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Mrs. Darcy’s Dilemma, which SourceBooks is now republishing for international distribution, takes place in an age of change, just as Queen Victoria is coming to the throne in 1837. Mr. and Mrs. Darcy, they of Pride and Prejudice fame, are now middle-aged. He is balding, she is an anxious mother, but they are still a charming, witty and fortunate couple, who know their happiness – until they make the mistake of inviting the two daughters of Mrs. Darcy’s profligate sister Lydia to visit at Pemberley…and trouble begins. The Darcys’ sons are far too interested in the young ladies; the younger, Cloe, is a faultlessly modest creature, but the elder, Bettina, is another pair of gloves entirely, and her flamboyant career includes a shocking turn on the London stage…Diana Birchall, Author

As I finished reading this satisfying and entertaining novel by Diana Birchall, I knew that all was right with Jane Austen’s world again. Mr. and Mrs. Darcy are still deeply in love; their children will find some measure of happiness; and the rest of Jane Austen’s characters are living out their lives much as we suspect they would.

Elizabeth was too wise to take either her husband’s love or his wealth for granted, and she never forgot to exult in all her manifold sources of happiness. It is impossible for human nature to be altogether without worry or pain, however, and Elizabeth’s anxieties were all reserved for her children.

At the start of the novel, Elizabeth Darcy, a matron in her forties and mother to Fitzwilliam, Henry, and Jane, receives a letter from her sister, Lydia Wickham. In reaction to the hardships Lydia describes, the Darcies invite the two oldest Wickham girls, Bettina and Cloe, for a protracted visit to Pemberley. This action sets the plot in motion. Before the generous-hearted Darcies realize what has happened, their eldest son Fitzwilliam, whose preference for horses far outweighs his common sense, has run off to London with the brazen Bettina. Shades of Wickham’s and Lydia’s ill considered elopement! Everyone is appalled when they do not marry, except for Lydia who doesn’t see why a 10-minute ceremony “should signify.”

Meanwhile, Henry, the second and more sensible son, has fallen for sweet and proper Cloe. He proposes to her, but deeply mortified by her sister’s actions, the penniless Cloe seeks a position as a governess.

As these events unfold, we meet Pride and Prejudice’s familiar cast of characters. Mr. Collins is as intolerable as ever. Due to the unfortunate circumstance of Mr. Bennet’s long and healthy life – and his desire not to shuffle off his mortal coil too soon – both the Collinses have become fractious from waiting. Charlotte has grown increasingly irritated with Mr. Collins in their tiny cottage crammed with furniture and their half dozen children.

Lady Catherine de Bourgh is still overbearing, and the early death of her only daughter Anne has not diminished her dislike of Elizabeth. Lydia seems not to have grown wiser at all, despite having raised a family in poverty and her disappointment with Mr. Wickham, a dissipated wastrel. Mary is a widow who has taken care of the aging Mr. Bennet since Mrs. Bennet’s death. Kitty as Mrs. Clarke, a minister’s wife, has turned into a sour childless woman. Having taken second place to Lydia in her younger years, she now feels inferior to Elizabeth and Jane, who married well. The book’s subplots echo many of Jane’s other novels, and one feels a comfortable familiarity with these characters as the novel progresses.

Ms. Birchall does not disappoint her readers. The plot is fast paced, and the story believable. “My primary interest in writing Mrs. Darcy’s Dilemma, which I did years before the booming proliferation of romantic sequels,” she says, “was in employing something as similar to Jane Austen’s original language as might be possible for an American writing two hundred years later. In other words: not possible at all! However, I have steeped myself in her prose, reading the novels not tens, not hundreds, but thousands of times over a thirty year period, and among many other things, Jane Austen proved to be the best writing teacher any author could have.”

My only (minor) quibble with the book is that it is not long enough. I would love to have read more scenes with Mr. Darcy and his wife in them. Diana is also known for her humor, and her wit was in too short supply. Had the book been longer, I believe we might have been treated to more sparkling and scintillating dialog. I have one final quibble: Diana describes our fabulous fifty-something Mr. Darcy as balding. I beg to differ, Ms. Birchall. Please take a look at this photo of a lovely man at 48, in which not a single follicle seems to be challenged. Could Mr. Darcy not have had a similar set of hair?

More about Diana Birchall:

Her Jane Austen-related novels, Mrs. Darcy’s Dilemma and Mrs. Elton in America, were both published by Egerton Press, a small English company, in 2004, and her pastiche/satire In Defense of Mrs. Elton was published by the Jane Austen Society in the US, UK and Australia in 2000. Her “day job” is as the literary story analyst at Warner Bros Studios in California, reading novels to see if they would make movies. She is also a ballet dancer and has taken classes most of her life.

Voting has begun is now closed for the 2007 Jane Austen Regency World Awards at the Jane Austen Centre’s website. Be it far from me to influence anyone! But here are images of two of my choices. Ahem (Clears throat.) :)

The polls results are in. Click here to see them. Please note that none of my choices won. will remain open until May 10th for the 2007. If you are interesting in attending the Awards Evening May 15th in Bath, click here.

Click here to see the results on the Jane Austen Centre’s website

Happily for him, a love of the theatre is so general, an itch for acting so strong among young people, that he could hardly out-talk the interest of his hearers. From the first casting of the parts, to the epilogue, it was all bewitching, and there were few who did not wish to have been a party concerned, or would have hesitated to try their skill.

– Jane Austen, Mansfield Park, Volume 1, Chapter 13



When a friend and I went to see Pride and Prejudice at Lee Davis High School in Mechanicsville on Thursday, we didn’t know what to expect. Oh, we knew the script was written by Jon Jory, and that the Lee-Davis Players had the depth and breadth to put on such an ambitious play, but we couldn’t predict how much fun we’d have, or how quickly 2 ½ hours would speed along.

I was enchanted by this high school production, and smiled throughout the play. While all the players were a joy to watch, a few of the cast stood out in my mind: Ryan Leach as Mr. Collins; Tyler Simpson and Morgan Gregory as Mr and Mrs. Bennet; Sarah Wilson as Miss Bingley; Sean Williams as Mr. Darcy, Donald Evans and Brett Howard as Mr. and Mrs. Gardiner; and Jessica Jones as Lydia Bennet. I almost hate to single these actors out, for this was truly an ensemble cast. In addition, some of the actors – Lizzy (Kaylyn Vial), Jane (Mary Lynn Hunley), Mary (Allison Ferrel), and Lady Catherine de Bourgh (Bethany Leinenbach)- were alternates who performed their roles in front of the public for the first time. I cannot imagine the pressure these young alternates must have felt, but they rose admirably to the occasion. I also came away with the conclusion that all young ladies look adorable in high-waisted regency gowns, and that the cravat, though it makes a man look smart, died a merciful sartorial death.

In an age when budget cutbacks in public schools have resulted in the wholesale dismantling of music, fine arts, and other cultural programs, it is refreshing to witness how administrative support can help a theatrical group thrive. Thursday night’s performance was a sell-out. I understand that for Saturday’s sixth and final performance, additional seating will need to be brought in. The group has its own website, which lists this season’s plays, and the first performance of Sweeney Todd is set to start at the end of April. The troupe has just a month to memorize new lines and rehearse, but the actors were eager to get started.

After I spoke to people back stage and took their pictures (my battery died before I photographed everyone, most notably Mary – Allison Ferrell and Miss Bingley – Sarah Wilson), they changed into their street clothes. In the blink of an eye, I was transported to today’s world. When I returned home I read the theatre programme and had a wonderful time all over again, for it was obvious that the cast members had written their biographies. Here are some fun examples of their wit, pathos, and humor:

  • Kevin Hall (Ballguest/Soldier/Servant) This is his first performance. He’s 16, in 11th grade, and a huge nerd.
  • Ryan Leach (Mr. Collins) would like to thank his mother and father for giving a gift as great as him to the world.
  • Afton Reed (Lady Catherine), a seasoned performer, would like “people to know she still gets terribly nervous.”
  • Tyler Simpson (Mr. Bennet) climbs the mountains of Columbia every morning, “with his pack mule Jimmy to gather the freshest of mountain coffee beans. He then grinds the coffee beans and makes a fresh cup of Columbian Coffee for Mrs. Beatty.”
  • Jillian Dull (Elizabeth Bennet) has “been with the LD players since she was 10 (which is basically forever)”, and
  • Donald Evans (Mr. Gardiner) “has friends that like to hang out with him. Thank goodness because he gets bored easily.”

Photographs, starting at the top, and working down from left to right.

  1. Lizzy (alternate) and Darcy: Kaylyn Vial and Sean Williams
  2. Mr. Collins and Mrs. Bennet: Ryan Leach and Morgan Gregory
  3. Mr. & Mrs. Gardiner: Donald Evans and Brett Howard
  4. Mrs. Bennet, Mr. Bennet, and Kitty: Morgan Gregory, Tyler Simpson, and Jackie Johnson
  5. Jane, Lady Catherine de Bourgh, and Lizzy (Regular):Caitlin Sneed, Afton Reed, and Jillian Dull.
  6. Lady Catherine de Bourgh (alternate), Mr. Collins, and Charlotte Lucas: Bethany Leinenbach, Ryan Leach, and Rebekah Joyner
  7. Housekeeper, Officer, Jane, Mr. Wickham, and Mr. Bingley: Karen Richard, Kevin Hall, Maria Lyn Hunley, Andrew Coalson, and Matt Raines
  8. Mr. Wickham and Lydia: Andrew Coalson and Jessica Jones

Directed by P.S. Beatty and D. Prince, Assistant Director, Caitlin Sneed, Costumes by Ellen Malloy, and Artwork by Brittany Austin.

Johnny Depp as Mr. Bennet? Hanna Montana as Kitty? Gerard Butler as Mr. Wickham? The Osmonds as the merry Meryton villagers? What’s going on?

Enter the Pride and Prejudice, the Musical contest, and win a CD from creators Josie Brown and Rita Abrams. Click on the link and enter your own cast suggestions. Your name might be drawn on March 29th, and soon you could be listening to songs like this one sung by Mr. Darcy.

A GENTLEMAN AND A LADY travelling from Tunbridge towards that part of the Sussex coast which lies between Hastings and Eastbourne, being induced by business to quit the high road and attempt a very rough lane, were overturned in toiling up its long a scent, half rock, half sand.The accident happened just beyond the only gentleman’s house near the lane a house which their driver, on being first required to take that direction, had conceived to be necessarily their object and had with most unwilling looks been constrained to pass by.He had grumbled and shaken his shoulders and pitied and cut his horses so sharply that he might have been open to the suspicion of overturning them on purpose (especially as the carriage was not his master’s own) if the road had not indisputably become worse than before, as soon as the premises of the said house were left behind expressing with a most portentous countenance that, beyond it, no wheels but cart wheels could safely proceed.The severity of the fall was broken by their slow pace and the narrowness of the lane; and the gentleman having scrambled out and helped out his companion, they neither of them at first felt more than shaken and bruised. But the gentleman had, in the course of the extrication, sprained his foot; and soon becoming sensible of it, was obliged in a few moments to cut short both his remonstrances to the driver and his congratulations to his wife and himself and sit down on the bank, unable to stand. – Jane Austen, Sanditon, Chapter One

At the end of the 18th century and early in the 19th century, the roads in England began to improve vastly over the rutted, dirt tracks that slowed lumberous carriages and that turned into quagmires on rainy days. In those days travel on rural, unimproved roads was laborious. When encountering a steep upgrade, passengers often had to get out of the carriages to lighten the load for the horses or to help push. As with today, accidents on the road were not uncommon. Even with road improvements, passengers sitting outside of a coach were in danger of being flung from their perch and killed.

Information From Highways and Horses, Athol Maudslay

Road improvements began on a large scale in the early 19th century. Engineers placed emphasis on good drainage and thick stone foundations, widening roads, and reducing gradients. However, macadamised roads, which are used to this day, did not come into widespread use until 1816, only a year before Jane Austen died. The custom before then, was “simply to spread a layer of broken rock and gravel on the cleared foundation of earth, which was often lower than the fields on either side. The narrow treads of the farmers’ wagons cut ruts in the soft road, and the hooves of animals further disturbed it. At bad places, everyone took a route that seemed the best at the time, creating a wide disturbed mess.” (Coaching Days and Road Engineers)

As those who live in rural areas today still know, well-drained and crushed stone macadamized roads are not fool proof. They must be graded regularly, or ruts and depressions develop, creating a tough situation for travel:

“Where there is much traffic as in towns macadamised roads get worn into innumerable holes causing the greatest discomfort to persons driving over them I refer to the granite made roads as with those made of a softer stone this discomfort is not felt It was on this account that a road was being taken up at Tunbridge Wells while I was staying there which is mentioned in the chapter on Road Construction and Maintenance The road on the Thames Embankment between Northumberland Avenue and St Stephen’s Club was a striking instance of this peculiarity The whole roadway was one mass of depressions causing the wheels of one’s carriage to fly about in all directions this could of course be remedied by picking up the roadway and laying it afresh but it is no doubt in consequence of the hardness and unyielding nature of the granite that this happens. Highways and Horses By Athol Maudslay


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