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Posts Tagged ‘Chawton House Library’

She Played and Sang: Jane Austen and musicThis is the time when new books are published ahead of the spring and summer seasons. One offering from Manchester University Press particularly intrigued me. I also included in this post  my responses to two books I recently purchased in preparation for a post about the Grand Tour.

She Played and Sang: Jane Austen and Music by Gillian Dooley

In March, Manchester University Press will offer a book that features an in depth look at Jane Austen’s lifelong connection to music. I have the honor of reading an advance proof and will review the book this March. The press sheet states:

“Until recently, our knowledge of Austen’s musical inclinations was  limited to the recollections of relatives who were still in their youth when she passed away. But with the digitisation of music books from her immediate family circle, a treasure trove of evidence has  emerged. Delving into these books, alongside letters and other  familial records, She played and sang unveils a previously unknown facet of Austen’s world. 

[Dooley] not only uncovers the music closely associated with Austen, but also unravels  her musical connections with family and friends, revealing the intricate ties between her fiction and  the melodies she performed. With these revelations, Austen’s musical legacy comes to life, granting  us a deeper understanding of her artistic prowess and the influences that shaped her literary  masterpieces.

Screen Shot 2024-01-28 at 9.52.53 AMThe Grand Tour of Europe

I recently purchased this lavish book, The Grand Tour of Europe, which sits prominently on my coffee table. 

“The Grand Tour, a journey through Europe aimed at culture and leisure, was a common practice between the 17th century and the first quarter of the 19th century. This book revisits the stages in an itinerary that left profound traces in European culture.”

Published by Van Cleef & Arpels and edited by Franco Maria Ricci, the information is divided into the following lushly illustrated sections:

Chapter I: Three essays 

Fops on Holiday, Nicholas Foulkes

Theatres of Antiquity: Art and Artists During the Grand Tour, Fernando Mazzocca

The Grand Tour of Europe, Attilio Brilli

Chapter II: Myths and Views of Italy

Chapter III: Imagination and the Grand Tour – Sculpture

Chapter IV: Imagination and the Grand Tour – Painting

Chapter V: Travellers and Artists

Note: Chapters II – V include anthologies with reactions from 17th – 19th C. travellers to their experiences. 

For a peek inside the book, click on this link: https://www.francomariaricci.com/en/books/grandtour Publisher ‏ : ‎ Franco Maria Ricci Editore (October 29, 2023), 168 pages, ISBN-13 ‏ : ‎ 979-1280294180

I wanted to connect this beautiful book to Jane Austen’s life, and found the bridge in the following reproduction of Edward Austen Knight’s memories of his own Grand Tour.

Edward Grand TourJane Austen’s Brother Abroad: The Grand Tour Journals of Edward Austen 

I ordered this book, edited by Jon Spence and first published in 2005, from Jane Austen’s Books. Austen herself, while she mentioned Edward Austen Knight in her surviving letters, provided few personal details about this brother and none about his Grand Tour. Before this book’s publication, we knew very little about his personality or his likes and dislikes, except for a letter from his mother, who compared and contrasted his talents with those of his brother James:

“[He] has a most active mind, a clear head, and a sound judgement, he is quite a man of business. That my dear James was not – Classical Knowledge, Literary Taste and the Power of Elegant Composition possessed in the highest degree; to these Mr Knight makes no pretensions. Both equally good, amiable and sweet-tempered.” – From an introduction in the book by Jon Spence.

In his foreword, Richard Knight, a descendant of Edward Austen Knight and a trustee today of the Chawton House Library writes:

“The publication of Edward’s Grand Tour journals provides another, more personal and intimate memorial to Edward himself. In the journals he speaks to us as he was as a young man: wry, amusing, playful, eager, and interested.”

The latter two books help Austen aficionados understand the scope of these “rites of passage” and educational journeys for the males* of the upper classes and those of the bourgeoisie who had the time and means to leave their home countries for lengthy periods, in some instances for years. Edward’s journal was written from the notes he kept during his travels and the result was meant to be read out loud to his family. 

*Females also embarked on Grand Tours, but not near the numbers of their male counterparts.

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Inquiring readers, periodically Christine Stewart sends us her impressions in her quest to understand Jane Austen and study her novels and life in Embarking on a Course of Study. Here is her latest submission. Sandy Lerner, whose successful career as co-founder of Cisco Systems provided her with the fortune to renovate Chawton House, Edward Austen Knight’s  second grand house, and found Chawton House Library, spoke about Jane Austen’s concept of money and wealth in “Money Then and Now: Has Anything Changed?” at the JASNA AGM in NYC earlier this month. While I found her talk to be riveting (the salon was packed) and thought-provoking, some of us disagreed with a number of points she made. (More about that speech in a later post.) Christine also recently heard Sandy speak at Goucher College. Here are her impressions.

Sandy Lerner, savior of Chawton House, now Library, author of the P&P sequel, Second Impressions, visited Goucher last night to give a talk, a reading, and sign copies of her book.

Sandy Lerner at Goucher, image @Christine Stewart

About Sandy Lerner

If you’re not familiar with Lerner:  “Lerner in 1992 bought and restored an estate once owned by Jane Austen’s brother, called Chawton House, in Hampshire, England. She has transformed it into the Center for the Study of Early English Women’s Writing, and is currently underwriting the digitization of the works of female authors who lived in England between 1600 and 1830. The 10,000 volumes, not all of them novels, include works by Austen, Mary Shelley, Frances Sheridan and Maria Edgeworth, among many others, as well as a collection of cookbooks by Quakers.” (Piedmont Maverick by Suzanne Gannon). Lerner co-founded Cisco Systems with her (now ex) husband, and later a cosmetic company called Urban Decay, which sold unusual (at the time) nail colors like green and blue. Their slogan was ‘Does Pink Make You Puke?’ She once posed naked on horseback for Forbes Magazine. In short, she is an interesting, eccentric, wicked smart woman who owns a farm in Ayrshire, Virginia. She bought a 125 year lease on Chawton House in 1993.

My friend Clare and I went to the talk at Goucher College in the (still shiny and new!) Athenaeum. This is where Alberta Burke’s famous Jane Austen Collection  is housed. The Batza Room, where the Jane Austen Scholars talk every two years, was packed (50-75 people). So were the chairs. We were all pretty much sitting on top of each other, so that made it rather unpleasant when a man reeking of onions and gin sat down next to poor Clare. She bore it bravely, but we joked about how much we wished women still carried lavender scented handkerchiefs to bury their noses in.

Goucher’s president Sanford (Sandy) Ungar was there, which always signals that the visitor is a big deal, as if we didn’t know! Outside the door, the table was laden with the very prettily bound books (sort of blue and leathery looking) and elaborate bookmarks from Chawton Library, which you received when you bought the book. I couldn’t get a clear shot of the table because of the swarm of people.

Sandy Lerner at Goucher College

When Lerner took the podium, the first thing she said was that she had just decided what she was going to talk about, which might give you an indication of how well prepared she was. Clare and I enjoyed the talk, for what it was, a quick summary of her love of Austen and buying Chawton and what it is today, and a quick recap of writing the book, with some lamenting about not receiving the proper reviews, how agents and editors won’t talk to her, because she self-published. I think she spoke for, maybe 15 minutes?  (My notes on her talk will follow the post.) There was an awkward pause and she offered to read, but didn’t have a book (!). One was borrowed from the audience and she read for 10 minutes, a very quick scene between Lady Catherine de Bourgh and Colonel Fitzwilliam.

Read more for my notes about writing the book on my blog, Embarking on a Course of Studyhttp://www.embarkingonacourseofstudy.com/2012/10/sandy-lerner-visits-goucher-second-impressions.html

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The Emporium at JASNA’s 2012 AGM in NYC provided several delightful surprises, among which was meeting the staff of Jane Austen’s World Magazine and Chawton House Library a their respective booths. Jane Austen’s Regency World editor, Tim Bullamore, was selling a variety of magazines and books. The music you hear in the background of the first video is William Herschel’s Sonata in D Op4 No4, which came with the March/April 2010 edition of the magazine. Tim also spoke about Sex, Money and Power in Death Obituaries in the Time of Jane Austen, which I will discuss in more detail in a later post. (Music: With permission from Tim Bullamore, CD from Mar/Apr issue of Jane Austen’s Regency World.)

The staff of Chawton House Library, shown behind the second booth, were  the Chief Executive Officer, Mr. Stephen Lawrence, Director of Research, Dr. Gillian Dow, and Director of Development, Ms. Eleanor Marsden (in the last scene with Mr. Lawrence) were also at their stations during various times throughout the conference. It was a pleasure to meet them. Janeites will know Dr. Dow, who also lectures at the University of Southampton in England, from her articles and books on Jane Austen and women’ studies. I have had the pleasure in the past to email Stephen Lawrence about permissions from Chawton House, most particularly in reproducing images of Edward Austen Knight’s suit, which required extensive restoration. Read my article here.

Edward Austen Knight’s Frock coat with lining. Image @Chawton House

Some of the items I purchased from both booths are shown in the video below. I was most particularly pleased to purchase The Compleat Housewife by Elizabeth Smith, reissued by Chawton House. I also purchased four back issues of Jane Austen’s Regency World Magazine. You will also see the lovely Sense and Sensibility the Musical booklets, which I used to take notes, the Conference workshop guide, and a tin of tea distributed by the Minneapolis MN JASNA group, where the 2013 AGM meeting will be held. Topic? Pride and Prejudice, of course.

Sandy Lerner, shown left below, one of the keynote speakers, is the driving force behind the resurrection of Chawton House, Edward Austen Knight’s second grand house, and Chawton House library.

Sandy Lerner, author of Second Impressions, and Rachel Brownstein, author of Why Jane Austen? at the author’s book signing at JASNA AGM

Second Impressions is written by Ava Farmer, Sandra Lerner’s nome de plume. Profits from the sale of this book go to the Chawton House library.

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Gentle Readers, these fantastic images are by Tony Grant from London Calling. The text are quotations from the fabulous Chawton House Library site.  This site is rich with information and history. I am so impressed with the section on chickens, which were rescued and given a chicken-friendly coop for roosting and free ranging. The horses are magnificent as well. Sandy Lerner has done a magnificent job of turning this once ruin of a house into an historic library and museum. As Tony’s images show, this house is a world treasure .

Drive leading to Chawton House. Image @Tony Grant

In April 1551, the land was sold for £180 to John Knight, whose family had been tenant farmers in Chawton since the thirteenth century and who had prospered sufficiently to wish to acquire a large estate.

Front entrance. Image @Tony Grant

The medieval manor house was replaced by John Knight’s grandson, also called John, with the largely Elizabethan house that can be seen today.  – History

Window detail. Image @Tony Grant

Eaves. Image @Tony Grant

Climbing shrub. Image @Tony Grant

Side view with side door. Image @Tony Grant

In 1781, Thomas Knight II inherited, but when he and his wife Catherine showed no sign of having children of their own, they adopted a son of the Reverend George Austen, who was a cousin of Thomas Knight’s.

Edward is introduced to the Knights. Image @Chawton House Library

Edward Austen Knight eventually took over management of the estates at Godmersham and Chawton in 1797, living mostly at Godmersham and letting the Great House at Chawton to gentlemen tenants.

Chawton Cottage, where Jane Austen lived. Image@Tony Grant

In 1809 he offered a house in the village to his mother and two sisters Cassandra and Jane, and it was there that Jane Austen began the most prolific period of her writing life.

Image @Tony Grant

Sandy Lerner. Image @The Telegraph

By 1987, when Richard Knight inherited, parts of the house were derelict, the roof leaked, timbers were rotting and the gardens were overgrown with scrub. The decline was halted in 1993 with the sale of a 125 year lease to a new charity, Chawton House Library, founded by the American entrepreneur and philanthropist, Sandy Lerner, via the charitable foundation established by her and her husband Leonard Bosack, the Leonard X. Bosack and Bette M. Kruger Foundation.

Kitchen garden entrance. Image @Tony Grant

The grounds and gardens at Chawton House Library continue to be in the process of restoration although a great deal has already been achieved. The focus of the restoration is the English landscape period of the eighteenth century together with Edward Austen Knight’s early nineteenth-century additions of walled kitchen garden, shrubberies and parkland. – The estate

Kitchen gardens. Image @Tony Grant

The Library Terrace was built between 1896 and 1910 (probably in 1904-05) by Montagu Knight (1844-1914). The terrace was actually an Arts & Crafts addition and almost certainly influenced by Edwin Lutyens.

Going round the back of the house. Image @Tony Grant

View from the gardens. Image @Tony Grant

Gravel paths are not typical of the English Landscape period and were probably introduced by Edward Knight II (1794-1879).

View from one of the gravel paths. Image @Tony Grant

According to Montagu Knight, the brick Upper Terrace was built in 1901. In the early twentieth century this was a broad grass terrace with a central gravel path, recently uncovered.

Image @Chawton House Library

In Jane Austen’s time, the kitchen garden was located to the north of the Rectory (opposite the current entrance to Chawton House). Edward Austen Knight had the idea to build a new walled garden during his sister’s lifetime: in 1813, Jane Austen wrote to her brother Frank:

‘[h]e [Edward Austen Knight] talks of making a new Garden; the present is a bad one & ill situated, near Mr Papillon’s; — he means to have the new, at the top of the Lawn behind his own house’.

However, her brother’s plans did not come to fruition until after her death in 1817. – The estate

The grounds. Image @Tony Grant

The farm buildings. Image @Tony Grant

The fields. One can see the horses. Image @Tony Grant

The Wilderness dates from the late seventeenth and early eighteenth centuries and was originally set out geometrically with trees in straight rows, a practice which was later dropped. It survived the English Landscape improvements.

St. Nicholas Church. Image @Tony Grant

Church Copse. This area to the rear of St. Nicholas Church was cleared between 1999 and 2000, revealing the Knight family pet cemetery and the rear lychgate into the churchyard. Of particular interest in this area are the several large, important eighteenth-century lime trees and a yew tree, probably from the same period. – The estate

Image @Tony Grant

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Dancing With Mr. Darcy is a fabulous book. A book reviewer isn’t supposed to reveal an opinion right away, but I have many reasons for liking this compilation, which began as a short story competition in 2009 sponsored by Chawton House Library to celebrate the bicentenary of Jane Austen’s arrival in the Hampshire village of Chawton. This was a momentous occasion in Jane’s life, for she would enjoy her most productive years there.

Dancing with Mr. Darcy is great for bed time reading.

When my head hits the pillow, I can stay awake for 20 minutes at the most. That’s just the right amount of time to savor one of these stories, which is between 2,000-2,500 words in length, reflect upon it, and turn off the light. The book will remain on your bedstand for at least 20 nights if you stick to this schedule. But here’s the kicker: It’s hard to put down.

The stories are truly original.

The inspiration for these stories was taken from any theme in Jane Austen’s novels, like a character or single sentence. Authors could also draw upon Chawton House, an Elizabethan mansion, as their muse. Whatever they decided, they were encouraged to get their creative juices flowing. And were they ever!

The book opens with a story inspired by Chawton and a dead Jane Austen crossing the River Styx . She is accused in a Higher Court by the older female characters she created for wilfully portraying them as manipulative harpies and scolds. I wondered how author Victoria Owen would resolve this curious plot, but it ended beautifully and logically. Another story that drew my attention was Felicity Cowie’s ‘One Character in Search of Her Love Story Role‘, in which the central charcter, Hannah Peel, a contemporary heroine, finds her voice by interacting with classic literary heroines, including Jane Bennet and Jane Eyre.

Fresh voices are given an opportunity to shine.

Unknown authors do not often get to compete in a public forum for an opportunity to have their work published with the backing of a prestigious institution. I read the short biographies at the end of the book, and while many of the authors took creative writing or majored in English, some are still students, one lives on a farm, another is a book reviewer, several are scholars, another is a math and science teacher, and yet another was educated to be a lady. With such a variety of backgrounds, it is no wonder that the stories are not clichéd.

Many of the tales had contemporary settings, and there were times that I had to puzzle out just what their connection was to Jane Austen or Chawton house. Like all compilations, I preferred some stories over others, such as Kelly Brendel’s Somewhere, inspired by a passage in Mansfield Park, and Eight Years Later, which is Elaine Grotefeld’s take of love lost and found again in the mode of Persuasion.

Jane Austen would have approved.

The variety of the stories, and their excellence and fresh approach to the Austenesque genre makes this book stand out from the pack. Jane Austen would have approved of their original plots, their intelligent writing, and the variety of ideas that sprang from the original impetus. These twenty stories were selected from 300 submissions, and one can only imagine how many good stories barely missed the cut.

Sarah Waters at Chawton House, July 2009. Image @Chawton House

In a different way, I found this compilation equally as thrilling as A Truth Universally Acknowledged, edited by Susannah Carson, a book of critical insights by famous authors about Jane Austen that I adored and reviewed late last year. Stories that are judged, weighted, or juried tend to have an edginess and contemporary bite that attract me.

In this instance, the stories were judged by a Chair judge, Sarah Waters, the author of Tipping the Velvet and Fingersmith, and a panel of judges: BBC journalist Lindsay Ashford; author Mary Hammond; Rebecca Smith (five-times great niece of Jane Austen, descended through her brother Frances); and freelance editor Janet Thomas.

The book is available today at your local or online bookseller. Run, don’t walk to obtain your own copy. I give it three out of three Regency fans and then some.

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