Antiques and Vintage Dress Gallery features beautiful close up photographs of a riding costume designed for Mansfield Park, 1999. “The jumper gown can be worn buttoned up at the sides as you see, or just unbutton to wear straight. The jacket has violet-blue velvet collar, cuffs and buttons”. Francis O’Connor, who played Fanny Price, did not wear this costume. Click on the link to see 15 images of the gown.
Archive for the ‘Fashions’ Category
Seen Over the Ether: Riding Costume from Mansfield Park
Posted in Fashions, jane austen, Mansfield Park, tagged Jane Austen Movies, regency dress, Regency Fashion on April 18, 2008| 3 Comments »
Emma: A Guest Blogger’s Thoughts on Film Fashion
Posted in Fashions, Film adaptation, tagged Emma, Emma Adaptations, Emma Woodhouse, Jane Austen Adaptations, Kali Pappas, Regency Fashion on March 22, 2008| 1 Comment »
Jane Austen Today will feature four guest writers in the next four weeks to discuss Emma, Sense and Sensibility, and the last three weeks of The Complete Jane Austen on PBS. The first entry with Kali Pappas is up. Kali wrote about what she knew best: the costumes that were used in Emma 1997, and how these clothes reflected character. The post is titled: Fashionable Emma Woodhouse: Costuming in Austen’s Emma Adapted. Kali created Emma Adaptations, the definitive blog about Emma. If you haven’t visited her blog, you are in for a treat. Along the way, stop over at Jane Austen Today and read her fabulous contribution.
Technorati Tags: Emma 1997, Emma Adaptations, Jane Austen Today
Fashion in the Regency Era
Posted in Clothes, Fashions, jane austen, The Spencer Jacket, tagged jane austen blogs, regency dress, Regency Fashion, Regency Outerwear on February 29, 2008| 9 Comments »
Estimating lace and muslin: dress and fashion in Jane Austen and her world, by Jeffrey A. Nigro is a fabulous article about fashion in Jane’s day. This conference paper was published in Persuasions: The Jane Austen Journal in 2001. Some of Mr. Nigro’s observations include:
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Convenience was another reason for the increasing simplicity in dress beginning in the 1780s. Dry cleaning was not invented until the middle of the nineteenth century, and did not become commonplace until the twentieth. In Austen’s time, a silk dress that got dirty was essentially ruined. The fabrics that started to become fashionable from the 1780s onward (muslin and other cotton fabrics, linen, lawn) were much easier to care for, which was part of their appeal. Nevertheless, given the absence of modern appliances, the care and maintenance of clothing still meant much work for the servants in upper- and middle-class households.
Outerwear garments included the spencer, a long-sleeved jacket that extended only to the raised waistline. Worn by both men and women, it was named for the 2nd Earl Spencer, who, according to one version of the story, cut off the coattails of his jacket after wagering that he could invent a new fashion. For colder weather, there was the pelisse, a skirt-length overcoat, often lined and trimmed with fur, which originated in Hungary as a part of military dress. Bonnets became fashionable, essentially smaller versions of the straw hats of the 1780s, but now pulled in to frame the face. Bonnets, like shawls, would become staples of feminine dress until at least the middle of the nineteenth century.
Click here for more links about fashion:
* A Quilted Regency Spencer Jacket
* The Importance of Wearing White, Jane Austen Centre Magazine
* Bonnets, Caps, Turbans, and Hats
Images:
Muslin dress, Vintage Textile (top)
Jane Austen’s Pellisse Coat (middle)
Kyoto Costume Institute, Spencer Jacket (bottom)
Bonnets, Caps, Turbans, and Hats: Fashion Necessities For Regency Ladies
Posted in Fashions, jane austen, Jane Austen's letters, Lady's work, Regency World, Sewing, tagged jane austen blogs, Jane Austen Movies, Jane Austen's World, regency dress, Regency Fashion, Regency Outerwear on February 22, 2008| 11 Comments »
Illustration from Modes et Manieres Du Jour, 1798 – 1808
I have changed my mind, & changed the trimmings on my Cap this morning, they are now much as you suggested, – I felt as if I should not prosper if I strayed from your directions, & I think it makes me look more like Lady Conyngham now than it did before, which is all that one lives for now. Jane Austen to Cassandra, December 18-19, 1798
Women during the Regency period wore headdresses outdoors as a matter of course. When a woman married, or if she was a spinster in her late twenties, she would also take to wearing a cap indoors. This image from Wikipedia shows Mme. Seriziat wearing a bergere, or shepherdess-style straw bonnet over a cap, as was the custom back then. When her child was a baby, he might have worn a simple bonnet, as infants still do today.
Aside from sheltering delicate skin from the sun or hair from the elements, or protecting one’s head in drafty rooms, headdresses took on many other functions. They denoted class and economic status, as well as fashion sense and one’s marital state. Hats were also worn as a sign of respect, inside a church, for instance, and this custom remained widely popular until well into the 20th-century.
Lace caps, mob caps, or draped caps, were made of lace, white linen or delicate muslin, and trimmed with ribbon. They could be ruffled, embroidered, or plain, depending on who wore them and their status. A housekeeper, for example, would wear a more elaborate cap than a scullery maid, whose mob cap was simple by comparison. In Pride and Prejudice 1995, Mrs. Bennet wore such frilly caps with so many ruffles and trimmings that they complimented her image as a silly woman. One can imagine how much fancier her caps were than her maid’s!
Trimming and redecorating old bonnets provided a topic of conversation for women of all ages and social strata. In her novels and letters, Jane Austen frequently mentioned trimming new hats and making over old bonnets as a female activity. According to Penelope Byrde in A Frivolous Distinction, it was quite the fad during the last decade of the 18th century to adorn hats and bonnets with artificial fruits and flowers. As Jane Austen wrote Cassandra in June, 1799 (tongue in cheek we suspect):
Flowers are very much worn, & Fruit is still more the thing – Eliz: has a bunch of Strawberries, & I have seen Grapes, Cherries, Plumbs & Apricots – There are likewise Almonds& raisins, french plums & Tamarinds at the Grocers, but I have never seen any of them in hats.
In addition to professional milliners and modistes, there was quite a large cottage industry for making caps, hats, and turbans from home, which provided a meager salary for women who needed the income. The materials used in making headdresses were as varied as their styles: straw (chip or strip), beaver, velvet, silk, crape, satin, muslin or cloth (Byrde, p 6). Trims included ribbons, the above mentioned artificial fruits and flowers, veils, net, lace, or feathers, and even beads, pins, and brooches.
For a more detailed explanation of the headdresses worn during this era and to view additional illustrations, please click on the following links.
- Ladies Regency Caps, Jane Austen Centre, provides a detailed description of caps.
- Hats and Bonnets, Victoriana: Scroll to the bottom of this page to see illustrations from 1811 and 1812.
- Corsets and Crinolines: Find an image of an original Regency Era bonnet here.
- Fileblogs, Regency Caps, Linore Rose Burkhart: Linore describes the various hat styles in this link, along with materials and trims.
For people interested in ordering their own Regency caps, or in trying their hand at making a bonnet, the following links will lead you to patterns, suppliers, and resources:
- Louise MacDonald Millinery (link suggested by Laurel Ann, see above image). Louise created the caps for Pride & Prejudice 1995, and describes making them for the movie.
- How to Make a Regency Era Bonnet, Jane Austen Centre
- Make your own regency cap: William Booth Draper
Byrde, Penelope, A Frivolous Distinction: Fashion and Needlework in the works of Jane Austen, Bath City Council, 1979.
Four Hundred Years of Fashion, Victoria and Albert Museum, edited by Natalie Rothstein, V&A Publications, 1984.









