Feeds:
Posts
Comments

Giving alms to debtors in Fleet prison, Rowlandson

Read More on the Topic

Image Source, Georgian England, Richardson.

To our modern eyes, Regency empire dresses represent a charmed and romantic era. But in 1794, the high-waisted look that had so recently come into fashion aroused much ridicule, and was described as the “banishment of the body from the female form.” The Rage, or Shepherds I have Lost My Waist was a doggerel based upon a popular song of the time: “Shepherds I have lost my love – Have you seen my Anna?”

Shepherds, I have lost my waist,
Have you seen my body?
Sacrificed to modern taste,
I’m quite a hoddy doddy!
For fashion I that part forsook
Where sages place the belly;
T’is gone – and I have not a nook
For cheesecake, tart, or jelly.
Never shall I see it more,
Till common sense returning,
My body to my legs restore,
Then I shall cease from mourning.
Folly and fashion do prevail
To such extremes among the fair,
A woman’s only top and tail,
The body’s banish’d God knows where!”

The implication of the ditty was of the poor lady’s predicament. She had to refuse cakes and jelly for her dressmaker had left her with no body. Worse, her legs looked as if they started just below her breasts.


This image shows a lady wearing the latest rages: tall feathers and an enormous watch with fob suspended below a girdle without a waist.

Gentle Readers, (UPDATE: Contest Closed. The random number generator chose Jill! Thank you everyone for participating! Your comments were excellent!)

Maria Beatrice from Italy is conducting a survey the world over. Her question is simple:

How and when did you discover Jane?

When you leave your comment, please include your age and gender. (I know, I know, ahem.)

People who leave a comment will have a chance of winning a copy of Jane Austen’s Guide to Dating by Lauren Henderson. (You must be a US or Canadian citizen to be eligible to win.)

The giveaway contest ends at midnight on June 9th.

1833 Bentley edition of Jane Austen's novels

If you are thinking about getting out of the stock market and placing your money on a sure thing, consider bidding for this edition of six Jane Austen novels in 5 volumes at Bonhams. Set to be sold on June 8, with an estimate of £2,000 – 3,000, the value of this rare set is sure to  go up during the auction and for many years thereafter. The description of the Standard Novels on Bonhams’ web site states:

[Works, Bentley’s Standard Novel edition], 6 vol. in 5, 5 engraved frontispieces and additional titles, some light spotting to first and final few leaves, small corner tear to printed title “Pride and Prejudice”, without half-titles, ownership inscription of Eularia E. Burnaby (1856) on printed titles, bookplate of Henry Vincent, bookseller’s label of H.M. Gilbert, Southampton, uniform contemporary half calf, red and dark green morocco labels, extremities lightly rubbed [Gilson D1-D5], 8vo, R. Bentley, 1833 – Bonhams Website

Richard Bentley (Wikimedia Commons)

The Bentley editions are notable in that no English reissue of JA’s novels is known after 1818. In 1832, Richard Bentley, publisher, purchased the remaining copyrights to Jane’s novels. (An excellent description of how Henry and Cassandra Austen sold the copyright to Richard Bentley and how little money they received for relinquishing their rights to their sister’s novels can be found in Claire Harman’s Jane’s Fame.) Bentley published all of Austen’s completed novels in 1833 in five volume sets known as the Standard Novels.  They came with illustrations that were significant for depicting scenes in early Victorian settings, not Regency settings. (One wonders how much the costume designers of the 1940 Pride and Prejudice film adaptations were influenced by these illustrations.) Bentley’s purchase marked a milestone, for from this time forward Jane Austen’s novels would always remain in print.

Illustration, Pride and Prejudice, Bentley edition (Image: Wikimedia Commons)

At the time of the Bentley reissues, Jane Austen was still regarded as a niche writer. Only a few hundred copies of her books were published and reprinted over the years. When Bentley’s copyrights expired, other printers began to publish her works, but book sales remained modest. Then came 1870. The publication of A Memoir of Jane Austen by J.E. Austen-Leigh, Jane’s nephew, sparked renewed interest in her novels. Bentley reprinted the novels as 21-5 in his Favorite Novels series (Sutherland, page 3),keeping Jane’s name in front of the public. Public demand for Jane’s novels continued to rise with the arrival of Bentley’s deluxe Steventon edition in six volumes in 1882. In 1884, Jane’s great nephew Lord Brabourne published the 2-volume set of Letters of Jane Austen. Combined with the previous publications and a largely favorable assessment of scholars and critics, Jane’s star was born.  A second wave of popularity, whose crest we are still riding, surged after the Jane Austen film adaptations of the 1990’s. It is conjectured that interest in her novels, adaptations, and sequels has peaked, but the number of readers that continue to visit this blog (and other Jane Austen blogs) and to clamor for films based on her life and novels belie that belief .

Bonhams, New Bond Street

About Bonhams LTD:

Bonhams is the world’s oldest and largest auction house still in British ownership. Thomas Dodd, an antique print dealer, and Walter Bonham, a book specialist, founded Bonhams in London in 1793.  When the auction house was launched, it was one of several similar concerns in Georgian London. The firm handled antique objects as well as fine wines. Today Bonhams is considered on of the four major auction houses in England, along with Christie’s, Sotheby’s, and Phillips, and sales take place almost daily at the firm’s New Bond Street location in Mayfair, London. (Image at right: University of Notthingham.)

For a more detailed description of Eularia E. Burnaby, whose name is inscribed inside the printed titles of this Standard Novel Edition, read Laurel Ann’s post entitled, Hey Bonhams! That Bentley Edition of Jane Austen Novels is Worth More Than You Thought!

Miss Marple (Julia McKenzie) and Dolly Bantry(Joanna Lumley)

Last Sunday, Miss Marple made a grand fifth season entrance for PBS Masterpiece Mystery! with its latest episode, The Mirror Crack’d from Side to Side. If you missed the episode, it is available online at this link until June 6th.

Marina (Lindsay Duncan) stares off into space with a look of doom

In this elegant mystery, based on a tragic event in actress Gene Tierney’s life, film star Marina Gregg (Lindsay Duncan) takes up residence at Gossington Hall with her fifth husband, young film director Jason Rudd (Nigel Harman). During a charity garden party, a guest named Heather Badcock (Caroline Quinton) drinks a poisoned cocktail and survives the experience by a mere few seconds. Laid up with a sore ankle, Miss Marple learns from her friend Dolly Bantry (played by the incomparable Joanna Lumley) that Marina was caught staring into space with a look of doom on her face just before poor Heather cocked up her toes.

Marina and husband #5, director Jason Rudd (Nigel Harman)

Enter Inspector Hewitt, whose list of usual suspects includes Marina’s past husbands and entourage of employees, colleagues, and hangers-on, looks for the obvious suspect. An attempt is made on Marina’s life while she is filming a movie, which confirms in Hewitt’s mind that she was the original target for murder, not Heather. Throw in a blackmailer, who is also found dead, and the plot has sufficiently thickened to leave viewers scratching their heads and relying on Miss Marple to make sense of the mayhem.

Inspector Hewitt (Hugh Bonneville, L) and sidekick take a traditional approach to solving a murder

As always, the cast of characters is superb. In addition to Ms. Lumley, Lindsay Duncan (Lady Catherine de Bourgh in Lost in Austen) and High Bonneville (Mr. Bennet in Lost in Austen and Mr. Rushworth in Mansfield Park) also make an appearance. I’ve grown quite accustomed to seeing Julia McKenzie as Miss Marple, and she fits my idea of that dowdy but sharp-eyed sleuth like a well worn glove. (As an aside, I advise that any of Miss Marple’s friends or relatives should steer clear of her, for where ever she goes, death is sure to follow!)

Why is reporter Margot Bence (Charlotte Riley) making life difficult for Marina?

The setting of a small English village and costumes of the late 1950’s, early 1960’s (the book was published in 1962) are superb. I have had the privilege to watch all three new episodes of Miss Marple this season, and while I liked this tale, it is not the best of the three. Perhaps because Mirror was based on a true story, the murder plot seemed a little loose and diffuse. The ending is enigmatic and lacks the satisfying and tidy wrap up of most of Agatha Christie’s plots. And yet I found my hour and a half well spent.

Joanna Lumley as Dolly Bantry

Well done, PBS Masterpiece Mystery! Two more original episodes will be aired (The Secret of Chimneys and The Blue Geranium), including two encore presentations (A Pocketful of Rye and Murder is Easy.) Five Miss Marples in one season! Life can’t get much better than this.