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Archive for the ‘18th Century England’ Category

Last month, we explored the route Elizabeth Bennet and Mr. and Mrs. Gardiner took on their journey to Derbyshire through Oxford, Blenheim, Warwick, Kenilworth, and Birmingham. This month, we begin our exploration of their time in Derbyshire, so that we might catch a glimpse of what travelers during Austen’s time would have seen when visiting there.

Austen first gives the details of their journey to Derbyshire:

It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay—Oxford, Blenheim, Warwick, Kenilworth, Birmingham, etc., are sufficiently known. A small part of Derbyshire is all the present concern.

Elizabeth Bennet (Jennifer Ehle) and Mrs. Gardiner (Joanna David), Pride and Prejudice (1995).

The Picturesque Tour

Scholars agree that Austen almost certainly never visited Derbyshire, so then how did she know so much about it? First, from William Gilpin’s popular book, Observations on Several Parts of England: particularly the mountains and lakes of Cumberland and Westmoreland: relative chiefly to picturesque beauty (1786), which made Matlock, Chatsworth, and Dovedale household names across England.

Elizabeth Bennet’s fictional visit to Derbyshire was also quite common during Austen’s lifetime. During the Napoleonic Wars, the Grand Tour of Europe wasn’t possible, so many genteel English travelers explored England more fully, traveling to seaside resorts and into Wales, the Lake District, and Derbyshire.

Guidebooks circulated widely as well in genteel circles, with engravings of Chatsworth, Dovedale, and Matlock Bath appearing in fashionable drawing rooms. Finally, Austen may have also heard about these destinations from friends or acquaintances who had traveled there.

Gilpin, William. Observations on Several Parts of England, Particularly the Mountains and Lakes of Cumberland and Westmoreland, Relative Chiefly to Picturesque Beauty, Made in the Year 1772. Vol. 2. London: T. Cadell and W. Davies, 1808. First published 1786. p. 176.

Derbyshire:

While in Derbyshire, this is what Austen tells us they were to see and why it was of such interest to Mrs. Gardiner:

. . .they were obliged to give up the Lakes, and substitute a more contracted tour; and, according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.

Below is a detailed map of Derbyshire from 1627 that can help us to visualize the location of each site:

Pieter van den Keere, Map of Derbyshire, 1627. Public domain via Wikimedia Commons.

We know that Elizabeth did, in fact, visit Matlock and Dovedale because she and Mr. Darcy talk at length about where she has traveled and what she has seen:

He then asked her to walk into the house—but she declared herself not tired, and they stood together on the lawn. At such a time much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dovedale with great perseverance. Yet time and her aunt moved slowly—and her patience and her ideas were nearly worn out before the tête-à-tête was over.

With their conversation in mind, let us explore Matlock and Dovedale to find out what Elizabeth might have discussed with Mr. Darcy on their walk.

Elizabeth (Jennifer Ehle) and Mr. Darcy (Colin Firth) walking at Pemberley, Pride and Prejudice (1995).

Matlock

Matlock (and nearby Matlock Bath) are located on the south-east edge of the Peak District alongside the River Derwent. One of the reasons people visited Matlock Bath was for its natural thermal springs, which became popular and fashionable in the late 17th century. Much like visiting Bath to “take the waters,” aristocratic people visited Matlock Bath for the same reason: hoping for the health benefits of the springs.

In Molly Gorman’s, “A Guide to Jane Austen’s Derbyshire, England” (BBC Travel, April 20, 2025), she says this:

Austen was likely well aware of the town’s famed thermal waters. When Bennet enters Derbyshire with apprehension about seeing Darcy, she says, “But surely … I may enter his county without impunity and rob it of a few petrified spars without his perceiving me.” Austen might have been referring to Matlock Bath’s petrifying well – where the mineral-rich thermal water, turns objects into stone.

Gorman goes on to share what Elizabeth might have seen while visiting the area:

Matlock is also popular with walkers as it lies in a valley of the River Derwent. Pride and Prejudice fans may opt to explore the fittingly named Lovers’ Walks, a series of footpaths along the riverside, or if you’d prefer something more challenging, there are also trails that go up and over the wooded cliffs. But perhaps the most famous tourist attraction is the Heights of Abraham, where you can take a mountain cable car to the top of Masson Hill, a 60-acre hilltop estate with a panoramic view of the surrounding valley and town below.

Though we have no textual proof that Elizabeth and the Gardiners took the waters, we can imagine that they would have certainly enjoyed exploring such a naturally beautiful location.

François Vivares, Matlock in Derbyshire, engraving, 18th century. Public domain via Wikimedia Commons.

Dovedale

Dovedale is considered one of the most romantic landscapes in England. It includes a limestone valley with a dramatic ravine carved by the River Dove. Craggy cliffs rise up dramatically above the water. Many have painted and photographed it over the years, trying to capture its beauty.

This area drew visitors long before the Regency era and throughout Jane Austen’s lifetime–and it still does today. During the time Elizabeth Bennet would have traveled through Derbyshire, Dovedale was a popular destination for tourists, especially given the wild, rugged scenery that was prized during the Romantic era. Artists gathered there to sketch its ravines, woodlands, rock formations, and limestone caves. The river was also famous for its fishing, and Austen and her contemporaries would have been familiar with it because of Izaak Walton’s book, The Compleat Angler (1653).

Today, the National Trust owns the valley, and it has been a National Nature Reserve since 2006, recognized for its rare wildflowers, ash woodlands, and wildlife and fish. There is also a set of famous stepping stones, placed in the 1890s, that create a path across the river.

It’s wonderful to think about Elizabeth Bennet exploring this area, especially given her love of nature and long walks. Surely, the scenery would have inspired and refreshed her soul.

Joseph Wright of Derby, Dovedale by Moonlight, oil on canvas, c. 1784–85. Museum of Fine Arts, Houston. Public domain via Wikimedia Commons.
Dovedale Stepping Stones, Derbyshire, England, photochrome print postcard, c. 1890–1900. Library of Congress. Public domain via Wikimedia Commons.

More of Elizabeth Bennet’s Travels

Though Elizabeth did not make it to the Lake District, she certainly would have seen an abundance of breathtaking landscapes and rugged wilderness to spur on her imagination. Perhaps she was already falling in love with Derbyshire, long before her visit to Pemberley.

Next month, we’ll explore more of Elizabeth Bennet’s travels. We’ll take a closer look at Chatsworth, the Peak District, and Bakewell, a small village that many scholars believe might have been Austen’s inspiration for Lambton.

Until then, let us remember fondly Elizabeth’s famous words, “What are men to rocks and mountains?”


Rachel Dodge teaches writing classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables DevotionalThe Little Women DevotionalThe Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. She has narrated numerous book titles, including the Praying with Jane Audiobook with actress Amanda Root. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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This is the time of year when I start to dream of traveling to England or other beautiful places over the summer. I know just how Elizabeth Bennet felt when looking forward to her trip with her Uncle and Aunt Gardiner.

What a delightful thought! Anticipation is half the joy of any exciting pursuit. Her words could not be more true:

Her tour to the Lakes was now the object of her happiest thoughts: it was her best consolation for all the uncomfortable hours which the discontentedness of her mother and Kitty made inevitable; and could she have included Jane in the scheme, every part of it would have been perfect.

“But it is fortunate,” thought she, “that I have something to wish for. Were the whole arrangement complete, my disappointment would be certain. But here, by carrying with me one ceaseless source of regret in my sister’s absence, I may reasonably hope to have all my expectations of pleasure realized. A scheme of which every part promises delight can never be successful; and general disappointment is only warded off by the defence of some little peculiar vexation.”

A view of the Lake District: Parker, John. Ullswater from Above Patterdale. 1825. Wikimedia Commons.

Travel Plans

Like many of us who have had our plans amended, Elizabeth has high expectations of all they might see on their trip, but eventually she finds contentment in the final plans to visit Derbyshire and the Peak District but not venture to the Lakes:

…they were obliged to give up the Lakes, and substitute a more contracted tour; and, according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.

Most of us can relate to Elizabeth’s feelings on the topic:

Elizabeth was excessively disappointed: she had set her heart on seeing the Lakes; and still thought there might have been time enough. But it was her business to be satisfied—and certainly her temper to be happy; and all was soon right again.

Wright of Derby, Joseph. Dovedale by Moonlight. c.1784–1785, oil on canvas. Wikimedia Commons.

Travel Route

Her trip was revised, but there was still much for her to see. I’ve always been intrigued by this paragraph that tells us about the route they took on their way to Derbyshire, for there would have been many interesting sights along the way:

It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay—Oxford, Blenheim, Warwick, Kenilworth, Birmingham, etc., are sufficiently known. A small part of Derbyshire is all the present concern.

If Elizabeth and the Gardiners stopped along the way, what might these locations have looked like at the time? Most scholars agree that this trip would have taken several days, which means they would have had to change horses several times and stop for food and rest and lodging. It’s fun to imagine what all they saw and where they stopped, though we know they would have wanted as much time as possible in Derbyshire.

For anyone curious about how far and how fast people could travel in Jane Austen’s England, I highly recommend Wade H. Mann’s article, “Distance and Time in Regency England” on Quills & Quartos. It breaks down the realities of journeying by carriage, horseback, and foot, giving a clear sense of the distances and travel times that shaped the world Austen’s characters inhabited.

Pollard, James. London to Brighton Stage Coach. c. 1822, coloured aquatint, engraved by Matthew Dubourg (attributed), Wikimedia Commons.

Oxford

Austen’s contemporary readers would have recognized Oxford as a center of learning and culture. High Street and Cornmarket Street bustled with shops, inns, and markets. The architecture would have also been of interest. There are many gardens and parks to explore and walk, museums and libraries, and several religious sites. There would have been much for Elizabeth and the Gardiners to experience along the way.

High Street, Oxford, J. M. W. Turner, Wikipedia, 1810.

Blenheim

Blenheim Palace, the seat of the Dukes of Marlborough (which would later become the birthplace of Winston Churchill), was also on the route. As we see later when Elizabeth and the Gardiners visit Pemberley, by the late 18th and early 19th centuries, many famous estates in England had become informal tourist attractions. Wealthy travelers, and even respectable middle-class visitors, often toured grand houses while traveling through the countryside.

Morris, F. O. Blenheim Palace. 1880. Wikimedia Commons.

Warwick

Today, Warwick is a lovely little village, and the castle is one of my favorite sites to visit. During Austen’s time, Warwick Castle would have boasted recent new landscaping by Lancelot “Capability” Brown (1716–1783). Warwick Castle’s grounds were redesigned in the 18th century, and Brown’s landscapes created sweeping lawns, gentle vistas, and picturesque trees. Visitors like Elizabeth Bennet might have enjoyed exploring the grounds.


Canaletto. Warwick Castle, the East Front from the Courtyard. Birmingham Museum and Art Gallery, Wikimedia Commons.

Kenilworth

Kenilworth Castle, already a famous historic ruin during the Regency Era, offered visitors sweeping views, crumbling walls, and picturesque gardens. Tourists like Elizabeth Bennet might have strolled the grounds and enjoyed the romantic, dramatic scenery that made it a highlight of Warwickshire travel.

Turner, Joseph Mallord William. Kenilworth Castle. c. 1830, watercolour, bodycolour, and graphite on paper. Fine Arts Museums of San Francisco. Wikimedia Commons.

Finally, in Austen’s day, Birmingham was a bustling market and industrial town rather than a landscaped estate. Travelers might stop for lodging, shopping, or supplies, experiencing the commerce of an emerging urban center instead of picturesque grounds or aristocratic architecture.

Derbyshire

Once they arrive in Derbyshire, we know whom Elizabeth and the Gardiners visit and what they see. Unlike Elizabeth Bennet, most of us will never enjoy living at such a glorious estate as Pemberley. But we can visit many of the real, historic sites. And if we’re very lucky, perhaps we might be invited to visit a historic estate or home one day, such as my visit to Sherbourne Park.

Most of all, Elizabeth’s travels remind us that the journey is often just as important and interesting as the destination. Unless, of course, Mr. Darcy is waiting at one of those destinations.

Tune in for more about Elizabeth’s travels in the coming months!


Rachel Dodge teaches writing classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables DevotionalThe Little Women DevotionalThe Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. She has narrated numerous book titles, including the Praying with Jane Audiobook with actress Amanda Root. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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Vic’s DVD Set

Inquiring readers: At the end of 2010, PBS sent Jane Austen’s World blog many DVDs for review. Most dealt with Jane Austen or the Georgian/Regency era. Close to fifteen years have passed since the series “At Home With the Georgians” first aired in the US. Recently I started to think that a new audience of Jane Austen fans might not be aware of this marvelous series, which presented the private lives, courtships, and marriages of Georgian men and women in 18th Century England. This series was developed in a variety of ways: by reading original sources, such as letters, discussions with experts, museum displays, and visiting the houses and regions where the British from all classes once lived. 

This three part series is based on Amanda Vickery’s book, Behind Closed Doors: At Home in Georgian England, a thoroughly informative and academic effort. Vickery is also the host of this visually stunning show. About the Georgian household she states that a home “reflected your taste, your values, your moral character, and the state of your marriage.” This concise introduction sums up the series. A man’s home ownership determines his position. For example, a rented home could determine his status. If he rented the entire house, from top to bottom, he could not only attract a wife, he would  also be viewed as a full citizen qualified to vote. Bachelors who rented rooms in squalid areas of town, were at the bottom of the matrimonial ladder, always yearning to improve their circumstances.

Bachelor fantasizing about a home and family. (DVD scene)

Marrying well was the major focus for Georgian women. Spinster ladies who were unsuccessful in finding a husband, led lives of dependency. Austen described their lot beautifully in her letters and novels.

Gertrude Saville, a very sad spinster (DVD Scene)

Finding a husband and raising a family were a Georgian woman’s main ambitions. As for the man, all he really needed for happiness was “a wife and a fire.” His primary focus early in life was to set up the kind of household that enabled him to woo a woman successfully. 

A proper Georgian Family. Thomas Hudson,The Thistlethwayte Family, ca. 1758. Yale Center for British Art

The third video has a much darker tone than the first two, but its content is equally as fascinating. In it, Vickery discusses how the home provided safety during the night, especially in cities, towns, and rural communities that were dark after sundown and badly lit at night in an age before electricity.

Georgian dress with chatelaines attached to her bodice and skirt

While the wife carried the keys and other instruments, such as sewing scissors, inside the home during the day to perform her housewifely duties (notice the instruments attached to the bodice in the image), the husband’s responsibility was to walk around the house every night, and lock the doors and windows to prevent intruders from entering. As the 18th century progressed, crimes, including relatively minor ones of theft, were punished more harshly. Serious robberies and break ins led increasingly to brutal imprisonment or a death sentence. 

The “At Home With the Georgians” videos are divided into the following three topics. Click on the links to read our full reviews.

  1. A Man’s Place, reviewed by Vic. Read it at this link.
  2. A Woman’s Touch, reviewed by Tony Grant, a frequent contributor to this blog. Read it at this link.
  3. Safe as Houses, reviewed by Vic, with photo contributions from Tony Grant. Read it at this link.

Where to view the videos today

DVDs of these videos are available at Amazon and eBay. Roku Channel and Tubi offer free views, although if I recall correctly, they come with ads. One YouTube channel features at least the first two videos: A Man’s Place and A Woman’s Touch. Click on soniab1’s YouTube channel to see them.

About Amanda Vickery

Amanda Vickery reading letters & documents

Amanda Jane Vickery FBA is an English historian, writer, radio and television presenter, and professor of early modern history at Queen Mary, University of London. Source: Wikipedia

About her Book

Podcast talks with Amanda Vickery, Blackwell’s Bookshops – around 20 min total

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Reviewed by Brenda S. Cox

“I have seen nobody in London yet with such a long chin as Dr Syntax” (Jane Austen, March 2, 1814).

I just finished reading, cover to cover, a brand-new book which is over 200 years old. The Tour of Doctor Syntax in Search of the Picturesque, by William Combe, is a classic which Jane Austen herself enjoyed. But it’s out in a new edition, with wonderful illustrations, explanations, and comments.

A fun new annotated version of The Tour of Doctor Syntax, including parallels with Jane Austen’s novels!

The story in verse was first published from 1809-1811 as a series in Ackermann’s Poetical Magazine. Ackermann had a series of prints by the great caricaturist Thomas Rowlandson. They featured a country clergyman with a long pointed chin and a tall white wig traveling through the countryside. Ackermann gave Combe the illustrations for each issue of the magazine, and Combe wrote a section of the story to go with them. He didn’t know ahead of time what the pictures would be for the next issue, but somehow he came up with a coherent story. One interesting facet is that Rowlandson apparently intended to satirize the clergy, but Combe made Syntax into a good, learned man, a little silly, but lovable.

A book version came out in 1812. Dr. Syntax was wildly popular and stayed in print, with multiple printings and editions, well into the 1800s.

This new version of The Tour of Doctor Syntax was edited and annotated by an advanced high school class and their professor, Dr. Ben Wiebracht. Ben actually discovered Dr. Syntax through one of my posts right here at Jane Austen’s World. Recognizing its potential for his class on “Jane Austen and Her World,” he asked Vic Sanborn, owner and primary writer of this website, and myself, to share with his class. Vic owns some lovely Rowlandson prints. We both loved connecting with such bright and interested students, who asked knowledgeable questions.

The Book

They’ve done a brilliant job with the book. It starts with a biography of William Combe and the history of the book itself. Combe’s challenges as a writer in Austen’s age were fascinating to me, as a writer myself. A clear introduction explains “the picturesque,” which is mentioned in Austen’s novels. Parallel to the text are straightforward explanations of difficult terms and phrases. That makes them easy to quickly reference. A glossary in the back gives terms previously defined.

The best part, for me, are comments pointing out parallels with Jane Austen’s work. I can’t even begin to list these, but there are many great insights. Some are about the clergy in Austen’s work, since Syntax is an underpaid country curate like Charles Hayter of Persuasion. Many comments have to do with the “picturesque,” “improvement” and country estates ranging from Sotherton to Pemberley. Others relate to the class system, Gothic novels, and other topics.

The full text of the poem/story is opposite explanations, comments, and illustrations, making them easy to access. The Tour of Doctor Syntax, 2024.
“Doctor Syntax Tumbling into the Lake,” by Thomas Rowlandson. One of the lovely full-page illustrations for this new version of The Tour of Doctor Syntax.
Victorian illustration, 1838, of the same scene, by Alfred Crowquill. The Tour of Doctor Syntax includes both the Rowlandson and Crowquill illustrations.

I also loved the illustrations. The editors chose the best versions they could find of each of the full-page, hand-colored pictures by Rowlandson that were the basis of the book. They added illustrations from a later Victorian version, as well as other entertaining and illuminating cartoons and pictures from the time.

Interview with the Editor

I’ll let Dr. Wiebracht himself tell you more about how this book came about.

Ben, please tell me about your class that produced this book.

The class is called “Jane Austen and Her World” and it’s designed for advanced juniors and seniors. The goal is to see Austen’s novels not as sealed-off masterpieces, floating in a historical vacuum, but as windows into her world. Most class days, our Austen reading is accompanied by shorter texts designed to create a sense of context and show how Austen was in conversation with her contemporaries. For instance:

  • We pair Austen’s account of Bath in Northanger Abbey with a number of late 18th-c. satires of Bath, 18th-c. dance music, and illustrations of the city by Rowlandson and others.
  • We pair Catherine’s pseudo-Gothic adventures in Vol. II with excerpts from The Monk, The Castle of Otranto, and The Mysteries of Udolpho.
  • We pair the private theatricals in Mansfield Park with a viewing of a performance of Lover’s Vows, as well as specimens of anti-theatrical criticism from the period, including a satire on private theatricals by Jane’s brothers!
  • We pair the discussion of landscape gardening in Mansfield Park with images from Humphry Repton’s famous “red books” showing “before and after” estate grounds.

The idea is to understand Austen in a deeper way by developing the practice of “reading outward.” And we incorporate that principle in our work for the class. Instead of the usual school essays, students work with me to create a critical edition of a neglected text from Austen’s time, with annotations and other resources that draw connections between the text and Austen’s life and work.

The class enrolled 16 students (the maximum). They hailed from all over the country and world: Japan, China, and many different U.S. states. This was my first time teaching the course, though I developed the core ideas in an Austen unit for a previous course. In the future, I will probably teach the course every three years. The book project in particular is a heavy lift, and I’m not capable of it every year!           

How did you end up studying Dr. Syntax along with Jane Austen?

I have to back up a bit here. In the course of an Austen unit for a previous class, students and I had created a critical edition of a long-forgotten 1795 poem called Bath: An Adumbration in Rhyme. We used that book to launch a new series called “Forgotten Contemporaries of Jane Austen.” Its goals are:

  • to recover neglected but valuable texts from Austen’s time, and
  • to trace new connections between Austen and her contemporaries.

As I was preparing my Austen class, I settled on Doctor Syntax (first brought to my attention in JAW by one of your articles!) for three reasons.

  • First, the poem had undeniable literary-historical importance – one of the all-out bestsellers of the Regency. A critical edition, I thought, was long overdue.
  • Second, many of its themes – from the plight of poor clergy to the “picturesque” – were major concerns of Austen’s novels, too.
  • Finally, the poem was simply a really good read. Combe’s verses are light, fun, and at times even touching, and Rowlandson’s accompanying illustrations are some of his best work. In every way, the poem deserved to be revived!

What do you hope readers will gain from the book?

There are a lot of things I hope people take away! One would be a deeper appreciation of just how engaged Austen was in the debates and issues of her day. Sometimes Austen is talked about as something of a provincial writer, sealed off from the wider Regency world, modestly toiling away on her “pictures of domestic life in country villages,” as she once put it. But when we keep in mind just how much of a smash hit Doctor Syntax was, and when we consider the many, many parallels between this work and Austen’s novels, which our edition lays out in detail, then we see Austen differently. She now starts looking like a very savvy writer, who understood what the major issues of the day were, what readers were interested in. To be sure, she stuck to her convictions and drew on her own experience and observations, but she did so in a way designed to appeal to a broad, national readership.

I’m also excited for people to meet this poet William Combe, who had one of the most interesting lives of any Regency writer. He was a remarkable literary talent. He doesn’t fit the mold of the “Romantic poet,” which is one reason he might be overlooked. Instead he offers a light, generous humor that shows us that Regency poetry wasn’t all about Byronic heroes and Wordsworthian dreamers. There was a sociable, comic side to the poetry of the period. Combe represents that comic side particularly well.

Finally, I would love it if this book inspired other teacher-scholars to undertake collaborative research with their students – especially at the upper-high-school level. There are so many benefits. For students, it’s a more rewarding and enjoyable approach to literary scholarship than the usual school essays. For teachers, it’s a welcome relief from the role of “judge/grader” – instead you get to teach through co-creation, as is done in most trades through the apprenticeship model. And for the reading public, there’s the benefit of the work produced! I am convinced that student involvement, with the right guidance and leadership from the teacher, leads to better scholarship. It certainly has in my experience.

By the way, while we don’t offer a Kindle edition, we do offer a free etext in the form of a downloadable PDF on our website. We decided from the beginning to be an open-access publisher, in part to make it easier for teachers with low-income students to assign our books. The best way to use the e-text is to enable the 2-page view in your pdf reader – that way the text and notes are neatly parallel, as in the physical book. The etext can also be used as a supplement to the physical book – for instance if you want to do a text search for a particular word.

How did you and the students share the work on this project?

Each student was responsible to annotate one of the poem’s 26 cantos, about ten pages of text. I did the other ten cantos myself. Students also had one or more additional responsibilities, which included:

  • Researching aspects of Combe’s life
  • Researching Gilpin and the picturesque
  • Compiling chronologies
  • Drawing maps
  • Designing the cover
  • Editing the text according to scholarly standards

My job was twofold. First, I offered regular feedback on work in progress, helping students learn how to navigate library databases, write good, concise annotations, etc. I also did the parts of the book that were a bit beyond the reach of high-school students, even excellent ones, which all the students who worked on this book were! For example, I wrote most of the introductory materials, as well as some of the trickier annotations. I helped with the final prose, too, to ensure continuity of voice. That doesn’t mean, though, that the best stuff is mine. Many of the best, most insightful annotations in the book are entirely by students, and every one of my students has some of their own writing, their own voice in the final book – which was a major priority for me. And just as students benefited from my feedback, I benefitted from theirs. They fully earned their editor credits in the final book.

Final Thoughts

Dr. Wiebracht and his class did an amazing job. I highly recommend this book, which is available on Amazon and from Jane Austen Books at a discount. I have not yet read the earlier book in the series, Bath: An Adumbration in Rhyme, but now I want to get hold of that and read it, too!

If you’re at the JASNA AGM this month, you can hear Ben and some of his students speak, and get them to sign your copy of the book. (Unfortunately I’m speaking in a slot opposite theirs, as well as other excellent speakers at that time, so you’ll have to choose! It’s always challenging.) Their talk is also available in the virtual version of the AGM.

The price is very reasonable for a book with color illustrations. I hope you’ll get a chance to enjoy and learn from this lovely book!

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As we continue our month-by-month journey through Jane Austen’s novels, letters, and lifetime, we find ourselves in the lovely month of April! If you’re just jumping on the bus, you can find previous articles in my “A Year in Jane Austen’s World” series here: JanuaryFebruary, and March.

Let’s see what we find as we explore April in Jane Austen’s World! First up, our monthly view of Chawton House and Gardens, where the tulips are beginning to bloom!

Chawton House in April, Photo: @ChawtonHouse.

April in Hampshire

April is when everything starts to come back to life and bloom in Hampshire. The trees boast new leaves, the roads and lanes are lined with green, and flowers and trees are in blossom. The weather ranges from cloudy to partly cloudy to partly sunny to rainy.

Why talk about the flowers and the weather? Because it’s fun to picture some of the details about Hampshire that Austen loved and that we can still enjoy today!

The badness of the weather disconcerted an excellent plan of mine,—that of calling on Miss Beckford again; but from the middle of the day it rained incessantly.

Letter to Cassandra, Sloane St., Thursday (April 18, 1811)

Your lilacs are in leaf, ours are in bloom. The horse-chestnuts are quite out, and the elms almost. I had a pleasant walk in Kensington Gardens on Sunday with Henry, Mr. Smith, and Mr. Tilson; everything was fresh and beautiful.

Letter to Cassandra, Sloane St., Thursday (April 25, 1811)

Here is a glimpse of Jane Austen’s House Museum this month. The garden is looking absolutely lovely already!

Jane Austen’s House in April, Photo: @JaneAustensHouse.

April in Jane Austen’s Letters

We have two letters from April 1811 when Jane was staying with her brother in Sloane Street in London. The following are a few excerpts of special interest:

April 18, 1811 Letter: Sloane Street

  • Her spring shopping purchases: “I am sorry to tell you that I am getting very extravagant, and spending all my money, and, what is worse for you, I have been spending yours too; for in a linendraper’s shop to which I went for checked muslin, and for which I was obliged to give seven shillings a yard, I was tempted by a pretty-coloured muslin, and bought ten yards of it on the chance of your liking it; but, at the same time, if it should not suit you, you must not think yourself at all obliged to take it; it is only 3s. 6d. per yard, and I should not in the least mind keeping the whole. In texture it is just what we prefer, but its resemblance to green crewels, I must own, is not great, for the pattern is a small red spot. And now I believe I have done all my commissions except Wedgwood.”
  • More walking and shopping: “I liked my walk very much; it was shorter than I had expected, and the weather was delightful. We set off immediately after breakfast, and must have reached Grafton House by half-past 11; but when we entered the shop the whole counter was thronged, and we waited full half an hour before we could be attended to. When we were served, however, I was very well satisfied with my purchases — my bugle trimming at 2s. 4d. and three pair silk stockings for a little less than 12s. a pair.”
  • News about their brothers and their careers in the Navy: “Frank is superseded in the ‘Caledonia.’ Henry brought us this news yesterday from Mr. Daysh, and he heard at the same time that Charles may be in England in the course of a month. Sir Edward Pollen succeeds Lord Gambier in his command, and some captain of his succeeds Frank; and I believe the order is already gone out. Henry means to inquire farther to-day. He wrote to Mary on the occasion. This is something to think of. Henry is convinced that he will have the offer of something else, but does not think it will be at all incumbent on him to accept it; and then follows, what will he do? and where will he live?”
The HMS Caledonia was a 120-gun first-rate ship of the line of the Royal Navy, launched on 25 June 1808 at Plymouth. Wikipedia.

April 25, 1811 Letter: Sloane Street

  • Austen’s progress with and thoughts about Sense and Sensibility: “No, indeed, I am never too busy to think of S. and S. I can no more forget it than a mother can forget her sucking child; and I am much obliged to you for your inquiries. I have had two sheets to correct, but the last only brings us to Willoughby’s first appearance. Mrs. K. regrets in the most flattering manner that she must wait till May, but I have scarcely a hope of its being out in June. Henry does not neglect it; he has hurried the printer, and says he will see him again to-day. It will not stand still during his absence, it will be sent to Eliza.”
  • Plenty of wonderful details about a party hosted by Henry and Eliza: “Including everybody we were sixty-six — which was considerably more than Eliza had expected, and quite enough to fill the back drawing-room and leave a few to be scattered about in the other and in the passage.”
  • “The music was extremely good. It opened (tell Fanny) with ‘Poike de Parp pirs praise pof Prapela’; and of the other glees I remember, ‘In peace love tunes,’ ‘Rosabelle,’ ‘The Red Cross Knight,’ and ‘Poor Insect.’ Between the songs were lessons on the harp, or harp and pianoforte together; and the harp-player was Wiepart, whose name seems famous, though new to me. There was one female singer, a short Miss Davis, all in blue, bringing up for the public line, whose voice was said to be very fine indeed; and all the performers gave great satisfaction by doing what they were paid for, and giving themselves no airs. No amateur could be persuaded to do anything.”
  • “The house was not clear till after twelve. If you wish to hear more of it, you must put your questions, but I seem rather to have exhausted than spared the subject.”
64 Sloane Street in London. Photo Credit: © Ingrid M Wallenborg, GuideLondon.org.

April in Jane Austen’s Novels

The following are a collection of interesting details and scenes that occur in (or refer to) the month of April in Austen’s novels. Springtime appears to be a good time for travel, walking, and riding as the weather slowly improves:

Sense and Sensibility

  • The Palmers, Mrs. Jennings, and the Dashwood sisters leave London for Cleveland in April (for the Easter holidays): “Very early in April, and tolerably early in the day, the two parties from Hanover Square and Berkeley Street set out from their respective homes, to meet, by appointment, on the road. For the convenience of Charlotte and her child, they were to be more than two days on their journey, and Mr. Palmer, travelling more expeditiously with Colonel Brandon, was to join them at Cleveland soon after their arrival.”

Pride and Prejudice

  • Darcy proposes again and refers to his first April proposal to Elizabeth Bennet (he surely remembers that date VERY well): “You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever.”

Mansfield Park

  • Fanny is left without fitting exercise: “[The Miss Bertrams] took their cheerful rides in the fine mornings of April and May; and Fanny either sat at home the whole day with one aunt, or walked beyond her strength at the instigation of the other: Lady Bertram holding exercise to be as unnecessary for everybody as it was unpleasant to herself; and Mrs. Norris, who was walking all day, thinking everybody ought to walk as much.”
  • Sir Thomas’s letter home: “[Sir Thomas] wrote in April, and had strong hopes of settling everything to his entire satisfaction, and leaving Antigua before the end of the summer.”
  • Fanny Price in Portsmouth: “The end of April was coming on; it would soon be almost three months, instead of two, that she had been absent from them all, and that her days had been passing in a state of penance, which she loved them too well to hope they would thoroughly understand; and who could yet say when there might be leisure to think of or fetch her?”
  • Fanny’s thoughts on springtime in the countryside versus the congested town: “It was sad to Fanny to lose all the pleasures of spring. She had not known before what pleasures she had to lose in passing March and April in a town. She had not known before how much the beginnings and progress of vegetation had delighted her. What animation, both of body and mind, she had derived from watching the advance of that season which cannot, in spite of its capriciousness, be unlovely, and seeing its increasing beauties from the earliest flowers in the warmest divisions of her aunt’s garden, to the opening of leaves of her uncle’s plantations, and the glory of his woods. To be losing such pleasures was no trifle; to be losing them, because she was in the midst of closeness and noise, to have confinement, bad air, bad smells, substituted for liberty, freshness, fragrance, and verdure, was infinitely worse: but even these incitements to regret were feeble, compared with what arose from the conviction of being missed by her best friends, and the longing to be useful to those who were wanting her!

Northanger Abbey

  • Isabella writes a “very unexpected letter” to Catherine.

Emma

  • Mrs. Elton pressures Jane to find a position as a governess very soon so that she doesn’t miss her chance: “But, my dear child, the time is drawing near; here is April, and June, or say even July, is very near, with such business to accomplish before us. Your inexperience really amuses me! A situation such as you deserve, and your friends would require for you, is no everyday occurrence, is not obtained at a moment’s notice; indeed, indeed, we must begin inquiring directly.”
  • For the introverts among us: “John Knightley only was in mute astonishment.—That a man (Mr. Weston) who might have spent his evening quietly at home after a day of business in London, should set off again, and walk half a mile to another man’s house, for the sake of being in mixed company till bed-time, of finishing his day in the efforts of civility and the noise of numbers, was a circumstance to strike him deeply. A man who had been in motion since eight o’clock in the morning, and might now have been still, who had been long talking, and might have been silent, who had been in more than one crowd, and might have been alone!—Such a man, to quit the tranquillity and independence of his own fireside, and on the evening of a cold sleety April day rush out again into the world!
Mrs. Elton and Jane Fairfax in Emma (1996).

April Dates of Importance

This brings us now to several dates that would have been important to Austen personally and to the Austen family as a whole:

Family News:

26 April 1764: Rev. George Austen marries Cassandra Leigh.

23 April 1774: Francis (Frank) Austen (Jane’s brother) born at Steventon.

April 1786: Francis Austen enters the Royal Naval Academy at Portsmouth

15 April 1793: James Austen’s first child, Anna, is born.

Historic Dates:

19 April 1775: The Battle of Lexington marks the start of America’s Revolutionary War.

Writing:

April 1811: Austen continues to correct proofs of Sense and Sensibility. She anticipates its publication date.

Sorrows:

22 April 1813: Eliza de Feuillide (Austen’s cousin and, later, sister-in-law) ill. Jane Austen goes to her bedside in London to help attend to her.

25 April 1813: Eliza de Feuillide dies.

27 April 1817: Austen drafts her will:

“I Jane Austen of the Parish of Chawton do by this my last Will & Testament give and bequeath to my dearest Sister Cassandra Elizth everything of which I may die possessed, or which may be hereafter due to me, subject to the payment of my Funeral Expences, & to a Legacy of £50. to my Brother Henry, & £50. to Mde Bigeon–which I request may be paid as soon as convenient. And I appoint my said dear Sister the Executrix of this my last Will & Testament.”

April Showers

As we continue through the year, one of the highlights for me has been surveying the photos of the gardens at Chawton House and Jane Austen’s House each month and seeing the changes therein. I hope these April showers will bring many beautiful May flowers next month as we continue our tour of Hampshire in the spring with May in Jane Austen’s World!


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women DevotionalThe Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Now Available: The Secret Garden Devotional! You can visit Rachel online at www.RachelDodge.com.

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