As we enter a new year, it’s intriguing to think about the power of a fresh start. Jane Austen herself seems to have entered into a new season when she came back to the Hampshire countryside in 1809, after leaving Steventon for Bath with her family in 1801.
During her time away from the Hampshire of her youth, Austen’s writing activity slowed and she experienced a period marked by loss and change. But once she and Mrs. Austen and Cassandra moved into the cottage on her brother Edward’s property in Chawton, she started writing prolifically—revising earlier manuscripts, drafting new ones, and beginning her publishing journey.
An Unsettled Season
There are many thoughts on why Austen didn’t write as much during those years, but it’s important to note two important factors. First, not only did Austen move away from her childhood home, but she also experienced grief, including the loss of her dear friend Mrs. Anne Lefroy (December 1804), her own beloved father Reverend Austen (January 1805), and her sister-in-law Elizabeth Austen (1808).
Second, after the Reverend Austen’s death, the Austen women stayed on in Bath, moving several times. They then moved to Southampton in 1806, living first with Francis and Mary Austen and then in Castle Square. The Austen women remained unsettled for quite some time.
As many of us know firsthand, losing a loved one is at the top of most stress charts. Moving to a new home is thought to be highly stressful as well. It’s possible that the combination of grief and frequent moves may have impacted Austen’s creativity.
A Fresh Start
After living away from the quiet of the Hampshire countryside for so many years, and having moved houses several times, moving to Chawton must have been a relief for the Austen women. It also seems to have provided just the right time and place for Austen’s writing to flourish. Almost as soon as they settled into the house there, Austen began revising and writing at a terrific pace.
It’s also interesting to note that when Austen moved to Chawton she picked back up her manuscript for Sense and Sensibility (originally titled “Elinor and Marianne”), a story about a recently widowed woman and her daughters who go to live in a small cottage on the property of a male relative. The Dashwood women, in need of a fresh start, find their new beginning in Barton. The Austen women found theirs in Chawton.
This intriguing quote from Sense and Sensibility almost seems as though it could have been written from the Austens’ point of view:
The Dashwoods were now settled at Barton with tolerable comfort to themselves. The house and the garden, with all the objects surrounding them, were now become familiar, and the ordinary pursuits which had given to Norland half its charms were engaged in again with far greater enjoyment than Norland had been able to afford, since the loss of their father.
Sense and Sensibility, Ch. 9
To view an image of a contemporary watercolor of Chawton Cottage, as Austen may have known it, you can see it here on the JASNA site, in a fascinating Persuasions article entitled “Chawton Cottage Transfigured” by Joan Austen-Leigh (1982).
At Chawton, Austen revised and published Sense and Sensibility (1811) and Pride and Prejudice (1813); wrote and published Mansfield Park (1814) and Emma (1815); reacquired Northanger Abbey and wrote Persuasion (both of which were published after her death in 1817); and started “Sanditon.”
Storing Up Inspiration
It seems that Austen’s time away from her beloved Hampshire countryside actually played an important role in her writing journey. Even if she didn’t write as much during those years, she was evidently storing up experiences, people, places, and inspiration all along the way. Coming “home” to the countryside and settling down sparked new creativity.
There are many factors that may have led to Austen’s fresh spurt of writing at Chawton, but here are a few that come to mind:
- Feeling at home and settled in their own house
- Time and space to walk, think, and listen
- Slower pace and quieter surroundings
- Familiar scenery, sounds, and walks
- Extended family, nieces and nephews, and friends nearby
- New experiences and settings for inspiration (Bath, Southampton, Godmersham, and Lyme Regis)
- New books to read (at Chawton House and Godmersham Park)
- The society of local families
One might say that Austen herself was living in her own ideal setting at Chawton: As she wrote to Anna Austen in 1814, “You are now collecting your People delightfully, getting them exactly into such a spot as is the delight of my life;—3 or 4 Families in a Country Village is the very thing to work on” (emphasis mine).
For Austen, perhaps a country village was not only the perfect thing to work on but also the perfect place in which to work. That setting—the “delight” of her life—seems to be where she worked best.
It’s heartening to consider new beginnings like these. After difficulty and heartache, light dawned once more for Austen. And the unsettled years certainly weren’t wasted; they provided Austen with new experiences and fresh inspiration.
RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World and Jane Austen’s Regency World. She is the author of Praying with Jane: 31 Days Through the Prayers of Jane Austen and The Anne of Green Gables Devotional: A Chapter-By-Chapter Companion for Kindred Spirits. You can visit Rachel online at www.RachelDodge.com.
I certainly understand how, when one must abruptly move from a place one loves, that one’s creativity is affected. Unlike Austen, I am no genius, but I was a moderately successful watercolor artist for a decade when I lived in a rural area (or at least the IRS claimed so). My home studio, with its tall windows, overlooked the Blue Ridge Mountains. Every day I looked at a sweeping vista and observed the constant drama of the sky and changing seasons. I was constantly inspired. More inspiration came only a walk or short drive away. When we moved to the city over a hundred miles away, I lost my regular client base, my local gallery contacts, and, worse, my inspiration. My paintings became smaller and tighter and looked perfunctory. It’s been years since I picked up a brush. Unlike Austen, who found her muse again in the countryside, I learned to be creative in other ways.
Your creative journey is intriguing and inspiring. I would love to see some of your watercolors sometime. Perhaps you’ll go back to it again one day?
Ms. Rachel, I shall send you some pix. You’ll see that I am rurally fixated.
Thank you for telling this story. I also like Rachel’s reflections on Austen’s “delight of my life” – and the link to Joan’s piece, which I’d long forgotten. That description of the 1946 visit to Chawton was priceless. I remember early travels and adventures to Austen country were like that – independent and adventurous! That man had energy.
I loved rereading that article as well! I have made the trek a few times, but I think it must have been exquisite to tramp and explore before anything was quite as well marked as is it today.
Sorry for my chopped off comment – was chopped off twice with password problems. But it’s me.
Your article moved me to tears. Thank you.
Thank you! I’m so glad you enjoyed it. I felt so close to Jane as I wrote it.
A very interesting commentary. I hadn’t realised how all those deaths in the family and the frequent changes of house came so close together.
I hadn’t either. It really made me think about how I would have felt if I were in her shoes. I’ve found it hard to be creative during this past year because there has been a lot of loss and change.
wonderful insight.
denise
Thank you, Denise!