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Archive for September, 2007


Toothpick Case, National Maritime Museum, 1806

A Scene from Sense and Sensibility: The encounter between the Misses Dashwood and Robert Ferrars in Gray’s Jewelers, in which they first meet Edward’s foppish brother.

All that could be done was, to sit down at that end of the counter which seemed to promise the quickest succession; one gentleman only was standing there, and it is probable that Elinor was not without hope of exciting his politeness to a quicker dispatch. But the correctness of his eye, and the delicacy of his taste, proved to be beyond his politeness. He was giving orders for a toothpick-case for himself, and till its size, shape, and ornaments were determined, all of which, after examining and debating for a quarter of an hour over every toothpick-case in the shop, were finally arranged by his own inventive fancy, he had no leisure to bestow any other attention on the two ladies, than what was comprised in three or four very broad stares; a kind of notice which served to imprint on Elinor the remembrance of a person and face, of strong, natural, sterling insignificance, though adorned in the first style of fashion.

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The Marriage Act of 1753 made it increasingly difficult for upper class men to “marry down,” and for women to marry men outside their rank. To get around this law, a desperate couple could obtain a special license from the Archbishop of Canterbury, or elope to Gretna Green in Scotland, where English law held no sway and marriage at 16 was legal.

Over the years many couples would run away to Gretna Green for their marriages to take place. The ceremonies were usually performed by one of the village blacksmiths who in those days were at the heart of the community and held in suitable regard. Even today, many of the Ministers refer, in their services, to the similarity of a blacksmith joining 2 metals over the anvil to the marriage ceremony joining 2 people as one.

The following is an excerpt from Pride & Prejudice when Lizzie learns of Lydia’s foolish elopement with Wickham. Later, the reader learns that the couple has not married, but were living without benefit of marriage, an even worse situation:

She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again. “I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends — has eloped; — has thrown herself into the power of — of Mr. Wickham. They are gone off together from Brighton. You know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to — she is lost for ever.”

Related articles:

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Click on this link for a full listing of radio plays, stage plays, and screen plays of Northanger Abbey performances today.

Click here for Part One of ITV’s Northanger Abbey, a YouTube video with Felicity Jones as Catherine Morland. You will find the rest of the videos on the sidebar after watching Part One.

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At the top of the servant hierarchy stood the butler and the housekeeper, who ruled their domains belowstairs.

Jane Austen gave Mr. Darcy’s housekeeper a prominent role as she escorted Lizzie and the Gardiners through the great rooms of Pemberley, talking fondly and familiarly about her master. Her kind recollections were so opposite Lizzie’s, whose confused mind and bewildered emotions were unable to take in all that conflicted with her prejudiced opinions of Mr. Darcy, that it set up the scene in which she unexpectedly encounters him in the gardens.

In reality, the role of tour guide was not uncommon for the housekeeper of a great country estate. In this portrait painted by Thomas Barber of Mrs. Garnett, the housekeeper of Keddleston Hall, and which hangs in front of the house to this day, she holds a guidebook. Ever since Keddleston Hall was built in the 18th century, it has been open to visitors. In fact, Samuel Johnson described his encounter with Mrs. Garnett (click linked post above) as he visited that great house.

In Regency Manor, the role of the upper servant as guide is described as thus:

…upper servants, in particular the housekeeper, served as tour guide on days when the houses were open to the public that “The fees derived from this source (the charge for seeing the house), by upper servants in some principal show-houses in the kingdom must amount to a handsome income; and I am told on good authority, that a late housekeeper in this castle, left by will, to a younger son of the family, at the close of a long service, a fortune of many thousand pounds, chiefly accumulated this way.” The castle in this instance was Warwick castle.

View Kedleston Hall here

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Once you admit that the Jane Austen depicted onscreen bears scant relation to any person named Jane Austen, living or dead, the film fulfills its purpose. I had never before considered her as a cricketer, for instance, and I am fairly sure that she never sought to elope, but I enjoyed both inventions—the one bucolic and triumphant, the other sodden and frustrated, and presumably meant as a precursor to Lydia’s running away with Wickham in “Pride and Prejudice.”

Lover Beware, Anthony Lane, The New Yorker, August 13, 2007

Becoming Jane is based on a chapter in Jon Spence’s 2003 critical biography, Becoming Jane Austen. In the book, Spence does identify Tom Lefroy as the love of Austen’s life and her relationship with him as the origin of her genius. But he never suggests that there was an aborted elopement (much less subsequent reading sessions with any of Lefroy’s children). And he is careful, as the filmmakers are not, to clarify that in speculating about Austen’s romantic experience he is reading between the lines of the family records and of the three rather opaque Austen letters that are his principal sources.

Deidre Lynch, See Jane Elope

I am listing only those reviews that reflect my take on the movie:

Illustration by Lara Tomlin, New Yorker

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