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Archive for the ‘PBS Movie Adaptation’ Category

Ellie Kendrick as Anne Frank

PBS’s new adaptation of The Diary of Anne Frank is a must-see for everyone this Sunday night on PBS Masterpiece Classic at 9 PM local time. The film is powerful, how could it not be? Ellie Kendrick, the actress who portrays Anne, is perfect for the part. She is not beautiful like young model Millie Perkins, the 1959 Anne (and hand-picked by Otto Frank, Anne’s father), or 16-year-old Natalie Portman, another beautiful young actress.

Anne Frank learns she is going into hiding

Ellie is more realistic, like the actual Anne – dark-haired, good looking, a little awkward, and on the cusp of womanhood.

Watching the film, I could not help but compare Anne Frank to a young and precocious 15-year old Jane Austen, who in her teens wrote the delightful but irreverent The History of England. Both Jane and Anne changed the world of literature with their writing. Both died too soon, Anne tragically of typhoid fever in Bergen-Belsen. The family had been in hiding for two years and one month before they were betrayed by a Dutch informant.  My heart always aches when I think of how close Anne  came to making it in that notorious concentration camp, for she and her sister died just months shy of liberation.

Albert Dussel joins the Franks and Van Daans. L to R: Tamsin Greig as Mrs. Frank, Iain Glen as Otto, Felicity Jones as Margot, and Ellie Kendrick as Anne

Anne Frank’s story has always loomed large in my life. I spent my childhood years in Holland, as did Anne. My Oma in Utrecht lived near an apartment complex that was similar to Anne’s in this short video. I recall playing with my brother in streets that uncannily resembled the one shot in the film.

Anne and Peter, young love

While Anne and her family, and the Van Daans and Albert Dussel hid in the attic, my 15-year-old step-father hid as a young girl on a Dutch farm in the southernmost tip of The Netherlands. The Franks were able to hide with the help of brave Dutch citizens, as my step-father did. The Franks followed the allied invasion of Normandy and the armies’ progress through Europe, just like my step-father, who pinned their every movement on a map (as in the film).

Keeping tabs on the Allieds' progress

I grew up listening to World War II lore and watching the movies. I grew up wishing with every fiber of my being that the Franks were liberated as both my stepfather and father had been.

Mr. Dussel helps Anne after the attic hideaway has been discovered

But that was not to be. One year before the war’s end, the Franks, Van Daans, and Albert Dussel were betrayed. All died except for Otto Frank. It is a testament to Anne’s humanity that, despite having to hide during the most formative of her young teen-aged years, she was able to write these beautiful words:

Anne Frank writes in her diary

“It’s really a wonder that I haven’t dropped all my ideals, because they seem so absurd and impossible to carry out. Yet people are really good at heart. I simply can’t build up my hopes on a foundation consisting of confusion, misery, and death. I see the world gradually being turned into a wilderness, I hear the ever approaching thunder, which will destroy us too, I can feel the sufferings of millions and yet, if I look up into the heavens, I think that it will all come right, that this cruelty too will end, and that peace and tranquility will return again”

My heart aches when I think of the loss of those millions of innocent lives in that senseless, hateful war (any war, for that matter).  As I think about Anne and the life she was never able to live out, I am saddened by the fact that 65 years after her death so many of young people have never heard of her, or could care less about World War II. Even my nieces and nephew, whose great grandfather and great uncles died in a Japanese concentration camp, rarely give a thought to their sacrifices. Anne died in Bergen-Belsen Concentration Camp of typhoid fever in March 1945. The war ended in Europe in May.

View from the attic, the Kerk

It is my hope is that every family will sit down on Sunday night to watch this film together … The final scenes in which the Frank family and Van Daam family are found and taken from their hiding place are heart-rending. April 11 is Holocaust Remembrance Day.

Cast:

Miep Gies, Kate Ashfield (helped to hide the Franks)

Miep Gies finds the diaries

Peter van Daan, Geoff Breton (the young man Anne liked)

Peter Van Daan dies of exhaustion 3 days before his camp was liberated.

Hermann van Daan, Ron Cook (Peter’s father)

Hermann Van Daan

Victor Kugler, Tim Dantay (helped to hide the Franks)

Albert Dussel, Nicholas Farrell (Dentist, shared a room with Anne)

Albert Dussel

Johannes Kleiman, Roger Frost (helped to hide the Franks)

Bep Voskuijl, Mariah Gale (helped to hide the Franks)

Otto Frank, Iain Glen (father)

Otto Frank, only survivor

Edith Frank, Tamsin Greig (mother)

Edith Frank

Margot Frank, Felicity Jones (sister)

Margot Frank

Anne Frank, Ellie Kendrick

Anne Frank

SS Silberbauer, Robert Morgan (Nazi officer who captured the Franks)

Petronella van Daan, Lesley Sharp (Peter’s mother)

Petronella Van Daan

Director  Jon Jones

Adapted by  Deborah Moggach

The Diary of Anne Frank Airs: Sunday, April 11, 2010, PBS Masterpiece Classic, 9 PM local time.

The film will be available for online viewing April 12 – May 11, 2010

More on the topic:

Actor Connection to Jane Austen Film Adaptations:

  • Nicholas Farrell played Edmund Bertram in Mansfield Park, 1981, and Mr. Musgrove in Persuasion, 2007
  • Felicity Jones played Catherine Morland in Northanger Abbey, 2007
  • Tamsin Greig played Miss Bates in Emma, 2009

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PBS Masterpiece Classic will show an encore presentation of Persuasion 2007 tonight. If you missed this 90-minute film the first time, you will have a chance to see it at 9 PM EST. (Check your local listing).

Sally Hawkins as Anne Elliot in Persuasion, 2007

Vic’s posts about Persuasion 2007:

Other blogger views of the Film

Rupert Penry Jones as Captain Wentworth and Sally Hawkins as Anne Elliot, Persuasion

Posts on this blog about Persuasion

The Elliots of Kellynch Hall, Persuasion 2007

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Two years ago PBS offered Northanger Abbey during Jane Austen Season. Tonight we are having an encore presentation. Such fun! For information about this series, click on this PBS link.

John Thorpe, Catherine Morland, Isabella Thorpe, and James Morland

For my original review and others, click on the links below!

Henry Tilney and Catherine Morland

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Jane Austen had a few ideas about what would happen to some of her characters in the future. Emma’s Mr. Woodhouse would live for two more years after his daughter’s marriage to Mr. Knightley, and the letters from Frank Churchill that Jane Fairfax placed before her contained the word “pardon.” These little tidbits of information help to make the books and movie adaptations so much more enjoyable to read and watch.

In my previous observations of the film adaptation of Emma 2009, I mentioned several times that I disliked Romola Garai’s interpretation of the role, but I have now seen the film four times AND rewatched other Emma films, including Clueless, which remains my favorite. I have also been listening to the full book version of Emma on my iPod. My mama sagely told me, “you CAN teach an old dog new tricks”, and after the second episode of Emma aired on PBS last week and after viewing the Kate Beckinsale version of Emma (1996) with a friend, this crotchety old dog has come to the rather astonishing realization that she likes Romola as Emma after all.

Romola’s quick moving, restless Emma captures her immaturity and boredom. Highbury is a town that is much too confining for such a talented, rich and lively young lady, and with so little to do, this self-indulgent and coddled girl can’t help but create mischief. If only Emma could apply herself long enough to become proficient at something, she might have been able to keep her nose out of other peoples’ lives. But she keeps making lists, with every intention of reading the books. As Mr. Knightley observed to Mrs Weston:

Emma reads two pages of Milton

Emma has been meaning to read more ever since she was twelve years old. I have seen a great many lists of her drawing up at various times of books that she meant to read regularly through—and very good lists they were—very well chosen, and very neatly arranged—sometimes alphabetically, and sometimes by some other rule. The list she drew up when only fourteen—I remember thinking it did her judgment so much credit, that I preserved it some time; and I dare say she may have made out a very good list now. But I have done with expecting any course of steady reading from Emma. She will never submit to any thing requiring industry and patience, and a subjection of the fancy to the understanding.

Emma also paints, but, as her portfolio (and pale painting of Harriet Smith) demonstrates, she is hard pressed to finish these projects.

Emma's very pale painting of Harriet Smith

Emma wished to go to work directly, and therefore produced the portfolio containing her various attempts at portraits, for not one of them had ever been finished, that they might decide together on the best size for Harriet. Her many beginnings were displayed. Miniatures, half-lengths, whole-lengths, pencil, crayon, and water-colours had been all tried in turn. She had always wanted to do everything, and had made more progress both in drawing and music than many might have done with so little labour as she would ever submit to.”

Emma can play the pianoforte prettily enough, but not as well as Jane Fairfax, which bothers her:

Emma is invited to play first at the Coles' party

She did unfeignedly and unequivocally regret the inferiority of her own playing and singing. She did most heartily grieve over the idleness of her childhood–and sat down and practised vigorously an hour and a half.

She was then interrupted by Harriet’s coming in; and if Harriet’s praise could have satisfied her, she might soon have been comforted.

“Oh! if I could but play as well as you and Miss Fairfax!”

“Don’t class us together, Harriet. My playing is no more like her’s, than a lamp is like sunshine.” – Emma, Volume 2, Chapter 9

Sandy Welch, scriptwriter of this Emma adaptation, observed that Cher, the Emma character in Clueless, was bossy but sweet and well-meaning. In her script, Ms. Welch wanted to show that the coddled young Emma had an attitude of “well-meaning snobbishness” and that in all her meddling, she sincerely thought:  “doesn’t everyone think like this?”


And so in my fourth viewing of Romola’s performance as Jane Austen’s wealthiest and most entitled heroine, I have finally come to admire this heroine. My change of heart was especially helped when I reviewed previous Emma adaptations during the last snow storm, and realized just how thoroughly this new production fit in with our modern sensibilities.  I (and a few of my Janeite friends) still think that Romola’s  facial grimaces and wide eyed interpretation of a very young Emma in the first half of the series were overly exaggerated, but she toned down her performance as Emma matured and grew in understanding.

Her scenes with Jonny Lee Miller during his proposal were tender and touching and gave a fitting ending to the series. I shall miss these Sunday evenings watching Emma. Thankfully, PBS will be showing reruns of Persuasion and Northanger Abbey, which were originally shown during Jane Austen Season two years ago. Jane Austen fans can take heart that our time with the bonnet series is not yet over.

Now that you have seen all the episodes of Emma, what did you think?

More Links:

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IMDb has become an indispensable site for those of us who love movies. I especially love the trivia the site features about each film. Take Emma 2009, for example. Costumes that were recycled from other films are listed there. Let’s look at a few:

Johdi May's purple coat

The purple coat Jodhi May (Mrs. Weston) wears on market day in Highbury is the same costume Hattie Morahan (Elinor Dashwood) wears when she arrives at Barton Cottage in “Sense & Sensibility” (2008).

Elinor in purple pelisse

The dark Spencer worn by Louise Dylan (Harriet Smith) to visit the poor is the same costume Lucy Scott wears in “Pride and Prejudice”(1995).

Harriet Smith (Louise Dylan) in dark spencer

The off-white dress with floral embroidery on the bodice worn by Christina Cole (Mrs. Elton) for her big entrance in church is the same costume worn by Cesca Martin in “The Regency House Party” (2004) during her “engagement,” and by Natasha Little (Becky Sharp) at Park Lane in “Vanity Fair” (1998).

Christina Cole as Mrs. Elton, Her Entrance in Church

The gray gown with gold bow print worn by Tamsin Greig (Miss Bates) to Miss Taylor’s wedding is the same costume worn by Anna Massey (Aunt Norris) in “Mansfield Park” (1983), Phyllida Law (Mrs. Bates) in Emma (1996), Lindsay Duncan (Mrs. Price) when Fanny leaves home in Mansfield Park (1999), Janine Duvitski (Mrs. Meagles) in “Little Dorrit” (2008), and Linda Bassett (Mrs. Jennings) in London in “Sense & Sensibility” (2008).

Miss Bates in gray pelisse and Emma in a floral gown

The floral print dress worn by Romola Garai (Emma) to Miss Taylor’s wedding is the same costume worn by Dagmara Dominczyk (Mercedès Iguanada) for Edmond’s homecoming at the beginning of The Count of Monte Cristo (2002).

Johdi May in lilac floral colored wrap dress

The lilac colored floral wrap dress Jodhi May (Anne Taylor/Weston) wears at Hartfield is the same costume worn by Denise Black (Mrs.Brocklebank) in “To the Ends of the Earth” (2005), and Alex Kingston (Mrs.Bennet) in “Lost in Austen” (2008).

Wearing a floral waistcoat at the Cole's party, Jonny Lee Miller as Mr. Knightley

The blue floral waistcoat Jonny Lee Miller (Mr.Knightley) wears at the Coles’ party is the same costume worn by Joseph Beattie (Henry Crawford) in Mansfield Park (2007) (TV).

Henry and Mary Crawford

For more recycled fashion comparisons, go to this link.

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