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Lori Smith’s book, A Walk With Jane Austen: A Journey into Adventure, Love & Faith is available for purchase today. I have been savoring this book all summer, and reluctantly read the last pages last night while sitting in my favorite spot at a local restaurant. After reading such a personal account, it is easy to assume that one has met Lori and had a long conversation with her.

Part 3 of the book begins with a visit to beautiful Winchester Cathedral, where Jane is buried, and a description of her last illness. Lori addresses the topic of death head on with trepidation, fearlessness, and faith.

To my surprise, she disliked Lyme, which I have always wanted to visit, but attributed much of her terrible experience to her seedy hotel. She then visited Exeter, Sense and Sensibility country, and Lyme Park, Colin Firth’s Pemberley. Few signs remain that the movie was filmed there ten years before, although once upon a time visitors could take a little tour showing the significant spots in the movie.

I must confess I liked part three of the book most, for Lori recounts so much of Jane’s life and her novels in these final pages. During her visit to Chatworth, the lush mansion where Matthew Macfadyen snogs Keira Knightly, as Lori so delightfully puts it, she views a set of breathtaking china that belonged to Warren Hastings, a widower who sent his young son to live with Jane’s family in Steventon, and where the boy sadly died. Lori then recounts the story of Philadelphia Austen, Jane’s intrepid aunt, who went to India to find a husband in Tysoe Hancock, and who gave birth to Elizabeth, Jane’s niece. The story is complicated as Lori describes it, but is well worth investigating on one’s own.

After visiting Stoneleigh Abbey, the mansion belonging to Jane’s mother’s family, Lori goes full circle, returning to Oxford to spend her final days in England before returning home. Back in America she ties up a few loose ends, which I will not reveal, except to say that I loved this book. In fact, I suspect if Jane Austen were able to read it, she would give it her seal of approval. I’ll end my series of reviews of Lori Smith’s book with her own words:

And this is the paradox, because this life – this loving your family and friends and doing good work and telling good stories – may feel small, but it is far from ordinary.

It is the best life, the extraordinary life.

It was Jane’s, and I hope it will be mine.

Image from A Walk Round Winchester Cathedral

Click here to read all my reviews of this book.

Jane Austen’s Music

Although the 18th Century witnessed a remarkable demand for the new pianoforte and a proliferation of printed music, music history records little of the female musicians for whom these goods were intended and whose study and performance filled 18th Century middle- and upper-class homes. – Mimi Hart, Assistant Professor, Ohio University, 2002

Much of the music during the 18th century was written for women to perform at home. Jane Austen practiced on the pianoforte every day, preferring popular music by composers we barely know, like Shield, Pleyel, Dibdin, Sterkel, Kotzwara, and comic songs. From 1750 to 1810, Jane meticulously copied works or musical items into manuscripts that were 85 to 95 pages long. A total of 8 musical manuscripts survive from Chawton Cottage. Of those, three volumes are handwritten, and two are in Jane’s handwriting. (Read my more extensive post on the topic, Jane Austen and Music.)

Watch Silent Worship from Handel’s Tolomeo from the movie Emma, 1996. Jane might well have heard the melody, for Handel wrote Tolomeo in 1728. However, Mike Parker informs me that the words were written by Arthur Somervell, who was born in 1863, over 40 years after Jane’s death. Be that as it may, the scene in the movie is reminiscent of the amateur musical concerts friends and family played for a family gathering.

A square piano similar to Jane’s at Chawton Cottage.

Lyrics to Silent Worship by Arthur Somervell (1863-1937)

Did you not hear My Lady
Go down the garden singing
Blackbird and thrush were silent
To hear the alleys ringing

Oh saw you not My Lady
Out in the garden there
Shaming the rose and lily
For she is twice as fair.

Though I am nothing to her
Though she must rarely look at me
And though I could never woo her
I love her till I die

Surely you heard My Lady
Go down the garden singing
Silencing all the songbirds
And setting the alleys ringing

But surely you see My Lady
Out in the garden there
Rivaling the glittering sunshine
With a glory of golden hair

Adaptation einer Arie aus G. F. Handel’s Tolomeo “Non lo diro col labbro, 1728

Illustrations by James Gillray: 1800, Ars Musica and 1810, A Little Music

Post updated: Feb 26, 2008

With an income quite sufficient to their wants thus secured to them, they had nothing to wait for after Edward was in possession of the living, but the readiness of the house, to which Colonel Brandon, with an eager desire for the accommodation of Elinor, was making considerable improvements; and after waiting some time for their completion, after experiencing, as usual, a thousand disappointments and delays from the unaccountable dilatoriness of the workmen, Elinor, as usual, broke through the first positive resolution of not marrying till every thing was ready, and the ceremony took place in Barton church early in the autumn.The first month after their marriage was spent with their friend at the Mansion-house; from whence they could superintend the progress of the Parsonage, and direct every thing as they liked on the spot;– could choose papers, project shrubberies, and invent a sweep.Jane Austen, Sense and Sensibility, Chapter 50

One of the secrets to Jane Austen’s continued popularity is revealed in this matter of fact passage at the end of Sense and Sensibility about the delays in renovation of Edmund’s and Elinor’s cottage. Who among us has not felt a similar frustration with workmen who did not meet promised deadlines? Instead of waiting until work on the cottage was completed, E & E decided to go ahead with their plans to marry. They had to spend the first month of wedded bliss with friends, whereas my husband and I spent those frustrating months with our in-laws. There are many other “ah hah” moments when reading Jane’s works, which I will share with you as I come across them.

The Kyoto Costume Institute

So few excellent examples of clothing from bygone eras exist. Wear and tear, insect and humidity damage, and improper storage all take their toll. Well-preserved and breathtaking examples of historical clothing are featured in The Kyoto Costume Institute. Established in 1978 the Kyoto Costume Institute features an extensive collection of fashion and accessories.The following photos of regency gowns and outerwear have been gleaned from the Institute’s archives:
Spencer Jacket
Spencer Jacket, Leghorn Hat


New Additions To This Blog

In Jane Austen Today, check out the new fan blog by Jane Ondiwe, Lydia Bennet’s Journal.

And on this blog, check out these new additions:

  • In Icons and Fan Sites find new links to some spectacular icons: Austen Stills, Regency Stills, and Period Drama.
  • And in Original Sources, click on:
    • The Life of Lord Nelson by Roberth Southey, 1813
    • Jane Austen in Context, edited by Janet Todd, 2005.
    • In addition, find the Short Biographical Sketch of Charles Lamb, 1775-1834 and the Diary of an Ennuyee by Mrs. Jameson, 1876