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Archive for September, 2007

Elegant Readers,

I’ve had the distinct pleasure of interviewing Robin Swicord, the director and screenwriter of the upcoming movie, The Jane Austen Book Club. Here, then, are her answers to my questions:

Ms. Place: Jane Austen is probably more popular today than ever before. Did directing the movie (and writing the script) change your perception of her? How and why?

Robin: For about ten years I had been immersed in all things Austen, in preparation for writing a comedy about a family of Jane Austen scholars – so I had already given a lot of thought to Jane Austen’s novels. So writing and directing TJABC didn’t change my perception so much as give me an opportunity to share with others my affection for her work and her wonderful characters.

Ms. Place: What are some of the more obvious parallels between the plot of this movie and the novels Jane Austen wrote?

Robin: Jocelyn is a matchmaker like Emma. Allegra is impulsive and unwise in love, like Marianne in Sense & Sensibility. Sylvia is the quiet foundation of her family, waiting and loving and trying not to hope – like Fanny Price in Mansfield Park. Like Anne Elliot in Persuasion, Prudie alienates the man she loves, and then is given a second chance to repair the relationship. Bernadette, like Elizabeth Bennet in Pride & Prejudice, finds humor in the foibles of others, and like Elizabeth, she worries about other people’s happiness. The lone man in the group, Grigg, embodies all of Austen’s worthy men in this very modern aspect – at first meeting, Grigg is misunderstood by the women of the club, and as in all of Austen’s novels, it takes a while for the woman he wants to see his good qualities and his readiness to love.


Ms. Place: If by some miracle Jane Austen could advise the members of the Jane Austen Book Club, what do you think she would tell them? In particular Jocelyn and Sylvia?
Robin: I can’t presume to speak in Austen’s voice (nor am I clever enough) but I’d imagine that Miss Austen might write Sylvia an email to spare her the embarrassment of receiving what might be unwelcome advice. Miss Austen would suggest that Jocelyn fix her own life before she tries to fix Sylvia’s. Austen would point out to Sylvia that it is a truth universally acknowledged that when your husband dumps your for a woman at the office, family and friends become even more important. And Miss Austen would say nothing at all to Prudie regarding her infatuation with Trey — but instead she’d write to her sister Cassandra that a newly married young woman of her acquaintance is rumored to have behaved shockingly in a parked car with a young man who is not her husband.

I will post Part II of this interview over the weekend! To learn more about Robin, read her bio at Expert Spotlight :

While in New York, she wrote “Last Days at the Dixie Girl Cafe,” for some fellow graduates of her alma mater who were setting up a theatre company. The play received good notices and eventually moved to off-Broadway. Swicord wrote the scripts for “Shag”, which starred Bridget Fonda, and “You Ruined My Life”, which was shown as a movie-of-the-week on CBS. She wrote and directed the recent film version of Louisa May Alcott’s “Little Women” starring Winona Ryder and Susan Sarandon. Swicord and her husband, Nicholas Kazan, wrote the screenplay for “Matilda” based on the novel by Roald Dahl. Other screen credits include screenwriter and producer of “Practical Magic” and “The Perez Family” and director and screenwriter of “Red Coat”.

The only bit of trivia I’d like to add to this sterling resume is that Robin’s father-in-law is the late Elia Kazan, director of On the Waterfront and A Streetcar Named Desire. Click on the following links to learn more about the movie and Robin.

  • For clips, book reviews, and first impressions about the movie, click on Austen blog.

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Shawls

During an era when thin cotton dresses, short sleeves, and low necklines were prevalent, the shawl became an important and ubiquitous necessity, especially in cool, draughty houses. Jane Austen mentions them throughout her novels and letters as a matter of course. Here are a few of Jane’s quotes and a sampling of shawls.

Neoclassical hand embroidered white work shawl, 1810-1820

They were entering the hall. Mr. Knightley’s eyes had preceded Miss Bates’s in a glance at Jane. From Frank Churchill’s face, where he thought he saw confusion suppressed or laughed away, he had involuntarily turned to hers; but she was indeed behind, and too busy with her shawl.

Jane Austen, Emma

Mr. Knightley thought he saw another collection of letters anxiously pushed towards her, and resolutely swept away by her unexamined. She was afterwards looking for her shawl–Frank Churchill was looking also–it was growing dusk, and the room was in confusion; and how they parted, Mr. Knightley could not tell.

Jane Austen, Emma

In Paragon we met Mrs Foley & Mrs Dowdeswell with her yellow shawl airing out—& at the bottom of Kinsdown Hill we met a Gentleman in a Buggy, who on minute examination turned out to be Dr Hall—& Dr Hall in such very deep mourning that either his Mother, his Wife, or himself must be dead.

Jane Austen, Letter (1799-05-17)


Spitalfields Shawl in the long, rectangular shape so popular during the Regency Period.

Links to shawls of the era


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Are you one of the few Jane Austen fans who hasn’t read The Jane Austen Book Club by Karen Joy Fowler? There’s still time before the movie comes out. Sony Pictures has kindly sent me ten video clips and allowed me to interview the director, Robin Swicord. Here is the first movie clip. In this scene, Emily Blunt as Prudie talks about her desire to go to Paris. I’ll be featuring the other nine movie clips over the next two weeks; and will post my interview with Robin soon.

Click here for the fabulous site created by Sony to promote this movie.

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Lost in Austen: Create Your Own Jane Austen Adventure, by Emma Campbell Webster
Please Note: My review of the ITV movie of the same name sits here.

This new novel, written by Emma Campbell Webster, is not designed for the impatient person or for someone who is barely acquainted with the plots of Jane Austen’s six novels. It IS written for the Janeite who cannot get enough of Jane Austen’s most famous heroine, Lizzie Bennett. In fact, the reader is asked to become actively involved in making choices that might lead her to marry the man of her dreams, or to a band of gypsies and a premature end to her adventures. Along the journey to romance and true love, which requires the physical exertion of flipping pages back and forth, the reader can add or deduct points for fortune, accomplishments, connections, and the like.

This book was written for Jane fans who love an experiential approach to reading, such as choosing their own adventure, and who simply cannot get their fill of Jane Austen’s delightful characters. In fact, every time they read this book, the can create another plot. They can also keep score, or simply make a choice between A or B as they read along. All in all, I would say that this book has the most unique approach to visiting Jane Austen and getting to know her heroes and heroines that I’ve read in a long while.
Image from flickr

My rating for this book is two out of three Regency fans. The format was just a tad too complicated for me, but many who have reviewed this book loved it.

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“Besides this excellent convenience of conveying letters, and men on horseback, there is of late such admirable commodiousness, both for men and women of better rank, to travel from London to almost any great town in England, and to almost all the villages near this great city, that the like hath not been known in the world, and that is by stage coaches, wherein one may be transported to any place, sheltered from foul weather, and foul ways, free from endamaging one’s health or body, by hard jogging or over violent motion, and this not only at a low price, as about a shilling for every five miles, but with such velocity and speed, as that the posts in some foreign countries, make not more than a mile a day; for the Stage Coaches called Flying Coaches, make forty or fifty miles in a day, as from London to Oxford, or Cambridge, and that in the space of 12 hours, not counting the time for dining; setting forth not too early, nor coming in too late.”


Text from The World in Miniature, a series of volumes created for the publisher Rudolf Ackermann, and written by W.H. Pyne. Illustrations by Thomas Rowlandson, Augustus Pugin, and W.H. Pyne.

Text, p 98-97, The World in Miniature: England, Scotland, and Ireland, edited by W.H. Pyne, containing a description of the character, manners, customs, dress, diversions, and other peculiarities of the inhabitants of Great Britain. In Four Volumes; illustrated with eighty-four coloured engravings, Volume 1, London, 1827, Printed for R. Ackermann, Repository of Arts, Strand.

Click below for more about this publication:

  • The World in Miniature: Click on the topics, such as stagecoach, the bishop, or the milk woman, to read about those topics.

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