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Archive for the ‘Jane Austen’s World’ Category

Thoughts on Sense and Sensibility (2026)

Posted in Film adaptation, Film review, Jane Austen Films, Jane Austen's World, Sense and Sensibility, tagged , on October 27, 2026| 8 Comments »

Dear readers, I confess I was delighted by the newest film adaptation of Sense and Sensibility. However, in saying that, I realize that I invite much debate in the comments. But that is all part of the fun of a new adaptation. Some will love it. Some will hate it. Others will enjoy picking it to pieces and debating what they loved or hated.

For me, going to the movie theater to watch a film is a rare treat. Plus, Austen movies provide much nostalgia and joy for me. I grew up watching the film adaptations with my parents, and I have many wonderful memories of rainy-day Austen movie marathons. I passed that down to my now-adult daughter, who grew up watching Austen film adaptations with me. A night out at the movies together was a glorious fall treat for us.

Spoiler alert: My thoughts below include a few basic spoilers that most Austen fans will already know about, but if you’ve never read Sense and Sensibility or seen any of the film adaptations, you might want to wait to read this. For everyone else, if you want to see the film without knowing much about it beforehand, feel free to come back and read this after you see it.

The Basics

First of all, I will of course admit that the film includes many historical, textual, and literary inaccuracies, like most modern Austen film adaptations. So, if you’re a true purest, you will probably detest this film. You might still want to see it so you know what all the fuss is about, but maybe wait and stream it later it in the comfort of your own home.

Second, if you liked or hated the 2005 Pride and Prejudice adaptation, you will most likely love or hate this film. Both films come from Focus Features and Working Title Films, and it’s clear that the idea behind this new film was and is to create another experience much like the 2005 P&P. The style and cinematography are quite similar, as are the types of textual and historical inaccuracies.

For those of you who tend to enjoy lavish Austen film adaptations, knowing that certain liberties will be taken in film-making, you’ll probably enjoy this one.

Daisy Edgar-Jones as Elinor Dashwood and George MacKay as Edward Ferrars.

Cinematography

I have to start with the filmmaking itself. The cinematography in this film is gorgeous, emotional, and extremely moving. The sweeping countryside, the landscapes, and the seaside are beautiful. Barton cottage and the lovely country setting around it were all a feast for the eyes.

There is something so comforting about being transported into Austen’s world with its country estates, cottages, gardens, rolling hills, visits, and balls. The décor, the carriages, and the costuming all provided a visual treat. I want to see the movie again, just to take in all of the aesthetic details.

Esmé Creed-Miles as Marianne walking at Norland.

The Characters and Actors

I was also pleasantly surprised by how much I enjoyed several of the casting choices. Daisy Edgar-Jones blew me away as Elinor Dashwood. She captured Elinor’s quiet, reserved nature while still allowing us to see her depth of feeling beneath the surface. I also enjoyed George MacKay as Edward Ferrars. He was reserved, manly, honorable, and thoughtful. He and Edgar-Jones had wonderful chemistry throughout the film. Several scenes brought me to tears.

Bodhi Rae Breathnach as Margaret Dashwood, Daisy Edgar-Jones as Elinor, and George MacKay as Edward Ferrars (l-r).

Herbert Nordrum as Colonel Brandon was intriguing to me (though I admit, I was hoping he would tidy up his hair and beard as the film progressed – I always love a little “glow-up” in a movie). I don’t know if anyone can ever replace Alan Rickman in my mind, but Nordrum kept me captivated. His quiet mannerisms reminded me a bit of Gabriel Oak (Matthias Schoenaerts) in the 2015 film adaptation of Far from the Madding Crowd.

Herbert Nordrum as Colonel Brandon.

And then there was Fiona Shaw who I felt was brilliant as Mrs. Jennings. I thought she stole the show! Her role didn’t stick to the text perfectly, but she captured the air of Mrs. Jennings beautifully. The whole theater giggled every time she spoke during the entirety of the film. I’ll leave it at that, just so I don’t spoil the fun.

Fiona Shaw as Mrs. Jennings.

Now, on to the characters who were not quite so delightful.

I hated Willoughby, but in the best possible way. Frank Dillane made Willoughby positively despicable. At first, my daughter and I thought, “oh no, it’s going to be hard to hate him,” but he became easily hate-able very quickly. My main complaint about Willoughby and Marianne was that the film took very little time to develop their love story.

Esmé Creed-Miles as Marianne was not quite to my taste, but I may be in the minority. Her portrayal was simply not the Marianne I have always imagined. She seemed more like a character in a gothic period piece like Wuthering Heights, which I can appreciate, but I have never seen Marianne in that light.

I found Sir John Middleton, played by Turlough Convery, to be a bit too much. Lady Middleton, played by Chloe Pirrie, was another interesting choice. I found her funny, but I didn’t like that she was made into a comic character instead of the elegant, cold, distant, snobbish woman she is in the novel.

Frank Dillane as Mr. Willoughby.

Personal Pet Peeves

My two biggest pet peeves were Marianne’s hair and costuming and the dancing at the balls. Marianne’s stringy, unkempt hair hanging around her face throughout the film drove me crazy. She looked like a lost waif for most of the film. Elinor’s was half-up, half-down quite a bit, but it at least looked romantic and lovely.

Esmé Creed-Miles as Marianne.

The dances seemed strange and very un-Regency-like in my mind. They were almost modern or Avant-garde at times. In several scenes, the dancing was inappropriate between men and women and nothing like Austen would have seen in a ballroom. Because of that, the dancing was quite distracting.

I did a bit of research and it seems as though the dance choreography in the film is getting quite a bit of criticism. I found this article by Dr. Meg Kobza, a historian at Newcastle University, quite helpful in understanding the topic: “What Was Going On With The Dancing In Sense And Sensibility? A Regency Expert Explains.”

Ballroom scene in new Sense and Sensibility film.

Fun for Austen Fans

Overall, I enjoyed the film as a romantic at heart. I loved being immersed in the countryside, the music, the costumes and ballrooms, the gatherings of family and friends, and the familiar world of Austen’s characters. Most of all, I enjoyed seeing how another generation of filmmakers imagines Austen’s characters and the world of her novels.

I think most Austen fans who love a new adaptation and can bear with some of the usual inaccuracies will enjoy this one. If you are longing for a lovely Austen-esque fall treat, if you enjoy new Austen films for the fun discussion they inevitably invite, or if you like to watch new film adaptations for the mere pleasure of seeing Austen’s legacy continue to grow and progress to new and wider audiences, this one is worth seeing. If you just want a night out to see a beautiful film that’s clean and fun, then this is just the ticket.

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An A-Z Guide to Jane Austen’s World, by Inger S. B. Brodey

Posted in 19th Century England, Book review, British Empire, Jane Austen Novels, Jane Austen's language, Jane Austen's World, tagged , on October 20, 2026| Leave a Comment »

Book Review by Brenda S. Cox

This alphabet of collected words paints a miniature of Austen’s world. It shows her actively shaping the novel according to her own values.–Inger Sigrun Bredkjær Brodey, An A–Z Guide to Jane Austen’s World

Are you looking for a Christmas present for the Janeite who has everything? Or a special treat for yourself? Look no further. Inger Brodey’s brand-new book, An A-Z Guide to Jane Austen’s World, is a delight. It’s full of insights deep enough to make me say, “Wow, I never noticed that!” as well as lots of fun.

An A-Z Guide to Jane Austen’s World  by Inger Brodey gives new perspectives on 26 aspects of Austen’s world.

This little book is a treasure trove. For each letter of the alphabet, Dr. Brodey explores one window into Jane Austen’s novels, letters, and world. Each chapter is short, just a few pages, so they can easily be read in small chunks of time during the day.

Some of the fun categories (with bits that intrigued me):

  • B for Baronetage (Handy charts show order of precedence for different ranks)
  • C for Constellations (What is the significance of the constellations Fanny Price mentions in Mansfield Park?)
  • D for Duel (How would the duel between Brandon and Willoughby have been conducted, and who does Elinor verbally duel with?)
  • F for Flowers (What can we learn about the characters from their taste in flowers?)
  • G for Games (Which game was connected with West Indies plantations?)
  • K for Knights (Significant in Mansfield Park, Emma, and Pride & Prejudice)
  • L is for lace (“Miss Bates is always quick to compliment others on what she perceives they value in themselves.”–Therefore, she compliments Mrs. Elton on her lace.)
  • O for Ocean (“The ocean elicits Austen’s most romantic strains and most extended descriptions of natural scenery. Yet only her most sensitive heroines get to share the regenerative joy engendered by the sea.”)
  • P for Post (Post-chaises, for private rental, were painted yellow for easy recognition, leading to yellow taxicabs today.)
  • Q for Queens (“Implicit in Emma is a critique of various courtly codes of romance that elevate the woman into a faultless object and the somewhat contradictory idea of love being blind to faults.”)
  • X for X’ing (How does Austen’s “women’s work” of sewing overlap with her revision work as an author?)
  • Z for Zigzag (In Emma, “simple direct speech represents love and truth more reliably than zigzagging, hesitating, or ornate speech.”

And much more!

A is for Accomplishments. Harriet Wu’s lovely illustrations accompany each chapter.

Interview with the Author

JAW: Inger, this is a lovely book. What led you to write it? 

Inger Brodey: Thank you, Brenda. The first criticism of Austen that I ever read was Some Words of Jane Austen by Stuart Tave. I still think it is a wonderful little book. (JAW: So do I! My copy is well-used.) Tave isolated one word per novel and used it as a key to the novel as a whole. I’m always interested in Austen’s very careful use of words, and this was a chance to think about 26 special words from her novels.

JAW: Why did you choose to orient it around the alphabet?

Inger: I’ve always been fascinated by alphabets (and their equivalents for other languages, too), and by the Regency games where people contorted their bodies into letters as a form of charade. In fact, I used to try that with my children. We sometimes sang the sweet oldie, “A you’re adorable, B you’re so beautiful…” as a bedtime song.

JAW: What chapter was the most fun or interesting to write, and why?

Inger: It was fun to unpack the significance of Austen’s quote about “not writing for dull elves” in the E for Elves chapter!

I was also very interested to learn more about the material culture of Austen’s world, especially Games, Flowers, Lace, and Yew. When you know more about Austen’s backstory and the history of lacemaking, Mrs. Elton’s lace in Emma takes on new meaning. I had also not recognized the significance of the yew trees that adorn Delaford. I, too, “learned to love a hyacinth” in writing the Flowers chapter.

JAW: What’s something new you learned as you were writing this book, which might interest our readers?

Inger: I learned a lot from the B is for Baronetage and M is for Money chapters, especially when organizing all the specifics of rank and fortune into handy charts. I found it particularly interesting to compare the incomes of Austen’s relatives to the incomes of her various characters. It was also interesting to think about incomes across the novels. At a key point in their narrative, for example, Elinor and Edward would have been thrilled to get the income that Isabella Thorpe thinks is insufficient to live on.

Personally, I find British pre-decimal currency very difficult, so I was glad to create helpful charts that I hope will be a handy resource to readers, as they are to me.

JAW: How long did it take you to research and write this book?

Inger: Just over a year, but many chapters are based on favorite ideas that I have long taught in the classroom.

JAW: What else would you like to tell potential readers about your book? 

Inger: The illustrator, Harriet Wu, did such a lovely job! She is a long-time friend, and our daughters went to school together. She helped ensure that my topics were not overly abstract and could be drawn. She and I initially hoped to have all the illustrations in color, but that turned out to be impossible, according to the press. The diminutive size is meant to set the book apart as special. I hope some people will consider it as a Christmas or holiday present for a friend or a stocking stuffer.

JAW: Thank you, Inger, for creating such a fascinating book for us!

 

I highly recommend An A-Z Guide to Jane Austen’s World to you, dear readers. I read it in the Kindle version, which is also well-done, including the beautiful illustrations. The small hardcover would make a delightful gift.

Inger S. B. Brodey, author of An A-Z Guide to Jane Austen’s World

About  the Author

Inger Sigrun Bredkjær Brodey is the Peter T. Grauer Distinguished Professor in the department of English and comparative literature at the University of North Carolina at Chapel Hill. She is the author of Jane Austen and the Price of Happiness. She is also president of the non-profit Jane Austen Collaborative, Inc.; a cofounder of the Jane Austen Summer Program; a regular host on Jane Austen & Co.; and the principal investigator of Jane Austen’s Desk.

For more about Dr. Brodey, see her website.

 

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

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Bath Abbey and Jane Austen

Posted in Bath, Churches of the Austen family, Jane Austen's World, Religion in Austen's England, tagged on September 28, 2026| 2 Comments »

By Brenda S. Cox

[Catherine Morland] “hastened away with eager steps and a beating heart to pay her visit, explain her conduct, and be forgiven; tripping lightly through the church-yard . . .”–Northanger Abbey, chapter 12

We don’t know for sure whether Jane Austen ever attended a service at Bath Abbey, so it is not listed as an Austen Family Church. However, Jane not only visited Bath several times but also lived there from 1801-1806. She must have at least visited the Abbey and probably attended some services or events there. Like everyone else in Bath, she would have often seen the Abbey from outside.

Bath Abbey towers over central Bath, England. Sculptured angels ascend and descend Jacob’s ladders on each side of the front. (See Genesis chapter 28.) Bishop Oliver King in 1499 dreamed of this image, inspiring him to replace the Norman Cathedral with this Abbey.

Bath Abbey in Austen’s Novels and in History

Northanger Abbey and Persuasion are both partially set in Bath, and Austen mentions Bath in all the other novels, including Lady Susan, The Watsons, and Sanditon, as well as her letters. Northanger Abbey mentions “the church-yard” next to the Abbey in Bath, but Austen never mentions Bath Abbey by name.

This area around the church and the pump-room is the Abbey church-yard. Catherine Morland walks through it in Northanger Abbey as tourists do today. (Most churchyards are burial grounds, but not this one. Those buried at the Abbey are under the floor–inside the Abbey, not outside.)

Why does Jane Austen not mention Bath Abbey?

Roger E. Moore, in Jane Austen and the Reformation, suggests Austen omits Bath Abbey on purpose. In earlier times, Bath was a spiritual center. Bath Abbey was the church of a Benedectine monastery and convent, communities of monks and nuns. The Normans built a cathedral on the site. (Bath Abbey is no longer a cathedral, but is under the cathedral at Wells.) When King Henry VIII dissolved the monasteries, the Abbey was left to fall into ruin. Under Queen Elizabeth I, the Abbey was rebuilt, funded by donations from around the country. It was a parish church by Austen’s time, as it still is today.

Bath Abbey’s Interior, looking toward the altar. The fan vaulted ceiling was designed in the 1500s by King Henry VII’s master masons, intended to draw our attention up toward God.

However, by Jane Austen’s time, Bath had become a center for entertainment and physical healing rather than spiritual healing. Moore suggests that Austen’s choosing not to mention Bath Abbey is a criticism of visitors ignoring the city’s spiritual heritage.

“A Service at Bath Abbey,” 1788, Samuel Grimm, public domain. Inside the Abbey, as Austen would have seen it. People would stand or kneel during the service. (See this article for a clearer image.)

Bath Abbey in Austen’s Time

Bath Abbey was a fashionable place to be buried. This caused a problem in eighteenth century Bath. The Abbey stank! The floor was opened so often, to inter new corpses while old ones were still decaying, that the “confined Air” was “perceptibly disagreeable at first entering the Church.” Next to a ventilator in the roof there was always “a Stench scarce to be imagined” (New Prose Bath Guide, 1778, quoted in Jane Austen’s Bath Abbey). (Underground burials in the Abbey stopped in 1844, when a new external cemetery was opened.)

Other accounts complain of the coldness of the church, inconvenient service times, expensive pew rates, and even spiders. However, it was still the most popular place for the rich and titled to be seen on Sunday mornings. The sermons were said to be dull, avoiding controversy, offense, or emotion—they didn’t want the “enthusiasm” practiced in the many Dissenter chapels in Bath. The clergy were described as overweight and self-indulgent, like Austen’s Dr. Grant.

Bath Abbey pulpit. Today’s ministers preach much livelier sermons here than the dull, “ear-tickling” sermons preached in Austen’s day. In 1836, the right to appoint the rector of Bath Abbey (that is, the advowson for Bath Abbey) was bought by the Evangelical Cambridge minister, Charles Simeon. The Simeon Trust still appoints the rector.

Instead of attending services at the Abbey, Jane Austen, like Catherine Morland, probably attended a privately owned chapel in Bath. I explore the possibilities in “Where Did Jane Austen Attend Church and Chapel in Bath?”

Monuments in Bath Abbey

In Northanger Abbey’s parish church, Catherine notices “a very elegant monument to the memory of Mrs. Tilney, which immediately fronted the family pew,” including a “highly strained epitaph, in which every virtue was ascribed to her by the inconsolable husband.” “Monuments” in a church are memorials to people who have passed away. They may include plaques on walls or pillars, flagstones on the floor, and statues or relief carvings. In previous posts, we have seen monuments to Austen’s relatives in other churches, and to Austen herself in Winchester Cathedral.

Bath Abbey includes 1,526 such memorials, more than any other UK church except Westminster Abbey. Many ill people came to Bath for medical treatment, and some died there. Those from wealthy families could afford monuments in the impressive Abbey. It cost ten pounds in 1766 to be buried at the Abbey, a substantial amount. Poor people were buried in much cheaper areas across the river from Bath.

In Jane Austen’s Bath Abbey, Jackie Herring explores some monuments in the Abbey to people connected with the Austens. Here are a few:

Bath Abbey displays three memorials to William Bowen M.D. This apothecary treated Jane Austen’s parents while they lived in Bath. Mrs. Austen, after recovering from an illness, wrote a poem to Death, who had been trying to “seize” her. She attributes her recovery “To the prayers of my Husband, whose love I possess, To the care of my Daughters, whom Heaven will bless; To the skill & attention of BOWEN.” Sadly, Bowen was not able to cure George Austen in his final illness.

 

Bath Abbey memorial to William Meyler, a bookseller in Bath. He published a local newspaper, perhaps the one Austen refers to in Persuasion.

 

Bath Abbey memorial to Samuel Nibbs and his mother Barbara Nibbs. Barbara’s husband, James Langford Nibbs, was a close friend of George Austen’s. Austen performed their wedding ceremony and was a trustee of their marriage settlement, meaning he would make sure Barbara and her children were taken care of if James died. This has raised questions because Nibbs owned an Antigua plantation worked by enslaved people. (See pp. 33ff in Jane Austen Society Report 2021 for details.) The Nibbs family may have been a model for the Bertrams in Mansfield Park.

 

In a letter of Oct. 24, 1808, Jane Austen wrote, “I must notice a wedding in the Salisbury paper, which has amused me very much, Dr. Phillot [rector of Bath] to Lady Frances St. Lawrence. She wanted to have a husband I suppose, once in her life, and he a Lady Frances.” That couple is memorialized here.

 

 

This Bath physician, Dr. Parry, is mentioned in a series of Austen’s letters, 1813-14, as treating Lady Fanny Bridges, Edward Austen Knight’s mother-in-law, with apparent success.

 

Patronage was important for advancement in the Navy, as William Price finds in Mansfield Park. Admiral Gambier, memorialized on the floor of the main aisle, was a friend of the Austens and a patron to Jane’s brother Frank Austen. Admiral Gambier was an Evangelical Christian, and Frank was known as “the officer who knelt in church,” showing his serious devotion to God. Other naval men connected to the Austen brothers are also memorialized in the Abbey.

 

If you explore the Abbey, you will find many more intriguing monuments (details in the Abbey’s database online). These people all lived during or before Austen’s lifetime:

  • Admiral Arthur Phillip, founder and first governor of Australia
  • William Bingham, U.S. Senator (His memorial is flanked by two large angels and the medallion below him shows a fist clenching three arrows.)
  • Lady Jane Waller, whose husband fought in the English Civil War, is memorialized with reclining statues of her, her husband, and a baby.
  • Richard Nash, arbiter of Bath fashion; his memorial is in Latin.
  • John Palmer, originator of the mail coach system and post office comptroller in Bath
  • William Siddons, husband of actress Sarah Siddons, with a very simple plaque—she eclipsed him.
  • a Lady Wentworth
  • Richard Woodhouse, innkeeper of the White Hart, an inn mentioned in Emma and Persuasion
  • Mary Field, wife of the church organist
  • Venanzio Rauzzini, musician and conductor, memorialized by his students. Rauzzini conducted performances of Handel’s Messiah and other classics at Bath Abbey.
  • Jane Gomm and Martha Goldsworthy, who taught the royal princesses, daughters of George III
  • Thomas Haweis, rector, co-founder of the modern missions movement, and chaplain to the Countess of Huntingdon (Methodist leader whose Bath chapel is now a museum) There is also a memorial to Haweis’s great-great granddaughter, Lance-Corporal Donnett Mary Paynter, distinguished for “gallant services in the field” as a first aid nurse in WW I.
  • John Sibthorp, botanist and Oxford professor
  • One intriguing memorial reads: “Inscribed to the Memory of Winthrop Baldwin, Esqr., of the Royal Crescent, a Gentleman of considerable Abilities, valuable Information, and most extensive charity, who died on the 7th of August, 1817, in the 92nd year of his age.” (Esquire means he was an untitled gentleman.) Abilities, information, and charity—I wonder what he accomplished. He also had a wife and two children.

Organ pipes and choir screen at Bath Abbey. The current organ has over 4,000 pipes.

A few interesting memorials a little later than Jane:

  • Isaac Pitman, who invented shorthand (1813-1897)
  • James Watson M.D. of the Bengal Medical Service, 1792-1878 (shades of Sherlock Holmes? Okay, Sherlock’s Dr. Watson is named John, but he was a medical doctor with the British army in India and Afghanistan. So, pretty close! The Holmes books were written in 1887 and following.)
  • Edwin Arthur Cook, archdeacon of Bath (assisting the bishop), rector of Bath Abbey 1947-1960, missionary to China. “Under his inspired leadership, this abbey church was restored.”

Eagle lectern at Bath Abbey, where the Bible is read during services. A sign says: “The lectern is made of brass in the shape of an eagle. The eagle was traditionally believed to fly higher, and see further, than other birds, and so it symbolizes the clear vision given by the Bible.”

Bath Abbey Today

Bath Abbey currently offers five Sunday services and various weekday services, as well as concerts and other events. Some services are offered online as well. The Abbey sometimes hosts events for the Jane Austen Festival in the fall. Its slogan is “Living and Telling the Good News of Jesus with the City of Bath and its Visitors.”

Several wonderful choirs sing at the Abbey’s services.  The Jane Austen Festival generally includes a Regency-style Sung Eucharist—this is a Communion service in which parts of the service are sung by the choir and/or the congregation. When I attended in 2025, the Abbey was filled with people in Regency dress, so many that some had to be turned away at the door. So go early if you want to be part of this amazing experience, similar to what Austen herself may have experienced on Sunday mornings in Bath. The service even included some of Jane Austen’s own prayers. Any Anglican Book of Common Prayer service, though, will be similar to Austen’s weekly worship experiences.

Bath Abbey between services

You can visit Bath Abbey and the museum (Discovery Centre, including history of the Abbey and special exhibits, on the lower floor) any day of the week and sometimes take tours. However, the Abbey is a working church and may be closed to visitors during services, weddings, etc., so check the Bath Abbey website before planning a visit.

History and art in Bath Abbey’s Gethsemane Chapel, which memorializes victims of war and persecution.

Bath Abbey is a beautiful building, full of history, art, and music. It is a peaceful place to meditate and worship. Next time you are in Bath, enjoy a visit to Bath Abbey.

Bath Abbey at sunset

Sources

Jane Austen’s Bath Abbey, by Jackie Herring (This lovely little book is available at Bath Abbey’s wonderful bookshop, at the Jane Austen Centre in Bath, and online from Jane Austen’s Regency World.)

Bath Abbey: A History, by Kenneth Hylson-Smith

The Bath Messiah, by Andrew Clarke

Jane Austen and the Reformation, by Roger E. Moore

Bath Abbey Welcome booklet

 

All photos in this post ©Brenda S. Cox, 2026. Please ask for permission to use them.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

 

If you have been enjoying this series on Jane Austen Family Churches and would like to contribute to the needs of those churches, keeping them viable and helping them better preserve and present Austen’s legacy, please go to JASNA’s Donate to Austen-Related Institutions. Thanks!

 

Posts on Jane Austen Family Churches and Churches Mentioned in Austen’s Novels

Adlestrop and the Leigh Family

Ashe and the Lefroy Family

Chawton

Deane

Godmersham

Goodnestone

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Horsmonden

St. Paul’s Covent Garden

St. Swithin’s, Walcot and other churches in Northanger Abbey

Steventon

Stoneleigh Abbey Chapel and Mansfield Park

Tonbridge: Home Parish of Jane Austen’s Father

Winchester Cathedral

St. Andrew’s Colyton, Devon (future JAW post)

St. Peter’s Hurstbourne Tarrant (the Lloyds’ church; future JAW post)

Garrison Chapel

London Churches mentioned in Austen’s Novels

St. George’s, Hanover Square

JASNA Austen Family Churches

 

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Jane Austen’s Social Life: Steventon Friends and Neighbors (Part 2)

Posted in Jane Austen Early Life, Jane Austen's family, Jane Austen's Influences, Jane Austen's life, Jane Austen's World, Steventon on September 14, 2026| 1 Comment »

Austen’s first inner circle was found with her family at home, at the Rectory in Steventon (see previous article). But the families who lived nearby in her immediate neighborhood and beyond, formed another kind of community—especially as she grew older. She was surrounded by friendships that became a meaningful part of her life, well into adulthood.

We know Austen dearly loved to “collect” people together in her novels and arrange them in a specific way within a specific location. She called it the “delight” of her life. In a letter to Anna Austen, she said, “Three or four families in a country village is the very thing to work on, and I hope you will do a great deal more, and make full use of them while they are so very favourably arranged. (Austen, Letter to Anna Austen, 9 Sept. 1814)

It’s intriguing to consider the “three or four families” Austen enjoyed mingling with in her everyday life. Let’s find out a bit more about the people in Austen’s personal “village,” and consider how they might have inspired her writing.

Thomas Rowlandson drawing of an afternoon tea visit
Afternoon tea, Thomas Rowlandson. Image in the public domain.

Steventon Neighbors

During the Steventon years, the Austens enjoyed a wide social circle in the Steventon and Deane parishes and the surrounding areas. Jane’s world extended well beyond the rectory as she grew older, and it included family friends, neighbors, local clergy and gentry, and several lifelong companions.

These main families included in this article are the Digweed family, the Harwood family, the Lefroy family, the Lloyd family, the Bigg-Wither family, and the Fowle family. There were many others, but these are some of the families that played a role in the Austen family life and home as Jane was growing up. Many of the children of these families remained friends of hers well into adulthood.

Steventon Rectory. Image Wikimedia Commons
Steventon Rectory. Image: Wikimedia Commons.

Digweed Family (Steventon Manor)

The Digweeds were the Austens’ nearest genteel neighbours during Jane’s Steventon years. They rented Steventon Manor, directly across the lane from the rectory and church, from Thomas Knight and later from his heir, Jane’s brother Edward Austen Knight. The family had five sons, John, Harry, James, William, and Francis, who were close in age to several of the Austen children (Le Faye; St Nicholas Church, Steventon).

Their proximity created a long-lasting friendship between the two families. The Austen and Digweed young people shared the joys and obligations of country life, including dinners, balls, card parties, riding, parish concerns, and visits. The Digweeds appear repeatedly in Jane’s correspondence over the years as evidence of the family ties (Le Faye; “Jane Austen’s Friends: The Digweeds”). James Digweed later became the curate at Steventon in 1798, extending the connection between the two families even further (“Portrait Miniatures”; Le Faye).

Three portrait miniatures of the Digweed Family now feature at Jane Austen’s House Museum of Francis William Digweed, James Digweed, and Mary-Susannah Digweed, nee Lyford. They were done in 1811 and are described thus:

Three oval portrait miniatures, painted in watercolour, gouache and bodycolour on ivory. They depict Francis William Digweed, James Digweed, and his wife, Mary-Susannah Lyford. The portraits are mounted in rectangular frames, wood painted black with a decorative hanging device. (“Portrait Miniatures”)

“Portrait Miniatures,” Jane Austen’s House.

Harwood Family (Deane House)

Deane House, only a short distance from Steventon, was home to the Harwoods, a well-established landed family whose household formed part of the Austens’ wider local world. Jane knew the family from childhood, and John Harwood appears in her letters in connection with visits, balls, and other gatherings—evidence of the easy social life that existed between the Rectory and Deane House (“John Harwood”).

The Harwoods also illustrate how closely the neighboring families were interconnected. Charles Harwood married Eliza Terry (another neighbor), while Eliza’s sister Jane married Harry Digweed. Such marriages helped bind together the households Jane knew at Deane, Steventon, and Ashe. These intertwined family networks created exactly the kind of “three or four families in a country village” that Austen later recommended to Anna. (Le Faye)

Deane House

Lefroy Family (Ashe Rectory)

Ashe Rectory, only about two miles from Steventon, was home to the Reverend Isaac Peter George Lefroy, his wife Anne, and their family. Anne Lefroy was a poet, hostess, philanthropist, and a cherished friend and formative influence on Jane; they first met when Jane was eleven (Jane Austen’s House, “Room 2”).

The two households met often within the social world of Ashe, which included the Austens, Bigg-Withers, Digweeds, Terrys, and others (Jenkins; Le Faye). During Tom Lefroy’s visit to his aunt and uncle at Ashe in the winter of 1795–96, Jane and Tom apparently danced and flirted (Austen, Letters).

Sadly, Anne Lefroy’s accidental death from a tragic fall from her horse on 16 December 1804 (Jane’s twenty-ninth birthday) was a painful loss to Jane and the Austen family. Jane later commemorated her life in the poem, “To the Memory of Mrs. Lefroy” (“Obituary for Mrs Anne Lefroy”).

Ashe Rectory. Illustration by Ellen Hill. Jane Austen’s House.

Lloyd Family (Deane Parsonage and Ibthorpe)

After the death of the Reverend Noyes Lloyd in 1789, his widow and their daughters, Mary and Martha, rented Deane Parsonage from George Austen. The Lloyds quickly became part of the Austens’ closest circle; Mary later married Jane’s eldest brother, James, while Martha became one of Jane and Cassandra’s most enduring companions (Jane Austen’s House, “Room 3”; “Martha Lloyd”).

Jane’s own description of Martha as a “friend and sister under every circumstance” conveys the depth of that bond (Austen, Letters; Jane Austen’s House, “Room 3”). After Mrs. Lloyd’s death in 1805, Martha joined the Austen women in Bath. She moved with them to Southampton and then to Chawton Cottage in 1809 (Jane Austen’s House, “A Timeline”). Much later, in 1828, she married Jane’s brother Frank, which provided a wonderful continuation of their lifelong friendship (Jane Austen’s House, “Room 3”; “A Timeline”).

Ibthorpe, Photo by Rachel Dodge.

Bigg-Wither Family (Manydown Park)

The Bigg-Withers family of Manydown Park belonged to the landed-gentry circle that welcomed Jane and Cassandra as frequent visitors. Jane was particularly close to the Bigg sisters, Alethea and Elizabeth, and her letters indicate a friendship that included shared reading, plenty of witty commentary, and the delightful intimacies of a long acquaintance with dear friends (Kaplan; Honan).

Manydown is most remembered because, while visiting in December 1802, Jane accepted an offer of marriage from the family’s son and heir, Harris Bigg-Wither, then withdrew her acceptance the following day (Honan; Duckworth). Though a marriage to Harris would have provided material security, Jane could not go through with it (Honan; Jane Austen’s House, “A Timeline”).

18th century engraving of Manydown Park
18th century engraving of Manydown Park. Wikipedia Commons.

Fowle Family (Kintbury)

The Fowle family’s connection to the Austens began in the Steventon rectory school. Tom Fowle, later Cassandra Austen’s fiancé, was a pupil of George Austen, as was his brother Fulwar; the school placed the Fowle family within the Austens’ social circle long before Cassandra’s engagement to Tom (Harris; Hussain, “The Boys”).

Cassandra and Tom’s marriage was delayed because he lacked a living sufficient to support a household (Harris; Jane Austen’s House, “A Timeline”). In 1796, Tom travelled to the Caribbean as private chaplain, but he died of yellow fever at sea in February 1797 before the couple could marry (Harris; Jane Austen’s House, “A Timeline”). Tom’s death shaped Cassandra’s life in many ways, and the Fowles remained connected to the Austens for years (Harris; Jane Austen’s House, “Jane Austen’s Family”). The Fowle family lived at the vicarage in Kintbury, West Berkshire, a setting later reimagined in Gill Hornby’s novel Miss Austen.

Kintbury Vicarage, British Listed Buildings.

More to Learn

This is only a brief snapshot of a handful of the families Austen socialized with when she lived at Steventon. One could spend endless amounts of time learning more about these wonderful families and their connection to the Austens. I highly recommend reading: Deborah Kaplan’s article, “Jane Austen and the Bigg Sisters,” as well as the other Persuasions articles listed in the Works Cited below.

Though Austen’s novels were not autobiographical, it’s intriguing to consider how the families she knew and loved might have influenced the way Austen arranged her characters. It’s clear from her own life that Austen enjoyed a bustling household and a busy social life, with plenty of friends and neighbors in the surrounding area.

Rachel Dodge teaches writing classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World. She is the bestselling, award-winning author of The Anne of Green Gables Devotional, Praying with Jane: 31 Days Through the Prayers of Jane Austen, the Praying with Jane Audiobook with actress Amanda Root, and other classics-based devotional books. Her newest release, A Christmas Carol Devotional, is now available! A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

Works Cited

Austen, Jane. Letters of Jane Austen. Various eds., including Brabourne and later selections; see especially letters dated 14–15 Jan. 1796 and those referring to the Bigg and Lloyd families.

Duckworth, Alistair M. “Jane Austen’s Accommodations.” Persuasions, no. 7, Jane Austen Society of North America.

Harris, Jocelyn. “Jane Austen’s Real and Imagined Characters.” Persuasions On-Line, vol. 35, no. 1, 2014, Jane Austen Society of North America, jasna.org/persuasions/on-line/vol35no1/harris.html.

Honan, Park. “Jane Austen’s Manydown Proposal.” Persuasions, no. 10, 1988, Jane Austen Society of North America, jasna.org/persuasions/printed/number10/honan.htm.

Hussain, Hafsa. “The Boys at Steventon: Mr. Austen’s Students, 1773–1796.” Persuasions On-Line, vol. 44, no. 1, 2023, Jane Austen Society of North America, jasna.org/assets/Persuasions-On-Line/Vol44-No1/Hussain-2/Hussain_The-Boys-at-Steventon-Mr-Austens-Students.pdf.

Jane Austen’s House. “A Timeline of Jane Austen’s Life and Works.” 23 Oct. 2023, janeaustens.house/jane-austen/timeline/.

Jane Austen’s House. “Jane Austen’s Family.” 7 Jan. 2026, janeaustens.house/jane-austen/family/.

Jane Austen’s House. “Letter from Jane Austen to Cassandra Austen, 14–15 January 1796.” 27 Mar. 2025, janeaustens.house/object/letter-from-jane-austen-to-cassandra-austen-14-15-january-1796/.

Jane Austen’s House. “Obituary for Mrs Anne Lefroy, 21 December 1804.” 27 Mar. 2025, janeaustens.house/object/obituary-for-mrs-anne-lefroy-21-december-1804/.

Jane Austen’s House. “Portrait Miniatures of the Digweed Family.” 26 June 2024, janeaustens.house/object/digweed-family-portrait-miniatures/.

Jane Austen’s House. “Room 2: Mrs Leigh-Perrot, Madam Lefroy, Anne Sharp.” 26 Feb. 2025, janeaustens.house/online-exhibition/obstinate-headstrong-girls/obstinate-headstrong-girls-room-2/.

Jane Austen’s House. “Room 3: Martha Lloyd, Miss Austen and Mrs Austen.” 22 Aug. 2025, janeaustens.house/online-exhibition/obstinate-headstrong-girls/obstinate-headstrong-girls-room-3/.

Jenkins, Jennifer. “The Letters of Mrs Lefroy: Jane Austen’s Beloved Friend.” Persuasions On-Line, Summer 2008, Jane Austen Society of North America, jasna.org/publications-2/book-reviews/summer-2008/the-letters-of-mrs-lefroy-jane-austens-beloved-friend/.

Kaplan, Deborah. “Jane Austen and the Bigg Sisters.” Persuasions, no. 10, 1988, Jane Austen Society of North America, jasna.org/persuasions/printed/number10/kaplan.htm.

Le Faye, Deirdre. “Three or Four Families: Suggestions for New Directions in Biographical Research.” Persuasions On-Line, vol. 30, no. 2, Spring 2010, Jane Austen Society of North America, jasna.org/persuasions/on-line/vol30no2/lefaye.html.

“John Harwood.” Jane Austen’s World, 29 May 2024, janeaustensworld.com/tag/john-harwood/.

“Jane Austen’s Friends: The Digweeds.” Jane Austen Quickstep Travel Guide, 2 Mar. 2025, janeaustenquickstepguide.com/janes-friends-the-digweeds/.

St Nicholas Church, Steventon. “Inside the Church—The Nave.” Steventon Parish, steventonhants.org.uk/snguide/insidechurch.html.

 

 

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Winchester Cathedral: Jane Austen’s Resting Place

Posted in Anglican Church, Architecture, Churches of the Austen family, Jane Austen's death, Jane Austen's World, Winchester, tagged , , on August 24, 2026| 7 Comments »

By Brenda S. Cox

In the 1850s, one of many visitors to Winchester Cathedral asked the verger where to find Jane Austen’s grave. (A verger is a church official responsible for the building, among other duties.) The verger responded,

“Pray, sir, can you tell me whether there was anything particular about that lady—so many people want to know where she was buried?”

Winchester Cathedral

Flagstone over Jane Austen’s grace in Winchester Cathedral

Memorials to Jane Austen in Winchester Cathedral

We could all tell him what was “so particular” about that lady! The verger might have looked at the ledger stone in the north aisle of the cathedral for clues. It reads (italics added):

In Memory of JANE AUSTEN, youngest daughter of the late Revd GEORGE AUSTEN, formerly Rector of Steventon in this County, she departed this Life on the 18th of July 1817, aged 41, after a long illness supported with the patience and the hopes of a Christian. The benevolence of her heart, the sweetness of her temper, and the extraordinary endowments of her mind obtained the regard of all who knew her, and the warmest love of her intimate connections. Their grief is in proportion to their affection, they know their loss to be irreparable, but in their deepest affliction they are consoled by a firm though humble hope that her charity, devotion, faith and purity have rendered her soul acceptable in the sight of her REDEEMER.

This was probably written by Jane’s brother Henry, perhaps in consultation with the rest of her immediate family. The style fits with other epitaphs of the time—not focusing on worldly achievements or fame, but on spiritual attributes, the love of her family and friends, and her hope of heaven. That verger might only have wondered about “the extraordinary attributes of her mind”—the only clue to Jane’s genius as a writer.

The north aisle of Winchester Cathedral, where Jane Austen is buried.

All those Victorian visitors to the Cathedral indicated Austen’s increasing popularity. This encouraged her nephew, Rev. James Edward Austen-Leigh, to write her first biography, the Memoir of 1870. The proceeds paid for an additional plaque in the Cathedral, which does mention her writing, but not in detail.

Plaque on the wall next to Austen’s grave, placed by her nephew, James Edward Austen-Leigh, son of her brother Rev. James Austen. Designed by architect Thomas Henry Wyatt, who had worked on Austen-Leigh’s parish church at Bray.

The plaque reads [brackets and italics added]:

Jane Austen, known to many by her writings, endeared to her family by the varied charms of her Character, and ennobled by Christian Faith and Piety, was born at Steventon in the county of Hants [Hampshire] Dec xvi mdcclxxv [Dec. 16, 1775] and buried in this Cathedral July xxiv mdcccxvii [July 24, 1817]  “She openeth her mouth with wisdom and in her tongue is the law of kindness.” Prov. xxxi v. xxvi [Proverbs 31, verse 26]

Above this memorial tablet is a third memorial—a stained glass window paid for by public donations in 1900, as Austen’s reputation expanded even more. St. Augustine of Hippo is at the top—Augustine can apparently be shortened to “Austin,” who knew? Below him we find King David, writer of most of the Psalms, with his harp; St. John with the first words of his gospel, “In the beginning was the word”; and other biblical writers (the sons of Korah) with quotations from the Psalms. The quotations are about the fear of the Lord, meekness, wisdom, understanding, justice, and salvation. (They are in Latin with slightly different numbering than today, but the modern verse numbers are: Psalm 34:11, 25:9, 49:3, 71:15).

Stained glass window in Winchester Cathedral commemorating Jane Austen. Designed by C.E. Kempe, 1900, paid for by public subscription.

One more memorial to Austen now graces Winchester Cathedral. Outside, in the Cathedral Close, a new statue depicts Austen, installed for the 250th anniversary of her birth. (A “close” is enclosed land belonging to a cathedral, generally including schools, offices, and homes for the bishop and clergy.)

Jane Austen statue in Winchester Cathedral Inner Close.
Photo ©Betty Parker Ellis, 2026. Taken during the 2026 JASNA Summer Tour.

 

Baptismal Font at Winchester Cathedral. The nearby sign says, “The font is used in baptism, by which sacrament a person becomes a member of the Church. This mid 12th century font of black Tournai marble is decorated with carvings showing the miracles of St. Nicholas, patron saint of children.”

 

Pulpit and stalls at Winchester Cathedral

 

Screen at the high altar of Winchester Cathedral

How was Jane Austen connected to Winchester?

Jane Austen and her family were connected with Winchester Cathedral through their churches. Jane lived her early life in the parish of Steventon, where her father was rector of the parish church. Later in her life she lived in the parish of Chawton, where her brother Edward Knight was squire of the parish, and her brother Henry was briefly curate at the Chawton church.

In the Church of England, parishes are combined into dioceses. Each diocese is led by a bishop, whose center is the cathedral. Both Steventon and Chawton are in the diocese of Winchester, led by the Bishop of Winchester from Winchester Cathedral.

Nave and chancel of Winchester Cathedral

The Austens were also connected to Winchester through its school. Winchester College, near the Cathedral, is the oldest of England’s “public schools.” (The approximate equivalent in the US would be an elite boarding school for junior high and high school.) Some students were “scholars,” on scholarships, and others were “commoners” who paid fees to attend.

Eight of Jane Austen’s nephews attended Winchester College as commoners (paying students)—six of her brother Edward’s sons (Edward, George, Henry, William, Charles, and Brook), one son of her brother Frank (George), and one son of her brother James (James Edward). The college was strict and spartan. The boys ate mainly boiled beef or mutton with bread and beer. Student prefects brutally ruled younger students. Students occasionally rebelled—Austen’s nephew Charles Bridges Knight was part of a rebellion in 1818 which led to thirty expulsions.

Memorial to William of Wykeham, who rose from humble beginnings to become Bishop of Winchester and Chancellor of England. He founded Winchester College in 1382; eight of Jane Austen’s nephews attended there.

Jane corresponded with her nephew James Edward and others about the school. On July 9, 1816 she watched “a countless number of Postchaises full of Boys pass by” “full of future Heroes, Legislators, Fools, & Vilains” (going home for the summer from Winchester College). (‘Vilains’ is Austen’s spelling.)

Winchester is only 17 miles from Chawton and 14 miles from Steventon. Jane’s father, George Austen, had an account with John Burdon’s bookshop in Winchester. That shop is now called P&G Wells. Jane loved both books and music. Her piano teacher came from Winchester, where he was assistant organist at the Cathedral. He gave lessons to Jane and others in Steventon. He was George William Chand, later organist of the Cathedral and College.

Winchester bookseller which supplied books to Jane Austen’s family.

Jane also had a friend living in Winchester. Elizabeth Bigg of Manydown Park (brother of Harris Bigg-Wither who proposed to Jane) married Rev. William Heathcote, a prebendary (official) of the Cathedral. Austen might have visited one of their homes in the Cathedral Close. Elizabeth left there when she was widowed, but moved back to the Close when her son entered Winchester College. Cassandra, Jane, and Martha Lloyd did visit her there for a week at the end of 1814.

When Jane moved to Winchester for medical treatment, in her final illness, it was her friend Elizabeth who arranged for her lodgings at 8 College Street. Elizabeth visited her every day.

Jane Austen spent her last eight weeks at 8 College Street in Winchester, where she died.

Austen apparently loved the Cathedral. She might have appreciated its long history, or its medieval beauty. Cassandra wrote,

“it is a satisfaction to me to think that [Jane’s dear remains] are to lie in a Building she admird so much—her precious soul I presume to hope reposes in a far superior Mansion” (July 20, 1817).

Memorial to Samuel Wilberforce, Bishop of Winchester, 1869-1873; son of William Wilberforce, “The Great Emancipator.” Jane Austen “loved” Thomas Clarkson’s writings; he fought against slavery alongside William Wilberforce.

 

Winchester Cathedral is full of history, and rotates exhibits on various topics. Page from the twelfth-century Winchester Bible. Pigments used to decorate the Bible were also displayed: lead white, orchil (purple), ochres (yellow, brown), red lead, vermilion (red-orange), verdigris (green), lapis lazuli (most expensive, from Afghanistan), carbon black, gold, granular gold, and gold leaf.

Why was Jane Austen buried in Winchester Cathedral?

When Jane Austen died in Winchester (See What Killed Jane Austen?), she was not wealthy or well-known. Because she died in the parish of St. Swithun’s, she had the right to be buried in the Cathedral precinct. However, to be buried inside the Cathedral, she needed social connections, which her family had.

Jane’s brother, Rev. Henry Austen, may have made the request to the Dean and Chapter of the Cathedral, who would make that decision. He was likely supported by Elizabeth Heathcote, widow of a prebendary, and George William Chad, the organist and Jane’s former piano teacher.

The Dean, Thomas Rennell, was a friend of the Chutes of the Vyne, who knew Jane and her family. The Chutes were also friends and patrons of her brother James, giving him a church living. Jane’s mother’s connections with the aristocratic Leigh family probably also helped. Her father is mentioned in all capital letters on her gravestone, so his holding a Hampshire living for forty years may have been taken into account. Her brother James was too ill at the time to come to Winchester, but he had also held several parish livings for some years.

One more speculation: Henry may have told the Dean that the Prince Regent admired Jane’s work and asked her to dedicate Emma to him. Connections, connections.

It was also expensive to be buried in the Cathedral. The expenses for Austen’s very modest funeral came to £92, paid from her own modest savings. Presumably that included standard burial costs: 10 guineas (£10.50) for burial in the aisle of the Cathedral, plus 6 shillings, 8 pence (1/3 of a pound) for the tolling of the bell. (Burial in the choir would have been 50 guineas; burial near the choir or above the steps, 20 guineas.) Official records say Austen’s estate, after payment of funeral and other expenses, was worth £661 and 2 shillings.

In the end, Jane Austen was buried inside Winchester Cathedral, now considered one of the Jane Austen family churches. She was the only one of her siblings to be buried in a cathedral. Her grave there has attracted many visitors for more than two hundred years. Winchester Cathedral made a great decision in allowing Jane’s grave to be inside!

During the 2023 JASNA Summer Tour, we strewed flowers on Jane Austen’s grave.

 

Winchester Cathedral’s lovely bookshop offers my book, Fashionable Goodness: Christianity in Jane Austen’s England, along with many other excellent books and souvenirs.

Winchester Cathedral is a beautiful, peaceful place of worship. Have you ever visited Jane Austen’s grave? I found it a very moving experience, as have many others. What did you think and feel there?

 

All photos in this post ©Brenda S. Cox, 2026, unless otherwise noted.

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

If you have been enjoying this series on Jane Austen Family Churches and would like to contribute to the needs of those churches, keeping them viable and helping them better preserve and present Austen’s legacy, please go to JASNA’s Donate to Austen-Related Institutions. Thanks!

Sources and Further Reading

Jane Austen and Winchester: An Introduction, published by Winchester College.

Jane Austen’s Hampshire by Terry Townsend shows Jane’s connections to various locations in Hampshire, including Winchester.

Jane Austen and Winchester Cathedral, booklet by Michael Wheeler

Deb Barnum’s post on Winchester from the 2025 JASNA Summer Tour shows interior shots of the house in which Austen died; Winchester College; the Epiphany Chapel; bits and pieces of the Cathedral stored in the Crypt; and more.

Winchester Cathedral and Jane Austen

Winchester Cathedral architecture, gorgeous photos

“Austen and Cathedral: Was Interment a Signal Honor?”

 

Other Austen Family Churches

Adlestrop and the Leigh Family

Ashe and the Lefroy Family

Chawton

Deane

Godmersham

Goodnestone

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Horsmonden

St. Paul’s Covent Garden

St. Swithin’s Walcot (Bath)

Steventon

Stoneleigh Abbey Chapel and Mansfield Park

Tonbridge: Home Parish of Jane Austen’s Father

St. Andrew’s Colyton, Devon

St. Peter’s Hurstbourne Tarrant (the Lloyds’ church)

JASNA Austen Family Churches

 

Churches Mentioned in Austen’s Novels

Garrison Chapel

London Churches

St. Swithin’s, Walcot and other churches in Northanger Abbey

St. George’s, Hanover Square

St. Paul’s, Covent Garden: Actors’ Church

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