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Archive for the ‘Pride and Prejudice’ Category

Review and Discussion by Brenda S. Cox

“Had Elizabeth’s opinion been all drawn from her own family, she could not have formed a very pleasing opinion of conjugal felicity or domestic comfort. Her father, captivated by youth and beauty, and that appearance of good humour which youth and beauty generally give, had married a woman whose weak understanding and illiberal mind had very early in their marriage put an end to all real affection for her. Respect, esteem, and confidence had vanished for ever; and all his views of domestic happiness were overthrown.”—Pride and Prejudice, chapter 42

Mr. and Mrs. Bennet’s Courtship

Have you ever wondered how on earth intelligent Mr. Bennet came to marry a woman of “weak understanding” and an “illiberal” [uncultured, unrefined] mind? Jane Austen gives us a brief explanation above: he was “captivated by youth and beauty” and an “appearance of good humour.” But what was their courtship like? Emma Wood has imagined that in the play Mr. Bennet’s Bride. First, let’s think a little more about what Austen tells us. 

Mr. and Mrs. Bennet, an ill-assorted pair.
Hugh Thomson, 1894, public domain.

It’s often been pointed out that Mrs. Bennet, silly as she seems, has some worldly wisdom. She has legitimate concerns about providing for herself and her children after Mr. Bennet’s death. It seems that Mr. Bennet had earlier considered this, but now has more or less given up. In chapter 50, when Lydia is to marry Wickham, we read:

“Mr. Bennet had very often wished before this period of his life that, instead of spending his whole income, he had laid by an annual sum for the better provision of his children, and of his wife, if she survived him. He now wished it more than ever. . . .

“When first Mr. Bennet had married, economy was held to be perfectly useless, for, of course, they were to have a son. The son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia’s birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy, and her husband’s love of independence had alone prevented their exceeding their income.

“Five thousand pounds was settled by marriage articles on Mrs. Bennet and the children. But in what proportions it should be divided amongst the latter depended on the will of the parents.”

So Mrs. Bennet did have some fortune, enough to give her about £250 a year (5% of £5,000). Not enough for a gentry family to live on, but not poverty, either. However, divided between five daughters, once their father died and his estate went to Mr. Collins, it was insignificant.

Mrs. Bennet has some valid concerns mixed with her foolishness.
C.E. Brock, 1895, public domain

While her family’s future is uncertain, Mrs. Bennet does not recognize, as her husband does, that saving money would be a help. Her extravagant plans for Lydia’s wedding clothes, and for Lydia and Wickham’s future house, servants, and carriages, show that she has no conception of limiting expenditures according to income. It is her husband whose “love of independence” (desire to avoid debt) has kept their family solvent. Mr. Bennet was at least better than that “foolish, spendthrift baronet,” Sir Walter Elliot of Persuasion, “who had not had principle or sense enough to maintain himself in the situation in which Providence had placed him.”

Mr. Bennet wishes he had saved money to provide for his daughters, but he has not.
H. M. Brock, public domain

Mrs. Bennet, when she was lovely young Miss Gardiner, had enough sense to get the attention of young Mr. Bennet, heir to Longbourn estate, and wheedle him into marrying her.

And that’s where the imagination of Emma Wood, an Australian playwright, took off.

The Play, Mr. Bennet’s Bride

Wood says,

“I began to imagine the details of their courtship. I knew the end, but how did the story begin? The characters flew onto the page. It was such a joy to write. Imagining the earlier lives of the ill-suited couple and peopling the stage with other characters in the previous generation to the novel was an adventure. . . . I felt a deep sense of obligation to honour the characters and style of the novel as I wrote, aware that audiences would expect to see people and situations they recognized in a loving tribute to the novel.”

Mr. Bennet’s Bride is a fun play by Australian playwright Emma Wood. Its US premiere was this month in Cartersville, GA.

Wood’s play, Mr. Bennet’s Bride, has been delighting audiences in Australia and the U.K. since 2014. This February it premiered in the United States, in the small town of Cartersville on the outskirts of Atlanta, Georgia. I was privileged to attend a performance with a group of JASNA friends. We all loved it. The characters were engaging and fun, and the dialogue sparkled. A few little “Easter eggs” were thrown in, Austen quotes that fit well. One started with “It is a truth universally acknowledged . . .”; I won’t give away the others.

The Plot (Includes spoilers)

Here’s how Ms. Wood imagines the story:

We have James Bennet, age 29. His mother died giving birth to him, and his father has been distant all his life. His father’s sister, Aunt Mary, has raised James. His father is pressuring him to marry and produce an heir for Longbourn. His father’s cousin, Benedict Collins, has just produced his own heir, William Collins, and looks on Longbourn as William’s future inheritance.

First we see James hiding behind a sofa, reading a book. When he is discovered, he is forced to make small talk with one of the appropriate young ladies his father has been trying to set him up with. She is no more interested than he is.

Afterwards, his father lays down an ultimatum: Get married within six months, or you’ll be kicked out and have to make your own way in the world. To get James to take him seriously, he puts it into a contract, involving his lawyer (solicitor), Mr. Gardiner.

Jolly Mr. Gardiner and his wife—an earlier incarnation of Mrs. Bennet—take advantage of the situation. In a hilarious scene, Mr. Gardiner manages to introduce James to their beautiful but air-headed daughter Emily. She is in love with an officer but is savvy enough to quickly replace him in her affections with the heir to Longbourn. The story continues with much laughter.

In a serious scene, the elder Mr. Bennet has a touching reconciliation with his son, then allows him to choose his own bride. He chooses Emily. Only at the end does James get an inkling of what he’s gotten himself into.

Some flashed scenes show the new Bennet couple’s future.

The cast and director of Mr. Bennet’s Bride with some visiting Janeites, Feb., 2024.

Gaining Depth and Understanding

Imani Anderson did a beautiful job of directing Mr. Bennet’s Bride for the Pumphouse Players in Cartersville, Georgia. She says,

“One of the reasons why I have fallen in love with Mr. Bennet’s Bride is how James (our Mr. Bennet), Emily (Mrs. Bennet), and their families are written. They bring another level of depth and understanding for the matriarch and patriarch we’ve come to know in the classic tale. It’s clear both families want the best for their children and I think it’s so important that they admit their faults too when need be. . . . I hope that our production . . .  makes you get those warm fuzzy feelings of love and laughter during this Valentine’s season.”

Renata Dennis, Regional Coordinator of JASNA Georgia, and Imani Anderson, director of Mr. Bennet’s Bride

The play did indeed give a deeper understanding of Mr. and Mrs. Bennet and how their family came to be what it was.

Gentle readers, how do you imagine Mr. and Mrs. Bennet’s courtship?

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

Her posts on Jane Austen’s Family Churches will resume in April.

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When I have finished reading a novel, I always write down all family  names which occur in it because I would like to ask the author how and  why she or he has chosen these names. There occur 35 family names in Pride and Prejudice, but I can no longer ask Jane Austen those questions. I can only guess what she had in mind. Here is what my guesses, fortified by a little research on the Internet, produced.

The name which struck me first was DeBourgh, because the word Bourgh as in Cherbourgh is the French equivalent of the English Burgh as in Edinburgh. If the name DeBourgh refers to a French ancestry of the husband of the Lady DeBourgh it cannot mean “we are aristocrats from a Bourgh” (Burgh) because in French, they would have been named “DuBourgh”. More likely is the interpretation “we are aristocrats from a French town of Bourgh”, hence “DeBourgh”.

Photo of a fort or castle along a river at Bourg-sur-Gironde in the south of France.

Bourg-sur-Gironde, Image from Wikipedia.

Does a French town named Bourgh, or Bourg exist? Yes, it does! It is “Bourg sur Gironde” on the river Garonne and is located approximately 10 miles North of Bordeaux [1]. Hence my guess is that the town was originally named Bourgh and that the DeBourghs were a noble French family of which some members had moved to England.

Next it occurred to me that the 35 family names could logically be arranged in two groups. Group 1 contains the names of the aristocrats. DeBourgh, Darcy, and Fitzwilliam. Group 2 contains the names of the commoners [2]. I guess that Jane Austen had made those choices deliberately. The only French-sounding names were assigned by her to two of the noble families of the novel! Could Darcy, like DeBourgh, also be of French origin? Then there had to be a town named Arcy in France. Well, there is! The town of Arcy is located WSW of Paris near Versailles. In French, De-Arcy which means from Arcy would have been shortened to D’Arcy.

If the families DeBourgh and D’Arcy (later changed to Darcy) had come from France when and how had the first DeBourgh or Darcy emigrated? I had to go to the Internet to try my luck. I found the following in an article by Sharon Latham. According to her there had existed a French nobleman Richard D’arcy who had joined William the Conqueror’s army, had sailed with William to England, and had fought for him at the Battle of Hastings in 1066. Under the existing economic system William became the owner of every square inch of land of England when he became King of England. It was in his interest, and it was common practice at the time, to make nobles his vassals by loaning them tracts of land. Apparently, William bequeathed large tracts of land to Sir Richard D’Arcy, among others in Dorset where Jane Austen located Pemberton. Eventually the most powerful nobles ignored their vassalage and declared that they owned their lands outright.

Today many Darcy’s live in Ireland. It is not fully clear to me why, how, and when they moved there but, in 1320, King Edward II sent Sir John D’Arcy as Lord Justice and General Governor to Ireland.

A second item on the Internet (in “Jane Austen in Vermont”) mentions a connection between the families of DeBourgh and Darcy. In 1329 there was a marriage of a John Darcy 1st Lord of Knaith with Joan De Burgh (the o was apparently dropped) whose father was Richard de Burgh, 2nd Earl of Ulster.

I am sure that there are numerous additional Internet and other studies on DeBourgh and Darcy from Pride and Prejudice done by real experts. I was satisfied that the two studies which I had consulted produced a sufficiently rational explanation for Jane Austin’s choice of two French-sounding names for the two noble families of her novel to set them apart from the commoners. Whether she knew the histories of these families, which existed in England at her time, I leave to the experts to debate.

____________

[1] There is also a French town named “Le Bourg” 50 miles North of Toulouse. The reason why I have chosen Bourg sur Gironde for my guesses is its location in Aquitaine. After Eleanor of Aquitaine died the region was ruled by English Kings for about 300 years.

[2] Mr. Bennett is a “gentleman” but not an earl.

Genealogical Charts of the Characters in Pride and Prejudice, The Republic of Pemberley. Scroll down the page to find the charts.

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Professor-Dieter-Heymann-180x180

Dr. Heymann, Image courtesy Rice University

About the author, Dr Dieter Heymann:

Dr. Heymann was born in Germany and received his M.S. and Ph.D. at the University of Amsterdam, Nederland. Today he is Professor Emeritus, Earth, Environmental and Planetary Sciences. Research areas: cosmochemistry, conditions in the early solar system, origin of elements, causes of elemental and isotopic inhomogeneities in the solar nebula. 

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Last month, I wrote about Pin Money, or allowances, in Jane Austen’s life and novels. This time, I’m looking more closely at the importance of money in a genteel woman’s life and how it plays out in Austen’s novels.

Money is one obvious way parents could put limits on their children and keep them under control. This happened to both sexes for various reasons in Jane Austen’s time, but it carried even more weight for a woman because there were also financial consequences that came with marriage once she left her father’s home, even if she came from a wealthy family.

At that time in England, husbands had complete control over the finances of their wives. Without an adequate personal budget to spend as she liked, a wife had to go to her husband to ask for money to buy anything and everything she might need. Without a set allowance, wives could find themselves in a very difficult or unhappy position. This is one of many reasons why the marriage settlement (or prenuptial agreement) was so crucial because it was one way fathers could make sure their daughters (and grandchildren) were taken care of financially.

Gwyneth Paltrow in Emma, 1996.

Marriage Settlements

A young woman from a wealthy family would obviously qualify for better marriage terms than a young woman with very little. Her father could leverage what his daughter brought to the marriage for a highly favorable marriage settlement, allowing for her to have the pin money she needed, portions for her children, and a widow’s pension in the event that her husband died. Young women who did not bring as much to the marriage would have a smaller personal budget or, in some cases, no personal budget whatsoever.

In Daniel Pool’s What Jane Austen Ate and What Charles Dickens Knew, he writes, “Typically the bride’s family would have their lawyers negotiate with the husband’s lawyers, to get the husband to agree to grant her ‘pin money,’ which was a small personal annual allowance while he lived, a hefty chunk of property or money to support her after he died, and ‘portions’ of money for their children. All this would be written up in the ‘marriage settlement’ by the lawyers before anybody walked down any aisles.”

In JASNA’s Persuasions, you can read all about The Marriage Law of Jane Austen’s World. (For more on marriage settlements and marriage law in the Regency Era, please see the resources at the end of this article.)

Marriage Settlement, Mills College Library Heller Rare Book Room, Special Collections. Photo by Rachel Dodge, 2019.

Money Matters in Jane Austen’s Novels

In each of Austen’s novels, we find intriguing scenes that relate to women and personal money. Each of these examples shows us just how important it was for a woman to have her own money and the problems (and dangers) that could arise if she did not have any money or ran out of money, especially if she was away from home:

Fanny Price’s £10

In Fanny’s case in Mansfield Park, Sir Thomas supplies her with money before she leaves for her journey to visit her family in Portsmouth:

It had very early occurred to her that a small sum of money might, perhaps, restore peace for ever on the sore subject of the silver knife, canvassed as it now was continually, and the riches which she was in possession of herself, her uncle having given her £10 at parting, made her as able as she was willing to be generous.

Mansfield Park, Jane Austen

Harriet Smith’s Purse

In Emma, we see evidence of Harriet Smith’s allowance, which comes in handy when she meets the “trampers” on the road:

More and more frightened, she immediately promised them money, and taking out her purse, gave them a shilling, and begged them not to want more, or to use her ill.

Emma, Jane Austen
“The terror … was then their own portion.” Illustration by C.E. Brock.

Lydia and Kitty Bennet’s Mismanagement

In Pride and Prejudice, Lydia and Kitty spend their pin money money at the shops and must borrow money from Elizabeth and Jane when they surprise them for a meal at the inn in Hertfordshire:

“And we mean to treat you all,” added Lydia, “but you must lend us the money, for we have just spent ours at the shop out there.” Then, showing her purchases—“Look here, I have bought this bonnet. I do not think it is very pretty; but I thought I might as well buy it as not. I shall pull it to pieces as soon as I get home, and see if I can make it up any better.”

Lydia Bennet, Pride and Prejudice

Nancy Steele’s Fright

In Sense and Sensibility, we find this intriguing passage about the Steele sisters and personal money when Nancy Steele must go to Mrs. Jennings for money after Lucy borrows all of Nancy’s money and marries Robert Ferrars:

Not a soul suspected anything of the matter, not even Nancy, who, poor soul! came crying to me the day after, in a great fright for fear of Mrs. Ferrars, as well as not knowing how to get to Plymouth; for Lucy it seems borrowed all her money before she went off to be married, on purpose we suppose to make a show with, and poor Nancy had not seven shillings in the world…

Mrs. Jennings, Sense and Sensibility
Lucy Steele (Anna Madeley) and Anne, or “Nancy,” Steele (Daisy Haggardand), Sense and Sensibility, 2008.

Catherine Morland’s Borrowed Fare

In Northanger Abbey, money becomes quite important in a crucial moment. First, money is mentioned when Catherine Morland goes to Bath. Her parents send her with money for her personal expenses and ask her to keep account of her spending:

I beg, Catherine, you will always wrap yourself up very warm about the throat, when you come from the rooms at night; and I wish you would try to keep some account of the money you spend; I will give you this little book on purpose.”

Mrs. Morland, Northanger Abbey

Money is mentioned again when Catherine is suddenly and unexpectedly sent home from Northanger Abbey. While she is in Bath, she is under the care of her hosts, the Allens, who would, of course, pay for many of her expenses while she is under their roof and their protection. However, once she goes to Northanger, she is essentially under the care and protection of General Tilney. When he sends her home abruptly, he does not provide the funds necessary for her journey home, leaving her in a very precarious and even dangerous situation. This was a terrible oversight on his part. Thankfully, Eleanor is able to provide the funds, which we may assume is from her own personal allowance:

It had occurred to her that after so long an absence from home, Catherine might not be provided with money enough for the expenses of her journey, and, upon suggesting it to her with most affectionate offers of accommodation, it proved to be exactly the case.

Catherine had never thought on the subject till that moment, but, upon examining her purse, was convinced that but for this kindness of her friend, she might have been turned from the house without even the means of getting home; and the distress in which she must have been thereby involved filling the minds of both, scarcely another word was said by either during the time of their remaining together.

Northanger Abbey, Jane Austen

Catherine makes it home safely and repays the money to Eleanor by mail with only a short note: “The money therefore which Eleanor had advanced was enclosed with little more than grateful thanks, and the thousand good wishes of a most affectionate heart.”

The Morlands, a very practical bunch, decide after a bit that it all ended well in the end, but even they cannot understand such a “breach of conduct” on General Tilney’s part:

They were far from being an irritable race; far from any quickness in catching, or bitterness in resenting, affronts: but here, when the whole was unfolded, was an insult not to be overlooked, nor, for the first half hour, to be easily pardoned.

Mr. and Mrs. Morland could not but feel … that, in forcing her on such a measure, General Tilney had acted neither honourably nor feelingly—neither as a gentleman nor as a parent. Why he had done it, what could have provoked him to such a breach of hospitality . . . was a matter which they were at least as far from divining as Catherine herself…

Northanger Abbey, Jane Austen
Felicity Jones as Catherine Morland, Northanger Abbey, 2007.

Mrs. Smith’s Recovered Property

In Persuasion, we turn our attention to the widowed Mrs. Smith, whose husband had badly mismanaged their finances: “She was a widow and poor. Her husband had been extravagant; and at his death, about two years before, had left his affairs dreadfully involved.” In this situation, it is not just Mrs. Smith’s personal finances that are at stake, but her finances at large. Here, we see Captain Wentworth use his influence to work on her behalf and help improve her financial circumstances. At the end of the novel, we read this:

[Mrs. Smith] was their earliest visitor in their settled life; and Captain Wentworth, by putting her in the way of recovering her husband’s property in the West Indies, by writing for her, acting for her, and seeing her through all the petty difficulties of the case with the activity and exertion of a fearless man and a determined friend, fully requited the services which she had rendered, or ever meant to render, to his wife.

Persuasion, Jane Austen

When we look at the parents, guardians, husbands, and friends in the examples above, it’s clear that Austen uses money matters (just as she uses so many other clever devices) to point to character and propriety. We could go through each novel and study each of the male and female characters and surmise quite a bit about their personalities just from the way they each manage money.

It’s clear that the characters in Austen’s books who provide well for their wives, children, and friends–and those who are generous and charitable with their money–are the characters we should admire and respect. Conversely, those who handle their money poorly–and those who manipulate and use and abuse others for financial gain or for personal control–are the characters we should distrust and, in some cases, even despise. In Austen’s novels, money matters.


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog and Jane Austen’s Regency World magazine. She is the bestselling author of The Anne of Green Gables Devotional: A Chapter-By-Chapter Companion for Kindred Spirits and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Her newest book The Little Women Devotional is now available for pre-order and releases December 2021. You can visit Rachel online at www.RachelDodge.com.


Links About Marriage and Marriage Settlements:

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As we investigate the private lives of Regency Women, it’s important to consider money and a woman’s private expenses. If a genteel woman was expected to dress a certain way, do her hair in the latest styles, wear the right shoes and accessories to accentuate her beauty, and care for her own private needs and beauty regimes, how did she pay for everything she needed?

If one of Jane Austen’s heroines (or Jane herself) wanted to purchase something like a bonnet or a ribbon or a new gown, where did she get the money? Who supplied her with money, what was the amount she might have to spend, and how often was it replenished? Let’s find out!

You are very right in supposing how my money would be spent—some of it, at least—my loose cash would certainly be employed in improving my collection of music and books.

Marianne Dashwood, Sense and Sensibility
Magazine of Female Fashions of London and Paris, No.21. London Dresses, 1799, Wikipedia Commons.

Pin Money

Pin money, also sometimes referred to as an allowance, was the money that genteel Regency women used for personal expenses, such as dresses, hats, shoes, and other things of that sort. She kept an accounting of it herself and must balance her own budget.

The history of the term “pin money” dates back to the 1500s: “At that time, pin money was a substantial sum that was used for important purchases. The expression is linked to the price of straight pins, once items that were very rare and expensive, and part of the necessary purchases to run a household” (Grammarist). Over time, the term became synonymous with a woman’s personal money.

For the most part, genteel Regency women were entirely reliant on their male relatives for any “loose cash” for their own personal expenses. As an unmarried woman, she would only have what money her father or a close male relative gave to her (or left to her). Once married, she only had what her husband gave to her or what she was entitled to as part of her marriage settlement.

British Sixpence, 1816, Wikipedia Commons.

Jane Austen’s Allowance

We know that Jane Austen herself had a small allowance from her father. In Oliver MacDonough’s Jane Austen: Real and Imagined Worlds, we read this: “Jane had nothing of her own beyond the pin-money allowed her by her father, which was probably only £20 a year.” Cassandra’s annual allowance, as noted in a letter from 28 December 1798 was twenty pounds: “If you will send my father an account of your Washing & Letter expenses, & c, he will send you a draft for the amount of it, as well as for your next quarter [£5, to be paid on 1 January].”

Mrs. Darcy’s Pin Money

Finally, Pride and Prejudice shows us how a generous allowance allowed married women to live in comfort, having enough for their own needs and for the needs of others, either for charitable giving or to help support family members.

We can now read Mrs. Bennet’s famous reaction to Elizabeth’s engagement to Mr. Darcy with even more interest:

Oh! my sweetest Lizzy! how rich and how great you will be! What pin-money, what jewels, what carriages you will have! Jane’s is nothing to it – nothing at all.

Mrs. Bennet, Pride and Prejudice
Jennifer Ehle and Colin Firth, Pride and Prejudice, 1995

And it seems that Mrs. Bennet was correct indeed. We see this play out when Lydia writes to Elizabeth at the end of Pride and Prejudice, hoping to get a regular allowance from Elizabeth and Darcy: “As it happened that Elizabeth had much rather not, she endeavoured in her answer to put an end to every intreaty and expectation of the kind.”

However, while the Darcys do not provide the Wickhams with a regular allowance, Elizabeth still kindly send gifts of money on a frequent basis to help Lydia. She gives this money out of her own private funds, which as the text implies, was substantial:

Such relief, however, as it was in her power to afford, by the practice of what might be called economy in her own private expenses, she frequently sent them. . . and whenever [the Wickhams] changed their quarters, either Jane or herself were sure of being applied to for some little assistance towards discharging their bills.

Pride and Prejudice, Jane Austen

The Love of Money

Money mattered greatly in the lives of Jane Austen’s Regency women. Having “loose cash” didn’t just provide for bonnets and gowns; it also provided for the safety and protection of several of Austen’s female characters. Money could be used as a means of control or generosity. It could limit a woman or give her greater freedom.

Join me again next month as we delve further into Regency Women: Money Matters and look closely at several instances where Austen uses a lady’s personal money (or lack thereof) as a clever plot device.


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog and Jane Austen’s Regency World magazine. She is the bestselling author of The Anne of Green Gables Devotional: A Chapter-By-Chapter Companion for Kindred Spirits and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Her newest book The Little Women Devotional is now available for pre-order and releases December 2021. You can visit Rachel online at www.RachelDodge.com.


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Inquiring readers: Victoria Grossack, FCAS, the author of this piece and an actuary, sent this highly interesting article about Jane Austen and mathematics, a first topic for this blog. Enjoy!

Janeites esteem Jane Austen as a literary genius. Her characters are exquisitely drawn and her dialogue can be wickedly funny. She also uses the stream of consciousness technique before it became popular. All devotees know her novels are classics.

What about Austen as a mathematician, however? She never promotes herself in this regard. Like most female authors in her day, she doesn’t promote herself at all, not even putting her name on her novels – but in her writing, her mathematical abilities are evident. In fact, she uses math in a way that would make most actuaries proud. (Note: Actuaries are specialized mathematicians who generally work for insurance companies, which is relevant to some of the math Austen uses.)


Monetary Sums, Large and Small

Jane Austen and almost all of her characters are aware of the value of money, which would be true of most mathematicians (and certainly all actuaries). In fact, money is often a motivator for her characters’ choices in her novels. The young ladies often need to marry so they will have husbands to support them, while the single gentlemen are more attracted to single young ladies when they have significant dowries. Mr. Darcy’s income of £10,000 per annum makes him more handsome in Pride & Prejudice, while Mr. Wickham only courts Mary King after she inherits £10,000. Mr. Collins’s financial situation even wins him the hand of Charlotte Lucas:

Without thinking highly either of men or matrimony, marriage had always been her object; it was the only provision for well-educated young women of small fortune, and however uncertain of giving happiness, must be their pleasantest preservative from want. (Pride & Prejudice, Chapter 22)”

Image of the front and back of a half guinea

Image of a half guinea in the time of George III

However, Austen’s comprehension goes well beyond large, round sums and the necessity of an income. Mansfield Park has a lovely passage in which monetary gifts to William Price are discussed by his two aunts, Mrs. Norris and Lady Bertram.

Mrs. Norris seemed as much delighted with the saving it would be to Sir Thomas as with any part of it. “Now William would be able to keep himself, which would make a vast difference to his uncle, for it was unknown how much he had cost his uncle; and, indeed, it would make some difference in her presents too. She was very glad that she had given William what she did at parting, very glad, indeed, that it had been in her power, without material inconvenience, just at that time to give him something rather considerable….”

“Mrs. Norris seemed as much delighted with the saving it would be to Sir Thomas as with any part of it. “Now William would be able to keep himself, which would make a vast difference to his uncle, for it was unknown how much he had cost his uncle; and, indeed, it would make some difference in her presents too. She was very glad that she had given William what she did at parting, very glad, indeed, that it had been in her power, without material inconvenience, just at that time to give him something rather considerable….”

“I am glad you gave him something considerable,” said Lady Bertram, with most unsuspicious calmness, “for I gave him only £10.”

“Indeed!” cried Mrs. Norris, reddening. “Upon my word, he must have gone off with his 3 pockets well lined, and at no expense for his journey to London either!” (Mansfield Park, Chapter 31)”

The amount of Mrs. Norris’s gift to William Price is never mentioned in Mansfield Park, but Jane Austen told her family (A Memoir of Jane Austen) that Mrs. Norris gave her nephew only one pound. Besides being a perfect contrast of the miserly Mrs. Norris versus her much more generous sister, the dialogue shows how well Austen understood the importance of relatively small sums, and how much £10 would mean to a midshipman in William Price’s position.

The Distress of Debt

Another reason for seeking a marriage settlement is to deal with debt. Several of the gentlemen (Willoughby in Sense & Sensibility, and Wickham in Pride & Prejudice) marry to escape debt, making life choices that they would have preferred not to make.

However, marriage is not the only solution to debt. Austen’s last novel, Persuasion, begins with the fact that the baronet, Sir Walter Elliot, has been living beyond his means and needs to “retrench” in order to regain solvency. As he is one of those people who is really bad at managing money, Austen comes up with the best method that will save him money: 

“Quit Kellynch Hall.” The hint was immediately taken up by Mr. Shepherd, whose interest was involved in the reality of Sir Walter’s retrenching, and who was perfectly persuaded that nothing would be done without a change of abode. (Persuasion, Chapter 2)

This change of abode is critical to the plot of Persuasion. It’s also sound business advice. 

Some readers may object that the examples given so far only prove that Austen had a mercenary side and do not demonstrate her understanding of mathematics. So let’s move on to other passages involving annuities and livings. These also concern money, but the math is more challenging.

Annuities and Livings

Annuities are insurance contracts that provide a fixed income stream, often for a person’s remaining lifetime. An annuity is a series of payments; these days annuities are often used as a way to pay out retirement, or are awarded in lieu of some lottery sum.

Life expancy from 1770 to 20018 of people from Oceania, Europe, Americas, Asia, World, Africa

Life expectancy over time

Now, annuities, when used by life insurance companies and pension funds, are fairly sure things because they can rely on expected values, i.e., mortality tables. In other words, life insurance companies and pension funds know approximately when their annuitants will die, on average. These organizations can manage because they work with large pools of people. Each annuitant can land anywhere on a distribution, but on average, given enough customers, an insurance company can have confidence in its ability to pay annuities.

However, if you are just one individual promising an annuity to just one other individual, you cannot rely on averages, because you can land anywhere on a distribution. It’s like throwing a pair of dice: on average, they will sum to 7, but you can roll anything from 2 to 12, and the probability of rolling something besides the mean is pretty good.  

So, that’s the underlying math. In Sense & Sensibility, Austen describes the dilemma a couple is facing when debating whether or not to promise an annuity to Mr. John Dashwood’s widowed stepmother. This sort of annuity would have to be guaranteed by them; they would not be in the position of a life insurance company that can have confidence in averages. Here are some of the remarks made by Fanny Dashwood to her husband, Mr. John Dashwood:

“… if you observe, people always live forever when there is an annuity to be paid them; and she is very stout and healthy, and hardly forty. An annuity is a very serious business; it comes over and over every year, and there is no getting rid of it. You are not aware of what you are doing. I have known a great deal of the trouble of annuities; for my mother was clogged with the payment of three to old superannuated servants by my father’s will, and it is amazing how disagreeable she found it. Twice every year these annuities were to be paid; and then there was the trouble of getting it to them; and then one of them was said to have died, and afterwards it turned out to be no such thing. My mother was quite sick of it. … It has given me such an abhorrence of annuities, that I am sure I would not pin myself down to the payment of one for all the world.” (Sense & Sensibility, Chapter 2)

Fanny Dashwood’s speech demonstrates her meanness, but Jane Austen has also demonstrated her sophisticated understanding of the uncertainty associated with an annuity.

Let’s move on to livings. A living is the salary of a clergyman, a fixed number of pounds, associated with fulfilling the duties of a particular parish, sometimes paid in kind instead of cash. Austen, daughter and sister of several clergymen, understood the importance of livings.

Livings are critical to the characters in Pride & Prejudice and in Mansfield Park. In Sense & Sensibility, Austen gives real insight into the livings market, when a living for a small parish is being given by Colonel Brandon to Mr. Edward Ferrars. The discussion below takes place between Mr. John Dashwood and John’s half-sister, Elinor.

Really!—Well, this is very astonishing!—no relationship!—no connection between them!—and now that livings fetch such a price!—what was the value of this?”

“About two hundred a year.”

“Very well—and for the next presentation to a living of that value—supposing the late incumbent to have been old and sickly, and likely to vacate it soon—he might have got I dare say—fourteen hundred pounds. And how came he not to have settled that matter before this person’s death? Now, indeed it would be too late to sell it, but a man of Colonel Brandon’s sense! I wonder he should be so improvident in a point of such common, such natural, concern!” (Sense & Sensibility, Volume III, Chapter 41)

This shows Austen’s deep understanding of the mathematics of the livings market – as well as her talent to explain the situation clearly and to use that situation for effectively displaying the personalities of her characters.

Insistence on Accuracy

Austen’s mathematical talent is visible in matters, such as her understanding of chance in cards and her calculation of distances in journeys. She does not always go into these areas in depth, but they serve as reliable backgrounds for some of her scenes.  

Gold pocket watch opened, with cover and numerals inside

Halsted Pocket Watch

Furthermore, Austen is aware – as are most mathematicians – that a significant proportion of the population is not especially good in mathematics, and that their calculations and estimations should not be relied upon. The following dialogue takes place in Mansfield Park, between the characters Mary Crawford and Edmund Bertram:

I am really not tired, which I almost wonder at; for we must have walked at least a mile in this wood. Do not you think we have?”

“Not half a mile,” was his sturdy answer; for he was not yet so much in love as to measure distance, or reckon time, with feminine lawlessness. … “We have been exactly a quarter of an hour here,” said Edmund, taking out his watch. “Do you think we are walking four miles an hour?” (Mansfield Park, Chapter 9)

As the passage above was written more than two hundred years ago, we’ll skip over the lack of political correctness. Instead, let’s focus on the fact that nearly every mathematician (or actuary) has to insist on using reasonable data and accurate calculations. Moreover, most mathematically inclined persons will review calculations, even their own, because mistakes are so easy to make.

Testing Assumptions for Reasonability

Just as important as data and accurate reckoning are the underlying assumptions. Mathematicians, when creating scenarios and simulations, always need to determine whether their assumptions are reasonable. Something similar comes up in Northanger Abbey, when Henry Tilney tells Catherine Morland she has allowed her imagination to run away with her.

“Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? … Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. … Could they be perpetrated without being known, in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open?” (Northanger Abbey, Chapter 24)

Austen insisted on making stories out of the probable rather than what was wild and fanciful. She always keeps her assumptions grounded in reality.

Proxy variables

My favorite example of Austen’s display of mathematical ability is when she uses a proxy variable. Here’s Wikipedia’s definition of a proxy variable: “In statistics, a proxy or proxy variable is a variable that is not in itself directly relevant, but that serves in place of an unobservable or immeasurable variable. In order for a variable to be a good proxy, it must have a close correlation, not necessarily linear, with the variable of interest.”

In Emma, the following dialogue takes place between Mrs. Elton, the local vicar’s new bride, who recently arrived from Maple Grove, and Jane Fairfax, who happens to be the best educated of all of Austen’s heroines:

Photograph of the front of a modest stone building

Former National School, 1833, Gloucestershire.

“I do believe,” she continued, “this is the most troublesome parish that ever was. We never heard of such things at Maple Grove.”

“Your parish there was small,” said Jane.

“Upon my word, my dear, I do not know, for I never heard the subject talked of.”

“But it is proved by the smallness of the school, which I have heard you speak of, as under the patronage of your sister and Mrs. Bragge; the only school, and not more than five-and-twenty children.” (Emma, Volume III, Chapter 16)

The number of children in the school serves as a proxy variable for the size of the parish. It is a perfect example of a proxy variable.

Family Connections

As we have seen, Jane Austen repeatedly shows her understanding of mathematics. The case, in my opinion, is proved, but there is additional circumstantial evidence. Mathematical talent often runs in families. Two of Jane’s brothers became admirals in the Royal Navy; in fact, the brother closest to her in age, Sir Francis Austen, rose to become Admiral of the Fleet. They could not have achieved these positions without strong abilities in mathematics. (Note: my own brother is an actuary.) 

Black and white image of Jane Austen's sailor brother

Sir Francis Austen

Jane Austen never used the term actuary, even though actuaries existed when she lived. Of course, she was writing about romance in country villages and not about insurance companies. In her six finished novels, she only uses the word mathematician on one occasion. This paragraph takes place in Emma, when Emma has witnessed an event – Mr. Frank Churchill’s rescue of Harriet Smith from a threatening mob – which she hopes will lead to romance:

Could a linguist, could a grammarian, could even a mathematician have seen what she did, have witnessed their appearance together, and heard their history of it, without feeling that circumstances had been at work to make them peculiarly interesting to each other?—How much more must an imaginist, like herself, be on fire with speculation and foresight!—especially with such a groundwork of anticipation as her mind had already made. (Emma, Volume III, Chapter 3)

Austen’s use of the word mathematician in this passage indicates she probably had some familiarity with people who could calculate. 

Jane Austen writes both intelligently and intelligibly on many topics associated with mathematics. I do not think I am being an imaginist when I maintain that this literary genius of the early nineteenth century had a profound understanding of mathematics.

About the Author:

Photo of the author

Author, Victoria Grossack

Victoria Grossack is a Fellow of the Casualty Actuarial Society and has worked for companies such as Folksamerica Reinsurance and Zurich Financial Services; she currently supplies materials for the Actuarial Bookstore. She also writes novels celebrating birds, Greek mythology, and Jane Austen. Her Jane Austen-based novels include: The Meryton Murders, The Highbury Murders, The Mansfield Park Murders and Mrs. Bennet’s Advice to Young Ladies. Her novels can be found at Amazon.

Citations:

Lodge, David, “The best stream of consciousness novels,” The Guardian, January 20, 2009.

Austen-Leigh, James Edward, A Memoir of Jane Austen, Richard Bentley and Son, 1871.

Roser, Max, “Life Expectancy,” Our World in Data

Victoria’s Article in Actuarial Review entitled “Jane Austen, Actuary?” September 21, 2021: Click here to read it

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