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“I never look at it,” said Catherine, as they walked along the side of the river, “without thinking of the south of France.”

“You have been abroad then?” said Henry, a little surprised.

“Oh! No, I only mean what I have read about. It always puts me in mind of the country that Emily and her father travelled through, in The Mysteries of Udolpho. But you never read novels, I dare say?”

“Why not?”

“Because they are not clever enough for you–gentlemen read better books.”

“The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe`s works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again; I remember finishing it in two days–my hair standing on end the whole time.”

This conversation between Catherine Morland and Henry Tilney occurred during a walk around Beechen Cliff near Bath, Northanger Abbey, Chapter 14. The ITV film adaptation is coming to PBS’s Masterpiece Classic, Sunday, January 20th, 2008 at 9 p.m. EST and 8 p.m. Central. Will Henry say these immortal words to Catherine in the film? Stay tuned and find out.

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In 1795 Cassandra Austen became engaged to Reverend Thomas Fowle, a man eight years her senior. He had been one of her father’s pupils and had known her since she was six years old. The engagement remained a secret, for although Tom’s cousin, Lord Craven, had appointed him his domestic chaplain and presented him with a living at the rectory of Allington in Wiltshire, the couple had almost no money, at least not enough for marriage. Since Tom’s prospects of making a decent income in the near future were slim, the couple decided to wait to marry.
When Lord Craven sailed to the West Indies, he took Tom along with him. It took courage for Tom to make this decision, for a sea voyage was fraught with danger, but he hoped the pay off would result in his marriage to Cassandra. Correspondence between the couple would not be easy, and letters would arrive only sporadically. Tom prudently made out his will before he left, and he and Cassandra spent one last Christmas together before he set sail in the new year.

Nearly two years later, on February 1797, Tom caught yellow fever and died. Upon learning of his death months later, a broken-hearted Cassandra went into full mourning. She faced her loss with a quiet resolution that brought out her younger sister’s admiration. Jane was writing Sense and Sensibility at the time, and one wonders how much of Elinor’s stoic character was inspired by Cassandra’s restrained grieving. Later Lord Craven said he would never have taken Tom along on a dangerous voyage had he known of the younger man’s engagement. The bittersweet irony of that statement must not have been lost on Cassandra.

Jane was to later write about another fiancee’s loss in Persuasion. Like Tom, Captain Benwick waited to marry until he had made his fortune at sea. Ironically, his fiancee Fanny Harville dies without ever knowing about the Captain’s promotion or fortune. The following scene in the novel mirrors the doomed engagement of Cassandra and Tom:

Captain Benwick had some time ago been first lieutenant of the Laconia; and the account which Captain Wentworth had given of him, on his return from Lyme before, his warm praise of him as an excellent young man and an officer, whom he had always valued highly, which must have stamped him well in the esteem of every listener, had been followed by a little history of his private life, which rendered him perfectly interesting in the eyes of all the ladies. He had been engaged to Captain Harville’s sister, and was now mourning her loss. They had been a year or two waiting for fortune and promotion. Fortune came, his prize-money as lieutenant being great; promotion, too, came at last; but Fanny Harville did not live to know it. She had died the preceding summer while he was at sea. Captain Wentworth believed it impossible for man to be more attached to woman than poor Benwick had been to Fanny Harville, or to be more deeply afflicted under the dreadful change

As she wrote her novels, Jane shared her work in progress with Cassandra, her confidante. The following passage occurs near the end of Persuasion:

How eloquent could Anne Elliot have been, – how eloquent, and least, were her wishes on the side of early warm attachment, and a cheerful confidence in futurity, against that over-anxious caution which seems to insult exertion and distrust Providence! – She had been forced into prudence in her youth, she learned romance as she grew older – the natural sequel of an unnatural beginning.

When Cassandra had finished reading this passage, she “marked it and added in the margin, ‘Dear dear Jane! This deserves to be written in letters of gold.’ (Grosvenor Myer, p. 54.) More than any action, those written words express the extreme anguish Cassandra must have felt on learning of Tom’s death. They had been so cautious! But had they been ‘over-anxious cautious?’ Is that why the words should have been written in gold? Had Cassandra been able to turn back the clock, would she have married Tom regardless of their lack of money? Would a less prudent Cassandra have encouraged him to tell Lord Craven about their engagement?

In his will, Tom left his fiancee a legacy of 1,000 pounds. The interest from that money would help to support Cassandra for the rest of her life, especially after the death of her father, when the small amount would help to augment the income the Austen brothers contributed to the living expenses of their mother and sisters.

While Cassandra would mourn Tom until she died, Captain Benwick’s heart was not so constant. Although he grieved for Fanny, his heart was soon consoled by Louisa. Jane made her point about the constancy of a woman’s heart through Anne Elliot’s unforgettable statement:

“The one claim I shall make for my own sex is that we love longest, when all hope is gone.”

Image of Cassandra (?), JASA

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Update: First and foremost, I want to relate the exciting news that PBS’s blog, Remotely Connected, has published my thoughts about Persuasion. If you have any questions about the movie or book, please feel free to drop off a comment. I will be more than happy to address your opinions or questions.

Masterpiece Theatre Classics boasts a new interactive site. Click here to view it.

Laurel Ann from Austenprose, my co-blogger on Jane Austen Today, has included on her blog a short biography of all the bloggers and online personalities who have been offically asked by PBS to discuss the Jane Austen movies on Masterpiece Theatre.

In addition to all this fabulous news, find a full description of all the characters in Persuasion on Jane Austen Today.

Last, but certainly not least, Margaret Sullivan of Austenblog shares her opinion about The Complete Jane Austen series. What I love the most about the editrix of this fabulous blog is that she doesn’t mince words.
Tomorrow night PBS’s Masterpiece Theatre will kick off its 8-week The Complete Jane Austen Series. This Sunday, look for Persuasion, to be aired at 9 pm. EST on all PBS stations. And stay tuned to the PBS website for some fabulous features in the future!

Can’t wait to see the movie? Read my spoof of Persuasion here on Jane Austen Today.

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BBC Dorset offers a 360 degree panoramic view of the Cobb at Lyme Regis. You will need a flash player to view this moving panorama.

After securing accommodations, and ordering a dinner at one of the inns, the next thing to be done was unquestionably to walk directly down to the sea. They were come too late in the year for any amusement or variety which Lyme, as a public place, might offer. The rooms were shut up, the lodgers almost all gone, scarcely any family but of the residents left; and, as there is nothing to admire in the buildings themselves, the remarkable situation of the town, the principal street almost hurrying into the water, the walk to the Cobb, skirting round the pleasant little bay, which, in the season, is animated with bathing machines and company; the Cobb itself, its old wonders and new improvements, with the very beautiful line of cliffs stretching out to the east of the town, are what the stranger`s eye will seek; and a very strange stranger it must be, who does not see charms in the immediate environs of Lyme, to make him wish to know it better. – Jane Austen, Chapter 11, Persuasion.


Panoramic Earth Lyme Regis shows both a 360 degree panoramic view and a google sattelite earth map of the region.
Go to Britain Express for some fabulous photos of Lyme Regis.
See Persuasion, Sunday January 13th on PBS Masterpiece Theatre, 9 p.m. EST and 8 p.m. Central time. Click here to enter the Press Room with its descriptions of The Complete Jane Austen Series and show times. And click here for PBS’s The Complete Guide to Teaching Jane Austen, a 28-page PDF document that is sure to teach and delight the discerning Jane fan.

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My book group, Janeites on the James, will be revisiting Pride & Prejudice in January. It will be the 21st or 22nd time I have read it, a bit often, I know, but at each stage of my life the story of Darcy and Elizabeth takes on new meaning. These days I pay more attention to secondary characters, like Charlotte Lucas and Lydia Bennet, to whom I gave short shrift in earlier readings. In fact I shall read Charlotte’s story with more interest, knowing that with her limited options and beauty, she seized on her one opportunity to snare a husband. I will pay particular attention to her resourcefulness in finding some peace and quiet from Mr. Collins in her private area in the back parlor.

The most comprehensive site online about Pride & Prejudice is the one developed by The Republic of Pemberley, an encyclopedic site about all things Jane Austen.

Also of vast interest is the Annotated Pride and Prejudice by David Shapard, which is both entertaining and informative. As one reads the book, the left side is devoted to novel, and the right side contains his annotations. Here is what David Shapard wrote in a discussion board about discovering Jane Austen’s work:

I only altered that intention years later when, unexpectedly, several historical or philosophical books I read included admiring comments on her, and of the profound thought in her books. This made me undertake a complete reading of her works, and I was entranced, so much so that it was not long before I began rereading the novels, an unusual step for me. My entrancement even posed dangers for my work. While scrambling to finish my dissertation, on the French Enlightenment, I had picked up a battered paperback copy of Pride and Prejudice at a book sale, and found myself frequently taking time off from my writing to read it again and again, finding new brilliant subtleties every time I looked. More than once I admonished myself that this was foolish—after all, I had a looming deadline for my dissertation and needed to get back to work. But my admonishments did not always succeed, so captivated was I by the novel. Little did I imagine then that an annotated version of Pride and Prejudice, rather than an expanded version of that same dissertation, was to be my first published book.

  • In this link find a series of images I found on the 1940 movie version of Pride & Prejudice, in which the film’s creator’s revamped the plot and costumes (Civil War era), and in which the two stars are much too old to play Lizzie and Mr. Darcy.

Images source: 1940 Film of Pride & Prejudice

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