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Men of fashion began to wear short and more natural hair at the end of the 18th century, sporting cropped curls and long sideburns in a classical manner much like  Grecian warriors and Roman senators. Before this period, a balding Louis XIII had made powdered wigs popular at the French court and consequently throughout Europe. The often elaborate and expensive gray wigs lent an air of wisdom and authority to their wearers.

William Pitt the Younger – Attributed to Thomas Gainsborough (c. 1804)
Prime Minister 1783 – 1801; Chancellor of the Exchequer 1804 – 1806

A scarcity of flour in 1795, combined with William Pitt’s attempt to raise revenue through a hair powder tax, brought the fashion for wigs and powder to a screeching halt. Men protested and a new more natural hair style became fashionable.

The 5th Duke of Bedford. Image @ Wikipedia

The Bedford Crop was a style of hair favored by the Duke of Bedford, who, in protest to the tax, abandoned his wigs in favor of a short cropped and unpowdered hairstyle. He challenged his friends to do the same.  His natural looking crop was parted on the side with a dab of hair wax.Wikipedia)

Pitt eventually reduced this unpopular tax on hair powder, which never quite generated the revenue he predicted, but by then it was too late. Gentlemen had discovered the comforts of going au naturel, and by 1812, few men still wore wigs. There were some holdovers – older men, military officers, and those in conservative professions such as lawyers, judges, physicians, and some servants for the very rich (footmen and coachmen) retained their wigs and powder. Formal court dress also still required powdered hair.

Beau Brummel’s Brutus hair style in 1805. Notice how it is brushed forward and volumized on top of his head.

By and large men took their cue from classical Greek and Roman art. The romantic movement also influenced a natural, unpretentious aesthetic. A dry disordered look that used very few artificial products began to rule.  Beau Brummel’s influence cannot be discounted. His own grooming included shorter hair and a clean-shaven face. Every morning he examined his face in a dentist mirror and plucked any remaining stray hairs with tweezers. By 1813, almost all Regency men sported both long or short sideburns; they rarely wore mustaches or beards.

In Pride and Prejudice 1995, Colin Firth as Mr. Darcy wore his hair somewhat longer than the Bedford Crop and affected a slightly unruly hairdo, probably known as the Brutus.  (I confess I never liked Firth’s hairstyle for Mr. Darcy.)

Colin Firth as Mr. Darcy. His rather long, wild hairstyle now makes sense to me.

Upon seeing the following images, I can now see why the film’s hair stylist settled on this slightly wild do for Mr. Darcy, which seems to be a compromise between a severe clipped hair style and the stylish “frightened owl” hairdo below.

Young man by an unknown artist, c. 1800, from the book The Tie. Image @Jessamyn’s Regency Costume Companion

The  “frightened owl” hairstyle was achieved through infrequent hair washing (as infrequently as every few months) and the use of hair wax, which helped to create the wild and unruly volume.

The models for Regency men’s hairstyles: Caesar, Titus, and Brutus

Popular styles in the late 18th century were the Caesar, Titus, and Brutus. The Coup au Vent was short at the back and worn long over the eyes at the front.

Caesar cut. You can almost see the laurel leaves on his head with this brushed forward Caesar cut. Portrait of an unnamed man, ca. 1810-20

The Cherubin, like the Bedford Crop, sported short curls all over (the Caesar was clipped even closer.)

Bernier by Ingres, 1800. You can see the all over cropped unruly look. The sideburns in all these images are long, but the men are clean shaven.

The Classically influenced Titus was cropped short everywhere but at the front with curls combed forward onto the forehead to resemble the Roman Emperor Titus.

Balding men benefited from the close cropped, forward brushed styles. c.1815. Louis Francois Aubry. Monsieur Rivio Baritone in Paris Opera. Image courtesy of A Private Portrait Miniature Collection. (Update:) Mr. Phillips, who oversees the blog, lists the date of the portrait as 1840.

The more severe Brutus was even more clopped than the Titus. One of the most popular hair styles of the day, though, was the Brutus, a disheveled style that Beau Brummell and his followers wore.

John Opie’s 1802 portrait of Edmund Lenthal Swifte shows a few artfully arranged locks over the forehead.

These hairstyles  took a great deal of time and patience to achieve. Men used an oil or pomade made of bear fat to achieve a natural “tamed” wildness. (Scented pomades were called Pomade de Nerole and Pomade de Graffa.)  Since hair was rarely washed, night caps were worn to prevent soiling pillows and doilies protected the backs of chairs.

The height on top with the artfully arranged curls take precedence in this hairstyle. Friedrich Wilhelm Schelling, 1801.

Napoloeon Bonaparte’s classic Caesar cut sported  longer locks down the forehead.

This dandy sports a Titus.

Arnauld de Beaufort ca 1818 (by Pierre Paul pPrud’hon). His hair is noticeably brushed forward, lending his features a saturnine look.

Regency hairstyles gave men a natural, romanticized look. (Portrait of an Artist by Unknown Artist) is part of the collection of the Michele and Donald D’Amour Museum of Fine Arts, Springfield, Massachusetts.

Gericault’s 1816 self-portrait shows a wildly romantic and unruly hairstyle.

Additional Information:

Please note: All green links in this post are WordPress Ads.

Covered porcelain pomade pot. Mid 18th Century. Image@Metropolitan Museum of Art

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Pierre-Joseph Redouté’s flower prints are so lush and detailed that you can almost pick the flowers off the page. In the famous rose print below, a single drop of water rests exquisitely on a rose petal of the top rose. Born in a family of artists*, Pierre-Joseph became known as the premier botanical illustrator of his day (indeed, to this day). His influence spread far and wide and can be still felt in illustrations on cards, decorative boxes, books, wallpapers and prints, and calendars.

pierre-joseph-redoute

The watercolor images in this post were taken from his famous book of prints, Les Roses. Redouté, known as the “Raphael of flowers, mastered the technique of stipple engraving- in which he uses tiny dots, rather than lines, to create engraved copies of his watercolor illustrations. This new technique allowed him to make subtle variations in coloring (see the detail of the magnolia in the last image below).

4 faces of PJ Redoute

The four faces (and ages) of Pierre-Joseph Redouté

Redouté completed the three volumes of Les Roses, his best known work, between 1817 and 1824. His most popular illustrations are assembled in Les Liliacées (486 watercolors); and Les Roses (169 watercolors). Hand-colored stipple engravings, such as the magnolia sitting at the bottom of this post, were made from these watercolors. – Discovery Editions

Rosa gallica_maheka from Redoute's Les Roses 1817-1824 Huntington LibraryJosephine, wife of Napoleon Bonaparte, was known for her spectacular garden at Chateau de Malmaison, where exotic plants were cultivated. The plants, acquired from around the world, were documented by France’s leading horticulturists and botanists, and painted by Pierre-Joseph Redouté.

Magnolia

Detail of the magnolia engraving below.

magnolia closeup

More on this topic

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francis william austen

My dearest Frank, You will be glad to hear that every copy of  S. and S. is sold, and that it has brought me £140 besides the copyright, if that should ever be of any value.

In 1788,  14 ½ year-old Frank Austen prepared to put out to sea and leave his family. After excelling in his courses at the Portsmouth Naval Academy, the Commissioner of the Dockyards recommended that Frank join the Perserverance under the direction of Cornwallis, who was recently appointed Commander-in-Chief of India. The letter that young Francis received from his father, Rev.  George Austen, upon his departure was one that he would treasure for the rest of his life. In part, the Reverend wrote:

As you have hitherto, my dear Francis, been extremely fortunate in making friends, I trust your future conduct will confirm their good opinion of you; and I have the more confidence of this expectation because the high character you acquired at the Academy for propriety of behaviour and diligence in your studies, when you were so much younger and had so much less experience, seems to promise that riper years and more knowledge of the world will strengthen your naturally good disposition. That this may be the case I sincerely pray, as you will readily believe when you are assured that your good mother, brothers, sisters and myself will all exult in your reputation and rejoice in your happiness …

Ten years later, Jane would write with exultation:

My dear Cassandra, Frank is made. He was yesterday raised to the rank of Commander and appointed to the Petterel sloop, now at Gilbraltar. – Dec 28, 1798

Vice Admiral Sir Francis Austen

Vice Admiral Sir Francis Austen

By 1800, Frank, was still single, although his captain’s salary would enable him to marry and support a family in reasonable comfort. The letter Jane would write him on January 21, 1805 was heartbreaking:

My dearest Frank

I have melancholy news to relate, & sincerely feel for your feelings under the shock of it.—I wish I could better prepare you for it. But having said so much, your mind will already forestall the sort of event which I have to communicate.—Our dear Father has closed his virtuous & happy life, in a death almost as free from suffering as his Children could have wished. He was taken ill on Saturday morning, exactly in the same way as heretofore, an oppression in the head, with fever, violent tremulousness, & the greatest degree of Feebleness….towards the Evening however he got better, had a tolerable night, & yesterday morning was so greatly amended as to get up & join us at breakfast as usual, & walk about with only the help of a stick, & every symptom was then so favourable that when Bowen saw him at one, he felt sure of his doing perfectly well. But as the day advanced, all these comfortable appearances gradually changed; the fever grew stronger than ever, & when Bowen saw him at ten at night, he pronounc’d his situation to be most alarming. At nine this morning he came again—& by his desire a Physician was called in;—Dr. Gibbs—But it was then absolutely a lost case—. Dr. Gibbs said that nothing but a Miracle could save him, and about twenty minutes after Ten he drew his last gasp…My Mother bears the Shock as well as possible; she was quite prepared for it, & feels all the blessing of his being spared a long Illness. My Uncle & Aunt have been with us, & shew us every imaginable kindness. And tomorrow we shall I dare say have the comfort of James’s presence, as an express has been sent to him. Adieu my dearest Frank. The loss of such a Parent must be felt, or we should be Brutes—. I wish I could have given you better preparation—but it has been impossible. Yours Ever affectly – J A.

The news must have been a great blow to Frank, who sailed the world over and only saw his family sporadically. Perhaps his grief was somewhat ameliorated by Jane’s next letter a little over a week later:

My mother has found among our dear father’s little personal property a small astronomical instrument, which she hopes you will accept for his sake. It is, I believe, a compass and sundial, and is in a black shagreen case…Yours very affecly, JA.

When Frank asked Miss Mary Gibson to marry him, Jane and Cassandra discovered that they liked her extremely well. Their cordial relationship had an opportunity to flourish after Rev. George Austen’s death. Frank invited his mother and sisters to live with him and his bride in Southampton from 1806 to 1808.  It was to be a mutually beneficial arrangement, for Frank did not want his young wife to be alone while he was away on his next voyage. He rented a house in Castle Square  with a fine garden and a view across Southampton Water to the Isle of Wight, which Jane found very much to her liking. The invitation included the Austen women’s close friend, Martha Lloyd, sister to James Austen’s wife Mary.

Sir Francis Austen lived until 1865, well into the age of photography

Sir Francis Austen lived until 1865, well into the age of photography

Unfortunately, like Edward’s wife Elizabeth, Mary did not survive into old age and died after the birth of her 11th child in 1823.  In an ironic turn of events, Frank asked Martha Lloyd to be his second wife in 1828 and she accepted. By any stretch of the imagination, Frank’s career was illustrious. He eventually achieved Knighthood as Sir Francis Austen and rose to the position of Admiral of the Fleet. Jane last saw her brother in the New Year of 1817, when a lull in her fatal illness allowed her to visit Frank and his large rambunctious family in Alton.

Thirty-five years after her death there came also a voice of praise from across the Atlantic. In 1852 the following letter was received by her brother Sir Francis Austen:

Boston, Massachusetts, U.S.A., 6th Jan. 1852

Since high critical authority has pronounced the delineations of character in the works of Jane Austen second only to those of Shakspeare, trans-atlantic admiration appears superfluous; yet it may not be uninteresting to her family to receive an assurance that the influence of her genius is extensively recognised in the American Republic, even by the highest judicial authorities. The late Mr Chief Justice Marshall, of the supreme Court of the United States, and his associate Mr Justice Story, highly estimated and admired Miss Austen, and to them we owe our introduction to her society. For many years her talents have brightened our daily path, and her name and those of her characters are familiar to us as ‘household words’. We have long wished to express to some of her family the sentiments of gratitude and affection she has inspired, and request more information relative to her life than is given in the brief memoir prefixed to her works.

Having accidentally heard that a brother of Jane Austen held a high rank in the British navy, we have obtained his address from our friend Admiral Wormley, now resident in Boston, and we trust this expression of our feeling will be received by her relations with the kindness and urbanity characteristic of Admirals of her creation. Sir Francis Austen, or one of his family, would confer a great favour by complying with our request. The autograph of his sister, or a few lines in her handwriting, would be placed among our chief treasures.

The family who delight in the companionship of Jane Austen, and who present this petition, are of English origin. Their ancestor held a high rank among the first emigrants to New England, and his name and character have been ably represented by his descendants in various public stations of trust and responsibility to the present time in the colony and state of Massachusetts. A letter addressed to Miss Quincey, care of the Honble Josiah Quincey, Boston, Massachusetts, would reach its destination.

Sir Francis Austen returned a suitable reply to this application; and sent a long letter of his sister’s, which, no doubt, still occupies the place of honour promised by the Quincey family. – A Memoir of Jane Austen by her nephew, Chapter IX

More links:

Gentle reader: In honor of JASNA’s annual meeting in Philadelphia this week, this blog, Austenprose, and Jane Austen Today will be devoting posts to Jane Austen and her siblings. Look for new links each day.

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The Duke of Wellington, the much decorated general who defeated Napoleon twice and who, to many in the era, defined the British character, still had to answer a flurry of petty questions generated by bureaucrats in London. The following is a letter he wrote to the National Office in 1812 in response to some trifling expenses for which he was held accounted:

Gentlemen,

Whilst marching from Portugal to a position which commands the approach to Madrid and the French forces, my officers have been diligently complying with your requests which have been sent by H.M. ship from London to Lisbon and thence by dispatch to our headquarters.

We have enumerated our saddles, bridles, tents and tent poles, and all manner of sundry items for which His Majesty’s Government holds me accountable. I have dispatched reports on the character, wit, and spleen of every officer. Each item and every farthing has been accounted for, with two regrettable exceptions for which I beg your indulgence.

Unfortunately the sum of one shilling and ninepence remains unaccounted for in one infantry battalion’s petty cash and there has been a hideous confusion as the the number of jars of raspberry jam issued to one cavalry regiment during a sandstorm in western Spain. This reprehensible carelessness may be related to the pressure of circumstance, since we are war with France, a fact which may come as a bit of a surprise to you gentlemen in Whitehall.

This brings me to my present purpose, which is to request elucidation of my instructions from His Majesty’s Government so that I may better understand why I am dragging an army over these barren plains. I construe that perforce it must be one of two alternative duties, as given below. I shall pursue either one with the best of my ability, but I cannot do both:

1. To train an army of uniformed British clerks in Spain for the benefit of the accountants and copy-boys in London or perchance.

2. To see to it that the forces of Napoleon are driven out of Spain.

Your most obedient servant,

Wellington

Update: While I try to link to resources directly (see link list below), at times I can find no attributions or a source. I found this letter on a fun fact site and had no initial reference to point to. If you will note, this blog largely consists of a series of links to other sites of interest, especially in the pages at top. In addition, as with David Brass Rare Books, I receive their permission to write about their publications and use certain images PROVIDED I make no money off the enterprise and make certain that I mention David Brass Rare Books prominently in my posts. I also try to use e-text quotes and images that are in the public domain (Wikimedia Commons), or to quote no more than a paragraph from books that are copyrighted. Publishers that have asked me to review their books have given me permission to use images of their book covers and use quotes. When I am reviewing a blog post (as in my Seen Over the Ether post), I will use an identifying image from that post.

Other links:

Image: William Heath, A Wellington Boot – or Head of the Army.

Portrait of the Duke by Sir Thomas Lawrence (1769-1830), 1814.

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Podcasts About Napoleon

Military History Podcast features the following podcasts about Napoleon’s life, rise, and fall:

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