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Posts Tagged ‘Jane Austen’s portrait’

In light of the recent movie about Jane Austen – On Becoming Jane – and the Rice Portrait that will be auctioned by Christie’s Auction House in mid-April, I’ve included some verbal descriptions to round out the few known portraits of her that exist.

Jane’s nephew, James Austen-Leigh remembers his aunt as thus, “Tall and slender, her step light and firm … she had full round cheeks, with mouth and nose small and well formed, light hazel eyes, and brown hair forming natural curls close round her face.” Eliza de Feuillide wrote of Jane and Cassandra, “Her sister and herself are two of the prettiest girls in England …perfect beauties and of course gain hearts by dozens.”

Author David Cecil, who wrote A Portrait of Jane Austen, disagrees slightly with this over effusive assessment, saying, “This must be taken as an example of Eliza’s fashionable gush rather than as a statement of exact truth; no one else has ever described either Jane or Cassandra as ‘perfect beauties’. But it is clear that both were noticeably pretty girls; and, what was of more importance, pretty in the style admired by the gentlemen of the period. Jane’s features, though small and well-formed, were less regular than Cassandra’s – as Egerton Brydges had pointed out, her face was too full and round-cheeked – but this was more than compensated for by a more brilliant complexion, a livelier expression and the general effect her personality conveyed of glow and health and animations.” P. 65-66
Find other posts about Jane’s likeness on this blog:

Is the Rice Portrait of Jane Austen Her Image?

What Did Jane Austen Look Like?

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Is this a life likeness of Jane Austen at 14 or 15 or isn’t? That is the question about the Rice Portrait of Jane Austen by 18th-century British artist Ozias Humphry. The painting will be auctioned on April 19 at Christie’s in New York for over a half million dollars.


The Rice family claims that this image of Jane,with her simple white muslin gown and simple yet elegant hairstyle, was painted around 1788 or 1789. Below sits an image of the Frankland sisters, which was painted in 1795, at least 7 years later than the Rice portrait. Notice that the waist sits lower than the empire waist, and that the sash displays a prominent bow. The sisters’ hair is curly, and quite elaborate. These characteristics show up in the next image as well.

This image of Marie Antoinette and her children in 1787 shows fashions that are not much different than those of the Langland Sisters. The waist sits lower than an empire waist, and the sash is wide, with a noticeably large bow tied in the back. Examine the hairstyles of both mother and daughter, the Duchesse d’Angouleme. Marie is wearing the powdered wig so popular during this period, while the Duchess’s hair is crimped and quite stylized.
The 1803 image below of a young girl by Louis Leopold Boilly echoes the purported image of Jane in this post. We know that children in those days wore fashions similar to adults, and I would say that this dress more closely resembles the one worn by the girl in the Rice Portrait than those worn by the Langland Sisters or Marie Antoinette. Observe the child’s relaxed curly hairstyle and her simple kid slippers.


So, gentle readers, you decide. Is the Rice portrait authentic? Provenance is important in determining a painting’s authenticity, but even if this portrait has remained in the family’s possession for over 200 years, who can prove that this is indeed an image of a very young Jane Austen?

I wish it were, but does wishing ever make anything come true? “Rice and his family never doubted the lively girl wearing a long white dress and carrying a parasol was their ancestor. Yet, in 1948, a leading Austen scholar dismissed the authenticity of the portrait, saying the style of costume the subject wears does not match the date.” (Quoted from the Yahoo article below).

Based on the wealth of paintings and drawings we have at our disposal, I would have to agree with this scholar, although obviously Christie’s auction house doesn’t. Read this article, “My Dear it is a Matter of Dress and Sensiblity,” written in 2003 by Jack Malvern in the Times Online. The author makes a clear case for authenticity.

So my question to you is: Do you think this is an early portrait of Jane?

Read more about the Rice portrait at these sites:

New York Times: http://www.nytimes.com/2007/03/23/arts/design/23voge.html

Yahoo article:

http://news.yahoo.com/s/nm/20070323/en_nm/britain_arts_austen_dc

Art Works Gallery: http://www.artworksgallery.co.uk/book.html

BBC News: http://news.bbc.co.uk/2/hi/entertainment/6484281.stm

Jane Austen Images on the JASNA website: http://www.jasa.net.au/images/austen.htm

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The Many Faces of Jane does an admirable job of presenting the few images of Jane that exist.

More images are shown in the Jane Austen Ebooks site. As you see, some of them are duplicates from the first site.

Here is a portrait painted by someone who studied her images and those of her family, and then painted a current likeness of her. Jane also visited or lived at these places and sites .

The image I’ve settled on is not my favorite, but it’s the one I see the most often: The watercolour her sister Cassandra painted in 1810. Find it at the bottom of this post on the right. See both depictions of Jane that are shown on this post here.

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