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Archive for the ‘Regency World’ Category

The Matrimonial Ladder, a visual satire, unfolds through a hand-tinted panorama of engravings with verse representing “Admiration,” “Flirtation,” “Approbation,” “Declaration,” “Hesitation,” “Agitation,” “Acceptation,””Solemnization,” “Possession,” “Rumination,””Alteration,” “Alteration,” “Irritation,” “Disputation,” “Desperation,” “Detestation,” “Separation,” and “Reconciliation.”

[PANORAMA]. E[GERTON], M., [Daniel Thomas]. Matrimonial Ladder! Or Such things are Drawn by M. E. Esqr. Engrav’d by G. Hunt. London: Thos. McLean, 26 Haymarket,1825. (Description and images from David Brass Rare Books, Inc. Please click on link above to enter this amazing rare book site.)


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And all the time in the dressing-room with its common-looking carpet, Jane’s piano, and the oval glass between the windows, [Jane] was hard at work on First Impressions, with Cassandra once more as critic and confidante. Their niece Anna, James’s daughter, who lived with them until her father’s remarriage, remembered later in life that she heard her two aunts reading the book aloud, with gales of laughter, and had threatened to betray the well-kept secret by picking up the names of the characters and repeating them downstairs.*

When Jane revealed First Impressions, the forerunner of Pride and Prejudice, to the Austen family, they greeted it with enthusiasm, reading it often alone and to each other. A proud papa tried to get his daughter’s three-volume novel published, but nothing came of that first effort, much to our benefit. Had First Impressions been accepted for publication at that time, we would not be reading the edited masterpiece that she eventually wrote. For another glimpse of Jane Austen at work, click here.

*Only a Novel: The Double Life of Jane Austen, Jane Aiken Hodge, NY, 1972, Coward, McCann & Geoghegan, Inc, Publishers,p. 49

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Helpful Readers,

Yesterday I received some extremely interesting questions from a reader about renting Kellynch Hall. Unfortunately, they came at a time when I am entertaining house guests. I cannot apply myself to the task until later this week, except to provide this link to Jane Austen’s Economics. Can anyone answer part or all of the questions below? Your comments are welcome and I thank you ahead of time for helping out.


If you cannot answer the questions but are interested in the topic, here are some links to online articles from the Jane Austen Society of Australia: One is about Kellynch Hall, which contains all the references to it in Persuasion, and one written by Jon Spence about Stoneleigh Abbey, the great house belonging to Mrs. Austen’s side of the family.

Click here for a fun trivia quiz about the Eliots of Kellynch Hall, and here for the website, Kellynch Hall.

Click here for my article, How Rich is Fitzwilliam Darcy? and some material supporting Brad de Long’s words.

Enough dithering, here are the questions:

  1. How much would it cost to live at Kellynch annually? Simply, that is, without sorbet and six liveried footmen–just the way Lady Eliot would have kept the place running in the black.
  2. Just how much rent did Admiral and Mrs. Croft pay for a furnished house of that consequence?
  3. Would the rent pay for building maintenance and upkeep or just the cost of running the house and keeping the servants?
  4. Would Sir Walter’s debts be whittled down by renting Kellynch? Is he making a small profit on the rental? Or just not losing money, treading water so to speak?
  5. It seems that the Crofts took over the charity obligations since Anne “was so sure” of the poor being relieved when the Eliots left for Bath. Was that usual for renters? Why did that duty not fall on the rector or the parish?

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So few excellent examples of clothing from bygone eras exist. Wear and tear, insect and humidity damage, and improper storage all take their toll. Well-preserved and breathtaking examples of historical clothing are featured in The Kyoto Costume Institute. Established in 1978 the Kyoto Costume Institute features an extensive collection of fashion and accessories.The following photos of regency gowns and outerwear have been gleaned from the Institute’s archives:
Spencer Jacket
Spencer Jacket, Leghorn Hat


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She soon believed herself to penetrate Mrs. Elton’s thoughts, and understand why she was, like herself, in happy spirits; it was being in Miss Fairfax’s confidence, and fancying herself acquainted with what was still a secret to other people. Emma saw symptoms of it immediately in the expression of her face; and while paying her own compliments to Mrs. Bates, and appearing to attend to the good old lady’s replies, she saw her with a sort of anxious parade of mystery fold up a letter which she had apparently been reading aloud to Miss Fairfax, and return it into the purple and gold reticule by her side …

Emma, Chapter 16

Reticules became popular when pockets were no longer sewn into the slim delicate dresses and skirts so common during the Regency era. These small handmade bags, frequently beaded or tasseled, came in a variety of shapes and are made of silk, velvets, handmade lace, or knitted fabrics. Most fashion plates of the Regency Era show ladies attired in walking costumes carrying a reticule similar to the one on top, circa 1800-1824 (Victoria and Albert Museum). These fashionable accessories were used from the late 18th Century through the flapper era in the early 20th Century.

Read my previous post on the reticule here, and find more examples of the Reticule in the following links:

  • Please Don’t Ridicule My Reticule discusses the history of the purse, including the reticule.Click here.

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