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Jane Austen’s needlework

Jane Austen was an accomplished needlewoman, as so many women were in times past. In Jane Austen: Her Homes and Her Friends, Constance Hill describes Jane and her mother and sister, Cassandra, settling into a routine at Chawton House of gardening, reading, writing, and needlework. Today, a visitor to the house can see the quilt the three women created, as well as a few samples of Jane’s other needlework. (Above: Detail of the quilt at Chawton House)

Baptism cloth, 1800, shows a fine example of chain stitch embroidery during this period. This is not one of Jane Austen needlework samples.

This Norwich Shawl was embroidered in 1800, and used an embroidery pattern that would have been popular in northern Europe.

To learn more about Jane Austen as a needlewoman, click on the following links:

The Georgian House at #7 Charlotte Square in New Town, Edinburgh, Scotland is a fine example of Georgian architecture. The square was designed by Robert Adam in 1792, but he did not live to see it built. The house itself was designed by Edward Butterworth and built in 1796, strictly following Adam’s plan.

The Georgian House Teach Pack, a 42 page PDF document, is designed to teach children (and others who are interested) about the intimate details of a Georgian house and its occupants. While Jane Austen did not travel to Scotland, this house provides an insight into the every day life of a middle-class family during her era. The teach pack itself is full of interesting details and activities, especially about life below stairs.

The house has been restored and furnished in the manner of the late 18th and early 18th century by the National Trust of Scotland, and is open to the public.



This girl’s dress looks like a miniature version of an adult’s gown. The print is quite large in proportion to the little girl’s figure, which means that the dress was probably made from another gown, perhaps from the girl’s mother’s. Nevertheless, it is in remarkable condition considering that it had been worn by a five year old.

Click here to read more about this dress on the Corsets and Crinolines website.

Learn more about children’s clothes here:

Jessamyn’s Regency Costume Companion

Children’s Costume History

Regency Children’s Clothing: Day Wear and Play Wear

Changing Children’s Fashion



During Jane Austen’s time, letters were written on sheet of paper that were folded and sealed, as in this sample. The recipient of the letter had to pay for the delivery. Therefore, the fewer pages that were used, the less expensive the cost, since the fee was based on the size of a letter and the distance it traveled.

Envelopes were not used. They would have added an additional sheet of paper and cost more for the recipient. To keep the letter affordable, people also wrote in a cross letter style as shown below.
Hand made papers were made in molds, hence one could readily observe the paper marks and ribbing from the parallel wires in the mold. Often these “laid” papers also bore distinctive watermarks. Double click on the image below to view these distinctive markings up close.

Writing implements included the quill pen, an inkstand filled with ink, pen knife, and sometimes a writing box.

Roller blotters made their appearance during the 19th century. Before this time, writers dried wet ink by sprinkling grains of sand over the words.


Creating quill pens was an art, since the nib had to be carefully cut with a knife so that the hollow core would hold just the right amount of ink and release it steadily under pressure. If the writer wrote for any length of time, fingers on the writing hand would often become ink stained. Quill pens, most commonly obtained from the wing feathers of a goose, had to be sharpened often with a pen knife. The average quill pen lasted for only a week before it was discarded.

After folding the paper, a sender would seal the letter with a custom wax seal stamp, that in some instances bore the family crest or the sender’s initials. The address on the outside remained simple, directing the bearer of the letter to the city or town, street, and the name of the receiver.
This is a photo of Jane Austen’s writing table and chair at Chawton, where she wrote the bulk of her novels and, I imagine, her letters as well.

Find out more about letter writing here:

Jane Austen’s Writing (Sloping) Desk

The Writing Implement of Jane Austen: The Quill Pen

London Mail and Postal Service: The Georgian Index

18th and 19th Century Wooden Seal Boxes

Cutting a Quill Pen

Jane Austen Tours

Storyline Journeys is a travel service in England that attempts to bring great authors to life.

If you click on the bolded words, you will see an interesting itinerary from London for the Jane Austen tour. Included are photographs of Chawton, the dining parlor where Jane Austen wrote her letters, and her Clementi square piano.