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apsley house

“The last time! a going! gone.”
“Auctioneer.

“Down! down! derry down!”
“Public.

A toll-gate was moved in 1721 from Piccadilly, near Berkeley Street and the present location of the Ritz Hotel, to the west end of Hyde Park in London. It was a real barrier, its gates stretching across the road, and the area was illuminated by a dozen oil lamps before the age of gas. (London, Vol 1, Charles Knight) After passing through the toll, the first building travelers encountered was “Number One”, London, or Apsley House. The residence was named after Baron Apsley, who built the house in 1771. Its most famous and recognizable resident was The Duke Of Wellington. Hyde Park Corner tollgate was one of the busiest tollgates in London, and remained active until 1825, when it was dismantled piece by piece and sold.

Hyde Park Corner, 1822, Charles Cranmer Jr

Sir,
I have taken the liberty of enclosing you a representation of a scene which took place at Hyde-park-corner last Tuesday, October 4th, being no less than the public sale of the toll-house, and all the materials enumerated in the accompanying catalogue. If you were not present, the drawing I have sent may interest you as a view of the old toll-house and the last scene of its eventful history. You are at liberty to make what use of it you please. The sale commenced at one o’clock, the auctioneer stood under the arch before the door of the house one the north side of Piccadilly. Several carriage folks and equestrians, unconscious of the removal of the toll, stopped to pay, whilst the drivers of others passed through knowingly, with a look of satisfaction at their liberation from the accustomed restriction at that place. The poor dismantled house without a turnpike man, seemed “almost afraid to know itself”—”Othello’s occupation was gone.” By this time, if the conditions of the auction have been attended to, not a vestige is left on the spot. I have thought this event would interest a mind like yours, which permits not any change in the history of improvement, or of places full of old associations, to take place without record.

I remain, sir,
Yours, &c.
A CONSTANT READER.

sale of hyde park corner toll gate

These entries come from the October 4th Every-Day Book by William Hone, 1825-26,. The following account relates the dismantling of the property:

The sale by auction of the “toll-houses” on the north and south side of the road, with the “weighing machine,” and lamp-posts at Hyde-park-corner, was effected by Mr. Abbott, the estate agent and appraiser, by order of the trustees of the roads. They were sold for building materials; the north toll-house was in five lots, the south in five other lots; the gates, rails posts, and inscription boards were in five more lots; and the engine-house was also in five lots. At the same time, the weighing machine and toll-houses at Jenny’s Whim bridge were sold in seven lots; and the toll-house near the bun-house at Chelsea, with lamp posts on the road, were likewise sold in seven lots. The whole are entirely cleared away, to the relief of thousands of persons resident in these neighbourhoods. It is too much to expect every thing vexatious to disappear at once; this is a very good beginning, and if there be truth in the old saying, we may expect “a good ending.”

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“Riding Through the Ridings”: Random Sketches of Yorkshire Coaching Inns was written and illustrated in 1947 by Joseph Appleyard. An unpublished book, it has found a home online through his son, David. The illustrations fit so well with my recent posts for post boys and the postal mail, that I was eager to share them with you,with Mr. Appleyard’s kind permission.
The George Inn York Joseph Appleyard

The website contains the full transcript and most of the illustrations for “Riding through the Ridings”, whose foreword by Major J. Fairfax-Blakeborough M.C. is telling:
Post-Boys Joseph Appleyard

Some of us are old enough to have talked with the last of the drivers of stage coaches, with post-boys and quaint old ostlers, who could recall the music of the fast-trotting horses and the note on the guard’s horn. Such have heard at first hand of all the bustle there was when the four steaming horses were to be speedily changed, relieved by others standing in readiness for the next stage. More there are who remember the long rows of stables, loose-boxes, saddle rooms and post-boy’s quarters — unused and maybe derelict — in the spacious yards of the old coaching inns. These have also lived to see the end of coach-horse breeding in Yorkshire and the passing of the fairs in the country, at which hundreds of animals were yearly bought to horse the coaches in various parts of the country. Later, in pre-motor days, the best carriage-horses were sold in large numbers at these same Yorkshire fairs; to buyers from all over the world. The horse fairs as they declined, were the swan song of the long ranges of stabling, which were an essential adjunct and integral part of every coaching inn. All this formed the last remaining links with the spacious, leisurely, picturesque coaching-days.

Picking up the mail

Picking up the mail

Major Fairfax-Blakeboroughsums up the illustrations nicely:

The beautifully executed illustrations in this book are marked by their accuracy in technique and detail — no easy achievement in view of the distinctive dress, horse, harness and so forth, which belonged to those days and to a great extent passed with them. Contemporary literature is pregnant with references to the particular care and pride those who played their part in the coaching era took with regard to all these details and how the young sons of patrician families, did not consider their education complete until they could tool a four-in-hand and dress the part with such meticulous exactness that they were mistaken for professional coachmen. The fascinating illustration on the succeeding pages emphasise more than any other of the previous volumes dealing with the epoch, the poetry and romance surrounding it and the important part the old posting houses plated in the life of the nation and as the very hub of their own immediate area.

coach Horse, Joseph Appleyard 1947

coach Horse, Joseph Appleyard 1947

The site also offers a short biography of the artist (1908-1960), and contains photographs, published works, sketches, drawings, book illustrations and newspaper articles of his life and career.

Joe Appleyard attended local evening classes at Leeds School of Art where his fondness of animals gave rise to his interest in Romany and Circus life. He worked full time in window display and general advertising, and painted the scenery of Airedale, Wharfedale and Washburn Valleys in his spare time. Appleyard first began showing his paintings at the Leeds City Art Gallery in 1934, and by 1947 had exhibited over two hundred different works. He co-founded Otley Arts Club, and today his sketchbooks are in a permanent collection at Leeds Art Gallery. His St Leger and racehorse portraits and studies are in a permanent collection at Doncaster Art Gallery.

A light post horse, Joseph Appleyard

A light post horse, Joseph Appleyard

Joe Appleyard, Self portrait, age 26

Joe Appleyard, Self portrait, age 26

David Appleyard writes about designing a website for his father:

The Old Swan Hotel, Harrogate, has three large oil paintings on permanent display, now well restored to remove fifty years of nicotine. The nicotine would not have bothered Joe for he liked his Three Castles cigarettes and as his self-portrait shows political correctness was not an issue in those days! Some twelve years ago I tried to publish “Riding through the Ridings”. My efforts were unsuccessful and the project lay dormant until 1999 when I decided to “publish” it on the Internet. With access to Joe’s remarkably good records the site has grown and showcases more than 200 examples of his work as my tribute to a wonderful father and talented artist.

To see the rest of the illustrations and read the book, click on this link: Joseph Appleyard, Author or type http://www.josephappleyard.co.uk

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royal lion innDorset Public Inns With a Literary Connection showcases a number of inns with connections to John Cowper Powys, Thomas Hardy, Jane Austen,  Robert Louis Stevenson, and John Fowles. Constance Hill, author of Jane Austen: Her Homes and Her Friends, identifies the lodging in Persuasion as the Royal Lion Inn:

Now the inn to which they were bound we fully believe to have been the “Royal Lion,” which stands on the right-hand side about half way up the main street. The circumstances of the story all suggest it rather than the old “Three Cups,” the only other inn of importance in Miss Austen’s day. From the quaint projecting windows of the “Royal Lion” the ladies would be able to see Mr. Elliot’s “curricle coming round from the stable yard to the front door,” and could “all kindly watch” its owner as he drove up the steep hill. This would have been impossible from the windows of the “Three Cups,” which stood at the bottom of the main street and turned slightly away from it. The “Three Cups” was burnt down in 1844, but we have seen its site and have looked at an old print showing the building and its surroundings.

Update: Natalie Manifold, who runs the Jane Austen tours in Lyme Regis, wrote to say that Constance Hill’s information is wrong. The Royal Lion Inn is not the inn described in Persuasion. She has done extensive research on this topic, examining all the town’s old maps and records, and found that the front section of the hotel was a “privately owned cottage up until 1844 when it was scorched in a fire. Subsequently, it was sold and bought by the owner of the inn, which up until that point had been situated right at the back of the hotel’s car park near the river. The bay window is also Victorian as it was added when the front structure was included as part of the hotel.” Natalie concludes: “There is no way that the party would have been able to see up the hill from the hotel’s situation during the Regency period, leaving the old Three Cups as the most likely place of their stay.”

Agreeing with Natalie’s assessment are: John Fowles – the town’s most noted historian and author, Diana Shervington – relation of Austen, and Francis Turner Palgrave – Anthologist. (Thank you for the update, Natalie, which I very much appreciate.)

Royal Lion Inn Lyme Regis
Chances are that Jane Austen was familiar with the  Inn. In 1804 Jane Austen and her family traveled to Lyme and stayed there in the summer. The Royal Lion Inn, or the Lion as it was known, was built as a coaching inn in 1601. More information about the inn can be found in Dorset Public Inns With a Literary Connection. Over a century later, author and traveler, F. J. Harvey Darton wrote about the two inns:

Nothing could be better than the confrontation of the two chief hotels, the Royal Lion and the Three Cups. The Cups is the older house, and seems to go back to at least Stuart times in name and site. But they are both models of what a country inn of the better sort should appear to be. – The Soul of Dorset, F. J. Harvey Darton , 1922

More Links to Lyme Regis

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Gentle reader: This is the second of a series of three posts about the postal service in 18th century Britain. The first, Letters and the Penny-Post, can be read at this link. These posts are written in conjunction with Austenprose’s discussion of Lady Susan, an epistolary novel written in the form of letters, and thus are the inspiration for these posts.

The Post Office, Edward Villiers Rippingille, 1820

The Post Office, Edward Villiers Rippingille, 1820

As early as the 16th century horses were used to carry the royal mail. Sir Brian Tuke, appointed by Henry VIII, oversaw a system of riders on routes from London to Edinburgh, Scotland, Holyhead, Falmouth, Dover, and Dublin. Each stage, or post, was about 20 miles in length. After this distance, tired horses were exchanged for fresh replacements. From 1574, each ‘Post Master’ had to have at least three horses available for use. At the sound of the approaching Post-Boy’s horn, his own Post-Boy was made ready to start the next stage of the journey. Post Boys & Mail Coaches, The British Postal Museum archive

A public postal service was introduced in 1635. Riders on horseback carried the mail, but due to the poor condition of the roads the Royal Mail system was slow and hard on the men and the horses they rode. The riders, or post-boys, wore scarlet livery, and barely traveled more than three miles per hour in those early years. They could manage a faster four miles per hour for an express delivery. Dirt roads were in notoriously poor condition and the journey was challenging for even fresh horses. Only six post roads led from London. Letters were carried from post to post by post-boys and delivered to the local postmaster (or postmistres), who removed the letters for the area and had them picked up or delivered. The post-boy would then continue to the next post, carrying the rest of the letters. The Mail Coach Service

Post-Boy En Route to London, 1800

Post-Boy En Route to London, 1800

Before 1765, sending a letter a short distance outside London cost 3d. and sending a letter halfway across the country cost one shilling, or a week’s wages for most people. To cut costs, business concerns preferred to ship their goods down a river or up a canal, rather than chance a slow and dangerous journey by road, for highwaymen and robbers lay in wait, and post-boys were easy prey. Horace Wallpole wrote about a trip from Tonbridge to Penhurst: “The roads grew bad, beyond all badness, the night dark, beyond all darkness, the guide frightened beyond all frightfulness.” In Sussex the roads were generally so impassable in winter that the judges on circuit refused to hold the assizes at Lewes, the county town. Roads, Tolls, and Highwaymen

Post-Boys and their ponies, I Henderson, 1834. Although this image depicts a scene later than the era described in this post, and the ponies are harnessed to pull carriages, not deliver the mail, I chose the image because it is reminded me of a description of post-boys setting out with several ponies. This image is from the British Postal Museum Archive.

Post-Boys and their ponies, I Henderson, 1834. Although this image depicts a scene later than the era described in this post, and the ponies are harnessed to pull carriages, not deliver the mail, I chose the image because it is reminded me of a description of post-boys setting out with several ponies. This image is from the British Postal Museum Archive.

The following impressions by Arthur Young, a traveler in the 18th century are reminders of the economic consequences of poor roads. Poor linkages meant that postal carriers could not travel around the country easily:

To Luton; the cross-road execrable.
To Dunstable; a cross-road, very indifferent.
To Bedford; turnpike: a vile, narrow, cut-up lane.
To Kimbolton; very shabby.
To Thrapstone; a cross-road, but so so, much cut up.
To Grimsthorpe; cross-road; very bad; at one part of it over a common, with roads pointing nine ways at once, and no direction-post.
To Colsterworth; most execrably vile; a narrow causeway, cut into ruts, that threaten to swallow us up.
To Wakefield; indifferent; through the town of Wakefield so bad that it ought to be indicted. Most of the Yorkshire roads are favourably spoken of, but there are some exceptions that
To Medley; a cross-road, being a line of vile deep ruts cut into the clay.
To Temple Newsham; the road is a disgrace to the whole country.
To Castle Howard; infamous. I was near being swallowed up in a slough.
To Morpeth; a pavement a mile or two out of Newcastle: all the rest vile.
To Carlisle; cut up by innumerable little paltry one-horse carts.

“From Newton to Stokesley in Cleveland,” says Young, “is execrably bad. You are obliged to cross the moors they call Black Hambledon, over which the road runs in narrow hollows, that admit a south-country chaise with such difficulty that I reckon this part of the journey made at the hazard of my neck. The going down into Cleveland is beyond all description terrible, for you go through such steep, rough, narrow, rocky precipices, that I would sincerely advise any friend to go a hundred miles to escape it. The name of this pass is very judicious; Scarthneck, that is, Scare nick, or frighten the devil.

From Richmond to Darlington; part of the great north road; execrably broke into holes like an old pavement; sufficient to dislocate one’s bones. Her Majesty’s mails: a history of the post-office, and an industrial account …, 1865, p 126-127.

Post-Boys and Horses, 1794, George Morland

Post-Boys and Horses, 1794, George Morland

Many areas of the country didn’t have easy access to the postal system because few of the mail routes came near them. In the early 18th century, Ralph Allen, an entrepeneur who lived in Bath, added a system of crossroads, which connected two post roads, thus covering more of the country. By-posts ran between a post road and a town some distance from it. A way-letter went between two towns on the same post road. Instructions were put on the bottom left corner of letters, hence early covers often arrived with ‘Cross post’ or ‘X-post’ written on them. (History of the Postal Service .)

Allen – who later became the model for Squire Allworthy in Fielding’s Tom Jones – immediately began to stamp out corrupt practices. He had postmasters send him quarterly returns and swear an oath that their figures were accurate. All by- and cross-letters were to be stamped, and tallies kept of all the unstamped mail that came into the postmasters’ hands. As a result of these measures, income from the mail service increased dramatically.

Apart from stamping out bad practice, Allen expanded the routes used by the postal service. During his tenure, he established posts from London to Bristol, Bath, Cambridge, Norwich and Yarmouth, and also increased the number of deliveries that were made. By the time Allen died in 1764, by- and cross-letters were a profitable source of revenue and the department was soon incorporated within the Inland section of the Post Office.- Potted History by Ben Locker

By the middle of the 18th century, road improvements changed to the point where a contributor to the Gentleman’s Magazine wrote in 1754: “Were the same persons, who made a full tour of England thirty years ago, to make a fresh one now, they would find themselves in a land of enchantment England is no more like to what England was than it resembles Borneo or Madagascar.” (Road, Tolls, and Highwaymen.) Road improvements included toll roads, or private roads which the public paid to use but which were maintained and kept in decent condition. The effects of these turnpikes in 18th-century England contributed to lower freight charges of goods and travel times, and better economic conditions. – POSTAL CENSORSHIP IN ENGLAND 1635-1844 BY SUSAN E. WHYMAN

Though notoriously inefficient, post-boys continued to deliver the mail for over 150 years. They took two days to deliver mail from Bath to London, or 4-5 miles per hour, while the stagecoach took only seventeen hours. They also reputedly took forty-eight hours to carry a letter from Bath to London – (Great Britain). Post-boys were vulnerable to adverse weather conditions and highwaymen. “Attacks from robbers were so common in the late 18th century that the Post Office advised customers sending banknotes ‘to cut all such Notes and Draughts in Half in the following Form, to send them at two different Times, and to wait for the return of the Post, till the receipt of one Half is acknowledged before the other is sent’.”

In addition to losing much of their profits to robbers, post-boys had a poor reputation, much of it deserved. Although postage could be prepaid, a major reason that the recipient paid for the delivery of a letter was to ensure that it would be delivered in the first place. Post-boys often failed to place by-letters and cross-letters with the official mail, and they managed to lose or miscarry a great deal of their baggage.

Mile post on the way to London

Mile post on the way to London

Inquiring reader, I decided to end this post with a series of vignettes culled from different sources. While they add to our knowledge of Post Roads, Post-Boys, and Post-Offices, I could find no smooth way to fit the information into the narrative. I end with a poem by Cowper, Jane Austen’s favorite poet, whose poem about a Post Man seems a most fitting way to end this topic.

The boy who carried the mail dismounted at Hammersmith, about three miles from Hyde Park Corner, and called for beer, when some thieves took the opportunity to cut the mail-bags from off the horse’s crupper, and got away undiscovered.” Conditions of the Road P. 125

It must be added, however, that there was little help for raw, unarmed post-boys, when carriages were stopped in broad daylight in Hyde Park, and even in Piccadilly, and pistols pointed at the breasts of the nobility and gentry living close at hand! (Conditions of the roads: pp 126-127)

Rumors of their drunkenness and irresponsibility were rife. At one point it was claimed that “the gentry doe give much money to the riders, whereby they he very subject to get in liquor, which stopes the mails”. Paying the messenger after a letter was delivered was probably the most effective way to ensure it didn’t get lost.- Potted History by Ben Locker

Fell Pony
The late 18th century saw the Fell as the pack animal of choice, carrying loads of lead ore to coastal smelters. Fells were often driven in pack trains of ten animals each, carrying a ton of lead ore between them. The loads were just heavy enough so that two men could lift up the pack saddles while a boy led the Fell out from under. The active, long strides of the Fell Pony meant the pack train could travel over 30 miles a day, over 230 miles a week, for seven days a week, year-after-year, with no breaks for the animals.
The Fell became the mount of choice for the Post Office to carry the mail in Cumberland and Westmorland. In the northern towns, the Fell was also a driving animal, crucial to tradesmen. In the 1800’s, the breed gained renown as a premier trotter, frequently winning against all breeds. – Mustahevonen Farm

Posting in England, about the time of the Tudors, and for some long time afterwards, was carried on by riders on horseback. These persons, who were generally young lads, were termed Post-boys. Their only livery was a scarlet jacket and waistcoat, given to them on the birthday of the reigning sovereign. They might often be seen loitering on the way, and rarely travelled quicker than three miles an hour; or, if sent on express business, managed to accomplish four miles in that time. Campbell writes:
Near Inverary we regained a spot of comparative civilization, and came up with the postboy, whose horse was quietly grazing at some distance, whilst redjacket himself was immersed in play with other lads.
“You rascal! I said to him, “are you the post-boy, and thus spending your time?”
“Na, na, Sir, he answered, “I m no the post, I m only an express!”
But these postboys became the special prey of the highway robbers, who often stopped them and ransacked their bags. In February, 1779, an advertisement appeared, stating that the boy carrying the mail for Liverpool, Manchester, Chester, aiid thirty other towns, besides the Irish niail, had been robbed of the whol – Victorian London – Communications – Post – Postal System http://www.victorianlondon.org/communications/postal.htm

Post Boys

Posting in England, about the time of the Tudors, and for some long time afterwards, was carried on by riders on horseback. These persons, who were generally young lads, were termed Post-boys. Their only livery was a scarlet jacket and waistcoat, given to them on the birthday of the reigning sovereign. They might often be seen loitering on the way, and rarely travelled quicker than three miles an hour; or, if sent on express business, managed to accomplish four miles in that time. Campbell writes:  ”

Near Inverary we regained a spot of comparative civilization, and came up with the postboy, whose horse was quietly grazing at some distance, whilst redjacket himself was immersed in play with other lads.
“You rascal! I said to him, “are you the post-boy, and thus spending your time?”
“Na, na, Sir, he answered, “I m no the post, I m only an express!”
But these postboys became the special prey of the highway robbers, who often stopped them and ransacked their bags. In February, 1779, an advertisement appeared, stating that the boy carrying the mail for Liverpool, Manchester, Chester, aiid thirty other towns, besides the Irish niail, had been robbed of the whole – Victorian London – Communications – Post – Postal System

Post Master

During the 17th and 18th centuries, postmasters had also been innkeepers due to the fact that they were responsible for finding post boys and horses, providing stabling, etc. Once recognized mails came into being, this was no longer necessary and it was felt that inns provided little security for the mailbags. By March 1836, only one post town in the entire country had an innkeeper as postmaster. More common were post offices run by druggists, stationers, grocers and booksellers. Kristine Hughes, Rakehell, 19th Century Mail

The Post Man, William Cowper

HARK ! ’tis the twanging horn o’er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright ;
He comes, the herald of a noisy world,
With spatter’d boots, strapp’d waist, and frozen
locks ;

News from all nations lumbering at his back.
True to his charge, the close-pack’d load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destined inn:
And, having dropt the expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief

Perhaps to thousands, and of joy to som ;
To him indifferent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears, that trickled down the writer’s cheeks
Fast as the periods from his fluent quill,
Or charged with amorous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh the important budget! usher’d in
With such heart-shaking music, who can say
What are its tidings? have our troops awaked?
Or do they still, as if with opium drugg’d,
Snore to the murmurs of the Atlantic wave?
Is India free? and does she wear her plumed
And jewell’d turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the tart reply,
The logic, and the wisdom, and the wit,
And the loud laugh I long to know them all;
I burn to set the imprison’d wranglers free,
And give them voice and utterance once again.

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This post was updated 29, September.

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Bathing machine

Some historians attibute the invention of the bathing machine to Benjamin Beale, a Quaker and a glove and breeches maker who lived in Margate, a coastal seaside resort in England, during the 18th century. This was not so. Beale’s actual contribution in 1750 was the invention of an awning attached to the rear of the bathing machine. The cloth hood became popularly known as a modesty hood. It could be lowered in front of the machine down to the water and provide a private bathing area for the modest swimmer. There were variations to the hood, such as a  canvas awning called a lift, which could be extended over the back of the cart like a tent and completely hide the bather from view. An additional benefit of the hood was that it also protected delicate skin from the sun.

During the 18th and 19th centuries, people did not bathe in the sea for pleasure but for their health. After the publication of the Use of Seawater in the Diseases of the Glands by Dr Richard Russell in 1752, sea bathing became more fashionable.

Ramsgate bathing machines off the High Street

Ramsgate bathing machines off the High Street

The engraving above is an early version of the of the lower High Street in Margate in Benjamin Beale’s time before the Bathing rooms were constructed. The view from the bay shows how the Bathing Machines were accessed from the lower High Street.

Woman swimming in the sea; the need for privacy in such a situation is acute

Woman swimming in the sea; the need for privacy in such a situation is acute

It was considered inappropriate for the upper and middle classes to swim in the waves together, thus bathing machines became popular. Modesty and decorum dictated that the opposite sex should bathe in isolation from each other, for nude bathing for both sexes was common until the Victorian age.  “It is believed that naked bathing continued until 1862, when a law was passed stating that male and female bathers were to be segregated by not less than 60 feet, and that all owners of bathing machines would provide gowns or dresses to female bathers and drawers or similar to male bathers.”  After swimming, bathers would re-enter the bathing machine, dry off, and change back to their street clothing. The bathing machine would be wheeled back to the beach and the bather would emerge fully dressed. “The hiring charge for a bathing machine in 1770 varied from 9d for two or more gentlemen bathing themselves to 1/6d for a gentleman taking a machine with a guide.”*

Bathing machine and attendants

Bathing machine and attendants

Imagine to yourself a small, snug, wooden chamber, fixed upon a wheel-carriage, having a door at each end, and on each side a little window above, a bench below – The bather, ascending into this apartment by wooden steps, shuts himself in, and begins to undress, while the attendant yokes a horse to the end next the sea, and draws the carriage forwards, til the surface of the water is on a level with the floor of the dressingroom, then he moves and fixes the horse to the other end – The person within being stripped, opens the door to the sea-ward, where he finds the guide ready, and plunges headlong into the water – After having bathed, he re-ascends into the apartment, by the steps which had been shifted for that purpose, and puts on his clothes at his leisure, while the carriage is drawn back again upon the dry land; so that he has nothing further to do, but to open the door, and come down as he went up – Should he be so weak or ill as to require a servant to put off and on his clothes, there is room enough in the apartment for half a dozen people. – The Expedition of Humphrey Clinker, Tobias Smollett, 1771

Beale bathing machine

Beale bathing machine

Beale did not get rich off his invention, and he was reduced to poverty after his machines were destroyed in storms.

“The public are obliged to Benjamin Beale, one of the people called Quakers, for the invention,” writes the author of A Short Description of the Isle of Thanet, published in 1796. But it was the old story; the public became grateful after the inventor had been ruined by his enterprise. His successors had reaped the harvest. Old Benjamin Beale’s widow could remember in her last days the first family that ever resorted to Margate for the purpose of bathing being carried into the sea in a covered cart. In 1803 Beale’s machines were one of the institutions of Margate. It was alarmingly claimed for them that “they may be driven to any depth into the sea by careful guides.” – New York Times, August 11, 1906

southsea_common from a lithograph from A. Pernell 1865

The design of the bathing machine changed little in 150 years, and most, except those built for the rich, remained nothing more than damp wooden boxes on wheels. In the 1865 lithograph of the Southsea above, Beale bathing machines can be seen with their awnings fully unfurled to the water.

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