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Layout 1Inquiring readers, Simon the Coldheart, an early Georgette Heyer novel, was reviewed by my co-founder of our Jane Austen book group. Lady Anne would be the first person to admit that she is addicted to reading Ms. Heyer’s novels. Her collection of Georgette Heyer’s novels is complete – she owns all her regency romance novels, mysteries, and historical novels. (With 51 titles, that is saying something.)  This is Lady Anne’s review of one of Georgette Heyer’s earliest novels, which will be reissued by SourceBooks just in time for this holiday season.

No one gets period better than Georgette Heyer. Whether she is writing about England in the Regency era or the 15th Century, she has the details and the language perfectly.

In Simon the Coldheart Heyer uses period language to excellent effect. The story, characterized as a tale of chivalry and adventure, tells of young Simon, a base-born bastard of one Geoffrey of Malvallet, as he is off to make his way in the world. Our young hero is not one to feel sorry for his accident of birth, nor does he look to his father to support him. Simon instead styles himself Beauvallet – a nice little wordplay — and seeks to become a member of the household of one of his father’s enemies.
Matters would have gone ill with Simon but for the appearance of a boy, a little younger than himself, who came strolling towards them, followed by two liver-coloured hounds. He was dark, and magnificently clad, and he carried himself with an air of languid arrogance.

“Hola there! he called, and the soldiers fell away from Simon, leaving him to stand alone, arms folded and head turned to survey the newcomer.

The boy came up gracefully, looking at Simon with a questioning lift to his brows.

“What is this?” he asked. “Who are you who strike our men?”

Simon stepped forward.

“So please you sir, I seek my Lord the Earl.”

One of the men, he whom Simon had dealt that lusty blow, started to speak, but was hushed by an imperious gesture from the boy. He smiled at Simon with a mixture of friendliness and hauteur.

“I am Alan of Montlice,” he said. “What want you of my father?”

Simon doffed his cap, showing his thick, straight hair clubbed across his brow and at the nape of his brown neck. He bowed awkwardly.

I want employment, sir, he replied.

Simon is strong and sure of himself. His great confidence amuses and charms Fulk of Montlice, in whose household he seeks to live, and he is awarded a place. Fulk’s son is about Simon’s age, and the two very different young men become close friends. No jealousy or tiresome infighting here.

The book is set in the early 15th Century, and before long, we find ourselves with King Henry IV and young Prince Hal fighting Hotspur and Owen Glendower, in that famous uprising. Young Simon proves himself in battle – no surprise – and comes to the rescue of his half-brother, the young Geoffrey of Malvallet. The rescue earns him a knighthood and begins another surprising friendship, this time with his half-brother. During the next few years, Simon is a knight in the household of Fulk, and young Alan of Montlice, always in love, despairs over Simon. But Simon is looking for a home. On the day that he finds a baronetcy in disarray, he also learns of a plot against King Henry. Gathering some of the men of Montlice around him, he goes to London to tell Henry, and so is awarded the home he needs. His father comes to ask him to live in his household, but he refuses. Because he goes his solitary way, he earns the soubriquet of Coldheart.

But here, Heyer is on firm psychological ground. The base-born child of a servant-girl who died in his childhood is likely to keep his own council and wish to establish his own line. At our first meeting of Simon he claims to be going to his goal, and throughout the book, he stays clear on that. He does not have the luxury of excuses, or whining, or wasting time over women or poetry. He is intent on making his way. It could be an interesting portrait of a complex person, but Heyer only alludes to it. Her business is with the history, and the fun of a group of young men.

Soon enough, Prince Hal, now King Henry V, calls on Simon, his half-brother Geoffrey, and his great friend Alan to assist with the war in France. This is Shakespeare’s Henry at Agincourt, and the battles that Simon and his men fight are a continuation of that part of the Hundred Year’ War. Like his King, Simon meets a strong-willed Frenchwoman at Belremy, and in the end, of course, the lady Margaret falls before Simon and Simon is Coldheart no more. Ultimately, King Henry makes Simon his lieutenant and warden of the lands and marches of Normandy. Heyer, ever the careful scholar, notes in a footnote that in fact the Earls of March and Salisbury held that title.

Simon the Coldheart is an early book, originally published in 1925. As always, Heyer’s details describe the period, and in this book, she takes the further step of using language suited to the time: slightly inverted, filled with pomp and chivalry. It adds greatly to total experience. The book is a romp, fun for those of us who loved the transformation of Prince Hal into Henry, and fun for anyone who would want to read of that bygone age of chivalry. Click here to order the book.

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Our Other Georgette Heyer Reviews Sit Below

These Georgette Heyer books, available this holiday season, will be reviewed on this blog and Jane Austen Today.

Cotillion, Simon the Coldheart, The Reluctant Widow, Faro's Daugher, and The Conqueror

Cotillion, Simon the Coldheart, The Reluctant Widow, Faro's Daughter, and The Conqueror


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Terrance Hill, author

Terrence Hill, author

two-guys-read-jane-austen1

I can’t wait to finish Two Guys Read Jane Austen written by life long friends Steve Chandler and Terrence Hill. The beginning chapters, which combine biography,  insights, humor, and information, are quite promising and I feel confident that Terrence and Steve will answer my question: What do literate men think about Jane’s fabulous novels? Using an epistolary format, Steve and Terrence write their observations about Jane’s perennial best-seller Pride and Prejudice and Mansfield Park.

  • Read author Steve Chandler’s description of the book on his blog, iMindShift.

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It’s been years since I’ve run across the word “clodpole”, which Georgette Heyer uses to great effect in Cotillion, one of the splendid Regency romance novels that Sourcebooks had brought out and is available for order, including as an E-book, in this link. Half the fun of reading Ms. Heyer’s books is discovering which of her stereotypical characters will court or insult each other in that ironic British upper class way we Heyer fans have come to love.

cotillion

In Cotillion we meet a veritable bevy of the typical Heyer characters:

  • Eccentric, old and tight-fisted uncle? Check.
  • Young and pretty heiress? Check.
  • Silly spinster chaperone? Check.
  • Buffoonish impoverished earl? Check.
  • Darkly handsome rake? Check.
  • Foppish Pink of the Ton? Check.
  • Long-suffering but pleasantly surprised father? Check.
  • Beautiful but vapid beauty in distress? Check.

The list of Heyer archetypes goes on and on, but we don’t care. We WANT the familiarity of Georgette Heyer’s typical characters, for they play off each other so well. Like an audience at a concert that has been performed in other music halls, we are interested in how this new orchestration of a well-known arrangement will compare to the others. In Cotillion, Heyer’s particular brand of Regency music reaches the heights of perfection. The rich uncle hopes that by bequeathing his entire estate to his orphaned ward, Kitty, he will force his favorite nephew, Jack, to vie for her hand in marriage. For the sake of equality,  Jack must propose alongside his other male cousins so that all may have an equal chance. But Jack won’t be manipulated and forced to court Kitty. An inveterate gambler,  he bets that Kitty and the considerable fortune she stands to inherit will always be available to him, for she has had an unhidden crush on him since the schoolroom. Jack didn’t count on the one variable that would put a spoke in his plans: Kitty’s anger at his absence and her stubborn determination to teach him a lesson.

Enter the Honourable Frederick Standen. The reader first meets this Exquisite in typical Heyer style:

The young gentleman who alighted from the chaise must have been recognized at sight by the discerning as a Pink of the Ton, for although his judgment, which, in all matters of Fashion, was extremely nice, had forbidden him to travel into the country arrayed in the long-tailed coat of blue superfine, the pantaloons of delicate yellow, and the tasselled Hessian boots which marked him in the Metroplolis as a veritable Tulip, or Bond Street Beau, none but a regular Dash, patronizing the most exclusive of tailors, could have presented himself in so exquisitely moulded a riding-coat, such peerless breeches, or such effulgent top-boots.

Freddy, though fond of Kitty, is not in love with her, and he is out of his depth when it comes to countering her will. Before he knows it he is engaged to her and has promised her a month in London before she must return to her uncle’s stuffy old mansion. Ms. Heyer takes her time setting up this fun plot, but knowing the particulars will be important, for when she sets events in motion they roll along seemingly of their own accord and with some unexpected twists that are sure to delight.

Can Frederick successfully introduce his faux Intended to his family and Society without having to submit to the Shackles of Marriage?

Will Jack be able to forgive Kitty for (unsuccessfully) trying to make him jealous?

Will Kitty, a total Innocent when it comes to London Society, be able to stay out of trouble?

As the plot thickens, we are treated to one priceless scene after another, including those of Kitty dragging Freddy to all the Sights of London. Our fastidious Freddy is aghast when forced to enter the musty rooms of the Egyptian Hall, and feels downright incensed when viewing the Elgin Marbles. “Why, they have no heads!” he expostulates, feeling very put upon at having to escort Kitty to places that he’d never intended to see or ever see again. He’d have much preferred to take her to Astley’s Amphitheatre or the Royal Circus, but both edifices did not open until Easter Monday.

Freddy’s family adds spice to this hugely enjoyable novel. His sister Meg, whose taste in Fashion is questionable; his mother, who spends most of the novel tending to her sick children; and his father, whose encounters with his son are all too brief and rare, add to the deliciousness of this convoluted plot. The title of the book hints at plot developments that are not so obvious at first, for when dancing the Cotillion, partners must switch and change within the dance formations.  If you are looking for a book to read during the Thanksgiving holidays, I cannot recommend Cotillion enough, for its conclusion is as satisfying as its very promising beginning.

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Mansfield Park Revisited: A Jane Austen Entertainment is a re-release of a Joan Aiken novel that was originally published in 1984. The book begins four years after Fanny and Edmund marry. Sir Thomas Bertram has died unexpectedly and his interests in Antigua need tending. Fanny and Edmund, now parents, are chosen to go, since Lady Bertram is hesitant to part with Tom, the heir. They take their son with them but leave their young daughter behind. As readers, we re-meet Fanny briefly, but the major protagonist is Susan Price, her young sister, who has turned into a sensible young woman – more forceful in her opinions and actions than Fanny – but equally devoted to Lady Bertram’s comfort.

Mrs. Norris has also died. Julia Yates, sister to the pariah Maria (did Jane Austen intend for those two words to rhyme?) takes over the Mrs. Norris role as a petty, peevish, mean, and spiteful woman.

Miss Julia Bertram, having been so ill-judged as to marry the younger son of a peer, had soon, on becoming more closely acquainted with the limited extent of her huband’s fortune, decided to quit the doubtful pleasures of life in London on a straitened income, and console herself by becoming queen of a smaller society. She had persuaded her husband, the Honourable John Yates, to purchase a respectable property in Northamptonshire, not too far distant from Mansfield Park, therefore able to be illumined by some of its lustre. Since the, by almost daily visits to Mansfield, and by longer visits amounting to several months during the course of the year, Mrs. Yates was able to reduce materially her own domestic expenditure …

While Julia tries to make Susan’s life miserable, she does not succeed, for Susan can see right through her. Thus she ultimately fails to put Susan in her place, despite her repeated attempts to lord it over her younger cousin. Tom and Susan are like oil and water for no discernable reason, except that Tom feels that Susan often oversteps her bounds and Susan thinks him lacking in substance and character. He spends his time learning the ropes as the heir to the Bertram fortune and pursuing his love of horses and racing. More sober and grown up than the man limned by Jane Austen, Tom still has much to learn about life and women.

Joan Aiken’s talent lies in developing Jane Austen’s characters further, and she captures Lady Bertram with exquisite perfection in passages such as this, when Edmund suggests leaving his daughter, Mary, behind:

The little dear. Of course we shall be happy to have her,” sighed Lady Bertram, anticipating no inconvenience to herself in this arrangement, as indeed there would not be, for she could be quite certain that three-year-old Mary would be devotedly cared for by her aunt Susan.

Mary and Henry Crawford re-appear in the district shortly after Fanny and Edmund depart, which is when the plot truly becomes interesting. Without giving too much away let me just say that I was surprised by the turns this book takes. Mary Crawford has changed greatly, which is all I will reveal, except to mention that Tom becomes intrigued with her and that their association changes his life in a significant way. We also re-meet William, Fanny’s and Susan’s brother, who has now become the captain of his own ship. Several other new and interesting characters are also introduced, which keeps the story fresh.

Joan’s tale moves quickly and at times I could not put the book down. What I found missing from this very short but good novel was Jane’s sure sense of irony and wit. Ms. Aiken has writing talent (how could she not, being Conrad Aiken’s daughter and Jane Aiken Hodge’s sister?) but she fails to convey the tender emotions and human insights that distinguish a great author from a good writer. One key scene in the novel fell decidedly flat, and where I should have cried I could not. Ms. Aiken’s description of the event was so matter-of-fact she might have been describing a simple farewell instead of a wrenching death scene. I kept contrasting this scene with the way Jane Austen wrote about Marianne’s illness in Sense and Sensibility, and it was like comparing night to day.

As I said, the book is short (201 pages) and perhaps this is why I felt a bereft at the end. I wanted more time spent on how Tom and Susan finally change their minds about each other and begin to think of the other in a romantic way. As usual I am finding fault where others may not, for all in all I enjoyed the book thoroughly. Joan Aiken (1924-2004) might not have the stature of a Jane Austen, but she was a darned good writer and could spin an interesting yarn.

You can purchase the book from SourceBooks at this link.

  • Joan Aiken, (1924-2004) the author, is the daughter of the distinguished author Conrad Aiken and sister to Jane Aiken-Hodge, an author who has written about Jane Austen and Georgette Heyer.

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Oh, how delicious! Look what I found online: Almack’s: A Novel, by Marianne Spencer Stanhope Hudson and published by Saunders and Otley in 1826. Almack’s, as all followers of the regency era know, was the exclusive establishment where ladies and gentlemen of the Ton could dance every Wednesday night during the London Season. The powerful patronesses of Almack’s were Lady Sarah Jersey (whose lover was the Prince Regent), Lady Castlereigh, Lady Cowper, Lady Sefton, Princess Esterhazy, and the Countess of Leiven. They decreed who could gain admittance to the assembly rooms and who could not, thereby exercising enormous social influence, as described in the novel:

That grand tribunal at Almack’s makes and unmakes fashionables, I understand. The six grand inquisitors decide upon the degree of ton of each of their followers, just as a committee of tailors would sit in judgment upon a cape or a collar.

The following two quotes provide more details from this vivid, digitized 413-page novel. The first is regarding a lady’s appearance:

Almack's Assembly Rooms

Almack

… after dinner a man’s heart naturally opens, sur tout au coin du feu: I have often observed, that a comfortable seat will hasten a declaration; men are such lovers of ease, so naturally sensual. I shall persuade the Baron not to order the carriage till eleven o clock, to give time. Pray put on your new white gown, my love, and those turquoise ornaments, with that pretty blue garland, it becomes your light hair so particularly; and a soupcon of rouge, just to give a glow – nothing more! what even Julia herself could not disapprove.”

Real Life in London, p. 148, Almack's

Real Life in London, p. 148, Almack

and this quote is about waiting for one’s carriage when it rains …

At this moment Lionel re-appeared. “Lady Birmingham”, said he, “it pours.  We must not lose a moment for there is sad confusion at the door, and I had great difficulty in getting your carriage up.” The bustle and agitation, the noise of the link boys, the oaths of the footmen, the violence of the coachmen, the kicking of the horses, and the blazing of the flambeaux effectually drove the Author of Waverley out of poor Lady Birmingham’s head; it was busied with other things. Had she ever read our friend Luttrell, she would have remembered that splendid description :

How in a rainy blustering night

The London coach maker’s delight …

Almack’s A Novel … By Marianne Spencer Stanhope Hudson, Charles White, 1826.

Almack's ExteriorMore Links:

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