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Archive for the ‘19th Century England’ Category

Last month, we explored the route Elizabeth Bennet and Mr. and Mrs. Gardiner took on their journey to Derbyshire through Oxford, Blenheim, Warwick, Kenilworth, and Birmingham. This month, we begin our exploration of their time in Derbyshire, so that we might catch a glimpse of what travelers during Austen’s time would have seen when visiting there.

Austen first gives the details of their journey to Derbyshire:

It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay—Oxford, Blenheim, Warwick, Kenilworth, Birmingham, etc., are sufficiently known. A small part of Derbyshire is all the present concern.

Elizabeth Bennet (Jennifer Ehle) and Mrs. Gardiner (Joanna David), Pride and Prejudice (1995).

The Picturesque Tour

Scholars agree that Austen almost certainly never visited Derbyshire, so then how did she know so much about it? First, from William Gilpin’s popular book, Observations on Several Parts of England: particularly the mountains and lakes of Cumberland and Westmoreland: relative chiefly to picturesque beauty (1786), which made Matlock, Chatsworth, and Dovedale household names across England.

Elizabeth Bennet’s fictional visit to Derbyshire was also quite common during Austen’s lifetime. During the Napoleonic Wars, the Grand Tour of Europe wasn’t possible, so many genteel English travelers explored England more fully, traveling to seaside resorts and into Wales, the Lake District, and Derbyshire.

Guidebooks circulated widely as well in genteel circles, with engravings of Chatsworth, Dovedale, and Matlock Bath appearing in fashionable drawing rooms. Finally, Austen may have also heard about these destinations from friends or acquaintances who had traveled there.

Gilpin, William. Observations on Several Parts of England, Particularly the Mountains and Lakes of Cumberland and Westmoreland, Relative Chiefly to Picturesque Beauty, Made in the Year 1772. Vol. 2. London: T. Cadell and W. Davies, 1808. First published 1786. p. 176.

Derbyshire:

While in Derbyshire, this is what Austen tells us they were to see and why it was of such interest to Mrs. Gardiner:

. . .they were obliged to give up the Lakes, and substitute a more contracted tour; and, according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.

Below is a detailed map of Derbyshire from 1627 that can help us to visualize the location of each site:

Pieter van den Keere, Map of Derbyshire, 1627. Public domain via Wikimedia Commons.

We know that Elizabeth did, in fact, visit Matlock and Dovedale because she and Mr. Darcy talk at length about where she has traveled and what she has seen:

He then asked her to walk into the house—but she declared herself not tired, and they stood together on the lawn. At such a time much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dovedale with great perseverance. Yet time and her aunt moved slowly—and her patience and her ideas were nearly worn out before the tête-à-tête was over.

With their conversation in mind, let us explore Matlock and Dovedale to find out what Elizabeth might have discussed with Mr. Darcy on their walk.

Elizabeth (Jennifer Ehle) and Mr. Darcy (Colin Firth) walking at Pemberley, Pride and Prejudice (1995).

Matlock

Matlock (and nearby Matlock Bath) are located on the south-east edge of the Peak District alongside the River Derwent. One of the reasons people visited Matlock Bath was for its natural thermal springs, which became popular and fashionable in the late 17th century. Much like visiting Bath to “take the waters,” aristocratic people visited Matlock Bath for the same reason: hoping for the health benefits of the springs.

In Molly Gorman’s, “A Guide to Jane Austen’s Derbyshire, England” (BBC Travel, April 20, 2025), she says this:

Austen was likely well aware of the town’s famed thermal waters. When Bennet enters Derbyshire with apprehension about seeing Darcy, she says, “But surely … I may enter his county without impunity and rob it of a few petrified spars without his perceiving me.” Austen might have been referring to Matlock Bath’s petrifying well – where the mineral-rich thermal water, turns objects into stone.

Gorman goes on to share what Elizabeth might have seen while visiting the area:

Matlock is also popular with walkers as it lies in a valley of the River Derwent. Pride and Prejudice fans may opt to explore the fittingly named Lovers’ Walks, a series of footpaths along the riverside, or if you’d prefer something more challenging, there are also trails that go up and over the wooded cliffs. But perhaps the most famous tourist attraction is the Heights of Abraham, where you can take a mountain cable car to the top of Masson Hill, a 60-acre hilltop estate with a panoramic view of the surrounding valley and town below.

Though we have no textual proof that Elizabeth and the Gardiners took the waters, we can imagine that they would have certainly enjoyed exploring such a naturally beautiful location.

François Vivares, Matlock in Derbyshire, engraving, 18th century. Public domain via Wikimedia Commons.

Dovedale

Dovedale is considered one of the most romantic landscapes in England. It includes a limestone valley with a dramatic ravine carved by the River Dove. Craggy cliffs rise up dramatically above the water. Many have painted and photographed it over the years, trying to capture its beauty.

This area drew visitors long before the Regency era and throughout Jane Austen’s lifetime–and it still does today. During the time Elizabeth Bennet would have traveled through Derbyshire, Dovedale was a popular destination for tourists, especially given the wild, rugged scenery that was prized during the Romantic era. Artists gathered there to sketch its ravines, woodlands, rock formations, and limestone caves. The river was also famous for its fishing, and Austen and her contemporaries would have been familiar with it because of Izaak Walton’s book, The Compleat Angler (1653).

Today, the National Trust owns the valley, and it has been a National Nature Reserve since 2006, recognized for its rare wildflowers, ash woodlands, and wildlife and fish. There is also a set of famous stepping stones, placed in the 1890s, that create a path across the river.

It’s wonderful to think about Elizabeth Bennet exploring this area, especially given her love of nature and long walks. Surely, the scenery would have inspired and refreshed her soul.

Joseph Wright of Derby, Dovedale by Moonlight, oil on canvas, c. 1784–85. Museum of Fine Arts, Houston. Public domain via Wikimedia Commons.
Dovedale Stepping Stones, Derbyshire, England, photochrome print postcard, c. 1890–1900. Library of Congress. Public domain via Wikimedia Commons.

More of Elizabeth Bennet’s Travels

Though Elizabeth did not make it to the Lake District, she certainly would have seen an abundance of breathtaking landscapes and rugged wilderness to spur on her imagination. Perhaps she was already falling in love with Derbyshire, long before her visit to Pemberley.

Next month, we’ll explore more of Elizabeth Bennet’s travels. We’ll take a closer look at Chatsworth, the Peak District, and Bakewell, a small village that many scholars believe might have been Austen’s inspiration for Lambton.

Until then, let us remember fondly Elizabeth’s famous words, “What are men to rocks and mountains?”


Rachel Dodge teaches writing classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables DevotionalThe Little Women DevotionalThe Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. She has narrated numerous book titles, including the Praying with Jane Audiobook with actress Amanda Root. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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By Brenda S. Cox

Last month, June 19-22, I had the joy of attending JASP, the Jane Austen Summer Program. I had only attended once before, during covid when it was online. That was fantastic, so I was delighted to finally get to go in person.

This year’s theme was Sensibility and Domesticity. The focus was on Sense and Sensibility (S&S), domestic arts, and trans-Atlantic connections between the young USA and Austen’s England.

Laura Klein and Megan Poff play and sing pieces from Jane Austen’s own playlist that relate to Sense and Sensibility, such as “Begone Dull Care” which they connected with Willoughby. JASP 2025

Plenary Sessions

Plenary talks explored household books of the time; effects of the war on home life; “The Constitutional Safeguard of a Flannel Waistcoat”; and the Jane Austen Playlist, with a performance of songs connected to S&S.

In “Reading the Americas with Jane Austen,” Susan Allen Ford (author of What Jane Austen’s Characters Read And Why) explained what Austen would have learned about the Americas in books Austen is known to have read. For example, novelist Charlotte Turner Smith used her study of botany and travel writing to describe American scenery, as a teaching technique. In the introduction to her collection of tales, The Letters of a Solitary Wanderer, Smith argues that “young persons, who have no taste for any thing but narrative, may sometimes, by the local description of a Novel, learn what they would never have looked for in books of Geography or Natural History.” However, she presents Native Americans as savage and violent.

Anne Grant’s Memoirs of an American Lady, which Austen also read, gives a different perspective. It shows Native Americans as noble friends. Grant grew up in close contact with Mohawks, even learning to speak their language. Austen was able to get multiple perspectives on North America.

Susan Allen Ford, who spoke on Austen’s readings about America, shows rare books. JASP 2025

Jennie Batchelor, author of Jane Austen Embroidery, offered two fun embroidery workshops and a final plenary on “Transatlantic Domestic Arts in the Era of Jane Austen.” Jennie told us about resources used by women in England and America at the time, such as The Young Ladies School of Arts. That book gives instructions and receipts (recipes) for many kinds of ladies’ activities, from breeding canaries to gilding. It includes the technical, scientific knowledge needed for many of these skills. Fashionable boarding schools also taught such arts.

As one example, Sense and Sensibility mentions filigree work, which Lady Middleton expected Lucy to do at night by candlelight. Elinor kindly volunteered to assist Lucy. Filigree is quilling: cutting and rolling up small pieces of paper and fastening them onto a surface. This was quite fiddly, eye-straining work that Lucy was constrained to do in order to please her hostess.

Jennie Batchelor led two embroidery workshops, following patterns she adapted from magazines of Austen’s time. Some participants are tracing patterns onto their fabric at the windows, as Austen might have done. JASP 2025

Context Corners and Discussion Groups

I was particularly looking forward to one special feature of JASP: context corners and discussion groups. Graduate students led four 15-minute sessions (“context corners”) discussing various aspects of Sense and Sensibility. Topics connected S&S with sensibility and sisters; inheritance law; the East Indies; and “Scandal and the Fallen Woman.” For that final topic, we considered when the “fallen woman” was considered morally corrupt and when she began to be considered as a victim of immoral men or capitalism. We also learned definitions of a “rake” and saw comparisons with real people, noting similarities between William, Lord Craven, and the fictional John Willoughby.

In a Context Corner on “Scandal and the Fallen Woman,” Nellie Downie told us about a real Dashwood family who were involved in various scandals. They were quite different from Austen’s Dashwoods. JASP 2025

After each context corner talk, we split up into small groups named after places in S&S. Mine was Norland Park. Using lists of excellent discussion questions and quotes, we had far-ranging discussions which were great fun. We had 45-60 minutes per discussion, so we could really get into it and trade ideas, building off of each other’s insights.

Education was a major emphasis of the conference, and teachers had their own forums in addition to the regular events.

In the Norland Park group, as in all the other groups, we had lively discussions on many aspects of Sense and Sensibility. JASP 2025

And More Delights

The rest of the time was filled with fun events, including:

  • An opening banquet
  • Multiple fun dance practices with “Mr. Steplively” and a Saturday night Regency Ball, with Regency Games for those who preferred not to dance. (A nice touch was the availability of reasonably priced costumes for those who wanted to rent Regency gowns.)
Ready to promenade from the hotel to the ball. Breckyn Wood, Erna Arnesen, Betty Parker Ellis, Jeanne Talbot, JASP 2025.
Dancing at the Regency Ball, JASP 2025
  • A theatrical evening, where we got to watch an original play connected S&S with Hamlet, and a screening of Sense and Sensibility: The Musical, a delightful take on the novel.
  • An adaptations panel which included music and costumes used in film versions of S&S, and more.
  • Optional tours
  • An emporium selling Jane Austen Books along with other fun items, and a silent auction.
  • A display of early editions of S&S and contemporary books by William Cowper, Sir Walter Scott, James Thomson, William Gilpin, and more.
Inger Brodey, president of the Jane Austen Collaborative (of which JASP is a part), shows her early copies of books by Thomson and Gilpin.

Location, Location

Past JASPs have been held at UNC-Chapel Hill. This year about 150 participants met in New Bern, a historic town near the coast in North Carolina. Waterside views were lovely, and we got to tour the beautiful Tryon Palace and its extensive grounds. Our sessions were held at the North Carolina History Museum nearby.

Next summer, JASP is moving to Seton Hill University in Greensburg, Pennsylvania. The topic will be Pride, Prejudice, and the Pursuit of Happiness. I’m hooked on this great program, and I hope to see some of you there!

(Note: All photos ©Brenda S. Cox, 2025, please ask permission before using.)

Tryon Palace, first permanent capitol of North Carolina, also Governor Tryon’s home, completed in 1770. Reconstructed and reopened in 1959. Well worth a visit! JASP 2025
Touring the Tryon Palace was like touring an aristocratic home of Austen’s day, with period-appropriate furnishings, all the way down to the kitchen, where a real chicken was roasting in the fireplace. JASP 2025

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

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Fellow Janeites, I have a new book review for you in honor of Jane’s 250th year: Jane Austen’s Garden: A Botanical Tour of the Classic Novels written by Molly Williams and illustrated by Jessica Roux. This new book pairs two of my favorite things: Jane Austen and gardening! I looked forward to its release for months and it now sits prominently on my shelves!

Photo by Rachel Dodge, ©2025

Book Review

I knew this book would be beautiful, and I confess that I preordered it based on how pretty it looked. I have another gorgeous book by Jessica Roux called Floriography: An Illustrated Guide to the Victorian Language of Flowers. I’ve always been drawn to the language of flowers and their meanings.

When I ordered it, I assumed Jane Austen’s Garden would mostly include drawings and tidbits of information. However, when it arrived, I discovered that it is filled with detailed information about the flowers, plants, trees, fruits, and vegetables mentioned in Austen’s novels and in her own garden and kitchen garden! There are even instructions about how to grow your own fruits and vegetables at home.

And don’t let the Table of Contents fool you. This book has a LOT to offer. The editor(s) merely listed the craft projects in the book in the Table of Contents, which does a great disservice to Williams’ painstaking research and intriguing information. Williams provides ample material for Jane Austen fans and has done a wonderful job of researching every detail of this book.

Order Your Copy Here:

Literary Landscapes and Illustrations

In each chapter, there is a section entitled “From the Literary Landscape.” This is the best part!! This is where Jane Austen fans can really dig into Williams’ research. She outlines the instances when various trees, fruits, or flowers are mentioned in the novels (or how the Austens used them in their everyday lives). Then, Williams goes into detail about what they signified and/or their history. As many of you know from my articles over the years, I love to look for specific items in the novels and research them.

Finally, the illustrations in this book are to die for. Truly, Roux is a most extraordinary artist. You can see more of her art HERE. I truly could look at it all day long!!!! I have a dream of writing a book with botanical illustrations one day, and I can’t imagine having someone like Roux do the artwork. She brings Williams’ research to life and captures the Regency imagination beautifully.

Book Description

An elegantly illustrated celebration of Jane Austen’s life and literature as told through the flowers, plants, and landscapes that inspired her.

Through explorations of the botanical inspirations and symbolism in Austen’s work and personal life, as well as historical information about the gardens and landscapes of the Regency Era, Jane Austen’s Garden will transport readers back in time to the lush English landscape of the early 1800s. Woven throughout are DIY projects to help you create a home garden worthy of a surprise visit from Lady Catherine de Bourgh or maybe just give your dining table a bit of historical flair. Accessible, entertaining, and enhanced by the enchanted illustrations of celebrated artist Jessica Roux, Jane Austen’s Garden is a fun twist on a familiar subject that will delight plant lovers and Janeites alike.

Book Contents

The Table of Contents is misleading as it only outlines the various DIY projects you can try at home. The book itself has a LOT more meat to it, so don’t let the overview dissuade you from purchasing it. In an effort to provide a fuller picture of all that Williams included, I created a full outline of the book:

Below are two examples of how Williams includes information about different flowers and plants in the novels, along with more illustrations from Roux:

About the Author and Illustrator

Molly Williams is the author of Killer Plants: Growing and Caring for FlytrapsPitcher Plants and Other Deadly Flora, and Taming the Potted Beast: The Strange and Sensational History of the Not-So-Humble Houseplant, and she writes regularly for Apartment Therapy‘s gardening and horticulture section. She grew up on a flower farm and is now a professor of writing in New England. You can visit her online HERE.

Jessica Roux is a Nashville-based freelance illustrator and plant and animal enthusiast. She loves exploring in her own backyard and being surrounded by an abundance of nature. Using subdued colors and rhythmic shapes, she renders flora and fauna with intricate detail reminiscent of old-world beauty. She is the author and illustrator behind Floriography: An Illustrated Guide to the Victorian Language of FlowersOrnithography: An Illustrated Guide to Bird Lore & Symbolism, and the Woodland Wardens Oracle Deck & Guidebook. You can visit her online HERE.

250 Years of Bookish Bounty

Books like these truly make the 250th celebration of Jane Austen’s life, writing, and legacy a true gift and a joy. I’m so thankful to the authors, illustrators, editors, and publishers who make books like this possible. The bounty of books releasing this year is a wonder to behold. I hope you’ll check this one out and add it to your bookshelves!


RACHEL DODGE teaches college English classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables DevotionalThe Little Women DevotionalThe Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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by Brenda S. Cox

“There must have been many precious hours of silence during which the pen was busy at the little mahogany writing-desk, (This mahogany desk, which has done good service to the public, is now in the possession of my sister, Miss Austen) while Fanny Price, or Emma Woodhouse, or Anne Elliott was growing into beauty and interest.”–A Memoir of Jane Austen by James Edward Austen-Leigh, her nephew

Welcome page to the website “Jane Austen’s Desk”

Wouldn’t you love to explore Jane Austen’s desk and room? Inger Brodey, Sarah Walton, and their amazing team at the Jane Austen Collaborative are recreating Jane’s desk and room for us to visit virtually.

While the website is still a beta version, I found lots of great information there. The plan is for it to become a “portal” linking to many Austen resources.

The site opens with a view of a room loosely based on the drawing room of Jane Austen’s House in Chawton

Jane Austen’s Desk

When you visit the room, you might want to start at the desk itself—Jane’s travel desk sits on a table. You’ll see manuscripts of several of the novels, which you can open and enjoy in early editions. Commentary tells more about the novel and the edition, with direct links to interesting sections like “Darcy’s list of desirable female accomplishments” and “Fanny asking about the slave trade.”

Nearby are newspapers, one of the most fun links. Several contemporary papers are included. You can hone in on a number of interesting articles, ranging from her brother Edward’s selling part of Stoneleigh Abbey, to reports of her brother Frank’s naval exploits, to the story of a swindler who pretended to be a rich person’s housekeeper!

Jane Austen’s travel desk (the real one is owned by the British Library). The manuscripts on the desk, the newspapers next to it, and the cross, take you to various resources.

The Bookshelf

Click on the bookshelves in Rev. Austen’s bureau-bookcase , and you’ll see some books mentioned in Austen’s writings. I expect this will be expanded later. But for now, you can read from several authors Austen said she was “in love with”—Thomas Clarkson (on abolition), Sir Charles Pasley (on the military), and James and Horatio Smith (verse parodies). We also have a book that Fanny Price was reading, George Macartney on the British Embassy to China.

For each, you will find an easy-to-read early version of the book; clear commentary; pictures; and links to relevant passages in the novels and letters. Two also link to related articles. A great start if you want to explore these books connected to Austen!

Catalogs on the ledge of the bookcase open up to records of the Alton Book Society that Austen enjoyed. You’ll find lists of members, rules, and lists of the books that the members, including Austen, traded around. This gives us another peek into Austen’s life and reading.

The Bookshelf takes you to some books Austen read.

Travels

A pianoforte stands next to the bookcase. It will eventually be connected to Austen’s music.

Above the pianoforte, click on the portrait of a ship on the sea. You go to a globe, where you can follow the travels of Austen’s family.

Jane Austen’s Desk, travel section. You can trace the positions of Frank and Charles Austen, Charles’s wife Fanny Palmer, and Jane Austen herself, year by year. You can also read stories about Frank and Charles’s experiences at sea.

Silhouettes on the wall connect you to Jane Austen’s family tree. If you click on the orange “i”, you get more information about each person. The plus buttons reveal more generations.

Many of these features include audio commentary as well as written commentary. For example, Lizzie Dunford of Jane Austen’s House tells us about the topaz crosses Charles brought back for his sisters.

There are great possibilities for future additions.

An Interview with Inger Brodey

Inger Brodey, who runs the Jane Austen Summer Program, tells us more about the project:

JAW: Inger, what gave you the idea for doing this website?

Inger: I was interested in Austen’s own creative process, and also in countering the myth that she was not well informed in the science and politics of her day. I found a kindred spirit in Sarah Walton, who was a grad student when we started. In the 1990s, both Sarah and I had been enchanted by JK Rowling’s website with clickable, magical elements on her desk to interact with. 

JAW: How is the website being funded?

Inger: We have received two rounds of funding from the National Endowment for the Humanities, and have applied for more. We intend to create a GoFundMe or Kickstarter campaign to seek private funding to support specific new developments, such as the learning games we have in mind. 

JAW: What are some parts you are excited about adding in the future?

Inger: The current setting is Spring 1813, while [Jane Austen] is writing Mansfield Park. Eventually we hope to add additional settings: for example, Summer or Winter 1814, when she was composing Emma; or Autumn, 1815, when Persuasion was in process. 

JAW: What are some parts that you and your team are finding challenging?

Inger: Well, it all takes much more time to create than one would imagine. We have a great team of programmers and designers, including the wonderful Harriet Wu who has drawn the site by hand. We constantly try to find the sweet spot where we can appeal to both scholars and the general public, and to all ages. Just as with our Jane Austen Summer Program, we also focus on providing tools for educators who wish to bring Jane Austen into the classroom. 

JAW: What other ideas do you have for expansion in the future?

Inger: As you can see on the site, there are many objects with potential to “animate” in the future. We are collaborating with Laura Klein to add music to the piano, Jennie Batchelor for sewing, and have plans for links to weather and agricultural information (via the scene out the window), tea culture (via the kettle), letter writing (via a folded letter), and many more. 

We applied for a grant to develop a state-of-the-art platform for navigating, reading, notating, and analyzing Austen’s novels, including the potential for crowd-sourced editions. 

As long as we can continue to find funding, I think this will be a lifelong project—there is so much potential to grow!

JAW: Thanks, Inger, we look forward to that!

The Desk, the Summer Program, and Online Talks

Gentle readers, I recommend you explore Jane Austen’s Desk. The website has not yet been configured for mobile phones, so you’ll need to access it on your computer or tablet.

When you’ve finished exploring, go back to the main page and take a survey, to possibly win a prize. The survey takes some thought and time, but you will get to give input for what you’d like to see in the future at this very helpful site.

The same Jane Austen Collaborative who created Jane Austen’s Desk also runs the Jane Austen Summer Program. This year it will be held June 19-22, 2025, in North Carolina. The theme is “Sensibility and Domesticity,” exploring “topics including medicine, birth, and domestic arts in Regency England and colonial North Carolina.” They will “focus on Austen’s first published novel, Sense and Sensibility—considering the birth of her career as a published writer as well as taking a transatlantic look at the world into which she was born.” I’m signed up, and would love to see some of you there!

Of course, even if you can’t get to North Carolina, you can always enjoy Jane Austen & Co.’s great offerings online. They are currently exploring Music in the Regency; I enjoyed a recent talk on Women & Musical Education in the Regency Era, by Kathryn Libin. Get on their mailing list for announcements of upcoming events.

They generously provide free access to recordings of their previous talks, on topics including “Austen and the Brontes,” “The Many Flavors of Jane Austen,” “Everyday Science in the Regency,” “Reading with Jane Austen,” “Asia and the Regency,” “Race and the Regency,” and “Staying Home with Jane Austen.” Something for everyone, it seems to me.

So much Jane Austen to enjoy!

Brenda S. Cox is the author of Fashionable Goodness: Christianity in Jane Austen’s England. She also blogs at Faith, Science, Joy, and Jane Austen.

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By Brenda S. Cox

“The Prices were just setting off for church the next day when Mr. Crawford appeared again. He came, not to stop, but to join them; he was asked to go with them to the Garrison chapel, which was exactly what he had intended, and they all walked thither together.”—Mansfield Park, chapter 42

The Garrison Chapel in Portsmouth, where the Price family and Henry Crawford worshiped.

Real Churches in Austen’s Novels

The Garrison Chapel (now called the Garrison Church) is one of a handful of specific, real churches Jane Austen mentions in her novels. 

  • In Northanger Abbey, John Thorpe passes “Walcot Church,” St. Swithin’s on the edge of Bath. We hear about the “church-yard” in Bath, adjacent to Bath Abbey, though the Abbey is not named. Catherine Morland looks for the “well-known spire” of Salisbury Cathedral on her way home. (See “Churches, Chapels, Abbeys, and Cathedrals in Northanger Abbey”.)
  • In Pride and Prejudice, Wickham and Lydia get married at St. Clement’s in London, possibly St. Clement Danes in London’s city of Westminster, or St. Clement Eastcheap, near London Bridge. By the way, it’s not clear which of those is the St. Clement’s of the old nursery rhyme about London church bells, which begins “Oranges and lemons, say the bells of St. Clement’s.” 
  • In Mansfield Park, Mary Crawford mentions St. George’s, Hanover Square (in Mayfair, London) as a place for weddings. Dr. Grant seeks a promotion to Westminster Abbey or St. Paul’s Cathedral (he gains a prebendal stall at Westminster). And the Prices attend church at the “Garrison Chapel” in Portsmouth.

All these churches can still be visited, though the Garrison Church is partly in ruins. (Have I missed any churches named in Austen’s novels? Let me know in the comments if you have noticed others!)

The Royal Garrison Church, now run by English Heritage, can be visited on certain days, April through October. Admission is free.

The Garrison Chapel in Portsmouth

What was the Garrison Chapel? It was called a chapel, not a church, at that time, since “church” meant the Church of England main church of a parish. There were several types of chapels. This one was an institutional chapel, connected to a certain place or group of people. It was the chapel for military troops serving in Portsmouth. Since Fanny Price’s father was a “lieutenant of marines,” this was the logical place for her family to worship.

Mansfield Park tells us, “In chapel they were obliged to divide, but Mr. Crawford took care not to be divided from the female branch.” Roger E. Moore, in Jane Austen and the Reformation, explains, “officers and sailors sit separately from civilians” (124). Presumably Fanny’s father joined his friends, his “brother loungers,” in one section, while his family, with Henry Crawford, sat in a different section.

Nave of the Garrison Church, originally a hospital, meaning a place of hospitality for the needy. Beds lined the sides. The roof was destroyed by bombing in World War II.

Origins

The Garrison Church building dates all the way back to 1212 A. D., over 800 years ago. The Bishop of Winchester founded it as a “hospital” called the “Domus Dei,” or “House of God.” It was not a place for medical care, but a place of hospitality. The poor, the ill, and people on pilgrimage could come there and find rest. Beds lined what later became the nave of the church.

Mass was said regularly in a chapel at the east end of the building. Residents would either attend services or listen from their beds if they could not stand. A priest was in charge, aided by twelve poor men or women. They helped look after visitors in exchange for bread, ale, and a place to stay.

According to Moore, the main hall was “surrounded by a complex of auxiliary buildings, including a master’s house and hall, kitchen, bakehouse, stable, and lodgings for the brothers and sisters who staffed it” (124-5). Income from nearby houses and land supported the work, just as medieval monasteries were supported by nearby properties.

Moore says that the mention of this place in Mansfield Park is significant. The “Domus Dei” (which later became the Garrison Chapel) gladly welcomed anyone who appeared there asking for entrance, regardless of social status. It is contrasted with Mansfield Park, where Mrs. Norris does not “gladly” welcome poor Fanny to the parsonage where she and her husband live. Even the Bertrams give Fanny only a small attic room, without even a fire for warmth. Moore also points out that when Fanny sees Henry in Portsmouth, she is impressed that he has been acting as a “friend to the poor and oppressed,” just as the brothers and sisters at the Domus Dei had done for many.

The author (Brenda Cox) at the entrance to the Garrison Church today. All visitors are welcome (at specified times), as in medieval times.

The hospital closed in 1540 when King Henry VIII suppressed the monasteries and other religious houses, including most such hospitals. Valuables were stripped from it, and the buildings were used to store munitions. Queen Elizabeth I expanded the fortifications at Portsmouth, made the large dormitory into a chapel for the garrison, and the rest of the buildings became the home of the garrison’s governor.

©Brenda S. Cox, 2024
Eagle lectern in the Garrison Church, from 1801, commemorates Queen Victoria. Eagles were often used for church lecterns, which held Bibles or the Book of Common Prayer. Eagles were believed to be able to look at the sun, just as Christians look directly into God’s Word. It is also the bird believed to fly closest to heaven, symbolizing carrying God’s Word around the world.
(Source: a guidebook in the church)

In 1826, the Governor’s house next to the chapel was demolished. Forty years later, restoration work began on the church (now called a church rather than a chapel), balancing “the original medieval appearance with Victorian needs and preferences,” according to a sign at the site. A new altar, pulpit, and stalls were added.

Garrison Church chancel today; furnishings are Victorian and later.

Garrison Church Today

The church was bombed in 1941, destroying much of the roof of the nave (the large hall that used to be the hospital). However, the smaller worship area, the chancel, survived and continued to be used. See this site for more about the church’s history. 

Stained glass windows with Bible themes above the altar of the Garrison Church, added in 1957.
Garrison Church stained glass windows, added in 1967, depicting its history. The founder is on the left. Bombing of the church is depicted in the center. The right panel shows St. Nicholas, patron saint of the church. St. Nicholas is the patron saint of sailors, merchants, and travelers, appropriate for this port city. Vice-Admiral Lord Nelson’s coat of arms and his ship HMS Victory are above and below St. Nicholas.
The choir stalls include memorials to soldiers killed in the Crimean War, and this one to Lord Nelson.

Apparently the church is still in use for occasional services for the military. It is open to the public on certain days and times, for free; check the website before going. 

In Portsmouth Harbor you can also visit HMS Victory, Lord Nelson’s ship, which is undergoing a thorough restoration. The cruise we took of the harbor was lovely. On the same day, my friends and I also visited Netley Abbey. Nearby Southampton has a few sites related to Austen. However, we were not allowed to enter the Dolphin Hotel, where she danced. You can only see it from the street.

There’s so much history and meaning in Jane Austen’s mildest references. I’m thankful for the many people who have preserved and kept alive the places that were important to Austen and to her characters, including the Garrison Chapel.

All photos ©Brenda S. Cox, 2024. Please ask permission before using.

Sources

Roger E. Moore, Jane Austen and the Reformation

Excellent signs and booklet at the church

Garrison Church website

Real Churches in Austen’s Novels and Letters

Garrison Chapel

St. Swithin’s, Walcot and other churches in Northanger Abbey

St. George’s, Hanover Square

London Churches

St. Paul’s, Covent Garden: Actors’ Church

Austen Family Churches

Steventon

Chawton

Deane

Hamstall Ridware and Austen’s First Cousin, Edward Cooper

Adlestrop and the Leigh Family

Stoneleigh Abbey Chapel and Mansfield Park

Great Bookham and Austen’s Godfather, Rev. Samuel Cooke

Ashe and the Lefroy Family

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