we visited a few of the many events for Jane Austen’s 250^th birthday this year. Here are a few more that my friends have attended:

July: Jane Austen Festival in Cincinnati, Ohio

(Reported by Christel Ford)

The yearly Jane Austen Festival in Louisville, Kentucky moved to Cincinnati, Ohio this year. The venue was the Heritage Village Museum, where sessions were held in historic buildings. The Post Office had examples of period letters, with docents answering questions about mail service of the period and letters.

Many attendees wore beautiful period clothing. A tent village offered many types of shops. Dresses, hats, fabric and sundries were for sale.

A print shop demonstration of printing at the Cincinnati Jane Austen Festival was fascinating and informative.
Photo ©Christel Ford, 2025

Many different lectures about the period were offered, including a side saddle demonstration and a display of antique clothing with embroidery. Costume expert Ann Wass was one of the speakers at the Cincinnati Jane Austen Festival.
Photo ©Christel Ford, 2025

Participants at the Cincinnati Jane Austen Festival experienced period games, such as this game of graces, played by Christel Ford and Melissa Johnson.
Photo ©Christel Ford, 2025

Next year’s Festival will be in April; get your costumes ready!

June to September: A Lively Mind: Jane Austen at 250 at the Morgan Library and Museum in Manhattan, NY

(Reported by Renata Dennis, JASNA regional coordinator for Georgia)

A Lively Mind: Jane Austen at 250 at the Morgan Library.
Photo ©Renata Dennis, 2025

Many Janeites traveled up to New York City to see the fantastic exhibition hosted by the Morgan Library for Jane’s 250^th birthday. A group from our Georgia region visited together on the opening weekend. Renata Dennis said the exhibit was jam-packed with fascinating materials. She enjoyed seeing everyday objects like letters, maps, a ledge of expenditures, and a reproduction of Jane’s pelisse. The exhibit addressed different aspects of Jane’s life, her family, life in England at that time, and her relationships. It also included her books in different languages and adaptations.

Some highlights were silhouettes of Jane’s parents, some of her music manuscripts, letters, and literary manuscripts, her turquoise ring, first editions of Emma and Mansfield Park, early illustrations of Sense and Sensibility, and much more.

The exhibition website says:

“A Lively Mind immerses viewers in the inspiring story of Jane Austen’s authorship and her gradual rise to international fame. Iconic artifacts from Jane Austen’s House in Chawton, England join manuscripts, books, and artworks from the Morgan, as well as from a dozen institutional and private collections, to present compelling new perspectives on Austen’s literary achievement, her personal style, and her global legacy.”

Replica of Jane Austen’s desk, with wallpaper from her house, at the Morgan exhibition.
Photo ©Renata Dennis, 2025

Scholar Juliette Wells of Goucher College (which has a fantastic collection itself) shows visitors Austen letters at the Morgan exhibit. At the JASNA AGM, Wells talked about the intricacies of identifying various artifacts related to Austen.
Photo ©Renata Dennis, 2025

Silhouettes of George and Cassandra Austen at the Morgan exhibit.
Photo ©Renata Dennis, 2025

Harewood House, Leeds, England: Austen and Turner: A Country House Encounter

(Reported by Lori Mulligan Davis)

In 2025, Harewood House celebrated the 250^th birthdays of two national icons, Jane Austen and painter J.M.W. Turner. They never met in life, but they mingle daily in wallets, with Turner on the £20 and Austen on the £10 banknote. Working with the Centre for Eighteenth Century Studies at the University of York, Harewood House Trust exhibited artworks and artifacts on topics of interest to Austen and Turner, including domestic tourism of country houses, the rising importance of sociability, the rage for the picturesque landscape, and the results of empire and slavery. Many first-time guests coming for Austen or Turner were equally glad to experience one of the finest of England’s great estates.

House porter John Jewell’s *The Tourist’s Companion, or the History and Antiquities of Harewood*, 1819, offering household staff, particularly the housekeeper (think: Mrs. Reynolds), information for conducting weekly tours of house and furnishings to the public.
Photo ©Lorraine Mulligan Davis, 2025.

In the early 19^th century, visitors to nearby Harrogate would tour Harewood House, even purchasing souvenirs like this hand-painted traveling writing set.
Photo ©Lorraine Mulligan Davis, 2025.

One of Anya Taylor-Joy’s handsome, clever, and rich costumes from the *EMMA.* 2020 movie, displayed at Harewood House.
Photo ©Lorraine Mulligan Davis, 2025.

The unfinished manuscript of *Sanditon*, written just months before Austen’s death. Harewood House commissioned Lela Harris to depict *Sanditon’s* Miss Lambe, Austen’s only character said to be of African heritage. The unfinished portrait reflects Austen’s unfinished novel and the systematic erasure of women of color from archival spaces.
Photo ©Lorraine Mulligan Davis, 2025.

Many, many more events around the world celebrated Jane Austen’s 250^th birthday this year. I hope you got to attend some of them! Tell us about your favorites!

Jane Austen Events

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in 250th Anniversary of Jane Austen, Jane Austen Festival, Jane Austen's World | Tagged A Lively Mind exhibit, Austen and Turner Country House Encounter, Harewood House, Jane Austen Festival Cincinnati, Morgan Museum | 2 Comments »

Happy 250th Birthday, Jane Austen!

December 16, 2025 by Brenda S Cox

By Brenda S. Cox

“One cannot have too large a party. A large party secures its own amusement.”–Emma

2025 has been a full year of celebrating Jane Austen’s 250^th birthday. Janeites around the country are having a wide range of parties for Jane this month. Here in Atlanta, our group held a fantastic one day conference in September, besides our December birthday party which included a dance demonstration. Some of our public libraries have had special Austen events throughout the year, ranging from a pre-release screening of Miss Austen, to film versions including Pride and Prejudice and Zombies and the Laurence Olivier Pride and Prejudice, to special talks by authors and fashion experts. They also gave out free copies of Austen’s novels to library visitors.

I had the privilege of attending three major Austen events this year.

June: JASP

In June the Jane Austen Summer Program explored Sensibility and Domesticity with great discussions, lots of dancing, and a display of early editions of Austen’s novels and contemporary books she would have read. I posted about that in July.

A sample of Jenny Batchelor’s beautiful Austen-period embroidery. She taught two workshops and gave a plenary talk on Transatlantic Domestic Arts at JASP 2025.

September: Jane Austen Festival in Bath

Soldiers lead 2,000 people in Regency dress who promenaded through Bath for the 2025 Jane Austen Festival.

In September, I had the privilege of speaking at Bath Abbey during the Jane Austen Festival. This was the biggest one yet. The Promenade through Bath in Regency dress sold out at 2,000 wristbands almost immediately. Eight balls, eight dance workshops (some focused on specific types of dance, like waltzes or cotillions), and two assemblies (with dancing) also sold out rapidly. (At hefty prices—balls cost from £65 to £135 per ticket!) We enjoyed plays and musical programs in the evenings. The Theatre Royal (which Austen attended) showed a delightful version of Emma. Many ladies and gentlemen strolled around Bath in Regency dress all ten days of the Festival. A “pleasure garden” was recreated one evening, with appropriate foods and drinks, entertainers, and even fireworks at the end.

Fire dancer at the Bath Pleasure Garden during the 2025 Jane Austen Festival.

“Book clubs” discussed each of the novels. Hands-on activities gave opportunities to make bonnets, reticules, hairpieces, hussifs (sewing kits), dresses, visiting cards, or parasols; to stargaze, fence, shoot with bows and arrows, or play croquet, whist, and other Regency games; or to sing Austen’s favorite songs, write letters with a quill, bind books, or dye fabric with plants and flowers. Minibus tours took attendees to Meryton, Longbourn, Chawton, Steventon, and Winchester. Walking tours around Bath featured various themes including “What about the Workers?” and “Life and Death in Georgian England.”

A gentleman dressed as Mr. Collins, at “Sew Chatty,” where people brought their sewing projects and socialized, as Austen and her characters socialize over their “work,” their sewing.

Of course I loved the talks by Austen authors and experts. In “Assembly and Diversity in Jane Austen’s Bath” I learned that the Upper Assembly Rooms were established, by subscription, to be open to everyone, not just exclusively for the upper classes—the most inclusive venue in Georgian Britain, according to Dr. Tim Moore. At “Dye and Colour in Regency Life,” I learned that green was a difficult color to create, and they used copper arsenic for it, surrounding people with poison! Every talk I attended brought fascinating new knowledge.

In the Bath Guild Hall, the Jane Austen Dancers prepare to show the intricacies of assemblies, public and private, in Austen’s time.

On the first Sunday, I was glad I arrived early for the free Regency Church Service in Bath Abbey. It was so full they had to turn people away at the doors. I had had the privilege of giving the staff some guidance on what a Regency service would have been like, and was delighted at the beautiful service. (The clergymen even used some material from my book, Fashionable Goodness!) Later that week I had a lovely discussion in the Abbey with those who attended my talk on Hannah More, whom Jane Austen’s friends were “reading with delight.”

Stephen Herring led special tours of Bath Abbey highlighting memorials to people connected to the Austen family. His wife Jackie Herring wrote *Jane Austen’s Bath Abbey*, giving us those people’s stories.

October: JASNA AGM

For Janeites in America, the JASNA AGM is always a highlight of the year. This one was the biggest ever, with 950 in-person attendees in Baltimore and about 225 on livestream. Our plenary speakers were all superb: Paula Byrne (The Real Jane Austen: A Life in Small Things), Juliette Wells (A New Jane Austen: How Americans Brought Us the World’s Greatest Novelist), Vanessa Riley (Island Queen and other Regency fiction based on real women of color); and John Mullan (What Matters in Jane Austen?).

950 attendees at the 2025 JASNA AGM in Baltimore listen raptly.

A panel of well-known authors discussed Austen’s genius (Janine Barchas, Inger Brodey, Collins Hemingway, and Devoney Looser). And, as always, a fantastic lineup of breakout sessions, special sessions, workshops, tours, and dancing gave us many challenging choices, since we couldn’t do everything!

At the final brunch, John Mullan tells the 2025 JASNA AGM about “Austen’s Choice of Words,” ranging from her use of exclamation marks to her pioneering use of new words.

I loved hearing Susannah Harker, a special guest, talk about her role as Jane Bennet in the 1995 Pride and Prejudice. Did you know that she was pregnant all during filming, so they had to film her very carefully to not show that? Or, have you ever noticed that Darcy rides a black horse at the beginning of the movie, and a white horse later on? I had to rewatch the movie to confirm this; what a sacrifice! 😊

Susannah Harker tells us about playing Jane Bennet.

A special offering this year were pop-up museums. We got to see some of the artefacts discovered in an archaeological dig at Steventon (as well as a talk on how they are developing a virtual version of the Steventon rectory). Caroline Knight brought treasures from the Knight family. Candice Hern shared some of her lovely items that would have been carried in a reticule. Alden O’Brien shared garments of the time. And much more.

Caroline Knight shows Knight family treasures in an AGM pop-up museum.

As one example of a special session, Dan Macey talked about the variety of smells of the time, most of which were bad (think tanneries, chamber pots, slaughter houses, poor hygiene, tallow candles, mutton . . .). But at the end we all got to smell a perfume used at the time, still produced by a perfumer from the 1700s (DR Harris & Co.)

Mackenzie Sholtz teaches a group how to make Regency pin holders.

I got to participate in a “pecha kucha,” a Japanese presentation style that has become very popular worldwide. Three of us had ten minutes each to give the headlines of a talk (20 seconds per slide). I spoke on Hannah More, Nili Olay spoke on LM Montgomery (Anne of Green Gables), and Joy Prevost spoke on AI imaging trying to capture Austen’s genius. People seemed to enjoy these quick talks, and asked great questions at the end. Regular breakout sessions explored topics ranging from philosophy to headgear and shoes to Jane Austen’s “Genius of Place.” (Did you know Austen consulted atlases to find appropriate place names for her fiction, such as situating Highbury in an area with many towns ending in -bury? Hazel Jones told us all about this; she will be one of the keynote speakers next year.)

Next year’s AGM will be in Tuscon, on the “Bath Novels,” Northanger Abbey and Persuasion.

All these events included great shopping arcades. Here are just a few of my favorite acquisitions: an amber cross on a ribbon (like Fanny Price’s) from JASP; a Jane Austen Lego set (40766) from the Festival Fayre in Bath; and an Austen calendar (with dates identified by things that happened in Austen’s life or novels) from the AGM (Wisconsin region does these every year). The 250 pin is also from the AGM.

What have you been doing to celebrate Jane’s 250^th birthday? Let us know in the comments. In a few days I will share a few more events that my friends have attended this year.

If you’re looking for Christmas gifts for the Austen-lovers you know, check out these options.

All photos ©Brenda S. Cox, 2025; please request permission for re-use.

I was not able to track down everyone in all these photos. If you were at one of these large events and you object to your photo appearing here, please contact me through my website and I will take the photo down immediately. (Or if you want your name added to the photo description!)

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in 250th Anniversary of Jane Austen, Jane Austen Festival, Jane Austen's World, JASNA AGM 2025 | Tagged Austen Events 2025, Austen speakers | 7 Comments »

Coming Soon: Birthday Tales for Jane Austen’s 250th

November 29, 2025 by Vic

Inquiring Readers: One of our most loyal readers is publicist and author Denise Stout Holcomb. She leaves her comments on almost every post on this blog as far back as I can recall. Denise recently sent us this alert for a new book coming out at the end of this month: To Mark the Occasion: Birthday Tales for Jane Austen’s 250th. What a wonderful gift for this important month celebrating Austen’s life. – Vic

Celebrate 250 years of Jane Austen with a thoughtful collection of birthday tales inspired by her unforgettable characters!

Order Your Copy Here

In honour of Austen’s milestone jubilee, ten Austenesque authors reimagine the lives—and fêtes—of her most beloved (and occasionally infamous) creations. Join the festivities for Pride and Prejudice favourites such as Mr Darcy, Elizabeth Bennet, Mr Bingley, Charlotte Lucas, Kitty Bennet, and Georgiana Darcy, celebrate Captain Wentworth’s long-awaited occasion after Persuasion, attend the debut of Mansfield Park’s Mary Crawford, while two funerals and a birthday return us to Northanger Abbey.

Each story sparkles with wit, warmth, and a few surprises in the spirit of dear Jane. Brimming with humour, romance, and a keen understanding of the human heart, To Mark the Occasion: Birthday Tales for Jane Austen’s 250th is an enthusiastic tribute to Austen’s enduring genius—and a joyful reminder that every year (and every story) is worth celebrating.

All proceeds from this anthology will be donated to Jane Austen Literacy Foundation.

Foreword by Caroline Jane Knight. Below sit links to Caroline’s connection to her famous aunt Jane.

“Caroline is the fifth great niece of Jane Austen, and is the last of Jane’s nieces to grow up in Chawton House, in the South of England, on the family’s ancestral estates where Jane herself lived, wrote and published her most famous works…

Caroline has unique insight into the life, works and family of a literary icon. The worldwide celebrations of the 200-year anniversary of Pride & Prejudice in 2013 inspired Caroline to establish the Jane Austen Literacy Foundation to harness the passion for Jane Austen and support the practice of literacy across the world, in honour of Jane. ..

Click here to read Caroline’s Story, a Q&A interview with Ms Knight on the Jane Austen Literacy Foundation website.

Click here to join Caroline’s FB page

Authors:

Melissa Anne * Christina Boyd * P. O. Dixon * Cathleen Earle * Harry Frost * Susan Kaye * Melanie Rachel * Denise Stout * Bethany R Tolson

Editor:

Zarilda Belle Frost

Posted in Book review, Jane Austen's World | Tagged Caroline Jane Knight, Jane Austen Literacy Foundation, Jane Austen's 250th Birthday | 5 Comments »

Book Review: The Austens, by Sarah Emsley

November 19, 2025 by Brenda S Cox

Reviewed by Brenda S. Cox

I very much enjoyed Sarah Emsley’s new novel, The Austens. It is written as a series of first-person diary entries and letters, mostly invented, but based on solid research. It shows the relationship between Jane Austen and her younger brother Charles’s wife, Fanny Palmer Austen.

Sarah Emsley gives us deep insights into the lives and struggles of women of Austen’s time. We see contrasts and commonalities between the lives of a young naval wife and mother traveling the world, and an unmarried author living with her family in rural Hampshire.

*The Austens*, a new novel by Sarah Emsley, tells the story of Jane Austen and her sister-in-law Fanny Palmer Austen in a series of letters and journal entries.

We asked Sarah Emsley, who lives in Canada and has explored the Austen connection to Nova Scotia, to tell us more.

Jane Austen’s World: Sarah, what led you to write this book? Why did you choose Fanny Palmer Austen as the second main character?

Sarah Emsley: The striking contrasts between the lives of Jane Austen and her sister-in-law Fanny Palmer Austen sparked my imagination, leading to The Austens. I wanted to tell a story about the Austen family set partly in North America and to focus on sisterhood and friendship.

While Jane is writing fiction in England, not knowing if any of her novels will ever be published, Fanny is sailing from Bermuda to Nova Scotia and back again, and eventually to England. She is dealing with the challenges of pregnancy and childbirth and caring for her young daughters.

No letters between the two of them survive, and that gap seemed an area worth exploring in fiction. I imagined Jane and Fanny developing a friendship through letters sent across the North Atlantic and then meeting in person the summer before Sense and Sensibility was published.

Also, as I researched The Austens, my own first novel, imagining my way into the story, I found my heroine Fanny asking Jane urgent questions about her books: What was left out? What might happen to her heroines after the happy endings?

From the beginning of my work on The Austens, the voices of both Jane and Fanny were central. I don’t think it could have been a novel about just one heroine or the other.

JAW: What do you admire most about Fanny Austen?

I like and admire Fanny Austen’s courage in doing the best she could to adapt to the challenges and uncertainties of her husband’s naval career. Like Mrs. Croft in Persuasion, she and other naval wives learned that “We none of us expect to be in smooth water all our days.”

JAW: How long did it take you to research and write the book?

Eighteen years! When I began, I had no idea it would take that long. It wasn’t my only project during that period, but it was the main one. I worked on it steadily over all those years. I learned through experience that books need to take the time they take. The writing and publishing process are different every time, for every book and every writer. I sort of knew that before, from writing and publishing nonfiction, but this novel taught me far more about patience and persistence. I cared so much about the Austens, Jane and Fanny and their extended family, that I couldn’t give up on them.

Sarah Emsley spent 18 years working on *The Austens*, which is set in England, Bermuda, and her native Halifax, Canada.

JAW: There are many books on Jane Austen and her family. What makes yours unique?

My novel has a particularly North American flavour because it’s set on this side of the Atlantic as well as in England, during Jane Austen’s lifetime. I was inspired to begin the book when I learned about the Austen family’s connections with my hometown of Halifax, Nova Scotia at the 2005 Jane Austen Society (UK) conference. The organizer was Patrick Stokes, a direct descendant of Charles Austen and Chairman of the Society. He had asked the archivist at St. Paul’s Church in Halifax to search for the baptismal record for Charles and Fanny’s first daughter, Cassy.

I was a parishioner at St. Paul’s and got married there. I had written a short, illustrated history of the church in 1999, without knowing about the Austen connection. Details of Cassy’s baptism were first published by Sheila Johnson Kindred in Jane Austen and the North Atlantic, a collection of conference papers I edited for the Jane Austen Society in 2006.

When I began my novel in 2007, I did extensive research on the Austen family and their historical period. I had already visited Austen-related sites in England. I began to visit Austen-related places in my own hometown, including Government House in downtown Halifax, featured on the cover of The Austens. Those visits were among the many joys of working on this book.

JAW: What was the hardest part of this book for you to write?

The Harris Bigg-Wither section, near the beginning of The Austens, was the hardest to write. In early drafts, I used a flashback to 1810 to show Jane accepting and rejecting his marriage proposal. I wasn’t satisfied with that approach, and I kept going back to imagine what it might have felt like for her to live through those painful hours. Early in 2019, after almost twelve years of work, I finally wrote a draft of this section I liked. Then I revised it many more times before the book was published.

One of the hardest parts of writing this book was figuring out where to begin the story! Some of the earliest drafts began with Fanny’s perspective in 1809. As I worked, I saw where I needed to expand and deepen the story, going further back in time.

JAW: What was the most fun part of the book to write?

I loved bringing to life the ball at Government House. Fanny wrote to her sister Esther that this ball was “splendid” (12 June 1810). She also referred to Captain Pechell, one of Charles’s brother officers, as her “very great favorite” (14 August 1810). (You can read these letters in Sheila Johnson Kindred’s biography, Jane Austen’s Transatlantic Sister: The Life and Letters of Fanny Palmer Austen.) It was such fun to research and write this scene.

I pictured Fanny arriving at Government House with her husband on a chilly evening in June, wishing she could linger with him in the garden. But she knows she must follow him into the ballroom and socialize with Admiral and Lady Warren and other guests. Each time I visited Government House, I could see Fanny there, dancing with Captain Pechell, playing cards with Lady Warren, and feeling naïve and excluded from the inner circles of Halifax society when she hears about a scandalous poem.

Emsley chose to write in the voice of Fanny Palmer Austen, wife of Charles Austen. Painting by Robert Field, public domain, via Wikimedia Commons

JAW: Why did you choose to write in the first person as Jane Austen? What source material did you use to echo her voice? How difficult was it to get into the mind of the author?

When I began to work on this book, I wrote in third person—first person didn’t even occur to me. I suppose it was too intimidating to think of writing in the voice of Jane Austen, one of the greatest writers of all time. At the same time, I was trying to write a novel that would look and sound sort of like an Austen novel. Paradoxically, then, I was trying to echo her voice, style, and structure too closely.

Through research and immersion in Jane Austen’s world for many years, I got a good sense of what she might have been thinking and feeling. However, I was at first too scared to say any of it from her point of view. But after about twelve years (!), once I had worked out the shape of the plot, I decided to try writing in the first person. I wanted to see what Jane would sound like, and that transformed the novel. Reading, and rereading, her letters and teenage writings helped me find the voice I wanted.

Jane herself gave me courage, especially through her strong heroines, Fanny Price and Elizabeth Bennet. I needed to stay true to my vision of this story, told from inside the minds and bodies of my two heroines. I found my own voice, and allowed myself the freedom to include letters, newspaper clippings and notices, and other pieces of writing. Once I invented letters from Jane to Fanny and from Fanny to Jane, it felt natural to write longer chapters also in the first person.

Figuring out how to write in both Jane’s voice and Fanny’s voice was part of the long, eighteen-year process of helping the novel find its best possible shape.

Thanks very much, Brenda and Vic, for the opportunity to talk about The Austens!

Brenda: Thank you, Sarah, for your insightful answers.

Gentle readers, I think you will love The Austens, as I did. No matter how well you know Jane Austen, it will give you new perspectives on her novels, her life, and the life of her sister-in-law. You may also enjoy Sarah Emsley’s blog.

You can find the book at:

Jane Austen Books,

Woozles (signed copies, personalized on request, for shipping in the United States and Canada)

Bookmark (signed copies, personalized on request, for shipping within Canada)

Amazon in the UK (available in March, 2026)

ebook from:

Amazon in the US (Kindle only right now, paperback later)

Barnes and Noble

In brief:

The Austens: Jane Austen chooses art and the freedom to write fiction instead of marrying for money and thereby selling her body and soul, while her sister-in-law Fanny chooses to marry for love. Their disagreements about work and family threaten their friendship in a world that is hostile to art and love, and even the idea of a woman making a choice.

Sarah Emsley is the author of Jane Austen’s Philosophy of the Virtues and the editor of Jane Austen and the North Atlantic. She lives in Halifax, Nova Scotia, with her family, and she writes about Austen and other authors she admires at www.sarahemsley.com. The Austens is her first novel.

Happy reading!

Posted in Book review, Jane Austen's family, Jane Austen's World | Tagged Austen family fiction, Canada, Halifax, Sarah Emsley, The Austens | 9 Comments »

Praying with Jane Audiobook with Amanda Root

November 6, 2025 by Rachel Dodge

In honor of Jane Austen’s 250th anniversary year, I’m happy to announce a new audiobook project: The Praying with Jane Audiobook featuring narration by actress Amanda Root and author Rachel Dodge (yours truly). Published by ONE Audiobooks, this title is available on all major audiobook platforms.

Amanda Root is best known by Austen fans around the world for her starring role as Anne Elliot in the acclaimed 1995 BBC adaptation of Jane Austen’s Persuasion. Root claimed audience hearts opposite Ciarán Hinds, as Captain Wentworth, and has held them ever since.

Proceeds from this anniversary project will be donated directly to the Jane Austen House Museum to further Jane Austen’s lasting legacy.

*Persuasion* film adaptation with Amanda Root (1995).

Amanda Root and Rachel Dodge, Kansas City AGM.

Audiobook Description

In this 31-day devotional, you will get an in-depth look at Jane Austen’s prayers. Her faith comes to life through her exquisite prayers, touching biographical anecdotes, intimate excerpts from family letters and memoirs, illuminating scenes from her novels, and spiritual insights. Austen’s prayers read by British film and voice actress Amanda Root; text read by author Rachel Dodge.

You can listen to a sample of Jane Austen’s Prayer 1 here, read by actress Amanda Root:

Purchase Here

Proceeds will be donated to the Jane Austen House Museum.

Amanda Root Bio

Amanda Root is an English stage and screen actress and a former voice actress for children’s programs. Root is known for her starring role in the 1995 BBC film adaptation of Jane Austen’s Persuasion, her role in the British TV comedy All About Me (2002), as Miranda, alongside Richard Lumsden in 2004, and for voicing Sophie in The BFG (1989). She trained for the stage at Webber Douglas Academy of Dramatic Art. (IMBD Mini Bio)

Rachel Dodge Bio

Posted in 250th Anniversary of Jane Austen, Anglican Church, Inspired by Jane Austen, Jane Austen audio books, Jane Austen Early Life, Jane Austen's Influences, Jane Austen's religion | Tagged Book review, books, jane austen, literature, Persuasion | 1 Comment »

Book Review: The Worlds of Jane Austen: The Influences and Inspiration Behind the Novels

October 20, 2025 by Rachel Dodge

This week I’d like to introduce you to a new book by Helena Kelly called The Worlds of Jane Austen: The Influences and Inspiration Behind the Novels. This book caught my eye, initially, because of its beautiful cover – yes, I admit it! I do judge a book (first) by its cover. But more than that, I was intrigued by the idea that Jane Austen’s novels reveal deeper influences that we might not realize without careful digging.

Austen lived through many historically significant moments, and though Austen doesn’t discuss war or politics or social issues in detail in her novles, Kelly asserts that Austen’s “sharp, observant fiction reveals just how engaged she was with the issues of her time.”

Kelly’s chapter titles include: “The Rectory,” “The Revolution,” “Army and Navy,” “Give a Girl an Education,” “City,” “Countryside,” “Seaside,” and “Empire and Slavery.” Three additional chapters are titled “Legacies,” “Austenmania,” and “Present Day.” Kelly explores the various facets of each topic in detail, providing key examples from Austen’s novels to show the way each influence plays a part in her writing, which is always my favorite part.

ORDER YOUR COPY HERE

About the Book

The Worlds of Jane Austen invites readers to see one of Britain’s most beloved authors in a completely new light. Far from the quiet world of country houses and tea parties, Austen lived through revolution, war and major social change, and her sharp, observant fiction reveals just how engaged she was with the issues of her time.

This lively and accessible guide explores the people, politics and places that shaped Austen’s life and work. It features expert insight from bestselling author Helena Kelly alongside over 150 photographs, artworks and illustrations that bring her world vividly to life.

Whether you are discovering Austen for the first time or returning to her novels with fresh eyes, The Worlds of Jane Austen is the perfect companion for curious readers, literature lovers and admirers of classic storytelling.

About the Author

Helena Kelly holds a doctorate in English Literature from Oxford, where she has also taught from time to time and where she is about to return for a visiting scholarship at the Oxford Centre for Life Writing at Wolfson College.

She is the author of The Life and Lies of Charles Dickens (November 2023), already praised by Kirkus Reviews as ‘a literary bio that deftly untangles truth from untruth’, and of Jane Austen, the Secret Radical (2016), hailed as ‘a sublime piece of literary detective work’ (The Observer) and ‘an interpretive coup that is dazzling and dizzying’ (The New Yorker).

Additional Influences

I enjoyed this book tremendously and learned a great deal. I was familiar with some of it, but there were many new areas of information for me to delve into. I do have a few additional area of inspiration and influence I would be curious to investigate further as well.

In Kelly’s words, “Book could teach you almost anything.” I would have appreciated an additional chapter or section devoted to the books Austen read in the chapter about education for women and Austen’s personal education. After all, we are what we read. Our opinions and convictions are a compilation of our influences, and many of those ideas for Austen came through extensive reading. Austen read widely and deeply, even memorizing great portions of text, secular and religious alike, and her reading interests surely influenced her writing and the ideology behind her novels.

In a similar vein, I would have also enjoyed learning about the influence of religion on her writing. Austen had a brilliant mind and read Fordyce’s Sermons, The Book of Common Prayer, William Cowper, and other religious writers and materials during her lifetime. She was not silent about the role of the clergy in her novels, nor was she ignorant of the issues facing the Church of England during her lifetime. As a clergyman’s daughter, her daily life was intertwined with the Church, and it would be fascinating to read more scholarly information about that particular influence in her life.

However, exploring Austen’s influences could become a lifelong project, so I applaud Kelly’s careful research on the topics she chose and her excellent focus on the texts of Austen’s novels. Seeing the “proof” on the page is always the best part! Seeing Austen’s influences play out on the pages of her novels was splendid. Austen tells us so much, even when she’s not telling us much.

New Releases for Austen’s 250th

This is yet another incredible book in the great line up of books releasing this year for the 250th celebration of Austen’s life and legacy. The bounty of books knows no bounds this year! If you’d like to read a comprehensive live of new releases for this year, I invite you to visit this wonderful blog resource that I recently found in my searches: Regency Explorer: “Jane Austen 250 – a list of new books scheduled for 2025” by Anna M. Thane.

If you’re like me, you’ll find yourself overjoyed and overwhelmed by the vast list of books Thane put together. It must have taken an immense amount of time and dedication. I plan to reference it as I continue to explore the many new Austen books that have released this year (and some that are coming next year).

RACHEL DODGE teaches writing classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables Devotional, The Little Women Devotional, The Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

Posted in 250th Anniversary of Jane Austen, Book review, Jane Austen Book Collecting, Jane Austen Early Life, Jane Austen Novels, Jane Austen's Influences, Jane Austen's World | 4 Comments »

Books Purchased at the 2025 AGM in Baltimore

October 14, 2025 by Vic

Inquiring readers,

The 2025 AGM in Baltimore has come to an end. I was too late in registering for this conference, the largest ever held in the U.S., with over 900 attendees. I did have the pleasure of going to the conference site for several hours on Friday and meeting up with Sarah Emsley, Brenda Cox, and Deborah Barnum. I also visited the emporium, where I purchased books, and the pop up sessions, where one can examine the precious objects that many well recognized attendees brought over from England to show us. Caroline Jane Knight, whose presentation of her life in Chawton Manor was marvelous, brought the serving spoons commissioned by Edward Austen, the creamware plates, two keys from Godmersham Park, and much more. Janice Golder brought a modern reproduction of the quilt made in 1810 by Jane Austen, her sister Cassandra, and her mother. (Image of the reproduction was taken by me at the conference.)

I registered for the streaming sessions, and so partially enjoyed both the onsite experience and the at-home fun of watching the presentations online in my pj’s. Their links will be available to us streamers until February. Whew! I can still catch up on the presentations I missed.

Below are some of the fabulous books I purchased!

I walked portions of Jane Austen’s London the four times I visited that city. Every day I found a new path, which I at times revisited in subsequent trips. Louise Allen’s book is a treasure, heavily illustrated with maps and images of the buildings during Austen’s era. It’s a book I’ll treasure and will help me fondly reminisce those paths I once walked. This slim book is entitled Walking Jane Austen’s London: A Tour Guide for the Modern Traveller, and is well worth its purchase.

I met Hillary Davidson in a previous AGM and bought her marvelous new book back then: Dress in the Age of Jane Austen: Regency Fashion. I obtained her latest book at this AGM, A Guide to Regency Dress: From Corsets and Breeches to Bonnets and Muslins. It’s a treasure trove, and quite different in format from her other book – more like a reference guide, which makes it easy to look up information, and filled with images that are so helpful! Both aforementioned books are modest in size, and will fit very well in my overflowing room length bookcase.

When Sarah Emsley sent me her latest book, The Austens, I didn’t quite get to my review or send her a series of questions for added interest. It turns out that Brenda Cox, who also writes for this blog, had the same plans in mind. So we agreed on a change. At the AGM I purchased Jane Austen’s Transatlantic Sister: The Life and Letters of Fanny Palmer Austen by Sheila Johnson Kindred. Since The Austens deals with Jane’s relationship with the Palmers, I decided to read both books and then write about the relationship between Jane and Fanny with more knowledge. I can’t wait to read the books and compare and contrast them!

At each AGM I purchase copies of the magazine entitled “Jane Austen’s Regency World”. Published in the UK, they are published every other month. I chose 3 from 2024: July through December. And four from 2025: March through October. Sadly, I missed the Ja/Fe 2025 edition. The latest issue in the Sept/Oct two-month period includes these topics, although there are more than these few: “Of No Fixed Abode: Mrs Austen’s search of a home”; Cover Story: “Georgians and Cats – the feline as a pet is a modern concept”; “Miss Tilney Wore White: The process of bleaching cloth”; and “A Jane Austen Pilgrimage: Reminiscences from a self-organized UK tour”.

For inquiries re: the magazine, contact Jackie Herring – Editor at editor@janeaustenmagazine.co.uk or click on http://www.janeaustensmagazine.co.uk.

The purchase of “A Year with Jane Austen: A Calendar for 2026” is a first for me (I usually buy dog calendars!) But this one is a treasure. Filled with C.E. Brock illustrations, Austen quotes, and tidbits of information, such as “Did you know that Mr Darcy first proposed to Elizabeth Bennet on May 1 – and that she finally accepted a marriage proposal on October 6?”

The Worlds of Jane Austen: The Influences & Inspiration Behind the Novels, by Helena Kelly is a lovely, lavishly illustrated book. It was a gift from Brenda Cox, who writes wonderful posts for this blog. These are its contents listed by pages: 6-The Rectory; 22-Revolution; 44-Army and Navy; 56-Give a Girl an Education; 80-City; 96-Countryside; 114-Seaside; 128-Empire and Slavery; 148-Legacies; 174-Austenmania; and 188-Present Day.

Lastly, my acquisitions before the AGM:

As a livelong member of JASNA, I opted to receive the physical print of “Persuasions: The Jane Austen Journal” printed by the Jane Austen Society of North America. I received the latest edition #47 recently last summer. This volume published the main presentations during “AGM 2024 in Cleveland, OH: Austen Annotated: Jane Austen’s Library, Political, and Cultural Origins.” Persuasions Online 45, No.1 lists the rest of the workshops.

After reading a review this spring of Kathryn Sutherland’s Jane Austen in 41 Objects, I ordered it. I learned that I have personally seen a few in person: Jane Austen’s small watercolour portrait by her sister, Cassandra; some of her letters and a few pages of a manuscript in an exhibit at the Morgan Library in New York City; and the Octagon Room in Bath (in fact I saw most of the buildings she frequented in Bath, including the houses she lived in). I’ve seen additional personal Austen memorabilia at Goucher College’s important Jane Austen Collection.

This has been a special long weekend in Baltimore for Austenites, the largest AGM in the U.S. so far. I was so pleased to have made the time to both come in person and to watch the live streams from home. Let us know in the comment section which books you purchased at the AGM in Baltimore!

Posted in Jane Austen's World, Jasna AGM | Tagged AGM 2025 Baltimore, Jane Austen in Baltimore | 6 Comments »

Online Books About Jane Austen & Georgian England

October 5, 2025 by Vic

Inquiring Readers,

In the age of increasing AI domination, it has become easier to find quick facts about Jane Austen and the age in which she lived on the internet. Yet, as many of us have learned, AI scrapes information willy nilly from online sites, regardless of whether those facts are accurate or not. At first I was caught flat-footed. Not being a JA scholar, but a devoted reader about her life, I sadly used some of those wrong facts, but I learned quickly. I now have some tricks up my sleeve – I study original sources from the memories of scholars and family members who knew her personally or lived during her age, as well as from the people who survived her and recalled their memories of her well into their old age. I also purchase books from Austen renowned scholars and academics (but a few of their books will be listed in another post.)

I found out-of-print books in antique book stores in England, Boston, New York – whichever city I visited or lived in. But these treasures could be quite expensive. I discovered Thrift Books and ABE Books online, which sell histories and biographies also out-of-print for an affordable price. Better yet, I discovered The Internet Archive and Project Gutenberg years ago. They’re akin to searching libraries and their catalogues of precious books on your computer.

I found Project Gutenberg first. When I began JAW, I could print any chapters I needed for research, or cut and paste quotes for my blog posts. At the time, this service was around 38 years old. It’s a rather old-fashioned site for today, but extremely useful nevertheless. Better yet, all their books are copyright free!

The Internet Archive (IA) is another online site in which most books, newspapers, and videos can be “borrowed” for free once you sign in. Once you borrow the book, you can return to it at a later time to continue your research. IA resides on a later platform, so it might be more appealing to younger users.

Below are some books easily accessed online. A few choices echo the precious books I purchased for my library. Enjoy!!!

About Project Gutenberg

https://www.gutenberg.org/about/

Project Gutenberg is an online library of more than 75,000 free eBooks.

Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related content today.

Since then, thousands of volunteers have digitized and diligently proofread the world’s literature. The entire Project Gutenberg collection is yours to enjoy.

All Project Gutenberg eBooks are completely free and always will be.

PG documents can be printed, or one can easily copy and paste sections.

The Books: Jane Austen

Memoir of Jane Austen by James Edward Austen-Leigh, 1871 edition

https://www.gutenberg.org/files/17797/17797-h/17797-h.htm

About this book…

[This] Memoir of my Aunt, Jane Austen, has been received with more favour than I had ventured to expect… [In this Second] Edition, the narrative is somewhat enlarged, and a few more letters are added; with a short specimen of her childish stories. The cancelled chapter of ‘Persuasion’ is given, in compliance with wishes both publicly and privately expressed. A fragment of a story entitled ‘The Watsons’ is printed; and extracts are given from a novel which she had begun a few months before her death; but the chief addition is a short tale never before published, called ‘Lady Susan.’ – J. E. Austen-Leigh

Jane Austen, Her Life and Letters: A Family Record, by William Austen-Leigh and Richard Arthur Austen-Leigh (RA A-L), 1913.

https://www.gutenberg.org/ebooks/22536

About this book…

The Memoir [by JE Austen-Leigh] must always remain the one firsthand account of her, resting on the authority of a nephew who knew her intimately and that of his two sisters. We could not compete with its vivid personal recollections; and the last thing we should wish to do, even were it possible, would be to supersede it. We believe, however, that it needs to be supplemented, not only because so much additional material has been brought to light since its publication, but also because the account given of their aunt by her nephew and nieces could be given only from their own point of view, while the incidents and characters fall into a somewhat different perspective if the whole is seen from a greater distance. Their knowledge of their aunt was during the last portion of her life, and they knew her best of all in her last year, when her health was failing and she was living in much seclusion; and they were not likely to be the recipients of her inmost confidences on the events and sentiments of her youth.- W A-L and RA A-L

Jane Austen and Her Works by Sarah Tytler, 1880

This book was …

“Written by Scottish novelist, Henrietta Keddie, who wrote under the pseudonym Sarah Tytler. Keddie was known for her depictions of domestic realism within her work, becoming very popular with women.

This work is a study of Jane Austen and her writings, with chapters on the life of Jane Austen and her novels, as well as extracts from some of her most famous works. This includes chapters of Pride and Prejudice, Northanger Abbey, Emma, Sense and Sensibility and Persuasion.- Rooke Books (First Edition – £675.00)“ https://www.rookebooks.com/1880-jane-austen-and-her-works

The book is also available on the Internet Archive: https://archive.org/details/janeaustenherwor00tytlrich/page/n9/mode/2up

About the Internet Archive

https://archive.org/about/

The Internet Archive, a 501(c)(3) non-profit, is building a digital library of Internet sites and other cultural artifacts in digital form. Like a paper library, we provide free access to researchers, historians, scholars, people with print disabilities, and the general public. Our mission is to provide Universal Access to All Knowledge.

Today our archive contains:

916 billion web pages

49 million books and texts

13 million audio recordings (including 268,000 live concerts)

10 million videos (including 3 million Television News programs)

5 million images

1 million software programs

Anyone with a free account can upload media to the Internet Archive. We work with thousands of partners globally to save copies of their work into special collections.

Jane Austen

The Jane Austen Companion, by J. David Grey, Managing Editor; A. Walton Litz, and Brian Southam, Consulting Editors; H. Abigail Bok, 1986, New York: Macmillan.

https://archive.org/details/janeaustencompan00grey

This Book’s Introduction…

…”we have aimed at an encyclopedic book that will be of value to both the specialist and the general reader…individual essays, which appear in alphabetical order, cover a great variety of subjects: the life of Jane Austen and her family; the manners and literary tastes of her time; the composition of her fictions and their critical histories; the language and form of the novels; and many more…subjects that may strike some readers as arcane or antiquarian [are] “Characterization” and “Servants,” “Romanticism” and “Auction Sales,” “Education and “Gardens.” are all topics that will be of interest to many readers…This volume speaks with the many voices of Jane Austen’s contemporary voices.

Jane Austen: her biographies and biographers – or, ‘‘Conversations minutely repeated.’ Deirdre Le Faye, Jane Austen Society, Report for 2007

https://archive.org/stream/austencollreport_2007/AustenReport%202007_djvu.txt

About this talk…

This is an edited version of a talk given first at University College, London, on 15

November 2003, and then again to the Bath and Bristol Group on 29 April 2006

…The only sources of contemporary written information about Jane Austen that we have…are primarily her own letters – but these were not published till many years after her death, and even then only emerged gradually from 1870 up to the second half of the twentieth century.

Secondly, there are letters and pocketbooks originating in an outer circle of relatives and friends; some of the former were published by R.A. Austen-Leigh in Austen Papers, but many more remain as yet unpublished. These, and especially the pocketbooks. can be useful for giving precise dates regarding Jane’s daily life, but by their very nature do not give any information about her opinions or her character.

Thirdly, her novels give some biographical information, but this has to be

identified in conjunction with reading her letters. For example, we know from her letters that she did not visit Northamptonshire before writing Mansfield Park, but relied upon Henry to provide her with local information, and we know that it was her visit to Lyme Regis which gave her the background for chapters 11 and 12 in Persuasion.

So fourthly and finally, we are left with oral tradition, the dredged-up memories, most of them surfacing only many years later, of the conversations that her family and friends had with and about Jane. Such memories originate with her siblings and their children, and are based on personal knowledge; they circulated within the family between 1820-70, and were then passed on to later generations, some still as oral tradition, others in the form of memoirs and reminiscences written down in the late nineteenth or early twentieth centuries. These unique anecdotes are widely scattered in different books or manuscripts, and like pieces of a jigsaw have to be found and slotted into place before the picture is complete.

Memoir of Jane Austen, Audio from LibriVox, script written by James Edward Austen-Leigh. No reader listed.

https://archive.org/details/memoir_jane_austen_0805_librivox

Please read the book’s description in the Project Gutenberg section above.

Jane Austen’s sailor brothers: being the adventures of Sir Francis Austen … and … Charles Austen; by Hubback, J. H. (John Henry), b. 1844; Hubback, Edith C. (Edith Charlotte), 1876 – Publication date 1906, London, J. Lane, New York, J. Lane company

https://archive.org/details/janeaustenssailo00hubbrich/page/n13/mode/2up

In this book…

My daughter and I have made free use of the Letters of Jane Austen published in 1884, by the late Lord Brabourne, and wish to acknowledge with gratitude the kind permission to quote these letters, given to us by their present possessor. In a letter of 1813, she speaks of two nephews who ” amuse themselves very comfortably in the evening by netting ; they are each about a rabbit-net, and sit as deedily to it, side by side, as any two Uncle Franks could do.” In his octogenarian days Sir Francis was still much interested in this same occupation of netting, to protect his Morello cherries or currants. It was, in fact, only laid aside long after his grandsons had been taught to carry it on. – cherries or currants.

– John H. Hubback, 1905 (John was the great-nephew of Jane Austen through his wife, Catherine’s side. She was the daughter of Sir Francis William Austen, JA’s sailor brother.)

Jane Austen, A Biography, by Elizabeth Jenkins, 1949. The Universal Library, Grosset & Dunlap, NY.

https://archive.org/details/janeausten0000eliz_w9e7

This book is…

The first full-length study by someone who was not a collateral descendant of the Austens was written by Elizabeth Jenkins in 1938… Miss Jenkins was the first to properly use Chapman’s edition of the letters, and was also allowed by RAA (Richard Arthur Austen-Leigh) to see other unpublished family papers. This work was well-balanced, very readable, as accurate in its facts as was then possible, and placed Jane Austen clearly against the background of her times; it consequently remained the definitive biography for fifty years.

Georgian/Regency England

The Prince of Pleasure and His Regency 1811-20, by J.B. Priestley, 1969.

https://archive.org/details/princeofpleasure0000jbpr

Description in this book by the author…

With a pair of wild spendthrifts like Fox and Sheridan keeping him company night after night, the young Prince was not likely to imitate his father’s frugal habits. He was soon in debt and he never really got out of it. Yet for this his father, the careful George III, is at least as much to blame…The King had been unwise in first keeping his son, a full-blooded, high-spirited youth, so close to a dull and cheese-paring Court. He had been even more unwise when he had allowed the Prince of Wales his independence and his own establishment at Carlton House.- Priestly, p 24

An American in Regency England: The Journal of a Tour in 1810-1811, by Louis Simond, edited with an introduction and notes by Christopher Hibbert. The History Book Club, London 1968.

https://archive.org/details/americaninregenc0000loui

In this book:

The journal…while it adds little new to our knowledge of Regency England…deserves to be recognized as one of the most evocative portraits of Britain and the British to have been drawn by a foreigner during the years of the Napoleonic Wars. – Hibbert, Introduction

April 29–We have seen Mrs Siddons [55 yrs old)] again in the Gamester, and she was much greater than on the first day. Perfect simplicity, deep sensibility, her despair in the last scene, mute and calm, had a prodigious effect. There was not a dry eye in the house…Simond, 1810.

A Visitor’s Guide to Georgian England, by Monica Hall, 2017. Pen & Sword.

https://archive.org/details/visitorsguidetog0000hall/mode/2up

In this Book…

Monica Hall creatively awakens this bygone era, filling the pages with all aspects of daily life within the period, calling upon diaries, illustrations, letters, poetry, prose, 18th century laws and archives. This detailed account intimately explores the ever changing lives of those who lived through Britains imperial prowess, the birth of modern capitalism, the reverence of the industrial revolution and the upheaval of great political reform and class division. – Front description

Above all, the Georgian were optimistic risk-takers. They had to be, as there was no other way to live. They often did dangerous work in which the risk of tetanus or sepsis from wounds was ever present. The Industrial Revolution was underway, bringing both investment and employment opportunities – and the risk of losing money. Sanitation and drinking water was dubious to say the least, especially in towns and cities, and medical help were equally haphazard. Childbirth was still both inevitable and dangerous. But, most importantly, the Empire-builders were on the move. – Hall, Chapter 1, P 1.

Travel in England from pilgrim and pack-horse to light car and plane, by Thomas Burke, 1886-1945, first published 1942.

https://archive.org/details/travelinenglandf0000burk/page/n7/mode/2up

In this book: Chapters III & IV of this book are pertinent to the Georgian Era.

Chapter III: Georgian Journeys https://archive.org/details/travelinenglandf0000burk/page/94/mode/1up?q=Georgian+Journeys

In a ‘Tour Through the South of England (1791)’ Edward Daniel Clarke went with a friend…”and they took with them, as valet, the local barber–a sort of Partridge [small or insignificant man]. Travel was something new to the barber. He had never been fifty miles from his own door and every incident of the journey filled him with alarms. London frightened him, and Portsmouth with its sailors bewildered him. He had never stayed at an inn, and the hurry and confusion of a large inn almost caused a nervous breakdown. He was always bowing to the waiters, and stepping aside from them and colliding with the kitchen boys, and being kicked by one and pushed by the other, so that he was constantly running to his employer for protection. – Georgian Journeys, Ch 3, p 82.

Costumes in Context: The Regency, by Jennifer Ruby, 1989

https://archive.org/details/regencycostumein00jenn/page/n3/mode/2up

This book…

…Traces the major fashion developments of the period, comparing the clothing of the well-to-do with that of less fortunate classes…

Each book in this series is built round a fictitious family. By following the various members, sometimes over several generations…you will be able to see the major fashion developments of the period and compare the clothing and lifestyles of people from all walks of life…

Major social changes are mentioned in each period and you will see how clothing is adapted as people’s needs and attitudes change…

Many of the drawings in [this] book have been taken from contemporary paintings.

This is another take on fashions during the regency era on IA:

Costume Reference 5: The Regency, by Marion Sichel, 1977.

https://archive.org/details/regencycostumere00mari/mode/2up

This book has better drawings and sketches, but does not include costumes year by year that represent all the classes.

Posted in Georgian Era Books, Jane Austen Biographies, Jane Austen's World | Tagged Deirdre Le Faye, Internet Archive, J. B. Priestley, J.Edward Austen-Leigh, Jane Austen Biographies, Louis Simond, Project Gutenberg, Regency Fashion | 13 Comments »

Jane Austen’s Favourite Brother, Henry: An Interview with the Author, Christopher Herbert

September 25, 2025 by Brenda S Cox

Interviewed by Brenda S. Cox

“As soon as he can light upon a bishop, he will be ordained. I wonder what curacy he will get!”–Anne Steele, about Edward Ferrars in Sense and Sensibility.

A few days ago, I told you about a fascinating new book on Henry Austen. The author is a retired Church of England bishop, living in Farnham, where Henry Austen served as perpetual curate of the parish church. (A perpetual curate was a curate, substituting for the rector or vicar holding the living of that church. “Perpetual” meant that he could not be fired; he could keep his job for life, just as a rector or vicar did. However, his salary was still only a portion of the tithes that supported the main, absentee clergyman.)

I asked the Right Reverend Dr. Christopher Herbert, who is now a Visiting Professor of Christian Ethics at Surrey University, about his journey in writing this book.

*Jane Austen’s Favourite Brother, Henry*, was written by an Anglican bishop, Christopher Herbert

Jane Austen’s World: Rev. Herbert, what led you to write Jane Austen’s Favourite Brother, Henry? How did you get interested in Henry Austen?

Rev. Herbert: In retirement I live in Farnham, Surrey, only a few miles from Chawton. I am the Patron of the Farnham Castle Trust; Farnham Castle was once one of the major homes/palaces of the Bishops of Winchester. At a Trustees’ meeting, discussing how to attract more visitors to the Castle and Farnham, I wondered if there might be some connection with Chawton and Jane Austen. The other Trustees did not know of any, but a friend pointed out an article in the Farnham Herald mentioning a man called Henry Austen christening a baby in the parish church of St Andrew’s. [JAW: This story opens Herbert’s book.]

I followed this up, checking the Parish Registers at the Surrey History Centre, and found many signatures in Henry’s hand—and of course, he was Jane’s brother. I was fascinated. Who was he? How did he become a Perpetual Curate in Farnham? What was his story?

At that point, all that I had were his dates of birth and death, and a few insights from Wikipedia. I had no intention of writing a book about him, but the more I researched his life, the more intriguing Henry became. By the way, my book’s publication in the 250th Anniversary Year was pure chance. I had no idea that was coming up when I raised my initial question!

JAW: How long did it take you to research and write the book? What were some of the most interesting sources you found?

I took well over two years to research and write the book. That might seem a short period of time. However, in my earlier work as a diocesan bishop, with over 400 churches in my diocese, plus membership of the House of Lords and other national and international responsibilities, I was accustomed to working very rapidly to fulfil all my duties. I also read for [pursued/studied for] an MPhil [Master of Philosophy] and a PhD in Medieval Art History at the University of Leicester whilst I was a bishop, and again, had been able to read and digest and write rapidly. So, I had some of the requisite research skills, and I loved the research process—that joy of discovering new and unexpected jewels.

My most useful primary sources were obtained from the Hampshire County Record Office where I was able to trawl through a great deal of original material, plus similar material such as the Parish Registers of St Andrew’s, Farnham, at the Surrey History Centre.

For secondary sources, I read biographies of Jane Austen by people such as Claire Tomalin, and David Cecil, and accessed the huge online resources of JASNA, etc. I was helped greatly by the staff at Jane Austen’s House, Chawton, and, of course, re-read all of Jane’s novels, plus the utterly invaluable edited version of Jane’s letters by Deirdre Le Faye and invaluable and scholarly papers by people such as yourself [Brenda Cox], John Avery Jones, et al.

Of course, as is often and frustratingly the case, after my book had been published, I came across some more primary material at Winchester College. The researcher’s life, as you know, is littered with ‘if onlys’. [I encouraged him to find a place online to publish his further research.]

Amongst the most interesting material were the Parish Registers of Bentley and Farnham. Those gave me enlightening insights about the lives of Henry and his parishioners.

JAW: What did you learn about Henry that interested you the most?

Apart from my obvious personal affinity with Henry as a clergyman, it was his time as a dealer in Army Commissions, a Banker, and a Tax Collector which I loved researching. I am not an economic historian and so my research in this area was very challenging. I would need to re-train in economic history to begin to fully understand every detail. This was the most difficult part to write, trying to get my head around the economic and financial landscape within which Henry worked.

Beneath all the top-layer elements of his life, I enjoyed delving beneath the wealthy surface and speculating on Henry’s motivations and methods of work. Walking the streets of London and investigating where he lived during this phase of his life was hugely enjoyable.

Following Henry through his banking downfall and his approach to his bishop to discuss the possibility of ordination required a great deal of ‘inner work’ on my part to comprehend how and why that happened. I have interviewed hundreds of ordinands in my life. It was fascinating trying to get into the mindset of Henry’s bishop, Bishop Brownlow North, who lived in very different times to my own. Like Henry, Bishop North worked with different cultural assumptions than ours. It is such a challenge to try to stretch one’s sympathetic imagination into another era.

By contrast, and bathetically*, it was the fact of Henry having almost 1,000 bottles of wine in his cellars which sticks in my mind!

Henry Austen as a Clergyman later in life. Public domain via wikimedia.

JAW: What was something interesting you learned about Jane Austen herself in writing the book?

Oddly, it was spending time exploring Steventon and realising how isolated the Rectory and the village were in the late 18th and early 19th centuries. I had, of course, been to Jane Austen’s House in Chawton a number of times, but in my mind’s eye I had imagined Steventon as a quintessential English Village: village green, church, a few farmsteads, a pub, and even, perhaps, a game of cricket. That idea was completely shattered when I visited Steventon. The cultural life inside the Rectory must have been a great contrast to the isolated, scattered cottages of the poor inhabitants of the village.

My understanding of the life of Cassandra Austen (Leigh) [Jane’s mother] grew as I thought of her coping with her own children plus the students boarding with them—all that food, oversight of the washing of bedding and getting it dry, all that hullabaloo inside the house during term-time. When did she have a moment to herself? I began to wonder, as Jane watched her mother, how much Jane recognised the sheer logistical task her mother undertook to keep the ship happy, afloat and moving in the right direction.

This was the most fun part of the book to write, showing the inside of Steventon Rectory with all the liveliness and learning of Jane, Henry, and their siblings.

And, of course, Jane’s letters are an absolute delight. If only there were more…if only…

JAW: If you were able to meet Henry Austen personally, what do you think you would like about him? What would you want to ask him? What parts of his character might you find difficult or less pleasant?

I would enjoy his sense of humour, his generosity towards, and affection for, Jane, and his affection for Liza [his wife Eliza] and her son, Hastings. Not being a risk taker myself, I would love to hear about his own understanding of the nature of financial risk and entrepreneurship. When did he see the storm clouds brewing? Was ordination always at the back of his mind? Was it a kind of attempt to ‘give back’ to society, having enjoyed and then lost the fruits of worldly success?

I would find his undoubted attraction to the aristocratic level of society difficult, but I fully recognise that it was the 18th/early 19th century way. And when he was Perpetual Curate, I suspect I would have found his lack of awareness of the Farnham Workhouse very difficult. However, in fairness, I must add that it might simply be lack of evidence which leads me to suppose that he was not at his best with the poor and impoverished. So much information has been lost. I could be entirely wrong.

JAW: Why do you think he was Jane’s favourite Brother?

I will say the idea for the title of the book was not mine, it was my publisher’s, but I am entirely happy with it. Why was Henry Jane’s favourite? He was obviously very close to her and looked to her for help whenever he hit a difficult or tragic patch in his life. They shared the same sense of humour, the same love of the quirks of society, the same interest in humanity. And it was Henry who went out of his way to ensure that her books were published. Besides, who but a favourite brother would actually volunteer to read Proofs!?

JAW: What would you like to tell potential readers about your book?

I hope that if they love Jane Austen, my book will reveal some lesser-known aspects of Regency society which might enhance their understanding of Jane and her novels. In brief, context really matters. But, most importantly of all, if my book leads to people reading or re-reading Jane, my hopes will have been more than fulfilled.

JAW: Thanks very much, Christopher! I loved Jane Austen’s Favourite Brother, Henry, and I think our readers will also.

Jane Austen’s Favourite Brother, Henry, by Christopher Herbert, is now available from the publisher, Pen & Sword, and from Amazon in the US and in the UK in hardcover. The Kindle version will be released September 30, 2025.

You can find out more about Dr. Herbert at https://en.wikipedia.org/wiki/Christopher_Herbert and https://www.chpublishing.co.uk/authors/christopher-herbert Since those lists of accomplishments, he has also been involved in the Royal Hospital for Neurodisability in London and the Lyme Resource Centre, a charity based in Scotland raising awareness of the growing incidence of Lyme disease and co-infections in Scotland and elsewhere in the UK.

*I looked up bathetic. It means “producing an unintentional effect of anticlimax.” Nice word!

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Anglican Church, Biography, Book review, Clergy, Jane Austen's family, Jane Austen's World, Regency Life, Religion in Austen's England | Tagged Austen era banking, Austen era finances, Henry Austen | 3 Comments »

Jane Austen’s Favourite Brother, Henry—by Christopher Herbert

September 22, 2025 by Brenda S Cox

Book Review by Brenda S. Cox

“I had a letter from him [Henry], in which he desired to hear from me very soon—His to me was most affectionate and kind, as well as entertaining;—but there is no merit in that, he cannot help being amusing.”—Jane to Cassandra, April 8, 1805

“Henry at White’s! Oh, what a Henry!”—Jane to Cassandra, June 23, 1814 (when Henry attended an exclusive high class gathering celebrating Napoleon’s defeat)

*Jane Austen’s Favourite Brother, Henry*, by Christopher Herbert, gives an in-depth view of Henry Austen’s life, beliefs, and connections with Jane and her novels.

What a Henry

Henry Austen was apparently a lot of fun, and Jane loved her brother dearly. He was also quite versatile. At various times he was:

an Oxford student who produced a periodical called The Loiterer with his brother James,
paymaster and adjutant in the Oxford Militia,
army agent,
banker (of a bank that eventually failed),
receiver general of taxes,
Jane Austen’s own literary agent,
clergyman of several parishes,
chaplain of the British Embassy in Berlin, and
husband of Eliza de Feuillide and later of Eleanor Jackson (niece of Rev. Papillon of Chawton).

Christopher Herbert, in his fascinating new book, Jane Austen’s Favourite Brother, Henry, explores Henry Austen’s life through all these changes.

Culture and Current Events

I loved that Herbert gives lots of cultural details in going through Henry’s life. For example, in the chapter on Henry’s birth, we learn about childbirth practices at the time. During pregnancy, his mother Cassandra Austen, rather than buying special maternity clothes as we do today, would have widened her stomacher, used aprons to cover gaps in clothing, and loosened side lacings. A “churching” service would celebrate her survival of the very dangerous process of giving birth. Philadelphia Hancock, her sister-in-law, may have been there to help the mother before, during, and after the delivery.

The author speculates on what the children growing up in the the rectory may have read, who taught them to read and write, and where they obtained their books.

Current events and ideas are woven in alongside stories of Henry and Jane growing up. The balloon ascent of 1784 is described by quoting a magazine article of the time. We hear about battles, steam power, improvements and enclosures, and the Wesleyan revival which began at Oxford. We see how the ideas of contemporary writers such as John Locke, focusing on reason in understanding God and society, may have affected Jane Austen’s ideas of church and clergy in Mansfield Park, as well as her prayers.

Henry Austen as a Clergyman later in his life. Public domain via wikimedia.

Work and Money

An in-depth discussion explains Henry’s various jobs and what they involved. We see how his bank throve, launching Henry into upper ranks of society, and then failed. The author obviously did quite extensive research to dig this all up, and it was interesting to learn, for example, what exactly an army agent was. (For me, there was a little too much detail, since I’m not interested in finance; however, other readers may find this the most illuminating part!) It seems Henry had some financial dealings which were at least ill-advised, and possibly questionable.

Henry as Clergyman

After his bank failed, Henry reverted to earlier plans and was ordained as a clergyman. In Henry’s one extant sermon, he attacks pride and prejudices. Herbert says Henry is encouraging his congregation toward giving Catholics political rights, a major issue of that time. (See also “Sermons by Jane Austen’s Family.”) Herbert explores what Henry may have believed, also drawing from statements in Mansfield Park.

He also points out that Henry’s pastoral workload was much greater than that of Mr. Elton or other Austen clergymen. In one year, Henry performed 149 christenings, 34 weddings, and 105 funerals! All for very little income. He also had to deal with a new workhouse and other issues related to the poor of his parishes. Henry’s journey as a clergyman, his income and how he spent it, are further explored, as well as his anti-slavery work.

Jane Austen’s Novels

The author skillfully connects concepts to passages in Austen’s novels. He also explains Henry’s role in getting her novels published. He concludes that there are still some questions about Henry’s life. But we do know that:

“without Henry’s determined and passionate commitment in getting Jane’s novels published, our lives, and the life of the world, would be so much the poorer.”

Amen!

On Thursday I will post an interview with the author, who is uniquely qualified to write this book. He is a former bishop of the Church of England, now living in Farnham where Henry Austen served as perpetual curate in the parish church. Farnham Palace, where the Right Revd. Dr. Herbert is a patron, was a home of the Bishops of Winchester.

I recommend this book to anyone who wants to learn more about Austen’s family and her world.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Biography, Book review, Clergy, Jane Austen's family, Jane Austen's World, Regency Life, Religion in Austen's England | Tagged Clergy in Austen's England, Finance and banking in Austen's England, Henry Austen, Jane Austen's brothers | 2 Comments »

Pollution and the Dark Side of Life During the Georgian Era in Great Britain

September 12, 2025 by Vic

Ah, the novels of Jane Austen! In my teenaged mind they conjured up romantic tales, white muslin dresses, perfectly coiffed and finely dressed gentlemen, ballroom dancing, visits to Bath, and carriage rides through gentle rolling hills.

Early Austen films from the late 1930s to the 1970s BBC television series, concentrated on immaculate clothes and manners. The people in Austen’s plots lived graceful and beautiful lives. Although she added comic and/or mean characters who helped to make her plots memorable.

But, as I reread Austen’s novels throughout my adulthood, I realized she cared deeply about the plight of the poor and mentioned them frequently in her novels. Emma Woodhouse and Anne Elliott carried baskets of food to the less fortunate. Genteel families put together gift baskets for those who struggled during the holidays. Mrs Smith, Anne Elliott’s friend, lived in an undesirable neighborhood in Bath, and was so penurious that she depended on the kindness of others to survive and made trinkets to supplement her meager income.

The environmental conditions of life in London and nearby cities from 1775, the year of Austen’s birth, through 1817, the year of her death was not mentioned in her wonderful books. But she must have known of the pervasive poverty in England, and especially about the pollution that was recorded in detail by people who lived in those times. Their records reveal that not everything during these years was a bed of roses.

In fact, the reality of life in Georgian London at the start of the 18th century was stark for a majority of the people, especially the poor.

The city was…a very dangerous and unhealthy place. Overcrowding, poor sanitation, and disease led to more people dying each year than being born. With contaminated drinking water, the streets acting as open sewers, and the choking atmosphere, diseases such as cholera, smallpox, and tuberculosis were widespread.” Georgian London 1714 – 1837

St. Paul’s Cathedral, from St. Martin’s-le-Grand Thomas Girtin British 1795–96, Public Domain image, Met Museum.

By 1800, the population had risen to the extent that London was probably the first city in the world with over 1,000,000 citizens. However the average life expectancy across London was still only 30 while in rural England it had risen to over 40.” Georgian London 1714 – 1837

In regard to this last statement, Austen, who died at the age of 41, barely attained the rural ‘over 40” life expectancy. Whereas her immediate family lived longer lives: father 75 yrs, mother 87 yrs, sister 72 yrs: and brothers Edward, 75 yrs, James, 54 yrs, and Francis, 91 yrs. Yet so many poor factory workers or individuals who lived in dire poverty in tenements and suffered from poor nutrition did not survive beyond the age of 30. The poorest died in their 20’s.

An old article in an old online site from the Republic of Pemberley, which has since been updated, discusses Some downsides of Regency London. (long), which includes the environmental conditions caused by pollution before and during Austen’s birth.

Air pollution: Soot, Fog, and Smog

Nelson’s column, blackened. *3 link below

Coal was the primary source for heating and cooking in houses and shops during the 18th & 19th centuries. London and the industrial cities north of London used coal as their primary resource. Major cities produced so much soot that it spread everywhere. Even the spa city of Bath was affected.

11 Trim Street, Bath, sooty. This building has not been cleaned to show the effects of soot.

Fog and smog were also the main results. In 1817 Sir Richard Phillips described the smoke of London spreading twenty or thirty miles from the metropolis and killing or blighting vegetation. He goes on to say:

“Other phenomena are produced by its union with fogs, rendering them nearly opaque and putting out the light of the sun; it blackens the mud of the streets by its deposits of tar, while the unctuous mixture renders the foot-pavement slippery; and it produces a solemn gloom whenever a sudden change of wind returns over the town the volume that was previously on its passage into the country.” ( “A Morning’s Walk from London to Kew” (page 11) Sir Richard Phillips, 1817. Googlebooks text is online.)

Keeping clothes clean for long was nearly impossible in a city filled with chimneys. Considering the pervasive smoke and soot, one wonders how long delicate white muslin gowns or white shirts would stay clean. One would walk around the city for a few hours, only to find that those garments looked grubby. Wealthy individuals could afford to change their clothes frequently to look respectable, but the working and lower classes did not have such a luxury. Unlike the rich, they could not pay laundresses to wash their clothes frequently.

The consummate Georgian dandy was Beau Brummel, whose first biographer, Captain William Jesse, quoted Brummel as saying about the maintenance of his clothes: “No perfumes, but very fine linen, plenty of it, and country washing.” In other words, those with the means sent their laundry to country villages for a thorough washing.

Effects of chimneys during the Industrial Revolution

A more serious effect of all those coal fires in towns and cities, like London and Bath, was smog.

“…unpleasant, choking smog spoilt food, smutted linen and buildings and suffocated vegetation. It also suffocated the citizens. As early as 1610 a surveyor complained that the chimneys proliferating in the country ‘raise so many duskie clouds in the ayre [which] … hinder the heat and light from the Sunne from earthly creatures” (Hubbub: Filth, Noise, and Stench in England, 1600-1770, Emily Cockayne, p. 209, Yale University Press, 2007) Hubbub is also available for free on the Internet Archive

An EPA Journal article written by by David Urbinato in 1994 mentions the following:

“Smog in London predates Shakespeare by four centuries. Until the 12th century, most Londoners burned wood for fuel. But as the city grew and the forests shrank, wood became scarce and increasingly expensive. Large deposits of “sea-coal” off the northeast coast provided a cheap alternative. Soon, Londoners were burning the soft, bituminous coal to heat their homes and fuel their factories. Sea-coal was plentiful, but it didn’t burn efficiently. A lot of its energy was spent making smoke, not heat. Coal smoke drifting through thousands of London chimneys combined with clean natural fog to make smog. If the weather conditions were right, it would last for days.”

Animal pollution:

In the late 18th century and throughout the 19th century, London was filled with horse manure and urine from the thousands of horses that pulled Hansom cabs and other vehicles. The manure and urine, along with the carcasses of dead horses, polluted the city with the stench and poisoned water, which threatened the health of its residents.

Manure produced:

In London, 50,000 horses produced 570,000 kilograms of manure and 57,000 liters of urine each day. Horses, it was calculated, produced 15–35 pounds of manure per day each.

“Each horse also produced around 2 pints of urine per day and to make things worse, the average life expectancy for a working horse was only around 3 years. Horse carcasses therefore also had to be removed from the streets. The bodies were often left to putrefy so the corpses could be more easily sawn into pieces for removal.” The streets of London were beginning to poison its people.” – The Great Horse Manure Crisis of 1894: Historic UK

One should also take into account the number of oxen, mules and donkeys used for hauling. Big dogs pulling carts did their business in the streets as well. Add the drovers who came from all parts of the Kingdom driving livestock to market: the problem of cleaning the streets of effluvium and stench became an almost impossible fight.

“During Jane Austen’s time and into the earliest days of the twentieth century, crossing sweepers made a living sweeping pedestrian crossings, stoops, and sidewalks of horse manure and litter” – Jane Austen’s World, 2007.

Crossing Sweepers

With all that manure, crossing sweepers were essential for moving dirt and droppings out of the way. This link to the article explains how vital poor males were for keeping the crossings clear for pedestrians.

Smithfield Market:

“Between 1740 and 1750 the average yearly sales at Smithfield were reported to be around 74,000 cattle and 570,000 sheep.[43] By the middle of the 19th century, in the course of a single year 220,000 head of cattle and 1,500,000 sheep would be “violently forced into an area of five acres, in the very heart of London, through its narrowest and most crowded thoroughfares”.[44] The volume of cattle driven daily to Smithfield started to raise major concerns. – Wikipedia

Smithfield,Last day of Old Smithfield, 1855

It is hard to imagine the noise from bellowing cattle and bleating sheep, the immeasurable amount of excrement and urine deposited as they walked along narrow lanes, the smells from the droppings and their effect on the populace in terms of the unhygienic streets.

“Of all the horrid abominations with which London has been cursed, there is not one that can come up to that disgusting place, West Smithfield Market, for cruelty, filth, effluvia, pestilence, impiety, horrid language, danger, disgusting and shuddering sights, and every obnoxious item that can be imagined…” – Maslen, Thomas (1843). Suggestions for the Improvement of Our Towns and Houses. London: Smith, Elder & Co. p. 16.

Sewage & Dirty, Fetid Water:

“Most buildings were not connected to the various rudimentary urban subterranean sewerage schemes developing in the seventeenth and eighteenth centuries. Waste water combined with surface rainwater in street gutters known as kennels [street gutters].” (p 195, Hubbub)

Wide roads had gutters on either side, narrow roads had a gutter running down the center. The water in these gutters ran into ditches then into streams, which fed into faster waters, like the Thames, which carried most of the dirty watery waste that came from a combination of households, plus manufacturing wastes that included soap, which bubbled. The gutters needed to be kept free from blockages, if they were not, then the streets flooded or street puddles stagnated. Citizens, often tasked to keep the gutters clean outside their doors, cast rotting fruit and vegetables, dung, and human waste that also blocked the flow of water. (Hubbub, p 195-197)

When the waste was unblocked, it entered the gutters and then was dispensed into streams and rivers that turned into polluted the water.

“Matt Bramble gives his impression of the quality of liquid to be obtained from the Thames: ‘If I would drink water, I must quaff maukish content of an open aqueduct, exposed to all manner of defilement; or swallow that which comes from the river Thames, impregnated with all the filth of London and Westminster – Human excrement is the least offensive part of the concrete, which is composed of all the drugs, minerals, and poisons, used in mechanics and manufacture, enriched with the putrefying carcases of beasts and men; and mixed with the scouring of all the wash-tubs, kennels, and common sewers, within the bills of mortality.” (p 111, SATIRE IN THE EXPEDITION OF HUMPHRY CLINKER BY TOBIAS SMOLLETT, 1771)

Night Soilmen:

Thomas Rowlandson, Collecting the Night Soil, pub 1788

“In cities, neighboring privies were placed side by side in yards and drained into a common cesspool located under an alley that ran between the row of cottages or townhouses. In rich to middle class households, nightsoilmen would be paid to cart the waste away when the household was sleeping. This service was quite expensive, and quite often neglected in poorer districts where the lower classes could not (and landlords would not) hire these men until the cesspools were filled to overflowing.” (Privies and Waterclosets, written by David J. Eveleigh, A Jane Austen’s World Review, 2010)

Austen visited her brother, Henry in London three times — to his addresses on Sloan St in 1811 & 1813, and Henrietta St in 1814. While she situated many of her characters living in or visiting London, in her novels she did not mention the horrors of the slaughters that occurred in Smithfield Market, the sounds of fearful animals, their horrific deaths, and their blood running in the streets as their carcasses were dismembered, not to mention the stench.

These events did not play a part in her plots, which had an undercurrent of dark moments as well. We must assume that Austen knew more about London’s pollution, its filthy air, and rutted roads covered with excrement. She simply chose to use only the moments she needed to drive her stories forward. Her two last novels had serious undertones. One wonders that, had she lived longer, if the darker edges of Georgian life would have crept deeper into her plots.

Additional Links:

This post was influenced by Emily Cockayne’s book, which I purchased in 2007 and have used for research since. (Hubbub: Filth, Noise, and Stench in England, 1600-1770, Emily Cockayne, Yale University Press, 2007) Hubbub is also available for free on the Internet Archive
Over two hundred Years of Deadly Air: Smogs, Fogs, and Pea Soupers, The Guardian
*3 Nelson’s Column When we clean up old buildings, do we erase history? [Part One] | Azerbaijan Days

Yorkshire, Air Pollution. Stone cleaned on the right

Posted in 18th C. Georgian Era Pollution, Jane Austen's World, Soot, Fot, Smog | Tagged Animal Manure, Crossing Sweepers, Fog, Industrial Revolution, Night Soilmen, Polluted Water, Smithfield Market, Smog, Soot | 6 Comments »

Pride and Prejudice Handwritten Classics Collector’s Edition

August 20, 2025 by Rachel Dodge

Hello, dear readers! This month, I’m featuring this new edition of Pride and Prejudice, a Handwritten Classics edition. This is a luxurious collector’s edition in two volumes, featuring Austen’s complete novel. Inside, you’ll find a collection of characters’ letters and papers, written and folded by hand.

This new collector’s edition offers a luxurious cloth binding, deluxe paper, and new printed ephemera that lend an additional dimension to the reading experience. Examples include a newspaper clipping announcing that Netherfield Park is available to let, an invitation to the ball at Netherfield, an illustrated guide to Pemberley, Darcy and Elizabeth’s marriage license, and so forth.

Order Your Copy Here

About the Book

This collector’s edition invites fans inside the world of Jane Austen’s Elizabeth Bennet. A deluxe, cloth-bound, two-volume set includes gorgeous replicas of the characters’ letters, plus all-new mementos, such as the Darcys’ marriage certificate and an invitation to the ball at Netherfield.

Heller’s specially curated edition, first published in 2020, brought these epistles to life and became a fan favorite. Pockets throughout the novel contain handwritten replicas of nineteen letters, from Mr. Collins’s unctuous letter of introduction to Jane’s urgent missive announcing Lydia’s elopement. Readers can pull out each piece, peruse its contents, and feel transported to the breakfast table at Longbourn.

Heller’s research notes shed fascinating light on how she imbued each letter with the character’s unique personality and recreated historical postage marks. Delve deeper into the history with guest essays by Philip Palmer, curator and department head at the Morgan Library & Museum, and Dr. Juliette Wells, curator of the Morgan’s 2025 exhibition of Austen’s own letters, A Lively Mind: Jane Austen at 250. For anyone who loves Austen, and for anyone who still cherishes the joy of letter writing or collects printed memorabilia, this book offers an immersive experience of a favorite story.

You can revisit Austen’s original text and experience it in a unique way with physical ephemera that links you directly to the world of Elizabeth Bennet and Mr. Darcy. From the masterful calligraphy and the painstaking attention to historical detail to the hand-folding of the letters and other paper memorabilia—this book is an object made by fans for fans.

The novel is presented in two volumes, cloth-bound, foil-stamped, and housed in an elegant slipcase. It offers an exceptional reading experience, stands apart on the shelf, and makes for a truly lovely gift and keepsake.

Barbara Heller

Barbara Heller is a set decorator for film and television, including The Americans and When They See Us, and a writer and director of award-winning short films that have screened at festivals around the world (Cannes, Berlin, Sundance). She graduated from Brown University with a degree in English Literature. Her previous books include special editions of Pride and Prejudice, Little Women, Persuasion, and Anne of Green Gables. You can read about her work and visit her online HERE.

How the Series Began

Heller, an avid Austen fan, shares about creating this series of handwritten editions of classic books and how it all started:

“I was re-reading Pride and Prejudice for the gazillionth time, savoring my favorite passages in Mrs. Gardiner’s “long, kind, satisfactory” letter to Elizabeth, when a sudden desire to have that letter in my hand came over me. To hold the very letter that Elizabeth Bennet once received – ink faded, paper yellowed – would be utterly satisfying. In truth, I wanted to possess the originals of all the letters in Pride and Prejudice. A vision of myself at a flea market, happening upon the letters, was so real that I experienced the twin electric thrills of discovery and possession. I became determined to transform reverie into reality.

“[It took] three fascinating years during which I examined hundreds of letters written in early 19th century England; dove deep into their cryptic postal marks; agonized mightily over each character’s handwriting, and met the talented scribes who could write a period hand.

“I was extraordinarily lucky to find a home amongst the Austen lovers at Chronicle Books. In this special edition, each letter is tucked inside a glassine envelope bound at the appropriate place in the novel. I have now read the letters so many times I practically have them memorized; and yet, with every re-read, I still get caught up in the story, discover something new, and marvel at (and feel grateful for) the genius of Jane Austen.”

Jane Austen Book Collecting

I personally think this is an edition for serious book collectors and Jane Austen collectors. The price point is high, but it’s currently on sale right now on Amazon (subject to change). It would make a lovely gift or a fun splurge for yourself. It is truly an immersive experience.

As I thought about how I would use this book, I think it would make a wonderful display at a Jane Austen party, book club, program, or exhibit. I can imagine gathering a group of Austen friends together to dress up, have tea, and read the letters and papers out loud together.

As we step into Fall over the next few months, I look forward to sharing several new books that are releasing this year in celebration of Jane Austen’s 250th! I hope you’ve found a few books to add to your shelves along the way.

Posted in Book review, Jane Austen Book Collecting, Jane Austen gifts, Jane Austen Novels, Jane Austen's letters, Jane Austen's World, Pride and Prejudice, Regency letters | 2 Comments »

Jane Austen & the Price of Happiness by Inger Brodey

August 13, 2025 by Brenda S Cox

A Book Review by Brenda S. Cox

Austen’s Endings

A happy ending, but we don’t see how they got there: Edmund falling in love with Fanny at the end of *Mansfield Park* disappoints because of the lack of details.

A major complaint that readers have about Austen is her endings. In both Sense and Sensibility and Mansfield Park, we have a sudden romance that is practically a footnote to the last chapter—Marianne marries Colonel Brandon with just, “Marianne found her own happiness in forming his,” and Fanny marries Edmund once he learns “to prefer soft light eyes to sparkling dark ones.” Northanger Abbey introduces a new character, Eleanor’s viscount, to facilitate Henry and Catherine’s marriage.

In Emma and Persuasion we do get some romantic talk (or writing) from the hero. However, in response, Emma says “just what she ought” (which is??), and Anne receives Wentworth’s look “not repulsively.” Then they talk, but we don’t hear their words.

Darcy, of course, simply tells Elizabeth his “affections and wishes are unchanged,” perhaps not willing to risk another disastrous proposal, and Elizabeth “immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change, since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances.” But what exactly did she say?

In all cases we have more author commentary than demonstrations, more of what writers call “telling” rather than “showing.”

Movie-makers have had to put words to all these proposals, and fill in some blanks. For example, they show Colonel Brandon rescuing Marianne from the rain, and wooing her with music. But why didn’t Jane Austen, who gave us so many delightful conversations and events, show us all those details herself?

Jane Austen & the Price of Happiness

When I listened to Jane Austen and Her Endings: A Visit with Inger Brodey on Austen Chat, I was intrigued by Inger’s thoughts on analyzing those endings of Austen’s novels and trying to figure out why Austen didn’t give us all the details we want. Recently I finally got to buy (at JASP, from Jane Austen Books), and read, Jane Austen & the Price of Happiness by Inger Sigrun Brodkjær Brodey.

It’s a fascinating book, and written quite accessibly. (I found only a couple of unfamiliar academic terms*; in general it’s written in everyday English.) The illustrations are fun, including cartoons, images from movies, and more.

Each chapter analyzes one of the novels, in the order they were written, so we see the development of Austen’s techniques. Brodey looks at various aspect of each novel with new insights and considers the impact of the ending. Then she looks at some popular adaptations of that novel, mostly films plus a few books. She considers how they handle the ending and whether their endings fit Austen’s goals.

Her chapter titles give you some idea of her thoughts:

Introduction: “Perfect Felicity”
Chapter 1: “Commonplace Happiness” (Northanger Abbey)
Chapter 2: “Expecting Literary Justice” (Sense and Sensibility)
Chapter 3: “The Limits of Romance” (Pride and Prejudice)
Chapter 4: “The Thin Veil of Comedy” (Mansfield Park)
Chapter 5: “The Art of English Happiness” (Emma)
Chapter 6: “Resources for Solitude” (Persuasion)
Conclusion: “Coauthoring Happiness”

Brodey says that, for one thing, Austen is trying to show readers that their expectations of romantic idealism come from the sort of sensibility she satirizes. Austen disrupts those expectations. She shows us that the romantic outcomes we want, expect, and demand are not inevitable: this is fiction. Her stories are realistic, with characters operating in ordinary, everyday life, but the “happily ever afters,” the “perfect happiness,” may or may not happen in real life.

There are other reasons for Austen’s nuanced endings, which I’ll leave you to discover from Inger’s book. However, I’ll share a few highlights from the chapter on Mansfield Park, as an example of some of the many insights in the book.

“The Thin Veil of Comedy” Chapter on Mansfield Park

Readers are expected to be attracted by Mary Crawford’s charm, which hides her poor moral values.

Mansfield Park was published after the light, bright, and sparkling Pride and Prejudice. It deals with harder truths. Brodey claims Austen’s “novels alternate between the bright and witty heroines whose primary obstacles are internal, and the more understated, misunderstood, and wiser heroines whose primary obstacles are external” (p. 138). I had to think about this one, but it’s true—Catherine Morland is not witty, but she does face internal obstacles of her own credulousness and illusions; Elinor Dashwood is wise and misunderstood; Elizabeth Bennet, obviously bright and witty, needs to overcome her pride and prejudices; Fanny Price is also wise but understated and faces external challenges; Emma is again bright and witty and needs to overcome her own pride; Anne Elliot is quiet but wise.

Austen shows, especially in Mansfield Park, that charm can be dangerous. Mary Crawford is lively and charming like Elizabeth Bennet. She and her brother Henry charm Edmund, Maria, and Julia, as well as readers, just as Wickham charmed Elizabeth. However, charm without a strong moral foundation leads to disaster. Austen is challenging her readers “to love the less prepossessing characters and see beyond the false power of charm.”

Henry Crawford might have changed due to his love for Fanny, and might have earned her love, but he did not.

The final chapter of Mansfield Park tells us outcomes for many characters, who are apparently as important as Edmund and Fanny. We see the reformation of some, such as Tom Bertram and Sir Thomas Bertram. Austen reveals the sad but not completely tragic endings of those who were not willing to change, including Henry and Mary Crawford. Henry could even have had an alternate ending, with a happy marriage to Fanny, if he had been willing to persevere in his resolutions of self-improvement. Brodey says, “It somewhat diminishes [Fanny’s] marriage to Edmund to know that a marriage to Henry would not have been disastrous. Once again, Austen surprises the reader out of extravagant expectations of the novel. We get shades of gray where we hope for black and white, realism where we crave romance” (p. 148).

As in other endings, Austen intrudes in the first person, saying “My Fanny indeed at this very time, I have the satisfaction of knowing, must have been happy in spite of everything.” Austen reminds us that this is fiction and that she, as the author, is controlling the ending. She also refers to Fanny as a living human being, though. In showing her own attachment to Fanny (“my Fanny”), she “models the attachment that she believes Fanny deserves” (p. 147).

She challenges our readerly expectations of fantasy endings, including a sense that “second attachments are degrading for romantic heroines” (p. 149); shades of Marianne Dashwood! We believe that Edmund and Fanny will be happy together, even though it is Edmund’s “second attachment.” They do not need some intense eternal passion to experience happiness.

I hope these brief points pulled from one chapter might give you a little more understanding and appreciation of Mansfield Park. I encourage you to read all of Jane Austen & the Price of Happiness. I think you will find it fascinating and illuminating, as I did!

*Here’s one word I learned from this book: apophasis. It means “raising an issue by claiming not to mention it,” or, as Brodey puts it, “tell[ing] the reader what will not be told.” Austen’s endings often use this technique. For example, near the end of Mansfield Park: “But there was happiness elsewhere which no description can reach. Let no one presume to give the feelings of a young woman [Fanny] on receiving the assurance of that affection of which she has scarcely allowed herself to entertain a hope.” As Brodey says, it’s an annoying technique. But Austen has her reasons.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Book review, Jane Austen's World, Jane Austen's Writing Techniques, Mansfield Park | Tagged Jane Austen's endings | 6 Comments »

Jane Austen Summer Program 2025: Sensibility & Domesticity

July 28, 2025 by Brenda S Cox

By Brenda S. Cox

Last month, June 19-22, I had the joy of attending JASP, the Jane Austen Summer Program. I had only attended once before, during covid when it was online. That was fantastic, so I was delighted to finally get to go in person.

This year’s theme was Sensibility and Domesticity. The focus was on Sense and Sensibility (S&S), domestic arts, and trans-Atlantic connections between the young USA and Austen’s England.

Laura Klein and Megan Poff play and sing pieces from Jane Austen’s own playlist that relate to *Sense and Sensibility*, such as “Begone Dull Care” which they connected with Willoughby. JASP 2025

Plenary Sessions

Plenary talks explored household books of the time; effects of the war on home life; “The Constitutional Safeguard of a Flannel Waistcoat”; and the Jane Austen Playlist, with a performance of songs connected to S&S.

In “Reading the Americas with Jane Austen,” Susan Allen Ford (author of What Jane Austen’s Characters Read And Why) explained what Austen would have learned about the Americas in books Austen is known to have read. For example, novelist Charlotte Turner Smith used her study of botany and travel writing to describe American scenery, as a teaching technique. In the introduction to her collection of tales, The Letters of a Solitary Wanderer, Smith argues that “young persons, who have no taste for any thing but narrative, may sometimes, by the local description of a Novel, learn what they would never have looked for in books of Geography or Natural History.” However, she presents Native Americans as savage and violent.

Anne Grant’s Memoirs of an American Lady, which Austen also read, gives a different perspective. It shows Native Americans as noble friends. Grant grew up in close contact with Mohawks, even learning to speak their language. Austen was able to get multiple perspectives on North America.

Susan Allen Ford, who spoke on Austen’s readings about America, shows rare books. JASP 2025

Jennie Batchelor, author of Jane Austen Embroidery, offered two fun embroidery workshops and a final plenary on “Transatlantic Domestic Arts in the Era of Jane Austen.” Jennie told us about resources used by women in England and America at the time, such as The Young Ladies School of Arts. That book gives instructions and receipts (recipes) for many kinds of ladies’ activities, from breeding canaries to gilding. It includes the technical, scientific knowledge needed for many of these skills. Fashionable boarding schools also taught such arts.

As one example, Sense and Sensibility mentions filigree work, which Lady Middleton expected Lucy to do at night by candlelight. Elinor kindly volunteered to assist Lucy. Filigree is quilling: cutting and rolling up small pieces of paper and fastening them onto a surface. This was quite fiddly, eye-straining work that Lucy was constrained to do in order to please her hostess.

Jennie Batchelor led two embroidery workshops, following patterns she adapted from magazines of Austen’s time. Some participants are tracing patterns onto their fabric at the windows, as Austen might have done. JASP 2025

Context Corners and Discussion Groups

I was particularly looking forward to one special feature of JASP: context corners and discussion groups. Graduate students led four 15-minute sessions (“context corners”) discussing various aspects of Sense and Sensibility. Topics connected S&S with sensibility and sisters; inheritance law; the East Indies; and “Scandal and the Fallen Woman.” For that final topic, we considered when the “fallen woman” was considered morally corrupt and when she began to be considered as a victim of immoral men or capitalism. We also learned definitions of a “rake” and saw comparisons with real people, noting similarities between William, Lord Craven, and the fictional John Willoughby.

In a Context Corner on “Scandal and the Fallen Woman,” Nellie Downie told us about a real Dashwood family who were involved in various scandals. They were quite different from Austen’s Dashwoods. JASP 2025

After each context corner talk, we split up into small groups named after places in S&S. Mine was Norland Park. Using lists of excellent discussion questions and quotes, we had far-ranging discussions which were great fun. We had 45-60 minutes per discussion, so we could really get into it and trade ideas, building off of each other’s insights.

Education was a major emphasis of the conference, and teachers had their own forums in addition to the regular events.

In the Norland Park group, as in all the other groups, we had lively discussions on many aspects of *Sense and Sensibility*. JASP 2025

And More Delights

The rest of the time was filled with fun events, including:

An opening banquet
Multiple fun dance practices with “Mr. Steplively” and a Saturday night Regency Ball, with Regency Games for those who preferred not to dance. (A nice touch was the availability of reasonably priced costumes for those who wanted to rent Regency gowns.)

Ready to promenade from the hotel to the ball. Breckyn Wood, Erna Arnesen, Betty Parker Ellis, Jeanne Talbot, JASP 2025.

A theatrical evening, where we got to watch an original play connected S&S with Hamlet, and a screening of Sense and Sensibility: The Musical, a delightful take on the novel.
An adaptations panel which included music and costumes used in film versions of S&S, and more.
Optional tours
An emporium selling Jane Austen Books along with other fun items, and a silent auction.
A display of early editions of S&S and contemporary books by William Cowper, Sir Walter Scott, James Thomson, William Gilpin, and more.

Inger Brodey, president of the Jane Austen Collaborative (of which JASP is a part), shows her early copies of books by Thomson and Gilpin.

Location, Location

Past JASPs have been held at UNC-Chapel Hill. This year about 150 participants met in New Bern, a historic town near the coast in North Carolina. Waterside views were lovely, and we got to tour the beautiful Tryon Palace and its extensive grounds. Our sessions were held at the North Carolina History Museum nearby.

Next summer, JASP is moving to Seton Hill University in Greensburg, Pennsylvania. The topic will be Pride, Prejudice, and the Pursuit of Happiness. I’m hooked on this great program, and I hope to see some of you there!

(Note: All photos ©Brenda S. Cox, 2025, please ask permission before using.)

Tryon Palace, first permanent capitol of North Carolina, also Governor Tryon’s home, completed in 1770. Reconstructed and reopened in 1959. Well worth a visit! JASP 2025

Touring the Tryon Palace was like touring an aristocratic home of Austen’s day, with period-appropriate furnishings, all the way down to the kitchen, where a real chicken was roasting in the fireplace. JASP 2025

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in 19th Century England, Jane Austen Summer Program, Jane Austen's World, Sense and Sensibility | Tagged Jane Austen education, JASP | 2 Comments »

Book Review: Jane Austen in 41 Objects

July 14, 2025 by Rachel Dodge

As we continue our tour of new books and media for Jane Austen’s 250th anniversary celebration, my choice this month is the much-anticipated Jane Austen in 41 Objects by Kathryn Sutherland. This extensive new “biography” features the beloved 41 Objects from the Jane Austen Museum, along with beautiful photographs and in-depth information about each item in the collection.

“Jane Austen’s House holds an unparalleled collection of objects relating to Jane Austen’s life and works, her family circle and her legacy. Here you can see some of the treasures of the collection, ranging from books and letters to pieces of furniture, clothing and paintings. Many of these objects can be seen in the House . . .” (Jane Austen’s House)

Book Review

For those who have had the opportunity to visit Jane Austen’s House Museum, many can attest that it’s hard to take everything in during a tour of the house. This book provides a closer look at each object in greater details. I was quite intrigued by the items and information I had missed during my visits over the years and from my searches online. For those who have not yet visited JAHM, this is the perfect book for your shelves! It gives Jane Austen fans a wonderful glimpse into the collection of objects often on display there, collecting them all in on place.

This book provides the perfect “virtual tour” because there’s so much more in the book than you can find online or in person. This book is also much more thorough in its explanation of and historic information about each of the 41 objects than anything I have seen. For instance, reading about the Jane Austen plate was brand-new to me.

What’s more, I believe that this book provides information about objects that may not currently be on view at the museum. I don’t think all 41 objects are always available to the public in one place. If memory serves, some objects move here and there to other exhibits, so again, seeing it all in one place is quite impressive and educational.

Book Description

Jane Austen in 41 Objects by Kathryn Sutherland is a new kind of biography on Jane Austen examining the objects she encountered during her life alongside newer memorabilia inspired by the life she lived.

More than two hundred years after Jane Austen’s death at the age of just forty-one, we are still looking for clues about this extraordinary writer’s life. What might we learn if we take a glimpse inside the biographies of objects that crossed her path in life and afterward: things that she cherished or cast aside, that furnished the world in which she moved, or that have themselves been inspired by her legacy?

Among objects described in this book are a teenage notebook, a muslin shawl, a wallpaper fragment, a tea caddy, the theatrical poster for a play she attended, and the dining-room grate at Chawton Cottage where she lived. Poignantly, the last manuscript page of her unfinished novel and a lock of hair, kept by her devoted sister, Cassandra, are also featured. Objects contributing to Austen’s rich cultural legacy include a dinner plate decorated by Bloomsbury artists Vanessa Bell and Duncan Grant, Grayson Perry’s commemorative pot from 2009, and even Mr Darcy’s wet shirt, worn by Colin Firth in the 1995 BBC adaptation.

This is a different kind of biography, in which objects with their own histories offer shifting entry points into Jane Austen’s life. Each object, illustrated in color, invites us to meet Austen at a particular moment when her life intersects with theirs, speaking eloquently of past lives and shedding new light on one of our best-loved authors.

Featured Objects

Sutherland provides a tour of all 41 objects with photographs and information about each one. This truly does gives the reader more time to examine and take a thorough look at each object. Though one could find many of these objects online, it’s much easier to study them in a book format.

About the Author

Kathryn Sutherland is a trustee of Jane Austen’s House and Professor of English and Senior Research Fellow, St. Anne’s College, Oxford. Her publications include Jane Austen’s Textual Lives: from Aeschylus to Bollywood (2005), the online edition of Jane Austen’s Fiction Manuscripts (2010), and Jane Austen’s Fiction Manuscripts (5 vols, 2018). Other edited works include: James Edward Austen-Leigh, A Memoir of Jane Austen and Other Family Recollections (2002) and Jane Austen, Teenage Writings (2017).

During the 200th anniversary year of Austen’s death, she curated two major exhibitions: “The Mysterious Miss Austen,” in Winchester, Hampshire, and “Which Jane Austen?” at the Bodleian Library, Oxford. She wrote essays for and edited the accompanying exhibition book, Jane Austen: Writer in the World (2017).

Celebrating 250 Years

This collection is another wonderful product of the 250th anniversary of Jane Austen’s birth and the celebrations happening worldwide all year long. I’m thankful that Kathryn Sutherland, Jane Austen’s House, and Bodleian Library Publishing, Oxford made it possible for Jane Austen fans to have access to these artifacts in book form. If you really want to “geek out,” this is the book for you!

Posted in 250th Anniversary of Jane Austen, Book review, Inspired by Jane Austen, Jane Austen Resources, Jane Austen's enduring popularity, Jane Austen's family, Jane Austen's life, Jane Austen's World | 2 Comments »

Austen at Sea by Natalie Jenner: An audio book review

July 8, 2025 by Vic

Dear Reader: Two hundred and fifty years ago marked two significant events across two continents – Jane Austen’s birth in Steventon, England, December 16, 1775, and the start of the fight for independence by American colonists in Lexington and Concord on April 19th from Great Britain. And so Jenner’s book, set in GB and the American Colonies comes at a propitious time. The novel’s plot is set in 1865, 48 years after Jane Austen’s death, and just after the Civil War in America ends and followed by the news of Abraham Lincoln’s death, and And so the timing of this novel is timed brilliantly – in honor of the 250th anniversary – J Austen’s birth and America’s fight for independence from Great Britain.

For this discussion about Natalie Jenner’s latest novel, I listened to an audio version of a book that spans over 300 pages and that the listener takes from 11-12 hours to complete. The author’s complex plot provides numerous characters, and their movements across two nations, often with historical minutia thrown in. One set back as a listener is that, unlike a novel in which one can quickly flip back and forth to check on a detail, an audio book forces one to rewind. Being ham handed, I often missed the stop I needed.

The good news is that once the introductions of the characters are over and the plot truly gets going, it’s hard to stop listening, especially sections 2 and 3. To help listeners keep track of the characters and their settings,, I’ve listed the four main divisions in the novel. They are:

1) Boston: In which the main characters are introduced. (a,b, & c) Sisters Charlotte and Henrietta Stevenson are the spinster daughters of Massachusetts Supreme Court Justice William Stevenson; (d) Constance Davenish is a Boston socialite and suffragette, (e) Thomas Nash, is also a Massachusetts Supreme Court Justice and Justice Stevenson’s friend, and (f) Denham Scott is a mysterious reporter from Great Britain (GB). All these characters, in one way or another, have a keen interest in Jane Austen’s work.

Although he lived in Portsmouth, GB, Sir Admiral Francis Austen, Jane Austen’s brother and the last surviving Austen sibling, is included in this section. Jenner weaves his presence throughout the novel, for he is the engine that propels the plot forward in every section of the novel.

Also included in this introductory section are the Nelson brothers, Nicholas and Hazlett, who are both Civil War veterans. After the war ends, the bachelor brothers work in Philadelphia as rare book dealers. Philadelphian heiress, Sara-Beth Gleason, daughter of a Pennsylvania state senator, frequently visits the rare book shop, for she has her mind set on one of the Nelson brothers.

In this introductory section, Jenner narrates the details of the characters, their settings, and their connections to each other and their knowledge of J Austen. We know their background mainly through the narrator’s voice, but occasionally get brief glimpses of their personalities through their letters, particularly between Sir Francis and the Stevenson sisters, as well as his correspondence with the Nelson brothers. Within these letters and the characters’ reactions to them, the plot of the novel unfurls in a more personal way.

2) The Sea. In the second section of the novel, the reader meets Louisa May Alcott on board the S.S China, a transatlantic mail packet steamer headed from Boston to Portsmouth. Traveling on board are the Stevenson sisters, journalist Denham Scott, the Nelson brothers, Justice Thomas Nash, and Sara-Beth Gleason, who has followed the brothers to England. Remaining in Boston are Justice Stevenson and Constance Davenport.

By this time, Jenner has largely left narrative exposition in favor of having her characters discuss their thoughts and/or allow the reader to get into their minds via free indirect discourse, the writing method J Austen used inventively in her novels. FID allows Jenner to jump back and forth as the third person narrator as well as enter her characters’ minds.

The journey on board the S.S. China is lively. Alcott, a spinster, author, and woman’s rights activist bonds with both the women and the men. On board the ship, the passengers find/discuss their common admiration for Jane Austen and her writings. After her death, and as the 19th century progressed, Austen’s reputation had spread to the U.S, whose growing popularity Jenner includes in detail.

3) Hampshire. The third section of this novel is, frankly, my favorite part of the book. Various threads of the major plots coalesce and intertwine, in particular, those of Admiral Francis Austen, the Stevenson sisters, and the Nelson brothers. Jenner takes us to Portsmouth Lodge, the admiral’s house, which rises on a point above the harbor. From his perch, Sir Francis looks out to the English Channel with a maritime telescope, watching the ships come and go in the harbor and the activities on the docks. Charlotte and Henrietta Stevenson and Nicholas and Hazlett Nelson visit Sir Frances, who shares important information with them. The group journeys to Chawton House and Chawton Cottage, and follow the paths and roads that J Austen has traveled. In addition, between the group’s conversations with the Admiral and their expanded knowledge of the author from his first-hand accounts, Jenner fully fleshes out the details of her life. Austen has become a living, breathing person in their and our minds.

This section has many twists and turns that lead to a mystery the Admiral holds close to the vest. He also keeps certain plans a secret. These mysteries play an important part in keeping me interested in finding out what they are.

4) The Court. This section, for me, was a let down. Instead of reaching a satisfactory ending that ties loose ends, new twists are introduced. My mind became confused, for I wondered about the reasons for adding additional threads so late in the novel. Of the reviews I read, however, over 90% of the reviewers were satisfied with the ending and praised the novel, giving it from four to five stars. I found only one review in which the reviewer felt that the book was chugging along nicely, until he reached the last section, when he stopped reading because of the muddling of the plot.

I kept listening until the end, but felt like I had experienced a number of different endings. I thought, much like the endings in the film, ‘Return of the King’, in which the audience sat through Aragorn’s coronation, Sam’s return to the Shire, and Frodo’s departure by ship to the Grey Havens with the Elves, ‘enough is enough.’.

And so I have mixed feelings writing this review, since I like the author’s writing style and her remarkable research. Plus, listening to a novel that is over 300 pages long and has a quite complicated plot that contains numerous characters who live in and travel to different locations can be quite confusing. I’ll eventually read the novel, and am sure that going at my own pace while leafing through the pages will provide a better ‘reading’ experience.

Links

Jenner’s synopsis of her novel.

Narrator: Rupert Graves

Q&A: Natalie Jenner, Author of ‘Austen At Sea’ | The Nerd Daily

Posted in Austen at Sea, Book review, Jane Austen audio books, Jane Austen's World | Tagged Natalie Jenner | 3 Comments »

Jane and Dorothy: Lives of Jane Austen and Dorothy Wordsworth

June 23, 2025 by Brenda S Cox

A Book Review by Brenda S. Cox

“Marianne’s ‘excess of sensibility’ almost destroys her reputation, her health and her happiness, wihle Elinor’s more guarded behaviour is rewarded. But that is fiction; what of real life?”—Prologue to Jane and Dorothy, by Marian Veevers

Jane and Dorothy: A True Tale of Sense and Sensibility, The Lives of Jane Austen and Dorothy Wordsworth, by Marian Veevers. The lovely cover attracted my attention as I perused a library book table focused on Jane Austen.

I had read a review of this book some time ago and suggested it to a literary friend, who said there was no connection between Jane Austen and Dorothy Wordsworth, sister of poet William Wordsworth. But I decided to check out the book and find out how the author connects them. I’m glad I did, as it was a fascinating read.

Jane and Dorothy, by Marian Veevers, explores two parallel lives, Jane Austen’s and Dorothy Wordsworth’s. Veevers works for the Wordsworth Trust.

Jane Austen and Dorothy Wordsworth

Jane and Dorothy follows the lives of two women, living at approximately the same time, who never met. Parallel, never intersecting, similar in some ways and contrasting in others. Connections with Austen’s novels are intertwined in their stories. Jane (1775-1817) is compared to Elinor Dashwood, with strong feelings controlled by reason and religion. Dorothy (1771-1855) is more like Marianne, focusing on her emotions. In one teenage letter to a friend who was sympathizing with her misery, Dorothy wrote, “You cannot think how I like the idea of being called poor Dorothy . . . I could cry whenever I think of it.”

Both were writers. Jane Austen, of course, had four novels published during her lifetime, two more shortly after her death, and her Juvenilia and letters published years later.

Dorothy Wordsworth wrote journals, mostly about her ramblings in nature with her brother, who became a famous poet of Romanticism. William Wordsworth used his sister’s journals as inspiration and a source of details for his poetry. His discussions and experiences with her also inspired him. A few of Dorothy’s own poems were published during her lifetime, but her journals and her travel narrative of a trip to Scotland were only published after her death.

Both Jane and Dorothy were dependent on their brothers later in their lives. Austen and her mother and sister were financially supported by her brothers after her father’s death, and her brother Edward provided Chawton Cottage where she wrote and rewrote her novels.

Dorothy lost her parents early in life and lived with various relatives as a poor relation, similar to Austen’s Fanny Price, until she threw in her lot with her brother William. Dorothy loved William passionately. (The author discusses rumors of sexual involvement and concludes that the rumors were false.) Dorothy devoted the rest of her life to her brother and, eventually, to his wife and children. Their financial situation was much harder than the Austens’, but they survived.

It was interesting to see the similar social and financial restrictions that society placed on both Jane and Dorothy, particularly as unmarried women, and to see how Jane’s life might have played out differently in other circumstances.

Yates ranting in *Mansfield Park*. Did Austen love home theatricals, or hate them? Or did she simply see their dangers?
C.E. Brock, public domain.

Austen and Drama

Having read so much about Jane Austen, I wasn’t expecting new insights into her life from this book. However, I found several. I’ll give just one example, from pages 47-50 of Jane and Dorothy.

Veevers discusses Austen’s attitude toward amateur home theatricals in Mansfield Park. Many have commented on the fact that Austen’s family performed such plays when she was growing up, and that she couldn’t really have thought they were wrong. Perhaps it was just the specific circumstances at Mansfield Park that made it wrong, or her attitude had changed due to the growing Evangelical disapproval of drama, or she was attributing disapproval to Fanny and Edmund.

However, Veevers speculates that, first, Jane may not have participated herself in those plays when she was growing up. She says the only evidence we have for that is Jane’s cousin, Phylly Walters, who wrote that “all the young folks” were participating in a performance in 1787—that is rather vague. Or Jane may have participated without enjoying it.

While Austen’s family approved of amateur theatricals, we don’t have to assume that she herself agreed. Instead, those experiences of plays in the Steventon barn may have shown Jane “the dark underbelly” of such practices. Veevers says any “modern-day member of an amateur dramatics company” would recognize these issues. She continues,

“Jane Austen gives an unflinching insider’s view of everything that is worst about amateur acting, from the concealed, but overwhelming self-interest of Julia and Maria Bertram who each hope to have the best part in the play ‘pressed on her by the rest,’ to the self-indulgent over-rehearsal of favourite scenes by some actors, and the insidious, self-gratifying criticisms of others’ performances—‘Mr Yates was in general thought to rant dreadfully . . . Mr Yates was disappointed in Henry Crawford . . .’” etc., etc. “There can be no doubt that this detailed understanding . . . came from real observation. It would seem that brother James’s annual productions in the Steventon barn were riven by jealousy, bad-feeling and unkindness.”—Jane and Dorothy, p. 49

Veevers goes on to speculate that Jane’s opinions may have been influenced by her dear friend Anne Lefroy. Mrs. Lefroy was a clergyman’s wife who apparently disapproved of amateur theatricals, politely declining to participate when a friend invited her. (Also, I would add, it appears those Steventon theatricals were an opportunity for flirtation between Jane’s still-married cousin Eliza and two of her brothers, so perhaps Henry Crawford and Maria Bertram’s fictitious flirtation also had a basis in past experience.)

I don’t think I personally agree with the idea that Austen disapproved of such theatricals, though. Austen certainly enjoyed the professional theatre, “good hardened real acting,” as Edmund Bertram called it, distinguishing that from amateur performances. Austen did, though, write several short, comic plays as a teenager, which may have been acted by her family. On a visit to Godmersham, she and Cassandra acted—most likely by reading aloud— a couple of plays with their nieces and nephews. (The Spoilt Child and Innocence Rewarded, according to Fanny Knight’s diary). Of course, that would have been on a much more limited scale than the play at Mansfield Park, with presumably less objectionable plays.

Whether Austen objected to amateur dramatics in general is questionable, but certainly she had seen enough to very realistically show the pitfalls of such productions in Mansfield Park. So I appreciated this insight from Jane and Dorothy.

Fanny Price loves nature, like both Jane Austen and Dorothy Wordsworth. Both Jane and Dorothy, like Fanny, experienced being marginalized by wealthier relatives.
H.M. Brock, public domain.

Spinsterhood

The book extensively explores attitudes toward “old maids” in Austen’s society. It’s easy to forget that Austen herself probably experienced prejudices against unmarried women. She certainly sometimes felt herself a poor relation at her wealthy brother’s Godmersham estate. She often lacked autonomy: her living situations and travels were dictated by her parents or brothers. Perhaps those feelings helped her create Fanny Price, dependent and marginalized.

Jane and Dorothy points out many illuminating parallels between Sense and Sensibility and Mansfield Park. Fanny is much like Marianne, with strong feelings. However Austen, when she was a more mature writer, made Fanny spiritually stronger, more nuanced, and with greater depth.

Marianne Dashwood gives way to her feelings and nearly dies. Fanny Price turns to religion and reason to keep her feelings under control, as Marianne determines to do at the end of *Sense and Sensibility*.
C.E. Brock, public domain.

End of Life

Dorothy lived much longer than Jane. Sadly, though, Dorothy’s last twenty years were spent with “her mind completely broken.” She had given her life to taking care of her family; that same family gave her loving care for those long years. It’s been speculated that she may have had some kind of dementia, or possibly severe depression. (She suffered, in fact, similarly to William Cowper in his final years. Cowper’s poetry, by the way, impacted both women.)

Of course we all wish that Jane had lived longer and written more. However, thinking of the many ways a spinster (like Miss Bates, for example, or Dorothy Wordsworth) might end up in Austen’s world, perhaps Jane’s earlier demise from an unknown disease was not the worst possible ending for her. The recent book and series Miss Austen also imagines long-lived Cassandra suffering late in her life.

As Veevers concludes,

“Jane and Dorothy were two unmarried, childless women who had failed to fulfil the destiny that their society prescribed for their sex. But they neither drooped nor withered as [1838 writer] Carlisle expected, nor developed the chagrin and peevishness which Dr. Gregory [1774] believed inseparable from their condition. Instead they forged their own meanings from their lives. . . . Jane and Dorothy were not simply products of their time. They made choices in their lives, and it was those choices which defined them.”

I found it fascinating to trace the choices of these two parallel lives, and the resulting joys and sorrows, during the same time in history. Well-written, easy to read, and compelling, Jane and Dorothy is worth reading for anyone who wants to get deeper into “Jane Austen’s World.”

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Biography, Book review, Georgian Life, Jane Austen's World, Poetry, Regency Women | Tagged Jane Austen and Dorothy Wordsworth, Jane Austen and Family relationships, Regency literary women, Regency spinsters | 4 Comments »

Pride and Prejudice “Peacock” Edition

June 15, 2025 by Rachel Dodge

Many Austen fans enjoy viewing various early editions of Pride and Prejudice – and many of us are familiar with the famous “Peacock” edition. I recently had the opportunity to hold and examine a very early “Peacock” edition in my very own hands. (It was beautiful!!! I may have squealed in my head.)

During this 250th celebration year of Austen’s delightful works, I thought a little trip down “Peacock Lane” might be in order! This beautiful edition has a rich history and has contributed to Austen’s lasting legacy.

A rare “Peacock” edition in a bookstore I recently visited ($3,500).

The Original “Peacock” P&P

George Allen is responsible for the original 1894 “Peacock” edition of Pride and Prejudice, which includes the now-famous illustrations by Hugh Thomson. It includes 65 illustrations and 160 drawings and designs in total.

According to a University of Michigan Library Online Exhibit, Allen’s “Peacock” edition was not only extremely popular at the time, but it also helped revitalize the popularity of Austen’s works in the late 1800s:

“In reaction to the wave of British nationalism in the late nineteenth century, a renowned publisher of the time, George Allen, sought to preserve traditional English values by publishing a series of illustrated classic works of literature.”

Peacock Edition, Cover and Spine (1894).

There’s a reason people love the “Peacock” edition. The cover is striking with its deep navy blue background, gilded title, and resplendent gold peacock feathers. Every detail is exquisite:

“The edition’s iconic features include its gilded peacock cover (symbolic of pride) and 65 full page illustrations, all created by Hugh Thomson. As an acclaimed illustrator of the time, Thomson’s work symbolized grace and refinement, which made him the perfect choice for capturing Allen’s vision.”

Allen’s goal to revitalize interest in Austen’s work proved successful, but the edition itself did better than he ever imagined and went on to become an iconic edition that book collectors salivate over today:

“The edition surpassed expectations, selling over 11,605 copies in England and 3,500 copies in the United States, within the first year. Its popularity was partly due to its large appeal across class divisions, gender spheres, and political factions, functioning most basically as a gift book and mark of good taste. George Allen’s revival has proven to be timeless. Thomson’s peacock design has become the iconic representation of Austen’s Pride and Prejudice in contemporary marketing and merchandising, continuing to capture audiences today.”

George Allen editions of *Pride and Prejudice, Emma,* and *Sense and Sensibility*

“Peacock” Illustrations

If Hugh Thomson’s name sounds familiar, you’re right. Jane Austen’s House Museum shares these intriguing details:

“The Irish illustrator, Hugh Thomson (1860-1920), was best known for his pen and ink illustrations and in addition to Jane Austen’s work, illustrated the novels of Charles Dickens, Elizabeth Gaskell and J.M Barrie. Thomson used to visit the British Museum and V&A to research costume styles, room decorations and furniture design for his illustrations. Despite that his drawings for Pride and Prejudice have a distinct Victorian rather than Georgian feel to them.”

If you’ve ever wondered why Thomson chose a peacock for the cover, you’ll find a clue in the old saying, “proud as a peacock.” Male peacocks have long been associated with pride and vanity because of their vibrant plumage and the way they strut about with their feather fanned out around them. Some believe that the peacock’s elaborate display of its tail feathers, especially by the male during courtship, is a fitting image for Pride and Prejudice’s themes of courtship as well. Either way, the peacock as a symbol of pride seems fitting for the cover of Pride and Prejudice.

The interior is filled with beautiful full-page illustrations. The first page of the first chapter is particularly lovely with the peacock plumage on full display:

“Peacock”-Themed Editions Through the Years

Ever since the original “Peacock” edition was released, many other editions of Pride and Prejudice have featured a peacock or peacock feathers. Each one is a nod to the original and to the overarching theme in the novel. Here are a few select highlights:

Signet Classic, 1961 (I read this one from my dad’s bookshelves growing up)

Union Square & Co. with lush peacock feathers.

Paper Mill Press edition (Hardcover or Paperback).

Union Square & Co. edition (2022) with subtle peacock feathers.

Wordsworth Edition with its peacock mates.

Easton Press collector’s reproduction edition with illustrations by Thomson.

Though the Easton Press leather-bound edition is pricey at $252, it might be worth it to those who want to have a beautiful and exquisitely-reproduced copy of Allen’s original “Peacock” edition with Thomson’s illustrations throughout. It’s truly a work of art in its own right with its “hubbed” spine, sewn pages, acid-free paper, and custom-crafted, clothbound slipcase.

250th Editions Featuring Peacocks

Finally, for the 250th anniversary of Jane Austen’s birth, Austen fans can enjoy several new “Peacock”-inspired editions. These editions pay homage to the original Allen edition with an updated flair. Thus far, I’ve seen these new and upcoming editions advertised:

Plumleaf Press – Now Available from Barnes & Noble.

Union Square & Co. – Signature Gilded Edition (Sept 2025)

Proud as a Peacock

Whichever edition you enjoy reading, it’s clear that the peacock remains an enduring symbol of pride in the novel. As Elizabeth Bennet says about Mr. Darcy after he snubs her: “I could easily forgive his pride if he had not mortified mine.”

A copy of the original “Peacock” edition is worth a lot of money these days, but its impact is truly priceless. Allen and Thomson helped revive and sustain popular interest in Jane Austen’s work far beyond what they ever imagined.

RACHEL DODGE teaches college English classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables Devotional, The Little Women Devotional, The Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

Posted in Book review, Inspired by Jane Austen, Jane Austen Book Collecting, Jane Austen gifts, Jane Austen illustrators, Jane Austen Novels, Jane Austen's enduring popularity, Jane Austen's World | Tagged Book review, books, jane austen, literature, reading | 6 Comments »

The Language of Jane Austen’s Teenage Writings, Part 2

May 29, 2025 by Brenda S Cox

By Brenda S. Cox

“Lovely & too charming Fair one, notwithstanding your forbidding Squint, your greazy tresses & your swelling Back, which are more frightfull than imagination can paint or pen describe, I cannot refrain from expressing my raptures, at the engaging Qualities of your Mind, which so amply atone for the Horror with which your first appearance must ever inspire the unwary visitor.

“Your sentiments so nobly expressed on the different excellencies of Indian & English Muslins, & the judicious preference you give the former, have excited in me an admiration of which I can alone give an adequate idea, by assuring you it is nearly equal to what I feel for myself.”–“Frederic & Elfrida,” chapter 2, Jane Austen’s Juvenilia

A few days ago I began telling you about a linguistics conference focused on Jane Austen’s delightful efforts as a teenage writer. Besides the main talks, we got to explore many aspects of Austen’s brilliant use of language.

“Evelyn” is one of Jane Austen’s hilarious teenage stories, from her *Juvenilia*.

Jane Austen’s Grammar, Punctuation, and Education

Several talks reported on analyses of certain types of words, such as intensifiers (very, extremely, etc.), which are often used ironically in the Juvenilia. Phrases indicating prohibition, obligation, or permission are used more often by women than by men in Austen’s early works. One talk examined the language used in sister relationships, comparing Elizabeth and Jane Bennet’s conversations with Anne Elliot and Mary Musgrove’s discussions.

Two talks focused on education at the time. These traced Austen’s own experiences with two brief bouts in boarding school to the comments in her novels criticizing such schools. Austen repeatedly challenged the current systems of women’s education. For example, in Emma, Austen wrote:

“Mrs. Goddard was the mistress of a School-not of a seminary, or an establishment, or any thing which professed, in long sentences of refined nonsense, to combine liberal acquirements with elegant morality upon new principles and new systems—and where young ladies for enormous pay might be screwed out of health and into vanity-but a real, honest, old-fashioned Boarding-school, where a reasonable quantity of accomplishments were sold at a reasonable price, and where girls might be sent to be out of the way and scramble themselves into a little education, without any danger of coming back prodigies. Mrs. Goddard’s school was in high repute—and very deservedly.”–Emma

Jane Austen’s *The History of England* shows her awareness of the bias of all historians. One talk compared it with the serious Oliver Goldsmith textbook she parodies. Goldsmith moralizes, while Austen entertains.

Parentheses

I had never noticed how Austen used parentheses (also called round brackets) as stage directions. Victorina González-Díaz showed us that Austen used parentheses for body movement (smiling), attributions (said I), or both (said he with a saucy smile). Early on, Austen used parentheses in the Juvenilia mostly for speech attributions and combined forms. As accepted conventions changed, she moved to using them mostly for body movements in her mature novels. Specific characters, like Mrs. Elton, get parenthetical expressions to help characterize them. In Volume 2 of Emma, for example, Mrs. Elton says:

“The thing is determined, that is (laughing affectedly) as far as I can presume to determine anything without the concurrence of my lord and master.”–Mrs. Elton

Jane Austen’s Self-Editing

Another talk I appreciated was Breckyn Wood’s on “Jane Austen the Editor.” The original manuscripts of the Juvenilia show many editing changes that Austen made to her own work (Jane Austen: Teenage Writings, edited by Kathryn Sutherland, lists these edits). Wood showed how Austen’s editing process as she worked on her early writings helped her develop the style she used later in her novels.

Wood first pointed out, as van Ostade confirmed, that spelling and punctuation were not at all standardized in Austen’s time. The “errors” Austen made were similar to the spelling and punctuation of other great authors of her time, including Wordsworth and Sir Walter Scott. (Did you know that we have six original examples of Shakespeare’s signature, and he spells his own name differently in each one??)

*Love and Freindship* uses a spelling acceptable at that time.

So when Austen wrote Love and Freindship, she wasn’t making a childish mistake. She was using an accepted alternate spelling.

Austen’s self-edits were made for various reasons. In one story, Austen changed “She began to fear” to “She began to tremble.” This is a modern writing convention, where we prefer to “show” rather than “tell”—she is showing the character’s fear, rather than telling us the character was afraid.

In another place Austen added alliteration (using the same initial sounds), changing “rouge” to “patches” in “Frederic & Elfrida,” resulting in:

“Charlotte . . . walked to Mrs. Fitzroy’s to take leave of the amiable Rebecca, whom she found surrounded by Patches, Powder, Pomatum, & Paint, with which she was vainly endeavouring to remedy the natural plainness of her face.”

“Frederic & Elfrida” shows Austen editing her own work to make it more fun.

In other cases, Austen increased the silliness of these spoofs. For example, she originally had a young man sending a large Newfoundland dog home to his family every year, but changed that to every month, to make it even more ridiculous.

Austen was careful in her choice of words and phrases throughout the Juvenilia, developing the wonderful style we see in the mature novels.

Language Change

My own talk was on language change in Jane Austen’s religious vocabulary. I focused on words that have changed meaning since Austen’s time, so that we may misunderstand them as readers today. Some, like rector, vicar, and curate, have changed because the Church of England’s structure has changed. Obvious religious words, like atone in the quote that opens this post, are used ironically. Others, like exert, duty, and principle, once had strongly religious meanings, but their emphasis has changed because of cultural changes. The Juvenilia uses these words mostly as satire, showing characters who had made sensibility into their own religion. My talk is posted on my blog.

Who knew that the science of linguistics could add so much to our understanding of Jane Austen’s work and world?

If you want to read or re-read the Juvenilia for yourself, you might try Jane Austen: Teenage Writings, edited by Kathryn Sutherland. Or, you might go for some of the lovely illustrated volumes from Juvenilia Press. I’ve used some of those covers to illustrate this post. I have even bought some of those delightful storybooks for my grandchildren. They are available from Juvenilia Press in Australia or from Jane Austen Books in the US.

“Cassandra smiled & whispered to herself ‘This is a day well spent.’”—”The Beautifull Cassandra,” Jane Austen’s Juvenilia

If you’ve read the Juvenilia, which story is your favorite, and why?

Online articles on Jane Austen’s use of language

(Note that for jstor, you can get an individual membership free and read many articles each month.)

The Language of Jane Austen’s Teenage Writings: Part 1

For abstracts of the conference talks, see “Linguistic Approaches to Jane Austen’s Childhood.”

Jane Austen’s Subtly Subversive Linguistics, Chi Luu. A linguist argues that Jane Austen’s popularity has more to do with her use of language than her plots.
Good Tenses Make Good Neighbors: Or, How Grammar and Linguistics Shaped Austen’s Moral Worldview, Breckyn Wood, Persuasions On-Line, Winter 2024
Very Austen: Accounting for the Language of Emma, Janine Barchas, Austen’s use of the word “very.” She uses it 2-3 times as much in Emma as she does in her other novels, with an average of more than once per page. Why? (Note that you can get a free individual membership to jstor that allows you to read many articles each month.)
Jane Austen’s English, K.C. Phillipps. Ways Austen played with words, innovated, and followed or did not follow grammatical conventions.
Jane Austen’s Speech Acts and Language Based Societies, Candace Nolan-Grant (Speech acts are acts performed entirely with words, such as proposals or promises.)
Jane Austen’s “Must”: The Will and the Word, Zelda Boyd. Austen’s use of modals like “must,” “may,” “shall,” to mock and to change what “must” happen.
Jane Austen and Samuel Johnson’s Dictionary
Defining the World: The Extraordinary Story of Dr. Johnson’s Dictionary, Henry Hitchings
The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary, Simon Winchester. A little after Austen’s time, but starts with Samuel Johnson, who was during her time.
In Search of Jane Austen: The Language of the Letters, by Ingrid Tieken-Boon van Ostede. Expensive, but you may be able to access it through a library or a research service such as Galileo.

This list is included in the Social Customs tab above, under Language and Linguistics.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Jane Austen's language, Jane Austen's World, Juvenilia | Tagged grammar and vocabulary in Jane Austen, Jane Austen's self-editing, Punctuation in Jane Austen |

The Language of Jane Austen’s Teenage Writings, Part 1

May 26, 2025 by Brenda S Cox

“It was too pathetic for the feelings of Sophia and myself—We fainted alternately on a sofa.”–Love and Freindship, Letter the 8th, Jane Austen’s Juvenilia.

Frederic & Elfrida, one of Jane Austen’s hilarious juvenile stories, published by Juvenilia Press

Since I have a background in linguistics, I was intrigued when I was invited to present at a conference in Spain on “Linguistic Approaches to Jane Austen’s Childhood.”*

This conference, which took place in early May, focused on the language of Austen’s early letters and her Juvenilia, the stories she wrote in her teens for her own family and friends’ enjoyment. She wrote them up in three volumes, as if for publication, though they were not published until long after her death. Why is the language of these works important, or even interesting?

Austen’s Language

A fascinating article on “Jane Austen’s Subtly Subversive Linguistics,” by linguist Chi Luu, claims that the best thing about reading Austen is her language. “Austen’s subtly subversive ironic language allows readers to receive her work in a layered way—romance, comedy, mystery.” We lose much of this linguistic brilliance in the movies, which tend to magnify the romance and ignore the intricacies of Austen’s language.

Luu says, “As [Austen’s] writing matured, her comedy became less overt and more nuanced.” We can enjoy the overt comedy of Austen’s Juvenilia, ranging from “The Beautifull Cassandra” whose “father was of noble Birth, being the near relation of the Dutchess of —-’s Butler,” to “Love and Freindship,” whose moral is “Run mad as often as you chuse; but do not faint.”

“The Beautifull Cassandra” is one of Austen’s teenage stories. In twelve chapters of one to four sentences each, Cassandra has outrageous adventures.

Jane Austen Practicing

The conference started at noon in Spain, which was 6 AM for me in Georgia, USA, where I was participating online. Kathryn Sutherland opened with, “Jane Austen Practising: What Her Teenage Writings Can Teach Us.” Sutherland edited editions of the Juvenilia which reproduce the pages in Austen’s own handwriting with transcriptions.

Sutherland gave a lively introduction to the Juvenilia, which she considers among the best comic writings in English. These stories are parodies of the novels and pulp fiction Austen enjoyed, as well as her schoolbooks on history and geography. Unlike in Austen’s mature novels, girls in the Juvenilia reject all advice on ladylike behavior. We see them overeating, drinking, stealing, accepting two offers of marriage, even involved in murder, sexual misdemeanors, and violence. The girls in the stories are tough, while the men are weak.

Austen experimented with exotic names for places, like “Crankhumdunberry” and “Pammydiddle,” and people, like “Jezalinda” and “Elfrida.” Sutherland called these kinds of names “multisyllabic confections.” She also said Austen was experimenting with what ingredients a novel needs. For example, does it need a hero? In “Jack & Alice,” Jack is only briefly mentioned as a drunk who died and made his sister rich:

“It may now be proper to return to the Hero of this Novel, the brother of Alice, of whom I beleive I have scarcely ever had occasion to speak; which may perhaps be partly oweing to his unfortunate propensity to Liquor, which so compleatly deprived him of the use of those faculties Nature had endowed him with, that he never did anything worth mentioning. His Death happened a short time after Lucy’s departure & was the natural Consequence of this pernicious practice. By his decease, his sister became the sole inheritress of a very large fortune”—”Jack and Alice,” chapter 7, Jane Austen’s Juvenilia [Variations in spelling and capitalization were common at this time.]

Are motivations and believable settings necessary? Austen’s Juvenilia characters act crazily and randomly. Are the boundaries set by society reasonable? These characters ignore them.

*Catharine, or The Bower*, shows Austen almost ready for her mature novels.

The last work of the third and final volume of the Juvenilia is Catherine, or The Bower. This is the longest work, and is realistic rather than comic. It includes political commentary and harsh criticism of restrictions on women. Catharine sets the stage for Austen’s later novels, which are set in her real world, with characters who need to live within social realities.

Spelling as Evidence

On the second day, Ingrid Tieken-Boon van Ostade gave the plenary talk, “Spelling as Evidence: from Jane Austen’s Juvenilia to The Watsons.” Van Ostade is the author of In Search of Jane Austen: The Language of the Letters, an in-depth analysis of the spelling, vocabulary, and grammar Austen used in her letters.

*In Search of Jane Austen: The Language of the Letters* explores Austen through her spelling, vocabulary, and grammar.

In this talk, van Ostade suggested dates for parts of Austen’s manuscripts based on different versions of Austen’s handwriting, different shades of ink, and different accepted spellings. She puts The Watsons at 1805-6 (family tradition suggests 1804), and “The Three Sisters” as an addition to the Juvenilia after 1804.

In “The Three Sisters,” a young lady agrees to marry a horrible man in order to spite her sisters. She haggles with him over what kind of coach they will get: she wants a blue one with silver spots.

One participant was working on a compilation of some letters of the period. Van Ostade encouraged such editors to include original spellings, capitalization, and punctuation, rather than “correcting” them. Such details contribute to our historical knowledge of the development and use of language in each time period. I would not have thought of that!

Spelling was not taught as a school subject in Austen’s time, though instructional texts were beginning to become available by the 1790s. Van Ostade says that throughout Jane Austen’s life, Austen was a “careful and consistent speller.” So the “mistakes” we see in her Juvenilia, such as “freindship” for what we would now spell “friendship,” were variations used at that time.

In a few days we’ll continue with more delights of Austen’s language.

“We are the sons as you already know, of the two youngest Daughters which Lord St Clair had by Laurina an italian opera girl. Our mothers could neither of them exactly ascertain who were our Father, though it is generally beleived that Philander, is the son of one Philip Jones a Bricklayer and that my Father was one Gregory Staves a Staymaker of Edinburgh. This is however of little consequence for as our Mothers were certainly never married to either of them it reflects no Dishonour on our Blood, which is of a most ancient and unpolluted kind.”–Love and Freindship, Letter the 15th, Jane Austen’s Juvenilia

What is a phrase from Jane Austen that you love?

To read more about Jane Austen’s brilliant use of language, check out the Social Customs tab above, and scroll down to Language and Linguistics.

*The conference was organized by Nuria Calvo Cortés at the Complutense University of Madrid.

Part 2: The Language of Jane Austen’s Teenage Writings

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Jane Austen's language, Jane Austen's World, Juvenilia | Tagged Jane Austen's Juvenilia, Jane Austen's Teenage Writings, Spelling in Jane Austen | 4 Comments »

Book Review: Jane Austen’s Garden

May 17, 2025 by Rachel Dodge

Fellow Janeites, I have a new book review for you in honor of Jane’s 250th year: Jane Austen’s Garden: A Botanical Tour of the Classic Novels written by Molly Williams and illustrated by Jessica Roux. This new book pairs two of my favorite things: Jane Austen and gardening! I looked forward to its release for months and it now sits prominently on my shelves!

Book Review

I knew this book would be beautiful, and I confess that I preordered it based on how pretty it looked. I have another gorgeous book by Jessica Roux called Floriography: An Illustrated Guide to the Victorian Language of Flowers. I’ve always been drawn to the language of flowers and their meanings.

When I ordered it, I assumed Jane Austen’s Garden would mostly include drawings and tidbits of information. However, when it arrived, I discovered that it is filled with detailed information about the flowers, plants, trees, fruits, and vegetables mentioned in Austen’s novels and in her own garden and kitchen garden! There are even instructions about how to grow your own fruits and vegetables at home.

And don’t let the Table of Contents fool you. This book has a LOT to offer. The editor(s) merely listed the craft projects in the book in the Table of Contents, which does a great disservice to Williams’ painstaking research and intriguing information. Williams provides ample material for Jane Austen fans and has done a wonderful job of researching every detail of this book.

Order Your Copy Here:

Literary Landscapes and Illustrations

In each chapter, there is a section entitled “From the Literary Landscape.” This is the best part!! This is where Jane Austen fans can really dig into Williams’ research. She outlines the instances when various trees, fruits, or flowers are mentioned in the novels (or how the Austens used them in their everyday lives). Then, Williams goes into detail about what they signified and/or their history. As many of you know from my articles over the years, I love to look for specific items in the novels and research them.

Finally, the illustrations in this book are to die for. Truly, Roux is a most extraordinary artist. You can see more of her art HERE. I truly could look at it all day long!!!! I have a dream of writing a book with botanical illustrations one day, and I can’t imagine having someone like Roux do the artwork. She brings Williams’ research to life and captures the Regency imagination beautifully.

Book Description

An elegantly illustrated celebration of Jane Austen’s life and literature as told through the flowers, plants, and landscapes that inspired her.

Through explorations of the botanical inspirations and symbolism in Austen’s work and personal life, as well as historical information about the gardens and landscapes of the Regency Era, Jane Austen’s Garden will transport readers back in time to the lush English landscape of the early 1800s. Woven throughout are DIY projects to help you create a home garden worthy of a surprise visit from Lady Catherine de Bourgh or maybe just give your dining table a bit of historical flair. Accessible, entertaining, and enhanced by the enchanted illustrations of celebrated artist Jessica Roux, Jane Austen’s Garden is a fun twist on a familiar subject that will delight plant lovers and Janeites alike.

Book Contents

The Table of Contents is misleading as it only outlines the various DIY projects you can try at home. The book itself has a LOT more meat to it, so don’t let the overview dissuade you from purchasing it. In an effort to provide a fuller picture of all that Williams included, I created a full outline of the book:

Below are two examples of how Williams includes information about different flowers and plants in the novels, along with more illustrations from Roux:

About the Author and Illustrator

Molly Williams is the author of Killer Plants: Growing and Caring for Flytraps, Pitcher Plants and Other Deadly Flora, and Taming the Potted Beast: The Strange and Sensational History of the Not-So-Humble Houseplant, and she writes regularly for Apartment Therapy‘s gardening and horticulture section. She grew up on a flower farm and is now a professor of writing in New England. You can visit her online HERE.

Jessica Roux is a Nashville-based freelance illustrator and plant and animal enthusiast. She loves exploring in her own backyard and being surrounded by an abundance of nature. Using subdued colors and rhythmic shapes, she renders flora and fauna with intricate detail reminiscent of old-world beauty. She is the author and illustrator behind Floriography: An Illustrated Guide to the Victorian Language of Flowers, Ornithography: An Illustrated Guide to Bird Lore & Symbolism, and the Woodland Wardens Oracle Deck & Guidebook. You can visit her online HERE.

250 Years of Bookish Bounty

Books like these truly make the 250th celebration of Jane Austen’s life, writing, and legacy a true gift and a joy. I’m so thankful to the authors, illustrators, editors, and publishers who make books like this possible. The bounty of books releasing this year is a wonder to behold. I hope you’ll check this one out and add it to your bookshelves!

Posted in 18th C. Botany, 19th Century England, 250th Anniversary of Jane Austen, Book review, English Garden, Inspired by Jane Austen, Jane Austen illustrators, Jane Austen's enduring popularity, Jane Austen's World, Regency gardens | Tagged Book review, books, jane austen, literature, romance | 10 Comments »

250 Years of Celebrating Jane Austen’s Natal Year: Admiral Francis Austen’s Candlesticks and His Biographical Manuscript

May 14, 2025 by Vic

Inquiring Readers

Helen Robson, Fine Art Administrator with Lacy, Scott, & Knight Auction Centre in Bury St Edmunds, UK, contacted this blog with information that is perfectly suited for our year long celebration of Jane Austen’s birth.

Our 14th June auction includes a pair of George III silver Egyptian pattern candlesticks engraved with an interesting inscription, the Austen family crest, and mentioned in a museum’s recently transcribed manuscript, which links the Napoleonic Wars, the East India Company and the brother of one of Britain’s most beloved novelists.

Ms Robson has generously encouraged us to use LS&K’s images and texts. My aim, always, is to link to the original source, in this instance their website. I have downloaded the PDF from the site of a quite extensive history about the Admiral entitled “Jane Austen’s brother, the Napoleonic Wars and the East India Company.” The link to the information sits here.

Francis Austen as a young man

This link leads to the PDF Doc, which can be printed out.

As it happens, and coincidentally, Jane Austen’s House has placed the link to the Memoir of Admirals Sir Francis Austen, whose translation was completed in 2024 by volunteers — just in time on their site!

These two pieces of information regarding Austen’s slightly older brother (born 1774), help us to understand more about the family dynamics through Frank’s career as a sailor, captain and admiral. His Memoir, written in a slim journal consisting of 78 pages, gives us a personal perspective on his life

Related Sites:

Wikipedia Link: Francis Austen
Belton Estate, June 2025 Festivities in Honor of Jane Austen – Grantham Matters

Posted in Jane Austen's World | Tagged Belton Estate, Francis Austen, Jane Austen's House, LS&K Auctioneers | 1 Comment »

Austen at Sea

May 4, 2025 by Vic

Natalie Jenner’s latest book, Austen at Sea, will become available through booksellers on May 6th! She will hold a discussion at The Poison Pen Bookstore at 2 PM, MST on May 5th. (In my Eastern state, the conversation will start at 5 PM.) Click on the link provided below to the YouTube video, subscribe, and hit the Notification Button! This discussion will include a live chat online.

Jenner describes her new novel in this link to her site, which should whet readers’ appetites!

I’ve been listening to the audio version of the book, and my review will go online soon. This book is a quite ambitious project, and suits the 250 year anniversary of Jane Austen’s birth beautifully! – Vic

Posted in Book review, Jane Austen's World | Tagged Austen at Sea, Book discussion/review, Natalie Jenner, The Poison Pen Bookstore | 1 Comment »

20th Anniversary of Pride and Prejudice (2005)

April 25, 2025 by Rachel Dodge

Jane Austen fans are flocking to theaters to watch the 2005 Pride and Prejudice film in theaters to celebrate its 20th anniversary. And what perfect timing with Jane’s own 250th celebration!

The film’s re-release in theaters was originally set for April 18-24, 2025, but it was extended to April 25-30, 2025 due to its success. It’s a limited engagement, primarily in the U.S., so Jane Austen friend groups, book clubs, and JASNA regional groups are taking advantage of this special event and gathering at movie theaters nationwide to watch it together.

Some, in Regency garb!

Pop Culture Craze

While the 2005 film version of Pride and Prejudice isn’t a favorite with some Jane Austen fans, who argue that it’s a very loose interpretation of the novel (and rife with historical inaccuracies), it’s been a huge sensation with a whole new wave of Austen fans since it first released 20 years ago. P&P 2005 fans discuss it non-stop online and have created fan groups and an endless library of memes, edits, reels dedicated to it. An entire fandom has formed itself around the film and its actors.

Hand Flex

And its popularity shows no sign of stopping. From Macfadyen’s emotionally complex portrayal of Mr. Darcy, the electricity between Knightley and Macfadyen, and the famous “hand-flex” scene, this highly romanticized adaptation of Austen’s novel is a cultural phenomenon in its own right.

Musical Score

The musical score alone is beloved by fans everywhere. Composed by Dario Marianelli and performed by Jean-Yves Thibaudet (piano) and the English Chamber Orchestra), the music is one of the reasons people love the film so much. The title track “Dawn” is just about as dreamy as it can get:

Awards and Nominations

After its release, the film won or was nominated for endless awards from the film industry, including Oscar nominations for Best Performance by an Actress in a Leading Role (Keira Knightley), Best Achievement in Art Direction (Sarah Greenwood, art director and Katie Spencer, set decorator), Best Achievement in Costume Design (Jacqueline Durran), and Best Achievement in Music Written for Motion Pictures (Original Score, Dario Marianelli).

Joe Wright, the film’s director and the 2006 Winner Carl Foreman Award for the Most Promising Newcomer, joined a Q&A several days ago at a special screening of the re-release. Of his directorial debut, he said, “I’m actually prouder of the film tonight than I think I’ve ever been.” (@focusfeatures)

Director Joe Wright at a Q&A Screening of the re-release of P&P 2005.

P&P Feuds

The 2005 Pride and Prejudice is often compared to the 1995 sweeping BCC version with Colin Firth and Jennifer Ehle, but it’s a bit like comparing apples and oranges. They are both so vastly different in every way. Nonetheless, fans have been debating this topic for 20 years now and will probably continue for another 20 years at least.

People outside the Jane Austen fandom probably won’t ever understand why we all feel so passionate about the different film versions of Austen’s novels, but in the words of Mr. Bennet, “For what do we live, but to make sport for our neighbours, and laugh at them in our turn?”

Re-Watching

Jane Austen fans LOVE to re-watch the films over and over. Have you been to the theater to watch the 2005 P&P re-release? Are you planning to go? (Did you / Will you dress up?) Which version do you prefer? Please comment below!

If you’d like to check showtimes in your local village theater, you can search AMC’s listings HERE. I’m hoping to see it before it’s gone. I can’t pass up the chance to watch a movie with other die-hard Janeites at the theater!

Posted in Film adaptation, Jane Austen Films, Jane Austen's enduring popularity, Jane Austen's World, Popular culture, Pride & Prejudice 1995, Pride and Prejudice, Pride and Prejudice 2005, Regency | Tagged Book review, books, jane austen, literature, romance | 8 Comments »

Jane Austen’s Desk: A New Website

April 18, 2025 by Brenda S Cox

by Brenda S. Cox

“There must have been many precious hours of silence during which the pen was busy at the little mahogany writing-desk, (This mahogany desk, which has done good service to the public, is now in the possession of my sister, Miss Austen) while Fanny Price, or Emma Woodhouse, or Anne Elliott was growing into beauty and interest.”–A Memoir of Jane Austen by James Edward Austen-Leigh, her nephew

Welcome page to the website “Jane Austen’s Desk”

Wouldn’t you love to explore Jane Austen’s desk and room? Inger Brodey, Sarah Walton, and their amazing team at the Jane Austen Collaborative are recreating Jane’s desk and room for us to visit virtually.

While the website is still a beta version, I found lots of great information there. The plan is for it to become a “portal” linking to many Austen resources.

The site opens with a view of a room loosely based on the drawing room of Jane Austen’s House in Chawton

Jane Austen’s Desk

When you visit the room, you might want to start at the desk itself—Jane’s travel desk sits on a table. You’ll see manuscripts of several of the novels, which you can open and enjoy in early editions. Commentary tells more about the novel and the edition, with direct links to interesting sections like “Darcy’s list of desirable female accomplishments” and “Fanny asking about the slave trade.”

Nearby are newspapers, one of the most fun links. Several contemporary papers are included. You can hone in on a number of interesting articles, ranging from her brother Edward’s selling part of Stoneleigh Abbey, to reports of her brother Frank’s naval exploits, to the story of a swindler who pretended to be a rich person’s housekeeper!

Jane Austen’s travel desk (the real one is owned by the British Library). The manuscripts on the desk, the newspapers next to it, and the cross, take you to various resources.

The Bookshelf

Click on the bookshelves in Rev. Austen’s bureau-bookcase , and you’ll see some books mentioned in Austen’s writings. I expect this will be expanded later. But for now, you can read from several authors Austen said she was “in love with”—Thomas Clarkson (on abolition), Sir Charles Pasley (on the military), and James and Horatio Smith (verse parodies). We also have a book that Fanny Price was reading, George Macartney on the British Embassy to China.

For each, you will find an easy-to-read early version of the book; clear commentary; pictures; and links to relevant passages in the novels and letters. Two also link to related articles. A great start if you want to explore these books connected to Austen!

Catalogs on the ledge of the bookcase open up to records of the Alton Book Society that Austen enjoyed. You’ll find lists of members, rules, and lists of the books that the members, including Austen, traded around. This gives us another peek into Austen’s life and reading.

The Bookshelf takes you to some books Austen read.

Travels

A pianoforte stands next to the bookcase. It will eventually be connected to Austen’s music.

Above the pianoforte, click on the portrait of a ship on the sea. You go to a globe, where you can follow the travels of Austen’s family.

Jane Austen’s Desk, travel section. You can trace the positions of Frank and Charles Austen, Charles’s wife Fanny Palmer, and Jane Austen herself, year by year. You can also read stories about Frank and Charles’s experiences at sea.

Silhouettes on the wall connect you to Jane Austen’s family tree. If you click on the orange “i”, you get more information about each person. The plus buttons reveal more generations.

Many of these features include audio commentary as well as written commentary. For example, Lizzie Dunford of Jane Austen’s House tells us about the topaz crosses Charles brought back for his sisters.

There are great possibilities for future additions.

An Interview with Inger Brodey

Inger Brodey, who runs the Jane Austen Summer Program, tells us more about the project:

JAW: Inger, what gave you the idea for doing this website?

Inger: I was interested in Austen’s own creative process, and also in countering the myth that she was not well informed in the science and politics of her day. I found a kindred spirit in Sarah Walton, who was a grad student when we started. In the 1990s, both Sarah and I had been enchanted by JK Rowling’s website with clickable, magical elements on her desk to interact with.

JAW: How is the website being funded?

Inger: We have received two rounds of funding from the National Endowment for the Humanities, and have applied for more. We intend to create a GoFundMe or Kickstarter campaign to seek private funding to support specific new developments, such as the learning games we have in mind.

JAW: What are some parts you are excited about adding in the future?

Inger: The current setting is Spring 1813, while [Jane Austen] is writing Mansfield Park. Eventually we hope to add additional settings: for example, Summer or Winter 1814, when she was composing Emma; or Autumn, 1815, when Persuasion was in process.

JAW: What are some parts that you and your team are finding challenging?

Inger: Well, it all takes much more time to create than one would imagine. We have a great team of programmers and designers, including the wonderful Harriet Wu who has drawn the site by hand. We constantly try to find the sweet spot where we can appeal to both scholars and the general public, and to all ages. Just as with our Jane Austen Summer Program, we also focus on providing tools for educators who wish to bring Jane Austen into the classroom.

JAW: What other ideas do you have for expansion in the future?

Inger: As you can see on the site, there are many objects with potential to “animate” in the future. We are collaborating with Laura Klein to add music to the piano, Jennie Batchelor for sewing, and have plans for links to weather and agricultural information (via the scene out the window), tea culture (via the kettle), letter writing (via a folded letter), and many more.

We applied for a grant to develop a state-of-the-art platform for navigating, reading, notating, and analyzing Austen’s novels, including the potential for crowd-sourced editions.

As long as we can continue to find funding, I think this will be a lifelong project—there is so much potential to grow!

JAW: Thanks, Inger, we look forward to that!

The Desk, the Summer Program, and Online Talks

Gentle readers, I recommend you explore Jane Austen’s Desk. The website has not yet been configured for mobile phones, so you’ll need to access it on your computer or tablet.

When you’ve finished exploring, go back to the main page and take a survey, to possibly win a prize. The survey takes some thought and time, but you will get to give input for what you’d like to see in the future at this very helpful site.

The same Jane Austen Collaborative who created Jane Austen’s Desk also runs the Jane Austen Summer Program. This year it will be held June 19-22, 2025, in North Carolina. The theme is “Sensibility and Domesticity,” exploring “topics including medicine, birth, and domestic arts in Regency England and colonial North Carolina.” They will “focus on Austen’s first published novel, Sense and Sensibility—considering the birth of her career as a published writer as well as taking a transatlantic look at the world into which she was born.” I’m signed up, and would love to see some of you there!

Of course, even if you can’t get to North Carolina, you can always enjoy Jane Austen & Co.’s great offerings online. They are currently exploring Music in the Regency; I enjoyed a recent talk on Women & Musical Education in the Regency Era, by Kathryn Libin. Get on their mailing list for announcements of upcoming events.

They generously provide free access to recordings of their previous talks, on topics including “Austen and the Brontes,” “The Many Flavors of Jane Austen,” “Everyday Science in the Regency,” “Reading with Jane Austen,” “Asia and the Regency,” “Race and the Regency,” and “Staying Home with Jane Austen.” Something for everyone, it seems to me.

So much Jane Austen to enjoy!

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in 19th Century England, Books Jane Austen Read, Jane Austen Resources, Jane Austen's World, Travel | Tagged jane austen, Jane Austen Summer Program, Jane Austen's Desk, literature | 5 Comments »

Reading Miss Austen by Gill Hornby

March 24, 2025 by Rachel Dodge

The new BBC miniseries “Miss Austen”, based on Gill Hornby’s novel of the same name, is currently the focus of much attention worldwide. The series aired in the UK in February and comes to PBS this May. Some of you have maybe already seen the show, depending on where you live, but for those who are waiting for it to air, I am here to say this:

Read the book while you wait!

You won’t regret it. In anticipation of the show, I decided to read Miss Austen by Gill Hornby, fully expecting to dislike it (I’m very picky). But I’m here to report that I loved it! I actually finished it in two days because I could not put it down (which is not easy as a writer with a busy household of teens). The story flows at a slower pace, but Hornby’s style–and the whole world she created–pulled me in and kept me engaged from start to finish.

In the book, an older Cassandra searches for a packet of Jane’s letters that she does not want anyone to ever see or read. As she finds and reads the various letters, we travel back through her memories to visit her younger self. I found myself completely immersed in the real (and imagined) details about Cassandra’s relationship with Tom Fowle (a former pupil of Reverend Austen), the Fowle family, and the Lloyd family.

Overall, the book does tell a sad story because it deals with a fictional retelling of Cassandra’s real-life story, her heartbreaks, her deep affection for her beloved family (many of whom she outlived), the Austens’ move to Bath, Reverend Austen’s death, the Austen women and their search for stability after his death, and Cassandra’s devotion and loyalty to Jane. However, there are many endearing and uplifting themes as well. The writing itself is exquisite.

While Hornby of course employs creative license as a novelist, I was also impressed by the copious amounts of research she must have done to write this book. Though fictional, it acts as a poignant biography of Jane’s sister and best friend. I felt as though I understood Cassandra, and had a deeper understanding of her protectiveness over Jane, by the end of the book. Hornby’s perspective on Jane is intriguing, and her (entirely fictional) character Henry Hobday adds depth to Cassandra’s story.

For those of you that read Miss Austen when it released in 2020, you might enjoy a reread. For those who have never read it, it’s a wonderful way to prepare yourself for the show. And even if you’ve already watched the show, you might like to read it and compare the two.

Book Description

England, 1840. Two decades after the death of her beloved sister, Jane, Cassandra Austen returns to the village of Kintbury and the home of her family friends, the Fowles. In a dusty corner of the vicarage, there is a cache of Jane’s letters that Cassandra is desperate to find. Dodging her hostess and a meddlesome housemaid, Cassandra eventually hunts down the letters and confronts the secrets they hold, secrets not only about Jane but about Cassandra herself. Will Cassandra bare the most private details of her life to the world, or commit her sister’s legacy to the flames?

Moving back and forth between the vicarage and Cassandra’s vibrant memories of her years with Jane, interwoven with Jane’s brilliantly reimagined lost letters, Miss Austen is the untold story of the most important person in Jane’s life. With extraordinary empathy, emotional complexity, and wit, Gill Hornby finally gives Cassandra her due, bringing to life a woman as captivating as any Austen heroine.

(The collection of cover art included in this article is from various editions sold worldwide.)

About the Author

Gill Hornby is the author of Miss Austen, The Hive, and All Together Now, as well as The Story of Jane Austen, a biography of Austen for young readers. Her most recent novel is Godermsham Park, also available from Pegasus Books. She lives in Kintbury, England, with her husband and their four children.

About the Show

Miss Austen takes an historic literary mystery – the notorious burning of Jane Austen’s letters by her sister Cassandra – and reimagines it as a fascinating, witty, and heart-breaking story of sisterly love, while creating in Cassandra a character as captivating as any Austen heroine.

Based on Gill Hornby’s best-selling novel, this period drama brings a fresh and intimate perspective to the Austen sisters’ lives — their joys, heartaches, and the passions that shaped Jane’s iconic novels.

Keeley Hawes (The Durrells in Corfu, Bodyguard, Line of Duty) as the loyal and loving Cassandra leads an ensemble cast that includes Rose Leslie (Game of Thrones, Downton Abbey) as family friend Isabella Fowle, Patsy Ferran (Living) as young Jane Austen, and Synnøve Karlsen (Bodies) as young Cassy.

PBS Episode Schedule

Premieres: Sunday, May 4, 2025, at 9/8c
Episode 2: Sunday, May 11, 9/8c
Episode 3: Sunday, May 18, 9/8c
Episode 4: Sunday, May 18, 10/9c

Miss Austen, Dutiful Daughter and Sister

I cannot wait to watch the show soon, and I hope to come back to discuss it later this year, but in the meantime, I enjoyed the book immensely. I usually only review nonfiction books here, but I felt that a novel of such high caliber warranted a thorough review, especially in light of the upcoming show. Here’s to celebrating Jane Austen’s 250th year and to enjoying her world more fully!

Posted in Book review, Cassandra Austen (Jane's Sister), Inspired by Jane Austen, Jane Austen Early Life, Jane Austen Fan Fiction, Jane Austen's enduring popularity, Jane Austen's family, Jane Austen's letters, Jane Austen's life, Jane Austen's World, MIss Austen PBS | Tagged Book review, books, fiction, jane austen, literature | 13 Comments »

St. Paul’s Covent Garden: The Actors’ Church

March 17, 2025 by Brenda S Cox

By Brenda S. Cox

“Edward & I settled that you went to St. Paul’s Covent Garden, on Sunday.”—Jane Austen, letter to Cassandra from Godmersham Park, Oct. 26, 1813

Covent Garden

We’ve been visiting London churches mentioned in Austen’s novels. Now let’s go to one mentioned in her letters. In the fall of 1813, Jane was staying with her brother Edward and his family at Godmersham Park. Cassandra was visiting their brother Henry at 10 Henrietta Street, Covent Garden, London. He lived in a flat above his bank. (For locations Henry lived in London, see Jane Austen’s Visits to London.) Covent Garden was known for its fruit and vegetable market, as well as, unfortunately, its prostitutes.

Jane Austen’s London offered two official theatres, at Drury Lane and Covent Garden. Both were in the church parish served by St. Paul’s Covent Garden, and Austen saw plays at both. She was planning to see a play at the Covent Garden theatre when she visited Henry a month earlier:

“Fanny and the two little girls are gone to take places for to-night at Covent Garden; “Clandestine Marriage” and “Midas.” The latter will be a fine show for L. and M.” (Lizzie and Marianne)—Sept. 15, 1813 (Fanny was the eldest daughter of Jane’s brother Edward Austen Knight; her mother had died five years earlier. Lizzie and Marianne were Fanny’s younger sisters. Edward was with them but staying at a nearby hotel.)

Jane and Edward assumed Cassandra would go to church at St. Paul’s Covent Garden, since it was Henry’s parish church. Jane probably attended that church herself when any of her visits to Henrietta Street lasted over a Sunday. She and her family regularly attended church on Sundays, wherever they were.

The old Covent Garden Theatre building is at the center of the modern Royal Opera House.

The Actors’ Church

The Covent Garden area today offers more than twenty theatres. St. Paul’s, called “The Actors’ Church,” hosts concerts and plays in the church and in its walled garden. They have an in-house professional theatre company, Iris Theatre. The church’s summer schedule for this year includes Sense and Sensibility and Pride and Prejudice, along with several Shakespeare productions and children’s shows. To accommodate such events, the church replaced deteriorating Victorian pews with custom-made movable and stackable pews.

The inside of the church commemorates famous entertainers wherever you look. Hundreds of plaques adorn the walls of the church, the backs of the pews, and the garden benches and walls.

Wall plaques at St. Paul’s Covent Garden. Vivien Leigh’s is in the top right center.

Some plaques are memorials to the church’s leaders and parishioners, as you would see in other English churches. But most remind visitors of famous people such as Vivien Leigh (star of Gone with the Wind), Boris Karloff (who played Frankenstein’s monster), Thomas Arne (who wrote “Rule, Britannia” around 1740), Sir Charles Chaplin (Charlie Chaplin), and others.

A variety of memorials line the walls of St. Paul’s Covent Garden. The central memorial is to John Bellamy Plowman, his son who died in 1811 at age 17, his son’s wife, and six children who died in infancy. The monument above it is from 1879. The grey and white plaque to the left is to Thomas Arne, “musician and parishioner,” 1710-1778, who wrote the anthem “Rule Britannia.” To the right are three twentieth century plaques, honoring playwright Sir Terence Rattigan; author, composer, and actor Sir Noel Coward; and actor Sir Charles Chaplin. A line of more modern brown plaques is below.

Besides actors and actresses, plaques commemorate dancers, singers, directors, theatre managers, patrons, choreographers, drama teachers, playwrights, and even a “critic, journalist, wit.” One woman is listed as “Actress, Producer, Supernova.” The church charges hefty fees to install these plaques (around £3000 for a plaque on the wall). These fees have kept the church solvent.

Memorials on the backs of pews at St. Paul’s Covent Garden

History

The church was designed by Inigo Jones and consecrated to St. Paul in 1638.

Covent Garden churchyard statue of St. Paul seeing a vision on the road to Damascus.

Jones designed it with a great East Door into the main piazza of Covent Garden. However, that would have put the altar at the west end of the church, which went against Christian tradition. At the last moment, the Bishop of London decreed that the altar had to be in the east end of the church, so the East Door doesn’t open. Entry is through the churchyard, from the sides of the building.

Front of St. Paul’s Covent Garden, with the false door in the center.

Various famous people are buried in the churchyard, including the painter JMW Turner and the first victim of the Great Plague of London, who died in 1665. In the 1850s, Parliament stopped all burials in central London churches. At that time, the headstones were removed and the gardens laid out as they are today.

Lovely garden in the churchyard of St. Paul’s Covent Garden

A fire destroyed much of the church in 1795, but it was rebuilt so that today it is much as Austen would have seen it.

Entrance from the churchyard of St. Paul’s Covent Garden.

Rectors

When Jane Austen was there, Edward Embry was the rector, from 1810-1817. She might have heard him preach, but she does not mention him in her letters. His portrait is in the National Gallery.

The rector who kindly showed us around when we visited was Rev. Simon Grigg, who has been rector since 2006. His bio says “When not in church you will usually find him in a bar, a theatre or the gym.” The assistant rector, Rev. Richard Syms, is a professional actor and theatre manager as well as a priest.

The pulpit of St. Paul’s Covent Garden was designed by Grinling Gibbons (1648-1721) or his students.

Worship

The church offers communion services on Sundays and Wednesdays, and brief Morning Prayer services Tuesday through Friday. Their choir sings Choral Evensong once a month. Rev. Grigg told us that attendance on Sundays is about 50 people, plus those who attend online. The church seats 200.

Chancel of St. Paul’s Covent Garden. Note the camera on the right.

They have larger services for Easter and for midnight mass on Christmas Eve. Of course they also host weddings, baptisms, and funerals. According to their website, “St Paul’s is well known because of its memorial services for members of the theatrical and entertainment community, but we also offer them for the local community.”

Welcome sign to St. Paul’s Covent Garden; text is below.

Inclusion

The church seeks to be inclusive, according to their website and this entry sign:

“We extend a special welcome to those who are single, married, divorced, widowed, straight, gay, confused, well-heeled or down at heel. We especially welcome wailing babies and excited toddlers.

We welcome you whether you can sing like Pavarotti or just growl quietly to yourself. You’re welcome here if you’re ‘just browsing’, just woken up or just got out of prison. We don’t care if you’re more Christian than the Archbishop of Canterbury or haven’t been to church since Christmas ten years ago.

We extend a special welcome to those who are over 60 but not grown up yet, and to teenagers who are growing up too fast. We welcome keep-fit mums, football dads, starving artists, tree-huggers, latte-sippers, vegetarians, junk-food eaters.

We welcome those who are in recovery or still addicted. We welcome you if you are having problems, are down in the dumps, or don’t like ‘organized religion’.

We offer a welcome to those who think the earth is flat, work too hard, don’t work, can’t spell or are here because granny is visiting and wanted to come to church.

We welcome those who are inked, pierced, both or neither. We offer a special welcome to those who could use a prayer right now, had religion shoved down their throats as kids, or got lost in Covent Garden and wound up here by mistake.

We welcome pilgrims, tourists, seekers, doubters, . . . and you!”

No doubt Jane Austen and her family would have felt welcome in the church, especially with their love of the theatre.

All photos in this post ©Brenda S. Cox, 2025

More Information about St. Paul’s Covent Garden

Physical dedications

Self-Guided Tour, explaining parts of the church and giving prayers

Visitor Information and schedule of events

History of the church

Churches Mentioned by Name in Jane Austen’s Novels

St. Swithin’s, Walcot and other churches in Northanger Abbey

London Churches in Austen’s Novels

Austen Family Churches

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Posted in Anglican Church, Architecture, Churches of the Austen family, Jane Austen's World, Religion in Austen's England | Tagged Actors' Church, Covent Garden church, Covent Garden theaters | 8 Comments »

A Jane Austen Year: New Book & Podcast Review

March 9, 2025 by Rachel Dodge

One of the releases I’ve most anticipated this year is the new book A Jane Austen Year: Celebrating 250 years of Jane Austen by Jane Austen’s House and the brilliant new A Jane Austen Year Podcast of the same name.

After spending so much time researching and writing my seasonal, month-by-month “A Year in Jane Austen’s World” blog series last year, I knew it was right down my alley. I am happy to report that the information included in this book covers a variety of intriguing topics, recipes, illustrations, and specially commissioned photos. It feels like taking a tour of Jane Austen’s House Museum each month of the year. It is well worth the read!

“Arranged chronologically across the calendar year, this uniquely intimate insight into Jane Austen’s world offers reproductions of her letters, the objects she held dear, the story of how her first novel Pride and Prejudice came to be published and the routines of her everyday life at this idyllic Hampshire cottage. Experience life as Austen did herself, as both the notable writer she was, and also the daughter, sister and friend she remained to those closest to her.”

Published by Pitkin, A Jane Austen Year releases March 11, 2025. I was grateful to receive a digital copy in order to review it before its release.

ORDER YOUR COPY HERE

My Review

First of all, this book makes a beautiful addition to your shelves or coffee table if you’re a book collector or if you like to display your Jane Austen books as part of your home, office, or library decor. I also appreciate that it was put together by the people who work at Jane Austen’s House Museum. Many of the photos and insights come directly from Chawton Cottage, where Jane Austen spent the latter years of her life and writing career, and its collections.

As I read through each month’s offerings in A Jane Austen Year, I enjoyed seeing photographs of Jane Austen’s House Museum during every season and reading through the excerpts from Jane Austen’s letters and novels that pertained to that particular month. Of special note are the recipes for meals, vinegars, and salves, sheet music Jane might have played or heard, costume designs for theater productions of the time, gardening notes and illustrations, photos from the collections held at JAHM, as well as snippets from the film adaptations.

Overall, this is a wonderful book to peruse. I look forward to spending a lot more time with it this year. The photographs are stunning and I can’t wait to delve in deeper with the information provided. Now that I’ve read through the entire book, I plan to go through it month by month for the remainder of the year.

Book Excerpt

“This book is written from Jane Austen’s House in Chawton – one of the most important places in the history of English literature and the development of the novel.

“Here, in this inspiring Hampshire cottage, Jane Austen lived for the last eight years of her life. Here, her genius flourished and she wrote, revised and had published all six of her globally beloved novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey and Persuasion.

“Today, Jane Austen’s House is a cherished museum with an unparalleled collection of Austen treasures, including items of furniture, paintings and household objects. Visitors can discover Jane’s personal letters and first editions of her novels, items of jewellery, portraits of her friends and family, and the tiny writing table at which she wrote.

“This book brings together some of the precious fragments of Jane Austen’s life story, along with world events that shaped her life and understanding, extracts from her novels and letters, and a range of extraordinary objects held here in the museum’s collection. Dip into it as you will, or go through month by month and enjoy a full year of Jane Austen: her life and writings, people and objects she knew and, of course, her beautiful, inspiring home.”

Book Description

This beautifully illustrated book charts the life of one of the world’s most beloved authors through the letters, objects, and manuscripts that shaped her life.

Published in partnership with the curators of Jane Austen’s House, the enchanting Hampshire cottage where Jane Austen’s genius flourished that now attracts thousands of visitors every year.

Arranged over the course of a calendar year, from snowy scenes in January to festive recipes in December, specially commissioned photography of Austen’s home and possessions are brought together with extracts from her books, reproductions of her letters, and stories of her life throughout the seasons. Highlights include the first time Austen read a published copy of Pride and Prejudice to an enraptured audience in her drawing room, affectionate letters to her sister Cassandra reproduced in full and an exquisite miniature portrait of Tom Lefroy, the man she nearly married.

Read this book for a unique and intimate insight into Austen’s world. Dip into it as you will, or visit each month, and enjoy a full year of Austen—her life, works and letters, people and objects she knew, and of course her idyllic, inspiring home.

A Jane Austen Year Podcast

Jane Austen’s House has also released a delightful new podcast to accompany the book. There is a new installment each month! You can listen in HERE.

The A Jane Austen Year podcast is a seasonal journey through Jane Austen’s novels, the story of her life and the world she lived in. It is created and recorded at Jane Austen’s House in Chawton, Hampshire – “the most treasured Austen site in the world.”

For those who haven’t listened yet, I must say that I find this podcast absolutely delightful! It is chock-full of wonderful information about Jane Austen, her writing, her family, her world, and Chawton Cottage. The music, narration, and production make this podcast one of the most soothing and gentle podcasts I’ve heard in a long time. I can’t wait for the next installment!

Podcast Details

A Jane Austen Year transports you to Jane Austen’s House in Chawton, the idyllic Hampshire cottage where Jane Austen lived and wrote her globally beloved novels – now a beloved museum.

Each month, join us on a seasonal journey through Jane Austen’s novels, the story of her life and the world she lived in. Discover scenes, letters, recipes, and objects from the museum collection, bound together with readings and sounds recorded in the House itself.

Each episode is recorded by the people who work at Jane Austen’s House, caring for this special place and protecting it for future generations. January, for example, is voiced by: Lizzie Dunford, Jenny Durrant, Jessica Halmshaw, Amelia Harvell,Sophie Reynolds, Rebecca Wood – with a guest appearance by Dominic Gerrard.

I highly recommend both the book and the podcast. If I could travel to Chawton again this summer, that would be the pinnacle of my Jane Austen year, but these new productions are an absolute gift from Jane Austen’s House Museum. I’m sure it’s been a massive undertaking, and I am grateful!

RACHEL DODGE teaches college English classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling and award-winning author of The Anne of Green Gables Devotional, The Little Women Devotional, The Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

Posted in 250th Anniversary of Jane Austen, Book review, Chawton Cottage, Jane Austen Novels, Jane Austen's enduring popularity, Jane Austen's life, Jane Austen's World | Tagged Book review, books, fiction, jane austen, literature | 2 Comments »

London Churches in Austen’s Novels

February 27, 2025 by Brenda S Cox

by Brenda S. Cox

“My dear child, commend Dr. Grant to the deanery of Westminster or St. Paul’s, and I should be as glad of your nurseryman and poulterer as you could be.”—Mrs. Grant to Mary Crawford, Mansfield Park, chapter 22

Churches Mentioned in Mansfield Park

Four real churches are mentioned in Mansfield Park, which talks extensively about the church and clergy. I’ve written about the Garrison Chapel, where the Prices and Henry Crawford went to church. A few days ago, I posted about a church in London, St. George’s, Hanover Square, the wedding venue that Mary Crawford wants to show Fanny.

Two more real London churches are mentioned in Mansfield Park. Mrs. Grant speaks of the two most well-known churches in England, Westminster Abbey and St. Paul’s Cathedral. Mary Crawford tells her sister to greet the nurseryman (who took care of plants) and the poulterer (who provided poultry), but her sister tells her there are no such people in Mansfield. The Grants will need to move to the big city to get such help. She hopes that someone will “commend Dr. Grant to the deanery of Westminster or St. Paul’s,” so they can move to London.

The “deanery” is the office of the dean, the head clergyman of a major church.

Mrs. Grant finally gets that opportunity:

“Dr. Grant, through an interest on which he had almost ceased to form hopes, succeeded to a stall in Westminster, which, as affording an occasion for leaving Mansfield, an excuse for residence in London, and an increase of income to answer the expenses of the change, was highly acceptable to those who went and those who staid.”— Mansfield Park, chapter 48

Dr. Grant, as he had hoped, moves up in the church hierarchy to a prestigious church. He’s been the rector of a small country church at Mansfield Park. He will still receive the tithe income from that church until he dies, when Edmund will become rector. But Dr. Grant has connections to people with influence who can get him a higher church position. The church worked much like the Navy, where Henry Crawford’s uncle, the Admiral, gets William Price a promotion.

Westminster Abbey

One of Dr. Grant’s friends, or more likely a friend of a friend, gets him a “stall in Westminster,” meaning a position as a prebendary. A prebendary was a church official who sat in a prebendal stall, a seat of honor in the church. The position came with income from a “prebend,” specific church possessions.

Westminster Abbey is, of course, the church in London where monarchs are crowned, as King Charles III was not long ago. All English coronations have taken place there since 1066. It is not a cathedral or a parish church. Instead it is a “Royal Peculiar,” with a dean like other large churches, but under the direct supervision of the monarch rather than a bishop or archbishop.

Westminster Abbey in London, a “Royal Peculiar” directly under the Crown. Credit: Σπάρτακος, CC BY-SA 3.0, via Wikimedia Commons

Westminster Abbey is also, of course, a place where many famous people are buried and memorialized. While Jane Austen is buried in Winchester Cathedral, there is a small plaque commemorating her in Poet’s Corner in Westminster Abbey, adjacent to Shakespeare’s memorial.

St. Paul’s Cathedral

St. Paul’s Cathedral, the other place where Dr. Grant hoped to get a position, is the cathedral of the diocese of London. (A diocese is a geographical group of parishes, led by a bishop, whose “seat” is at the cathedral for the diocese.) The history of the church reflects the history of London.

One interesting fact: women were first ordained as priests in the Church of England in 1994, and St. Paul’s first clergywoman was appointed in 1997. Now the Lord Bishop of London is a woman, installed in 2018, with her seat, of course, at St. Paul’s. She is called the Right Reverend and Right Honorable Dame Sarah Mullally, and she is a member of the House of Lords. No doubt Jane Austen would be amazed.

St. Paul’s Cathedral, image ©Brenda S. Cox, 2025

St. Clement’s in Pride and Prejudice

One more London church is mentioned in Jane Austen’s novels. In Pride and Prejudice, Lydia tells her sisters,

“We were married you know, at St. Clement’s, because Wickham’s lodgings were in that parish. And it was settled that we should all be there by eleven o’clock.”

We don’t know for sure which St. Clement’s in London Austen has in mind. An old nursery rhyme goes, “Oranges and lemons, say the bells of St. Clement’s,” and two churches claim to be the St. Clement’s in the rhyme.

It seems most likely that Austen was referring to St. Clement Danes in the Strand, which served a large parish. The parish included areas of cheap lodgings and less savory areas, where Wickham could have afforded lodgings. It was also some distance from Gracechurch Street where the Gardiners lived, better concealing Wickham and Lydia from her family. (Source: Pat Rogers, editor of the Cambridge Pride and Prejudice.)

Another option, according to Rogers, is St. Clement’s Eastcheap on the east side of Clement’s Lane. However, this was a tiny parish only a block from Gracechurch Street, so was less likely to be the parish Wickham chose to lodge in.

The rhyme goes on to talk about not being able to pay a debt until one gets rich, at some unknown future time. Quite appropriate for Wickham, who was deep in debt but always hoping to get rich.

St. Clement Danes in the Strand, possible location for Lydia and Wickham’s wedding. Image credit: Stephen Richards / *St Clement Danes, Strand* / CC BY-SA 2.0

Faith in London Today

Another surprise for Jane Austen: In Mansfield Park, Edmund Bertram states, “We do not look in great cities for our best morality.” He implies that there was more virtue in the countryside and more vice in London. That was probably true in Austen’s time, according to all I have read.

However, a survey a few years ago indicated that the opposite is now true: “London is now more religious and socially conservative than the rest of Britain.” According to that survey, Londoners pray more, attend religious services more, and are more conservative on moral questions than those outside London. Also, Christian Londoners help their neighbours and give to charity more than non-religious Londoners. Of course, London is also a diverse religious environment, with people practicing various religious faiths, which are less common outside of the capital.

The London churches Austen mentions in Mansfield Park are still thriving.

Other churches mentioned by name in Jane Austen’s novels and letters

St. Swithin’s, Walcot and other churches in Northanger Abbey

St. Paul’s, Covent Garden: Actors’ Church

Austen Family Churches

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

Posted in 19th Century London, Anglican Church, Georgian London, Jane Austen's World, Mansfield Park, Pride and Prejudice, Regency London | Tagged Dr. Grant stall in Westminster, Mansfield Park Churches, Pride and Prejudice Church, Real Churches in Jane Austen's Novels, St. Paul's Cathedral, Westminster Abbey stalls | 1 Comment »

St George’s, Hanover Square and Mansfield Park

February 24, 2025 by Brenda S Cox

By Brenda S. Cox

“. . . perhaps you would not mind passing through London, and seeing the inside of St. George’s, Hanover Square. Only keep your cousin Edmund from me at such a time: I should not like to be tempted.”—Mary Crawford, Mansfield Park, chapter 43

Mansfield Park includes much more discussion of the church than any other Austen novel. Not surprisingly, it also names more real churches than the other novels do.

In an earlier post we explored the Garrison Chapel, where Fanny Price and her family worship in Portsmouth. Henry Crawford attends with them on his visit. Perhaps this symbolizes his attempts to reform himself and become worthy of Fanny; attempts that ultimately fail.

Remains of the Garrison Chapel in Portsmouth where the Prices and Henry Crawford worshiped.

Henry’s sister Mary names another real church in a letter to Fanny. She wants Fanny to let her and Henry take Fanny back to Mansfield from Portsmouth, where Fanny has been staying with her family. Fanny is unhappy and unhealthy, but will not commit the impropriety of going back to Mansfield Park before her uncle sends for her. Mary wants to take Fanny to see Henry’s estate and then pass through London on the way to Mansfield.

She suggests visiting St. George’s, Hanover Square. This was a popular church for weddings among the upper classes of London. Mary hopes Fanny will marry Henry there. At the same time, Mary says it might tempt her to marry Edmund. She doesn’t want to marry a clergyman, or a second son who will not inherit an estate, but she is attracted to Edmund.

St. George’s Hanover Square exterior. According to the church website, “The classical front with six great Corinthian columns supporting a pediment represented a new trend in English Church design.”

St. George’s, Hanover Square Today

During a recent visit to London, I had the privilege of worshiping at St. George’s, Hanover Square on a Sunday morning. The service was a Sung Eucharist, a Communion service in traditional language, with beautiful singing from the choir and impressive organ music. During the service, the congregation renewed their baptismal vows.

St. George’s Hanover Square interior. The painting of the Last Supper over the altar, and the surrounding carvings, were installed in 1724. The seven silver hanging lights in the church represent the seven lamps of fire burning before God’s throne, according to the book of Revelation in the Bible.

The church also offers brief midday services from the Book of Common Prayer on weekdays and several other Communion services during the week. Weekday “Morning Calm” services are held during termtime, as “a short period of reflection, contemplation, and relaxation before the challenges of the day begin.”

Nowadays the area around Hanover Square is mostly offices and businesses. I was told that most people in the current congregation live farther away, since few people live close to the church now.

The signboard for St. George’s Hanover Square lists services, extensive opening hours, and rules such as no drugs in the church and no sleeping on pews.

Wealthy Mayfair

Hanover Square is in Mayfair. In Austen’s England, many wealthy people had large houses in Mayfair or surrounding areas. In Sense and Sensibility, the Palmers live in Hanover Square, while the Middletons, Mrs. Ferrars, and Willoughby live nearby in Mayfair. Mrs. Jennings and John and Fanny Dashwood live in Marylebone, an area just north of Mayfair. It developed when Mayfair could no longer accommodate all those who wanted fashionable, elegant housing. (Source: The Annotated Sense and Sensibility, David Shapard.)

St. George’s is the parish church of Mayfair, where the wealthy worshiped. In 1711, Parliament had passed an Act for the building of fifty new churches in and around London. The wealthy of Mayfair petitioned for a church, which was completed in 1725. The patron saint of the church is St. George, a Christian martyr of the third century who is also the patron saint of England.

Rectors of St. George’s Hanover Square during Austen’s time and thereafter. Some held other influential church positions as well.

The parish was large, with a vestry of 101 vestrymen. These included 7 dukes, 14 earls, 7 barons, and 26 other titled people. A vestry, led by the church’s rector and churchwardens, decides matters relating to the church and the secular parish. (Mr. Knightley, Mr. Weston, Mr. Cole, and Mr. Cox are apparently on the vestry for their parish, as they are “busy over parish business” in Emma.) The St. George’s, Hanover Square vestry dealt with local issues including street lighting, refuse disposal, nightwatchmen, and a workhouse for the poor.

St. George’s Hanover Square eagle lectern. Many churches of Austen’s time had lecterns similar to this, where the Bible was read to the congregation. (The eagle symbolized the Word of God because supposedly it could fly directly into the sun without closing its eyes, so it was like the Bible, leading people to God with eyes open. Eagles’ wings also symbolized carrying the gospel to the ends of the earth.)

Rich and Poor

While the wealthy owned mansions in the area, most spent only the winter in London, passing the rest of the year on their country estates. The back alleys behind the mansions teemed with poverty and misery year-round. In the early 1800s, the Evangelical movement began to awaken the church to the needs of the poor. St. George’s established a parish school for poor children in 1804, supported by public subscriptions. Later in the century, the church initiated and supported extensive projects to help the working classes of the area.

But the wealthy ran the church in Austen’s time. Around the gallery (balcony) are listed the churchwardens, year by year. Anglican churches generally have two elected churchwardens, responsible for financial accounts, movable property of the church, keeping order, and other administrative responsibilities. The churchwardens listed on St. George’s galleries for the 1700s and early 1800s sound impressive: Viscounts, Earls, Lords, Sirs, Honorables, and Esquires.

St. George’s Hanover Square balcony listing early churchwardens. Many were titled men.

Music

The composer George Friderick Handel lived about a four minute walk from the church. He helped choose the organ and organist for the new church. He had a pew there and worshiped at St. George’s until he died. He wrote the Messiah in his house nearby on Brook Street, which is now a museum.

St. George’s Hanover Square organ pipes; a new organ was installed in 1972. The original organ had 1514 pipes and three manuals (keyboards for the hands). It cost £500 in 1725.

Weddings

Since it was at the heart of the wealthy district, St. George’s, Hanover Square was the popular place for weddings of the wealthy and influential. In 1816, the church hosted 1,063 weddings! Famous people including Percy Bysshe Shelley, Benjamin Disraeli, George Eliot (Mary Lewes), and Theodore Roosevelt were married at St. George’s. Mary Crawford was likely staying near there with her wealthy London friends, and she may have attended church there. So it was the first place she thought of for her own and her brother’s weddings. It is still a popular venue for weddings, though not as much so as in Austen’s time.

On Thursday, we’ll look at the other two real churches mentioned in Mansfield Park, the two most famous churches in England. Do you know which ones they are? We’ll also consider which London church Lydia and Wickham married in!

Churches mentioned by name in Jane Austen’s novels and letters

St. Swithin’s, Walcot and other churches in Northanger Abbey

London Churches in Austen’s Novels

St. Paul’s, Covent Garden: Actors’ Church

Austen Family Churches

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

Posted in Anglican Church, Churches of the Austen family, Georgian London, Jane Austen's religion, Jane Austen's World, Mansfield Park, Regency London, Sense and Sensibility | Tagged Churches in Austen's Novels, London Churches, Mary Crawford, Mayfair, Wealth and poverty in Jane Austen's London | 2 Comments »

Book Review: Jane Austen Visual Encyclopedia

February 20, 2025 by Rachel Dodge

One of the most beautiful new books available for Jane Austen fans this year is the Jane Austen: Visual Encyclopedia by French authors Claire Saim and Gwen Giret. With sumptuous artwork throughout and gorgeous illustrations by Sophie Koechlin, this is one of the most extensive catalogs of the Jane Austen fandom I’ve seen in recent years.

It’s a showstopper and conversation-starter that you’ll want to keep on your coffee table indefinitely. While the sticker price is a bit steep (currently on sale on Amazon), this beautiful book is an investment many Jane Austen fans and book collectors will want to make.

Available Now
Order HERE

Book Review

As I explored this gorgeous new collectible book, I felt as though I was immersed in the entire world of Austen’s life, novels, and film adaptations. It’s a rich compilation of all-things-Austen for the dedicated Austen fan. It’s a one-stop book for everything you could ever hope to know about Austen, and it’s rare to see so many photos, articles, and illustrations in one place. It is not a scholarly book or a research tool, as it sticks more to the more popular aspects of Austen’s legacy, but it is delightful all the same.

Most of all, this book provides an expansive introduction to the enduring popularity of Jane Austen. It makes a wonderful gift for new Austen fans who have recently discovered the films or books. For fans of the film adaptations, it has many interesting tidbits about the various films throughout.

This is the book I would have wanted to read in college or in my grad school years when my Austen addiction truly took hold of me. I read dozens of books about her and watched as many documentaries as I could find during my early “Jane years,” but this has everything in one place.

Lastly, I cannot say enough about the actual look and feel of this book. When it arrived, wrapped in plastic, I was impressed. Once I opened it, it was even more stunning than I expected. It has a nice heavy feel to it, but you can still hold it comfortably in your lap, unlike larger coffee-table books. It’s definitely a book people will pick up if they see it displayed, which is what I’m planning to do!

Book Description

From her beloved family and her romantic escapades to her literary adventures and her enduring popular culture influence, experience the life and legacy of Jane Austen in this full-colour, beautifully illustrated, definitive 312-page encyclopedia.

Bursting with over 200 photographs and illustrations, explore Jane Austen’s work, which consists of six completed novels, two incomplete novels, letters and early writings. From the written word to the screen, from adaptations to secrets and filming locations, this book invites you on a fascinating journey of discovery through Austen’s writing.

Want to walk in the footsteps of Jane Austen, dressing in Regency style or simply enjoying a delicious afternoon tea? This coffee-table book features a beautiful gold-foiled cover and is perfect gift for fans of Jane Austen, her works and their enduring legacy.

Book Outline:

PART 1: Jane Austen, a woman of her time
- Essays on Jane Austen, her family, friends and potential lovers
- Illustrations and photos from across Jane’s beloved England
- Researchers discuss Jane Austen’s appearance
PART II: The world of Jane Austen
- A complete chronology of Jane Austen’s work
- The historical and fictional backgrounds to iconic characters such as Elizabeth Bennet, the Dashwoods, and Mr Darcy
- Filming locations and production secrets from over 30 adaptations
- The unfinished novels and how they were eventually published
- Expert analysis of early works and other writings
PART III: Jane Austen’s legacy
- A comprehensive guide to the best Austen festivals
- Details on the famous museums and collections dedicated to Jane Austen
- From postage stamps to Funko-Pops Jane’s indelible influence

About the Authors

This book was lovingly compiled by Claire Saim and Gwen Giret (French authors), Sophie Koechlin (illustrator, French writer, painter & designer, and Hermès scarf designer), Lizzie Dunford (contributor and current Director at Jane Austen’s House Museum), and Helen Moss (translator).

Claire Saim, deeply in love with everything English, from literature to history and culture – including scones, obviously – she has been a devoted Janeite for many years. Always looking around Paris in search of whatever could be a reminder of her dear Great Britain, she shares her adventures on Instagram @jane_austen_france_. Based in France.

Gwen Giret, Jane Austen is a long-time passion of hers which led her to create a blog titled Jane Austen and her world. Her favourite things include travelling through the Pride and Prejudice author’s footsteps, reading all about Captain Wentworth and eating tons of clotted cream. Based in France.

Book Interior

If you’d like to take a tour of the interior of the book, you can watch this lovely video posted by the Jane Austen Centre:

Celebrating 250 Years of Jane

This book is a true testament to Austen’s timelessness and enduring legacy. Her life and work only become more popular with each passing year. It’s a comfort for many Austen fans to read about her life or sit down with one of her novels and slip into her world.

As we work our way through the many new books released and releasing in honor of Jane Austen’s 250th year, there is so much more to come! We have books to read and new shows to watch. What could be more delightful than a Year of Austen in books and on screen?

RACHEL DODGE teaches college English classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling author of The Anne of Green Gables Devotional, The Little Women Devotional, The Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns! You can visit her online at www.RachelDodge.com or on Instagram @KindredSpiritBooks.

Posted in 250th Anniversary of Jane Austen, Book review, Georgian London, Inspired by Jane Austen, Jane Austen Films, Jane Austen in the modern world, Jane Austen Novels, Jane Austen's enduring popularity, Jane Austen's Influences, Jane Austen's life, Jane Austen's World, Popular culture, Regency Life | 5 Comments »

A Jane Austen Valentine

February 14, 2025 by Rachel Dodge

It’s “Heart Day,” and those of us here at JAW are dreaming of what it might be like to celebrate Valentine’s Day in the Regency Era with Jane and her best and silliest characters.

Valentine’s Day has a long history, and it dates back far beyond Jane Austen’s lifetime. For those interested in learning more about the history of Valentine’s Day or what Valentine’s Day looked like during the Regency era, here are several articles to peruse, most by our Vic:

History of Valentine’s Day: Initially, Valentines were usually handmade and given anonymously. During the 1800s much larger hand-painted copperplates molded in the shape of hearts replaced paper e-cards. You can read more HERE.
Ophelia’s Valentine’s Song: Jane Austen would certainly have known Ophelia’s Song, written by William Shakespeare in the 16th century. You can read it HERE.
Valentine’s Day in Jane Austen’s Day: By the middle of the eighteenth century, it was common for friends and lovers in all social classes to exchange small tokens of affection or handwritten notes. You can read about it HERE.
Valentine Puzzle Purse, 1816: View a “puzzle purse” dated back to February 14, 1816! You can read about it HERE.

Valentine puzzle purse, February 14, 1816. Image by Nancy Rosin.

Be Mine, Austen Edition

And now for a reprise of a set of Austen-Themed Valentine’s created for your enjoyment! Perhaps you’ll send a few to a friend and have a good laugh together over Austen’s sense of humor:

True Romantics

And finally, a few beautiful quotes from Austen’s best literary moments for the true romantics among us. These are absolutely swoon-worthy and worth sending to a special someone:

A very Happy Valentine’s Day to you, from all of us here at Jane Austen’s World! May your day be filled with love, laughter, and good books!

RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women Devotional, The Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Now Available: The Secret Garden Devotional! You can visit Rachel online at www.RachelDodge.com.

Posted in Holiday, Jane Austen's World, Regency Customs, Regency Life, Regency society, Valentine's Day | 2 Comments »

Walcot Church in Northanger Abbey and in Austen’s Family

January 27, 2025 by Brenda S Cox

by Brenda S. Cox

“Hot! He [John Thorpe’s horse] had not turned a hair till we came to Walcot Church; but look at his forehand; look at his loins; only see how he moves; that horse cannot go less than ten miles an hour: tie his legs and he will get on.”–John Thorpe, Northanger Abbey, chapter 7

“Walcot Church” in Bath is one of several real churches that Jane Austen mentions in her novels. This particular church is closely connected to Jane Austen’s family. Austen made several visits to Bath and lived there for some years, so she knew Bath and its churches and chapels well.

As we’re celebrating Jane Austen’s life this year, we remember that church was an important part of her life. We’ve already looked at some of the churches she attended: St. Nicholas’ at Steventon, where she went as a child, St. Nicholas’ at Chawton, which she attended during the years she was writing most of her novels, and others (see links at the end of those posts).

St. Swithin’s Walcot in Bath. Completed in 1790, externally it is still much as it was when Jane Austen saw it.

“Walcot Church”

Walcot Church is the parish church of Walcot, right on the London Road coming into Bath. So it would have marked Thorpe’s arrival at the town. Wealthy and influential people worshipped there during the nineteenth century, so this may also be an indirect boast, as Thorpe tries to connect himself with a prestigious place.

A parish church can be called by the name of the parish or by the name of its patron saint. The patron saint of this church is St. Swithin, so the church is St. Swithin’s Walcot. St. Swithin (also spelled Swithun) was an Anglo-Saxon bishop. The patron saint of Winchester Cathedral, where Jane Austen is buried, is also St. Swithin.

St. Swithin

St. Swithin was associated with various miracles. He came to be connected mostly with the weather. July 15 is St. Swithin’s Day (each saint has a day associated with him or her in the church calendar, usually the day of their death). According to tradition, if it rains on St. Swithun’s day, it will rain for the next forty days, but if it’s clear that day, it will be clear for forty days.

Just before she died, Jane Austen wrote a humorous poem in which St. Swithin threatens Winchester race-goers with rain because they have forgotten him.

Interior of St. Swithin’s Walcot Church today. The stained glass window was first added in 1841 and replaced in 1958 after it was shattered in World War II. It portrays Christ ascending into heaven, surrounded by his disciples. Modern seating on the main floor, rather than pews, allows the church to host a variety of events.

Austen’s Parents’ Wedding

How was the Austen family connected with St. Swithin’s?

Jane’s father, George Austen, studied at Oxford University. He eventually became an assistant chaplain, then a proctor (in charge of student discipline), called “the Handsome Proctor.” At some point he met Cassandra Leigh, niece of the Master of Balliol College at Oxford. Cassandra was the daughter of a clergyman. Her father eventually retired and moved with his family to Bath. After he died, Cassandra Leigh agreed to marry George Austen, and they were married on April 2, 1764, at St. Swithin’s Church. The register states that Cassandra was living in Walcot parish, while George was in the parish of Steventon in Hampshire. Cassandra’s mother came to the wedding, and her brother, James Leigh-Perrot, and her sister, Jane Leigh, signed as witnesses. George was 32 and Cassandra was 24. They were married by license, presumably a common license, not by banns.

By then George Austen had been ordained and gained the living of Steventon, through his relatives. The young couple went straight to Hampshire, where they rented the parsonage at Deane while the Steventon parsonage was prepared. Of course, Jane Austen was born in 1775 in that Steventon parsonage.

Copy of the entry in the marriage register for George and Cassandra Austen, married at St. Swithin’s Walcot on April 26, 1764.

Another famous wedding at St. Swithin’s Walcot: William and Barbara Wilberforce were married there on May 30, 1797, after a six-week whirlwind courtship in Bath. Wilberforce led the fight against the trade in enslaved people and slavery.

George Austen’s Death

In 1801, George Austen left his Steventon parish to his son’s care and moved to Bath with his wife and two daughters, as his wife’s father had done much earlier. In 1805, George Austen died there. He was buried at St. Swithin’s, where you can still see his grave. Jane Austen wrote to her brother Frank, on Jan. 21 and 22, 1805:

“Our dear Father has closed his virtuous & happy life, in a death almost as free from suffering as his Children could have wished. . . . We have lost an Excellent Father. . . .The funeral is to be on Saturday, at Walcot Church. . . . [his body] preserves the sweet, benevolent smile which always distinguished him.”

Jane did not have a suitor waiting in the wings (as her father had been waiting for her mother in a similar situation). She and her mother and sisters had to depend on her brothers for financial help after her father died.

George Austen’s grave at St. Swithin’s Walcot. He died Jan. 21, 1805. The inscription on the gravestone is worn and hard to read. It identifies him as the rector of Steventon and Deane, who died age 75 (meaning, in his 75th year). The newer brown plaque, added in 2000, adds information about his daughter Jane Austen and her residence in Bath.

The author Fanny Burney, Jane Austen’s contemporary, is buried and commemorated nearby.

Did Austen ever attend church at St. Swithin’s? I’ve written another post exploring where she may have gone to church and chapel in Bath. It’s likely that she went to St. Swithin’s when she was visiting her aunt and uncle Leigh-Perrot who lived on the Paragon in Bath. That’s the edge of Walcot parish. The church is a steep walk uphill from their home. Later on, when Jane lived in Bath, she more likely went to chapels closer to her family’s various lodgings.

St. Swithin’s is a busy, thriving church today, with many activities going on. Some events of the Jane Austen Festival last fall took place there. The Charles Simeon Trust, started in 1836 by Evangelical clergyman Charles Simeon, is a patron of St. Swithin’s, as well as of Bath Abbey.

Other Churches Mentioned in Northanger Abbey

Northanger Abbey refers to four other real churches or chapels, more obliquely.

Thorpe says he bought his gig from a “Christchurch man.” He is referring to one of the colleges at Oxford University. Oxford and Cambridge are made up of semiautonomous colleges, and a student’s studies were mostly at his own college. Christ Church is a college at Oxford, and its college chapel is also Christ Church Cathedral for the diocese of Oxford. Thorpe shows a cavalier attitude toward “Christchurch” as well as toward everything else.

(A cathedral is the seat of a bishop, who leads a diocese made up of a number of parishes. A parish is a geographical area which was generally served by one main church, like the parishes that Edward Ferrars and Mr. Collins serve.)

Catherine and Isabella expect to worship together in a chapel in Bath; Austen doesn’t tell us which one. It may have been the Octagon Chapel, which would have been convenient to both of them.

Northanger Abbey also indirectly refers to Bath Abbey. Twice the “church-yard” in the center of Bath comes up. The two young men Catherine and Isabella are following go “towards the church-yard,” and later Catherine trips “lightly through the church-yard” to go make her apologies to the Tilneys. This would be the church-yard of Bath Abbey, in the center of Bath. Roger E. Moore, in Jane Austen and the Reformation, argues that Austen purposely did not name the abbey, which was historically the spiritual center of the town. She may have wanted to critique the fact that Bath in her time was a place of pursuing shallow entertainment rather than deeper spirituality.

Near the end of the novel, Catherine is headed home. She looks out for the “well-known spire” of Salisbury. This is ancient Salisbury Cathedral, which has the tallest cathedral spire in England. Her father’s parish is in Salisbury diocese.

While Jane Austen invents country parishes for her characters, she also connects them with spiritual places in the real world.

Bath Abbey towers above the city of Bath. It is not mentioned by name in *Northanger Abbey*, though its church-yard is mentioned.

Austen includes real-life churches in her novels, such as Salisbury Cathedral, with the highest spire in England. This is Catherine Morland’s landmark as she heads home.
Photo by Diego Delso, CC-BY-SA license.

Real Churches in Austen’s Novels and Letters

St. Swithin’s, Walcot and other churches in Northanger Abbey

St. Paul’s, Covent Garden: Actors’ Church

London Churches

Austen Family Churches

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke