Cover of Bath: An Adumbration in Rhyme by John Matthews
Inquiring readers: Many of you who have visited here before are aware of Dr. Wiebracht’s online senior high school students’ research on John Matthews’s 18th century poem “Bath: An Adumbration in Rhyme.” This link leads to their published work, as well as Dr. Wiebracht’s description about the project and his advice for teachers on starting a similar semester-long online endeavor. Their remarkable results were published on this blog in January and spring of this year. The third step in Dr. Wiebracht’s examination of the poem – a publication – is presented in this review.
So the beaux in their boots, the belles in their slippers,
Come to walk up and down, and peep at the dippers,
For though strange it appears, I’d have you to know,
Whilst you’re drinking above, some are bathing below,
And each glass of water brought up by the pumps
Contains the quintessence of half-a-score rumps.”
– Bath: An Adumbration in Rhyme, John Matthews
A Peep at the Dippers, Cruikshank. Public Domain Image
The forgotten contemporaries of Jane Austen and an introduction to the first book in a series that will examine them
In his introduction of this unique annotated publication, Wiebracht writes that it:
speaks as directly as possible to the typical reader – the same reader Austen herself addressed. And teachers and students, particularly high-school students, will be inspired to know that the volume they are reading was researched, designed, and edited in large part by other high-school students. Indeed, as a teacher and scholar, one of my hopes for this series is that it challenges the narrow assumption that only university faculty and graduate students are capable of making original contributions to literary scholarship. This isn’t so.”
After the students completed their project in December 2020, Dr. Wiebracht and his academic colleagues continued to study the Adumbration. The result was this completed book, published in August of this year.
The major goals for Dr. Wiebracht, his students, and academic researchers were to find original sources to chronicle the genesis of this poem and the resources that influenced it. These sources can be found in the Table of Contents under bibliography and further reading, as well as a biographical essay on John Matthews, and an essay on Bath satire. Also included is a thoroughly accessible, but academic analysis of *Northanger Abbey (with references to Persuasion) regarding Austen’s descriptions of Bath, Anstley’s The New Bath Guide (1762), and G. Davis’s and P. Bonhall’s book, entitled A History of Bath: Image and Reality (2006). The highlight of this volume, though, is the poem, located near the very end. My close friend, H. Major, (and editor) particularly liked how the annotations were placed on the right page, next to the archaic phrases in the poem on the left page for helpful understanding.
Side by side- poem on the left, annotation on the right
This 54-page book is the first in a planned series entitled Forgotten Contemporaries of Jane Austen. The selected works will have a varied audience in mind, with characteristics that include:
- The work is not available in any other modern edition.
- It must discuss subjects that directly concern Jane Austen and are featured prominently in her novels.
- It must be relatively short to enable teachers and professors to use it as a supplement in a class or unit devoted to Jane Austen.
- It must have merit in its own right.
I won’t reveal too many details about the information contained in this first Critical Edition, for it would spoil your fun in learning what it has to offer when you purchase the book, which I recommend highly, but I would like to mention one sequence of connections that clearly tie several topics together: Bath in the late 18th century + Jane Austen’s Northanger Abbey and Persuasion + 18th century satire + writing in rhyme + macaronis and fops + Matthew’s one-dimensional view of fops compared to Austen’s more masterful take on that fashionable group of gentlemen.
Historical and literary connections:
In 1762, Christopher Anstey wrote The New Bath Guide: Or Memoirs of the B-R-D Family, which consisted of 15 letters in poetic verse. The popularity of this guide began a tradition of writing letters, journals, and guides in rhyme. Decades later, John Matthews followed in his footsteps by using bawdy and satiric references, while also including Greek myths and the daily habits of visitors to Bath, and the region’s topography.
Anstey’s rhyme regarding a reflection on arrival in Bath
In his poem, published in 1795, Matthews describes a day in Bath from morning to night using the sharp humor characteristic of Georgian era satire (notice the quote about taking the waters in the pump room at the start of this review). Matthews was not the only one to follow this wide practice. Men and women of fashion often wrote in rhyme, as did Jane Austen’s mother, Cassandra, who wrote delightful recipes in that tradition. Jane, too, wrote poetry, but her poems are merely adequate when compared to her novels.
In one passage in the Adumbration, Matthews mentions macaronis in Milsom Street:
“Where, booted and spurred, the gay macaronies,
Bestride Mandell’s counter instead of their ponies,
Preferring the pleasure of ‘tending the fair,
To breathing the freshness of Lansdown’s pure air” – Matthews
From the mid-18th century, cartoonists and writers made merry sport of the affectations of effete fops and macaronis, who were objects of visual and verbal fun. In his Adumbration, Matthews follows his era’s sardonic judgment. The annotations offer definitions and historical context that are placed conveniently near the Georgian terms and phrases that modern readers no longer understand.
Jane Austen’s take on fops, in the form of Sir Walter Elliot (Persuasion), a man who cared more about his personal appearance than most men and women of his acquaintance, is more nuanced than Matthews’ fops, for behind Sir Walter’s sartorial pride and conceit, is a man disdainful of the middling sort, a man whose high opinion is reserved only for those he deems his equals, and a man who squanders his inheritance in the service of his immense ego. Unlike Austen, Mathews simply makes surface sport of a macaroni’s preference for fashion, much like the caricatures of his era.
Both Austen and Matthews portrayed Bath past its prime, however. It was once a highly desired resort town that, by the 1790’s, saw the mingling of the rising middle classes with an aging gentry and those on the downward slide, like Sir Walter, or with fortune hunters. Today, we read Matthews’ guide for fun and understanding; but we tend to reread Jane’s “fun” novels for their richness and insights!
Portraits of John Matthews and Jane Austen. Vic’s image is from the book
Stanford online high school student testimonials:
The Jane Austen’s World team would like to thank the students for their hard work on this project and the excellent results. We would also like to thank Dr. Wiebracht and his colleagues for illuminating this document for a wider audience. In addition to their research, students were required to read Austen’s *Northanger Abbey. They also attended two 1 hour zoom workshops, one given by Tony Grant, and the other given by me, Vic. A number of them sent notes of thanks!
“Thank you so much for being willing to get involved in our Bath project, for your enthusiasm on our work, and for helping us learn something new and unique about Jane Austen’s era! – Josie Chan
“Thank you so much for giving us a space on your platform, and for visiting our class last year! Your insight on both Jane Austen and the publication process was invaluable.” – Varsha Venkatram
“Thank you so much not only for giving us the opportunity to publish on your blog but for sharing your expertise. Your advice was an invaluable guide in this process.” – Sophia Romagnoli
“Thank you for visiting our class and publishing our article on your blog! It’s an honor to have been part of a team contribution to Jane Austen’s World. – Carolyn Engargiola
Note from Jane Austen’s World: Dear students, the honor is ours. We are so proud of your research and contributions, and cannot recommend this book highly enough – Vic Sanborn and Tony Grant
Order the book on Amazon:
Bath: An Adumbration in Rhyme: A Critical Edition for Readers of Jane Austen (Forgotten Contemporaries of Jane Austen) Paperback – 8 August 2021
by John Matthews (Author), Ben Wiebracht (Editor), Josephine Chan (Editor), & 6 more
$9.99 U.S.
54 pages
Publisher: Pixelia Publishing (August 8, 2021)
Language: English
Paperback: 54 pages
U.S. Amazon
UK Amazon
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