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Inquiring Reader, This post is the second part of solving the mystery of Cassandra Austen’s age in the 1841 census, which reader Craig Piercey brought to my attention. A number of people became involved in the mystery of Cassandra’s age, which was 68 at the time the census was taken, but was listed as 65. To review the situation, click on this link and read the emails sent to explain the anomaly.

The first letter came from Laurel Ann of Austenprose, who had left a comment on the first post.

Vic,  I have come across many discrepancies on census enumerations. The process is part of the problem. Families were asked to fill out their own sheets and then they gave them to the enumerator who transcribed them onto the sheets of record. The original family sheets do not survive. There is always the possibility of illegible handwriting, transcription error, the family did not understand the directions or people lied about their age! It is not considered a primary source document by the government or family historians. Cassandra’s christening record would serve as a legal record of her birth. Since her father filled this out, we can be pretty certain that it is correct. It is also confirmed in family letters. By her death in 1845 it was required to report deaths to the new Registrar and would have included a doctor’s verification. That is the best explanation I can offer. The government was primarily interested in  numbers. They used the data for general ranges like the number of children under 10 or men of military age etc. The fact that exact ages are listed from 1851 onward is a bonus to family historians now, but not so much for the government then. Census records are not an exact science. I am glad you had so much interest in this puzzle. The discrepancy does appear odd to one who has not done family research.  I hope this is helpful. LA

St. Nicholas Church at Chawton, taken by @sneakymagpie

Laurel Ann was not the first person to point out that the Census taker would use a general number that could be divided by five. Before I received her answer, I had written to Ray Moseley, Fundraising Administrator of Chawton House. He replied promptly:

Dear Vic,

Sarah Parry our education officer at Chawton House has replied as below. I do hope that this helps. If we can of any further help please don’t hesitate to contact me.

Ray

Cassandra and Cassandra Austen grave

Hi Ray

I think that the following might be an explanation.

This is the web page for the 1841 census on the National Archive website: http://search.ancestry.co.uk/iexec/Default.aspx?htx=List&dbid=8978&ti=5538&r=5538&o_xid=24149&o_lid=24149&offerid=0%3a21318%3a0 It makes the point about how ages were recorded on this census and notes if over 15, the ages “were usually rounded down to the nearest 5 years”.

I also had a look at Deirdre le Faye’s A Chronology of Jane Austen and her Family (Cambridge University Press 2006). The entry referring to the 1841 census reads:

“June 6, Sunday
National census this year shows CEA [Cassandra Elizabeth Austen] living at Chawton Cottage, with three maids – Mary Butter, Emily Kemp, Jane Tidman – and one manservant, William Sharp. HTA [Henry Thomas Austen] and Eleanor Jackson are also there on census night.”

Cassandra was born on 9 January 1773 and would have been 68 on the night of the census so it would have been correct, by the format of the 1841 census, to show her age as 65.

Henry would have celebrated his 70th birthday in 1841. He was born on 8 June 1771. The 1841 census was taken on 6 June – just two days before his 70th birthday. So the figures are correct as Henry would have been 69 on the night of the census so again, by the format of how to record ages in the 1841, census it would therefore have been quite correct to show his age as 65. Henry’s surname isn’t shown on the census because the mark below the “Austen” of Cassandra’s name and alongside Henry’s Christian name is the equivalent of ditto marks.

Hope this helps.

Best
Sarah

Chawton Cottage

Sarah’s explanation dovetails in with other speculations, but because she works for Chawton House as an education officer, I will take hers as the last word on the subject.

Tony Grant, London Calling, wrote Louise West at the Jane Austen’s House Museum in Chawton about the same time that I wrote Chawton House, and her reply, while supportive, did not include additional information.

Hi Vic,
I just received this today from Louise West at Chawton Cottage. Remember our exciting foray into working out Cassandra’s age? … Here you are. – Tony

Dear Tony

Many thanks for sharing with me this interesting correspondence.  I really admire all the effort that has gone into trying to solve the mystery and wish I could offer anything more illuminating but I’m afraid I’m as much in the dark as you are.  If you uncover anything definite I would be very interested to hear.

Best wishes

Louise West
Collections and Education Manager
Jane Austen’s House Museum
Chawton
Alton

So, gentle reader. This is the end of our research into this topic. I hope others have found this journey into uncovering a mystery as interesting as I have. Thank you for stopping by, and thanks to all who have answered our emails and helped, especially Laurel Ann, whose initial comments and follow-up email unlocked the mystery first.

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James Purefoy as Beau Brummel

Of course it became a fashion to exaggerate the Beau’s fastidiousness concerning his toilet. He is said to have employed at least two glovers to make his gloves — the first being entrusted exclusively with the making of the thumbs, the second with the fingers and the rest of the hand; to have made his blacking with champagne, to have had the ties of his cravats designed for him by an eminent portrait painter; to have engaged three hairdressers arrange his hair, one being entrusted with temples, one with the front, and the third his occiput [back of the head].

Quote from: Once a Week, by Eneas Sweetland Dallas, 1864,   p 242-243

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Panorama of Bath from Beechen Cliff, 1824, Harvey Wood

Inquiring Readers, Tony Grant, who lives in London, teaches, and acts as occasional tour guide, has been contributing articles to Jane Austen Today for several months. Recently, Tony and his family traveled to Bath and the West Country. This is one of many posts he has written about his journey. Tony also has his own blog, London Calling.

The Paragon from Travelpod

On Wednesday 6th May 1801 Jane wrote to Cassandra, from a house positioned on a hill half way up a road called, The Paragon, in Bath. It was her uncle and aunt’s, the Leigh Perrots, home. Her aunt was her mother’s sister. Jane and her mother and father had just arrived, just moved in and were getting settled into their rooms.

“ My dear Cassandra,

I have the pleasure of writing from my own room up two pairs of stairs, with everything very comfortable about me. Our journey here was perfectly free from accident or Event; we changed horses at the end of every stage, & paid almost at every turnpike;- we had charming weather, hardly any dust,& were exceedingly agreeable, as we did not speak above once in every three miles.- between Luggershall & Everley we made our grand meal…….”

Jane had arrived in Bath after a journey of about 50 miles from Steventon, her home.

Wood engraving of Steventon Rectory

She sounds excited and thrilled by the new experience for instance she has ,” my own room.” But perhaps she was trying to put a brave face on it, be positive and put the negatives to the back of her mind.

Claire Tomlin reminds us,

“ The decision by Mr and Mrs Austen to leave their home of over thirty years, taking their children with them, came as a complete surprise to her; in effect, a twenty fifth birthday surprise, in December 1800. Not a word had been said to anyone in advance of the decision.”

Jane had spent all her life in Steventon a quiet country village near Basingstoke in Hampshire. She knew the families who lived in the great houses and many were her friends. She knew the villagers of Steventon very well. It was the source of her imagination and she had developed her own intimate writing habits there. Her world , in a sense was turned upside down and she was being wrenched from this intimate, close world that she was comfortable in, to that of a bustling town, but not just any town.

The Bath Medley, the Pump Room, detail on a fan, 1735

Bath was the centre of Georgian ,”FUN.” Here people came for the medicinal benefits of the waters, dancing, parading in the streets in their finest clothes, drinking tea, and taking rides and walks out into the nearby countryside. It was a place to rest, to be seen and to meet new people. Many families brought their unmarried daughters here to find eligible spouses.

Dancing, Rowlandson, The Comforts of Bath

Bath was a magnet for the wealthy and comfortable middle classes who came and went with the season. It was a fluctuating population. Friendships could be brief. It was a hot house for relationships. Whether The Reverend George Austen had it in mind to find suitors for his two unmarried daughters, as part of his plan, is not certain. Jane however was definitely out of her comfort zone. She was a very astute judge of characters and she would not like much of the ostentatious show of Bath. People who went to Bath for the season behaved differently. Strangers were thrown together in a mix of fun and gaiety. Moral codes were loosened. You get a very strong sense of this in the description of Catherine Morelands first experiences of Bath in Northanger Abbey.

Comforts of Bath, The Pump Room, Rowlandson

To get to Bath from Steventon over the fifty mile journey, Jane took, she passed through many picturesque and beautiful villages and towns. Those places are still there today.

Overton, Andover, Weyhill, Ludgershall, Eveleigh, where the Austens stopped to take tea and rest, Upavon, crossing the River Avon at this point, Conock and Devizes where they probably rested again before the final stretch to Bath. Devizes is a bustling town today, traffic and shoppers, many small businesses, churches and chapels and still many magnificent Georgian buildings. Take away the cars, and dress the people differently and Devizes would still be very familiar to Jane. It still has very much of its Georgian character but it is a modern 21st century town too.Like modern day England, Devizes is a layer cake of history. There are bits from every era and it has and does thrive in all of them.

Strolling through Sydney Gardens

When I went to Bath this time I came in from a slightly different direction to Janes journey there in 1801. I came the south east, travelling from Stonehenge in Wiltshire. This road comes from high up in the hills to the south of Bath and the first sight of the city is from a steep, tree lined, Beckford Road which reaches Bath stretching along next to Sydney Gardens. It was a great pleasure and very exciting to come across, almost immediately on reaching Bath, number 4 Sydney Place, which was one of the houses Jane and her family rented.

Georgian terraced houses along the London Road, Bath

Jane entered Bath by way of the London Road which sweeps in from the east and curves across the top of the bend in the River Avon which borders the southern part of the City of Bath.The London Road leads straight to The Paragon, the road in which her aunt and uncle, The Leigh Perrots, lived and where Jane and her mother and father were to live until they found their own residence. Bath has not expanded in modern times much south of the river partly because of the steep hills there.

Old - Lower - Assembly Rooms

So there is an excited tone in Janes first letter from The Paragon. The excitement doesn’t last. Her aunt and uncle being residents in Bath, they at least know people to introduce Jane to. Unlike Catherine Moreland who meets nobody and knows no one at first. But what terrible people? Or is Jane just having a bout of sour grapes? Within weeks Jane is writing to Cassandra her comments about Bath acquaintances.

Wednesday 13th may 1801 writing to Cassandra

“I cannot anyhow continue to find people agreeable; I respect Mrs Chamberlayne for doing her hair well, but cannot feel a more tender sentiment.”

Mrs Chamberlayne is picked out for more effort. Jane tries to find something in common, tries to see if a new friendship can blossom.

Friday 22nd May 1801

“The friendship between Mrs Chamberlayne & me which you predicted has already taken place, for we shake hands whenever we meet Our grand walk to Weston was again fixed for yesterday & was accomplished in a very striking manner; Everyone of the party declined it under some pretence or other except our two selves, & we therefore had a tete a tete, but that we should equally have had after the first two yards, had half the inhabitants of Bath set off with us.- It would have amused you to see our progress;-we went up by Sion Hill, and returned across the fields,- in climbing a hill Mrs Chamberlayne is very capital; I could with diffuculty keep pace with her- yet would not flinch for the world.- On plain ground I was quite her equal- and so we posted away under a fine hot sun, She without any parasol or any shade to her hat, stopping for nothing ,& crossing the churchyard at Weston with as much expedition as if we were afraid of being buried alive.-After seeing what she is equal to, I cannot help feeling a regard for her.-As to agreeableness, she is much like other people.”

There is something final about this relationship as though it’s not going far, in two phrases, “The friendship between Mrs Chamberlayne & me which you predicted has already taken place,…..” and , “As to agreeableness, she is much like other people.”

Regency Bath

Jane uses the past tense already about the relationship with Mrs Chamberlayne and she finally concludes that she is much like other people. Nothing is going to happen here. Jane was a very guarded person, certainly didn’t suffer fools gladly, gave people a chance and discarded them for their mediocrity. Jane obviously needed something else in a relationship. Already she wasn’t in the mood for Bath.

Candle Snuffer, image Tony Grant

In the same letter she mentions house hunting. They have been looking at houses amongst Green Park Buildings. Green Park Buildings are situated near the river at the bottom of the town. They were obviously prone to flooding.

“ our views on GP building seem all at an end; the observations of the damps still remaining the offices of an house which has only been vacated a week, with reports of discontented families& putrid fevers have given the coup de grace.”

Nowadays the river near Green Park Buildings has high banks to prevent flooding and has been canalised. One of the main car parks, where we actually parked is near there. Also Bath Railway Station and The University of Bath is situated nearby these days.

For all this dire and damning report the Austens did move into Green Park Buildings. It could not have been very pleasant. Perhaps they thought their stay in The Paragon was prolonged enough and anything had to be taken.

Much of Jane’s remaining letters from Bath have some discussion about finding accommodation. The contracts on these houses seem to have been short term. Maybe this was because Bath was a seasonal place. People generally came for short periods of time. If you really wanted to live there permanently you would have to buy. Perhaps the Austens could not afford to do that. It begs the question, did Mr and Mrs Austen really think through their move to Bath carefully enough?

25 Gay Street, image Tony Grant

After Green Park Buildings the next set of letters come from number 25 Gay Street, just a few houses up the hill from The Jane Austen Centre. It is a dental practioners office today. The letters from Gay Street are the last from an address in Bath. However we also know that Jane lived at number 4 Sydney Street, a new house at the time overlooking a grand house which is now the Holburn Museum and its grounds, Sydney Park. This is by far one of the more pleasant situations Jane lived in.

Jane’s father died in a house in Trim Street not far from Queen Square and Gay Street. So another move had had to take place. In five years Jane had lived in at least five different house all providing differing qualities of living.

Side Street, Bath, image by Tony Grant

You can find this reflected in the two novels that concern themselves most with Bath, Persuasion and Northanger Abbey. In Persuasion Anne Elliot finds an old school friend, Mrs Smith, living in poor circumstances.

“Her accommodations were limited to a noisy parlour , and a dark bedroom behind, with no possibility of moving from one to the otherwithiout assistancewhich there was only one servant in the house to affordand she never quitted the house but to be conveyed into the warm bath.”

Mrs Smith’s accommodation was in Westgate Buildings not far from the Pump Room. Mrs Smith’s husband had died leaving her almost penniless but because of her health the warm bath treatment was seen as a cure. Her life was certainly not one of fun and frivolity. It seems, like in any city and town today, in the 18th century, the poor and destitute and the wealthy are not far from each other. Anne Elliot seems to prefer the company of Mrs Smith rather than the fripperies that Bath had to offer. She knows the right people and could have fun if she wanted to. Anne Elliot can see the two sides of Bath.

Side view of Bath Abbey, image Tony Grant

Jane Austen knew Bath extremely well. Throughout Persuasion and Northanger Abbey she houses her characters in real streets and in real buildings, although she does avoid giving us the number of the house in such and such a street. The real owners and occupants might not have liked the notoriety. And today they might not like the notoriety as well. Was there such a thing as litigation in the 18th century? I’m sure there was.

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Cheap Street with hills in the distance, image from Tony Grant

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Tony Grant at 3 Queen Square, down the road from the Jane Austen Centre

Tony Grant, who writes posts for Jane Austen Today and London Calling, stands above the “area”, the servants entrance that sits below ground and in front of town houses built during the Georgian and Regency eras. A wrough-iron fence separated the upper level from the lower basement level, which was sunk partly below the street. Windows in the work areas gave the servants a view of the people walking along the sidewalks.

Wherever these town houses were built, servants and delivery people used the lower entrance. The “area” also contained a coal vault used for storage.

The "area", or the way down to the servant's quarters

A collier unloaded coal from a cart directly into the coal vault. This practice prevented dirty coal sacks from being dragged through the house. Coal was dumped down a chute via a coal hole. The coal would then be used for fires or the kitchen stove. (Gaelen Foley)  The design of the coal hatch, which was locked from the inside, would vary from house to house. Coal holes were in use from the early 1800s to the middle 1900s, when the Clean Air Act made the burning of coal illegal. (Knowledge of London)

Coal hole, Bath, England

So much coal was burned in 19th century London (in 1800 over one million London residents were burning soft coal) that “winter fogs” became common.

An 1873 coal-smoke saturated fog, thicker and more persistent than natural fog, hovered over the city of days. As we now know from subsequent epidemiological findings, the fog caused 268 deaths from bronchitis. Another fog in 1879 lasted from November to March, four long months of sunshineless gloom. (London’s Historic “Pea Soupers”)

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Even as women freed themselves for a short time from the confinement of corsets, the Regency dandy, following the Prince Regent’s fashion, began to constrict himself into a wasp-waisted and broad shouldered look. For men of a certain challenged physique, firm waists and tight stomachs were achieved through laced corsets. The sculpting of wide shoulders, bulging thighs, and fine calves was accomplished by well-placed pads, as the satiric image below shows.

 

Lacing a Dandy, 1819

 

There can be no doubt, indeed, that just as the large cravat resulted from defects in the royal neck, so the stays in later years became necessary to restrain the unwieldy proportions of the royal waist, and assumed by the dandies as an act of compliment to their patron. The caricatures of the day exhibit an Illustrious Personage lifted up and struggling to insert his legs into a pair of “leather”s of a size he was anxious to appear in –  which are securely lashed to the bed posts to give a sort of purchase in furtherance of his efforts – just as in 1784 stories were told of Monseigneur d’Artois, the brother of Louis XVI of France,  needing the aid of four tall lacqueys to put on and off, without creasing, his small clothes of a special make and kind. – Once a Week, Volume 10

 

Prince Regent at his toilet, Hugh Bonneville, Beau Brummell, This Charming Man, 2008

 

Corsets continued to be relatively popular among the ruling and military classes for the rest of the 19th century, and retained a significant following during the first part of the 20th century.

 

1812 Regency a la mode

 

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