I am a Mary Crawford fan. This likable, complex woman with malleable ethics, who attracted then repelled the staid and rather wooden Edmund Bertram, is more interesting to me than Fanny Price, the novel’s heroine. Of all the scenes in Mansfield Park, I am particularly drawn to this one from Volume 3, Chapter 16. In it, Edmund Bertram is speaking to Fanny Price, relating the conversation he had with Mary Crawford, in which his eyes to her true character were opened:
He had seen Miss Crawford. He had been invited to see her. He had received a note from Lady Stornaway to beg him to call; and regarding it as what was meant to be the last, last interview of friendship, and investing her with all the feelings of shame and wretchedness which Crawford’s sister ought to have known, he had gone to her in such a state of mind, so softened, so devoted, as made it for a few moments impossible to Fanny’s fears, that it should be the last. But as he proceeded in his story, these fears were over. She had met him, he said, with a serious—certainly a serious—even an agitated air; but before he had been able to speak one intelligible sentence, she had introduced the subject in a manner which he owned had shocked him. “‘I heard you were in town,’ said she—’I wanted to see you. Let us talk over this sad business. What can equal the folly of our two relations?’—I could not answer, but I believe my looks spoke. She felt reproved. Sometimes how quick to feel! With a graver look and voice she then added—’I do not mean to defend Henry at your sister’s expence.’ So she began—but how she went on, Fanny, is not fit—is hardly fit to be repeated to you. I cannot recall all her words. I would not dwell upon them if I could. Their substance was great anger at the folly of each. She reprobated her brother’s folly in being drawn on by a woman whom he had never cared for, to do what must lose him the woman he adored; but still more the folly of—poor Maria, in sacrificing such a situation, plunging into such difficulties, under the idea of being really loved by a man who had long ago made his indifference clear. Guess what I must have felt. To hear the woman whom—no harsher name than folly given!—So voluntarily, so freely, so coolly to canvass it!—No reluctance, no horror, no feminine—shall I say? no modest loathings!—This is what the world does. For where, Fanny, shall we find a woman whom nature had so richly endowed?—Spoilt, spoilt!—”
After a little reflection, he went on with a sort of desperate calmness—”I will tell you every thing, and then have done for ever. She saw it only as folly, and that folly stamped only by exposure. The want of common discretion, of caution— his going down to Richmond for the whole time of her being at Twickenham—her putting herself in the power of a servant;—it was the detection in short—Oh! Fanny, it was the detection, not the offence which she reprobated. It was the imprudence which had brought things to extremity, and obliged her brother to give up every dearer plan, in order to fly with her.”
He stopt.—”And what,” said Fanny, (believing herself required to speak), “what could you say?”
“Nothing, nothing to be understood. I was like a man stunned. She went on, began to talk of you;—yes, then she began to talk of you, regretting, as well she might, the loss of such a——. There she spoke very rationally. But she has always done justice to you. ‘He has thrown away,’ said she, ‘such a woman as he will never see again. She would have fixed him, she would have made him happy for ever.’—My dearest Fanny, I am giving you I hope more pleasure than pain by this retrospect of what might have been—but what never can be now. You do not wish me to be silent?—if you do, give me but a look, a word, and I have done.”
No look or word was given.
“Thank God!” said he. “We were all disposed to wonder—but it seems to have been the merciful appointment of Providence that the heart which knew no guile should not suffer. She spoke of you with high praise and warm affection; yet, even here, there was alloy, a dash of evil—for in the midst of it she could exclaim ‘Why, would not she have him? It is all her fault. Simple girl!—I shall never forgive her. Had she accepted him as she ought, they might now have been on the point of marriage, and Henry would have been too happy and too busy to want any other object. He would have taken no pains to be on terms with Mrs. Rushworth again. It would have all ended in a regular standing flirtation, in yearly meetings at Sotherton and Everingham.’ Could you have believed it possible?—But the charm is broken. My eyes are opened.”
“Cruel!” said Fanny—”quite cruel. At such a moment to give way to gaiety, to speak with lightness, and to you!—Absolute cruelty.”
“Cruelty, do you call it?—We differ there. No, her’s is not a cruel nature. I do not consider her as meaning to wound my feelings. The evil lies yet deeper; in her total ignorance, unsuspiciousness of there being such feelings; in a perversion of mind which made it natural to her to treat the subject as she did. She was speaking only, as she had been used to hear others speak, as she imagined every body else would speak. Her’s are not faults of temper. She would not voluntarily give unnecessary pain to any one, and though I may deceive myself, I cannot but think that for me, for my feelings, she would—Her’s are faults of principle, Fanny, of blunted delicacy and a corrupted, vitiated mind. Perhaps it is best for me—since it leaves me so little to regret. Not so, however. Gladly would I submit to all the increased pain of losing her, rather than have to think of her as I do. I told her so.”
“Did you?”
“Yes, when I left her I told her so.”
“How long were you together?”
“Five and twenty minutes. Well, she went on to say, that what remained now to be done, was to bring about a marriage between them. She spoke of it, Fanny, with a steadier voice than I can.” He was obliged to pause more than once as he continued. “‘We must persuade Henry to marry her,’ said she, ‘and what with honour, and the certainty of having shut himself out for ever from Fanny, I do not despair of it. Fanny he must give up. I do not think that even he could now hope to succeed with one of her stamp, and therefore I hope we may find no insuperable difficulty. My influence, which is not small, shall all go that way; and, when once married, and properly supported by her own family, people of respectability as they are, she may recover her footing in society to a certain degree. In some circles, we know, she would never be admitted, but with good dinners, and large parties, there will always be those who will be glad of her acquaintance; and there is, undoubtedly, more liberality and candour on those points than formerly. What I advise is, that your father be quiet. Do not let him injure his own cause by interference. Persuade him to let things take their course. If by any officious exertions of his, she is induced to leave Henry’s protection, there will be much less chance of his marrying her, than if she remain with him. I know how he is likely to be influenced. Let Sir Thomas trust to his honour and compassion, and it may all end well; but if he get his daughter away, it will be destroying the chief hold.'”
After repeating this, Edmund was so much affected, that Fanny, watching him with silent, but most tender concern, was almost sorry that the subject had been entered on at all. It was long before he could speak again. At last, “Now, Fanny,” said he, “I shall soon have done. I have told you the substance of all that she said. As soon as I could speak, I replied that I had not supposed it possible, coming in such a state of mind into that house, as I had done, that any thing could occur to make me suffer more, but that she had been inflicting deeper wounds in almost every sentence. That, though I had, in the course of our acquaintance, been often sensible of some difference in our opinions, on points too, of some moment, it had not entered my imagination to conceive the difference could be such as she had now proved it. That the manner in which she treated the dreadful crime committed by her brother and my sister—(with whom lay the greater seduction I pretended not to say)—but the manner in which she spoke of the crime itself, giving it every reproach but the right, considering its ill consequences only as they were to be braved or overborne by a defiance of decency and impudence in wrong; and, last of all, and above all, recommending to us a compliance, a compromise, an acquiescence in the continuance of the sin, on the chance of a marriage which, thinking as I now thought of her brother, should rather be prevented than sought—all this together most grievously convinced me that I had never understood her before, and that, as far as related to mind, it had been the creature of my own imagination, not Miss Crawford, that I had been too apt to dwell on for many months past. That, perhaps, it was best for me; I had less to regret in sacrificing a friendship—feelings—hopes which must, at any rate, have been torn from me now. And yet, that I must and would confess, that, could I have restored her to what she had appeared to me before, I would infinitely prefer any increase of the pain of parting, for the sake of carrying with me the right of tenderness and esteem. This is what I said—the purport of it—but, as you may imagine, not spoken so collectedly or methodically as I have repeated it to you. She was astonished, exceedingly astonished—more than astonished. I saw her change countenance. She turned extremely red. I imagined I saw a mixture of many feelings—a great, though short struggle—half a wish of yielding to truths, half a sense of shame—but habit, habit carried it. She would have laughed if she could. It was a sort of laugh, as she answered, ‘A pretty good lecture upon my word. Was it part of your last sermon? At this rate, you will soon reform every body at Mansfield and Thornton Lacey; and when I hear of you next, it may be as a celebrated preacher in some great society of Methodists, or as a missionary into foreign parts.’ She tried to speak carelessly; but she was not so careless as she wanted to appear. I only said in reply, that from my heart I wished her well, and earnestly hoped that she might soon learn to think more justly, and not owe the most valuable knowledge we could any of us acquire—the knowledge of ourselves and of our duty, to the lessons of affliction—and immediately left the room. I had gone a few steps, Fanny, when I heard the door open behind me. ‘Mr. Bertram,’ said she. I looked back. ‘Mr. Bertram,’ said she, with a smile—but it was a smile ill-suited to the conversation that had passed, a saucy playful smile, seeming to invite, in order to subdue me; at least, it appeared so to me. I resisted; it was the impulse of the moment to resist, and still walked on. I have since—sometimes—for a moment—regretted that I did not go back; but I know I was right, and such has been the end of our acquaintance! And what an acquaintance has it been! How have I been deceived! Equally in brother and sister deceived! I thank you for your patience, Fanny. This has been the greatest relief, and now we will have done.”
I’ve wracked my brains trying to come up with kind things to say about this 2007 production of Mansfield Park. ‘Nice mansion.’ ‘Pretty garden.’ ‘Glad they shot this film in England.’ ‘Where can I get a red Jezebel parasol like Mary Crawford’s?’ ‘Cute pug.’ ‘Great cleavage.’
I admit this is my least favorite Jane Austen novel, though that is by a small degree. Edmund Bertram comes across as a prig; and Fanny is much too staid and timid for my tastes. She is so morally upright that I would feel quite uncomfortable in her presence and not know precisely what to say. Whereas I suspect I could have a delightful and scintillating conversation with Lizzie Bennet, my favorite Austen heroine, or Mary Crawford, who always excited my interest more than Fanny. Not that Lizzie isn’t moral, but she does seem more approachable to me.
But I digress. Billie Piper is as far from my image of Fanny as any actress could get. Looking too modern, with features that are this side of tough, Billie is woefully miscast. I understand she chose to play Fanny, and I can imagine why. Going against type must be an attractive proposition for an actress. If she pulls off such a challenge, awards are in her future. But Billie didn’t pull this role off, and aside from her sweet, insipid version of Fanny (which is so incongruent with her looks), I found her disheveled hairdo and in-your-face cleavage distracting and not at all reminiscent of a proper Regency Miss.
The other actors and actresses were fine, especially Blake Ritson as Edmund Bertram and Haley Atwell as Mary Crawford, and they did what pitifully little they could with the material they were given.
The film’s biggest mistake was to give Mrs. Norris (Maggie O’Neil) so little airtime and to turn her into a vaguely annoying character. Mrs. Norris is verbally abusive and she plays a significant role in Fanny’s psychological development. The fact that Fanny was able to withstand the hateful words and actions of this dark and oppressive character and to stick to the moral high ground despite all the pressures placed on her is a crucial element of Fanny’s make up. Yet this subtext was almost completely swept under the rug. A knowledgeable Jane fan had to search for it in this production, and someone who has never read Mansfield Park would not even be aware of it after viewing the film.
Towards the end of the film, Edmund’s and Fanny’s fun and light proposal scene is sure to win the hearts of many viewers. (Click on video below.) I must admit the scene is cute, but I felt manipulated. I snorted with derision upon seeing Lady Bertram (Jemma Redgrave) sitting at the breakfast table (would she have bothered to get out of bed so early?), aware enough to observe the subtle looks exchanged between Fanny and Edmund, and actively engaged as a matchmaker.
If I were to give my Regency fan rating to this adaptation of Mansfield Park, I’d give it ¼ fan. After all, the pug, who remains uncredited, was adorable and eminently worth watching. For other reviews on Mansfield Park, click on PBS’s Remotely Connected My review of Northanger Abbey sits here; and click here for my review on Persuasion.
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