A good friend, after watching all episodes of Andrew Davies’ Sanditon, wrote to express the thought that Young Stringer was more suited for Charlotte than Sidney Parker. Young Stringer, played by Leo Suter, is an actor as handsome as Theo James, who played Sidney Parker, although Theo is darkly handsome, whereas Leo has a kinder face.
Young Stringer
Young Stringer is an ambitious working man who aims to use his talents as a designer and architect to move up in life. Stringer ‘s infatuation with Charlotte reminds me of Robert Martin’s unquestioning love for Harriett Smith in Emma.The difference is that Charlotte is no one’s fool and so much smarter than Harriett. Her common sense and insights fascinate Sydney, who is attracted to her despite his inner misgivings.
At the time my friend chose Young Stringer over Sydney, I thought that the former was an invention of Andrew Davies and his team. It turns out I was wrong. Austen briefly describes him through Tom Parker. He says:
“But, my dear love, as to garden stuff, you were saying that any accidental omission is supplied in a moment by Lady Denham’s gardener. But it occurs to me that we ought to go elsewhere upon such occasions, and that old Stringer and his son have a higher claim. I encouraged him to set up, you know, and am afraid he does not do very well. That is, there has not been time enough yet. He will do very well beyond a doubt. But at first it is uphill work, and therefore we must give him what help we can. When any vegetables or fruit happen to be wanted—and it will not be amiss to have them often wanted, to have something or other forgotten most days—just to have a nominal supply, you know, that poor old Andrew may not lose his daily job—but in fact to buy the chief of our consumption from the Stringers.”
“Very well, my love, that can be easily done. And cook will be satisfied, which will be a great comfort, for she is always complaining of old Andrew now and says he never brings her what she wants.”
Old Stringer and his son are struggling fruit and vegetable farmers in Austen’s version. Tom and Mary Parker are discussing this situation as they pass by their old, snug house, which they had abandoned in favor of an exposed location in Sanditon without protection from the sun and wind. Mary is nostalgic for the old days; Tom is a forward-looking enthusiast, an early 19thcentury term that meant someone who was full of enthusiasm for a cause or a passionate belief in something that has merit. In Tom Parker’s instance, it is Sanditon, the sort of seaside town that sprouted all over the Sussex Coast in late 18th– early 19thcentury Britain.
Tom Parker feels responsible for the Stringers’ situation, since he recruited them to set up business in Sanditon – a future town that is half finished and has yet to attract important clients. Mary agrees that purchasing their goods would provide some compensation. And that’s the end of the Stringers’ participation in Austen’s unfinished novel.
Andrew Davies and his team turned the farmers into builders, with Old Stringer employed as stone mason and foreman. Tom Parker has run out of funds, and thus Old Stringer works as a laborer to help get the job done. Young Stringer demonstrates his talent by designing a beautiful Pagoda that would be the centerpiece of the newly built crescent. He believes his talent will provide him with an upwardly mobile life. Sadly, Tom informs him that the pagoda will not be built and Young Stringer burns his plans in frustration. Every time he sees Charlotte, his face lights up. They have a casual friendship, mostly from her side since it is obviously that Young Stringer is hopelessly infatuated, but I can see how my friend still hopes that they will get together romantically.
Sidney Parker
Now, onto Sydney Parker. In Emma, Austen built up the reader’s expectations of Frank Churchill by providing information about him in dribs and drabs and through Emma’s assumptions, many of which (upon a second reading of the novel) were erroneous and wrong. In a similar fashion, she built up the reader’s knowledge of Sidney in the novel fragment of Sanditon. In the first nine chapters the reader learns about him through his siblings Tom Parker and Diana as they conversed with each other and with others. Tom and his wife, Mary, first discussed Old Stringer’s financial situation. They then moved on to the old house, the family seat, which they had abandoned for Trafalgar House in Sanditon. Mary speaks nostalgically of the house and its snug situation, which sheltered the house from damaging winds and storms. On seeing her former home, she says to Tom and Charlotte, who they are taking to Sanditon in gratitude for the Heywood’s hospitality,
“There now the old house is quite left behind. What is it your brother Sidney says about its being a hospital?”
“Oh, my dear Mary, merely a joke of his. He pretends to advise me to make a hospital of it. He pretends to laugh at my improvements. Sidney says anything, you know. He has always said what he chose, of and to us all. Most families have such a member among them, I believe, Miss Heywood. There is someone in most families privileged by superior abilities or spirits to say anything. In ours, it is Sidney, who is a very clever young man and with great powers of pleasing. He lives too much in the world to be settled; that is his only fault. He is here and there and everywhere. I wish we may get him to Sanditon. I should like to have you acquainted with him. And it would be a fine thing for the place! Such a young man as Sidney, with his neat equipage and fashionable air. You and I, Mary, know what effect it might have. Many a respectable family, many a careful mother, many a pretty daughter might it secure us to the prejudice of Eastbourne and Hastings.”
Tom is certainly impressed by his younger, middle brother. Then in Chapter 5, Mr Parker looks over letters before dinner.
“Not a line from Sidney!” said he. “He is an idle fellow. I sent him an account of my accident from Willingden and thought he would have vouchsafed me an answer. But perhaps it implies that he is coming himself. I trust it may. But here is a letter from one of my sisters. They never fail me. Women are the only correspondents to be depended on. Now, Mary,” smiling at his wife, “before I open it, what shall we guess as to the state of health of those it comes from or rather what would Sidney say if he were here? Sidney is a saucy fellow, Miss Heywood. And you must know, he will have it there is a good deal of imagination in my two sisters’ complaints…and our youngest brother, who lives with them and who is not much above twenty, I am sorry to say is almost as great an invalid as themselves. He is so delicate that he can engage in no profession. Sidney laughs at him. But it really is no joke, though Sidney often makes me laugh at them all in spite of myself. Now, if he were here, I know he would be offering odds that either Susan, Diana or Arthur would appear by this letter to have been at the point of death within the last month.”
Jane has established that Sidney has no use for hypochondriacs and that he isn’t above making fun of his youngest brother and two sisters, who were condensed into one woman in Davies’ Sanditon. Later in the same chapter, Tom continues talking to Charlotte as he reads a letter from one of his sisters, Diana, most likely, who attempts to recruit women from a boarding school, including a West Indian from Surrey (Miss Lambe), in order to increase visitors to the practically empty town.
I have heard nothing of Sidney since your being together in town, but conclude his scheme to the Isle of Wight has not taken place or we should have seen him in his way. Most sincerely do we wish you a good season at Sanditon, and though we cannot contribute to your Beau Monde in person, we are doing our utmost to send you company worth having and think we may safely reckon on securing you two large families, one a rich West Indian from Surrey, the other a most respectable Girls Boarding School, or Academy, from Camberwell. I will not tell you how many people I have employed in the business—Wheel within wheel—but success more than repays. Yours most affectionately.”
“Well,” said Mr. Parker, as he finished. “Though I dare say Sidney might find something extremely entertaining in this letter and make us laugh for half an hour together.”
The reader receives the impression that Sidney is busy with his own schemes and is much admired by his siblings. Tom mentions Sidney one more time at the end of Chapter 9 and says gratefully:
“I got this man a hare from one of Sidney’s friends; and he recommended Sanditon.”
The reader finally meets Sidney in Chapter 12, just before Austen set the novel aside.
It was a close, misty morning and, when they reached the brow of the hill, they could not for some time make out what sort of carriage it was which they saw coming up. It appeared at different moments to be everything from a gig to a phaeton, from one horse to four; and just as they were concluding in favour of a tandem, little Mary’s young eyes distinguished the coachman and she eagerly called out, “It is Uncle Sidney, Mama, it is indeed.” And so it proved.
Mr. Sidney Parker, driving his servant in a very neat carriage, was soon opposite to them, and they all stopped for a few minutes. The manners of the Parkers were always pleasant among themselves; and it was a very friendly meeting between Sidney and his sister-in-law, who was most kindly taking it for granted that he was on his way to Trafalgar House. This he declined, however. He was “just come from Eastbourne proposing to spend two or three days, as it might happen, at Sanditon” but the hotel must be his quarters. He was expecting to be joined there by a friend or two.”
The rest was common enquiries and remarks, with kind notice of little Mary, and a very well-bred bow and proper address to Miss Heywood on her being named to him. And they parted to meet again within a few hours. Sidney Parker was about seven or eight and twenty, very good-looking, with a decided air of ease and fashion and a lively countenance. This adventure afforded agreeable discussion for some time. Mrs. Parker entered into all her husband’s joy on the occasion and exulted in the credit which Sidney’s arrival would give to the place.”
Austen’s build up of this potential hero (which is still in question among scholars) intrigues the reader. Would he turn out to be a disappointment like Frank Churchill, or a hero and love interest worthy of Charlotte? Unlike Austen, Davies introduces Sidney in the first episode and rushes his introduction to Charlotte. They clash at an assembly ball. While I found Austen’s introduction of Sidney intriguing, Davies’ treatment of Sidney resembles more the hero of a bodice ripping Harlequin romance novel than a complex Austen character.
What say you in this very simple poll? Sidney or Young Stringer? What are your thoughts of the series so far?
Sanditon on PBS Masterpiece exceeded my expectations in some respects and not in others. It seems that a mixed reaction to this mini-series is not unusual. Many viewers in the UK loved it. Many did not. Some loathed it. Reading and hearing the opinions of my Janeite friends overseas, I approached reviewing this series with some trepidation. I had an extreme reaction to Episode One at first, then viewed all the episodes in two days’ time. Seeing them back to back gave me a new perspective.
Jane Austen's World 