One of the privileges of using technology is our ability to peruse original editions online. We no longer need to travel to major city and university libraries to hunt down sources, or travel to distant states and lands, although viewing Jane Austen’s letters at the Morgan Library exhibit in New York gave me an unexpected thrill and feeling of awe.
Thomas Rowlandson is one of my favorite artists/caricaturists of the Georgian era. I hold him and the French caricaturist, Honoré-Victorin Daumier, in the highest esteem. As soon as I discovered this link I wanted to share it with you, the readers of this blog.
The following link leads directly to Rowlandson’s characteristic Sketches of the Lower Orders, intended as a companion to the New Picture of London. Published in London in 1820, the 54 scenes of London street life would have been very familiar to Jane Austen and her family. In fact, to understand the world she lived in, one must view the lives led by all the social orders in her era.

One reason I love Rowlandson cartoons is the attention he pays to details – the dog reacting to his street cries, the chair mending materials he carries, the old woman in the background holding a chair to mend – with deft lines he recreates a noisy, raucous street scene. This image from the British Library is in the public domain.
Jane, who traveled to Bath and London and other large towns, was no simpering Miss. She must have been exposed (infrequently, perhaps) to scenes such as the one depicted in “Strawberries.” If she did not view them as an eye witness, she might well have come upon to the many caricatures publicly hanging for sale in print shop windows or printed in publications.

Rowlandson incorporates rich story telling into his masterful drawings. The strawberry seller in the front of this detail has packaged her fruit tidily in small baskets, which the customer at right carries away with some satisfaction. The strawberry seller in the background at left sells her fruit loosely, allowing the male customer to bend over and ogle her bosom while grabbing for her berries, a not so subtle jab at the many streetwalkers (both day and night) occupying London at the time.
Jane’s pugnacious sense of humor, evident from her juvenilia and in a more sophisticated fashion in her later novels and letters, makes sense, given her talent, the way in which her family nurtured her budding talent, and the influence satiric novels and cartoons of the day must have had on her. No matter how gently bred a young lady might be (except for the most shielded), there was no escaping the dichotomy between the rules of etiquette for the gently bred and the general licentiousness of the Georgian era.
Rowlandson depicts both worlds masterfully in the hand-colored plates we are privileged to view in this online resource.

I love how Rowlandson draws details of every day life that no longer exists: the maid choosing a new door mat and another maid scrubbing the front stoop, while she is ogled by an old man. In ‘Earthen-Ware,’ a lady of quality inspects the pots and bowls for sale. This is a straightforward depiction of merchants trying to make a sale, one in which I can readily imagine Jane Austen as the customer. This public domain image was taken from this link on the British Library website.

One of the sweeter drawings in Rowlandson’s book. Public domain image from the British Library/
One can learn so much from these illustrations about early 19th century London and a life once lived and now lost. Heartbreaking scenes (such as those with the chimney sweepers and coal heavers) are interspersed with a sweet depiction of a young gardener showing his wares to a pretty woman or a funny scene of a woman crying “sweet lavender” while holding a screaming baby. These images help me understand Jane Austen’s London experiences better, while making me appreciate the sheer artistry of the man who created them.
Other posts on this blog:
- Rowlandson’s Dr. Syntax Visits a Boarding School for Young Ladies
- The Comforts of Bath, 1798: Thomas Rowlandson
- The World in Miniature: W.H.Pyne
- Buying Milk in St. James’s Park & Georgian London
- George Scharf, Chronicler of 19th C. London
Pinterest resources:
- Georgian era occupations
- Servants Work: 18th & 19th C.
- Vic’s Pinterest Site: Vic (Jane Austen’s World)
The cartoonists and caricaturists of the 18th and 19th century certainly give us a view of everyday life. We do not get that from learning about the world and national politics, politicians, Kings , Queens and wars although reading about them can be revealing also.Hogarth’s morality tales are pretty good, Vic. I love, A Rakes Progress,Marriage A La Mode, A Harlot’s Progress and his Beer Lane and Gin Alley pictures. Hogarth, Rowlandson and the novelists of the time get us to the heart of 18th century life. Not so much Jane Austen though. Austen was about relationships and not really about social commentary.She gets us close to the politics of relationships. Lady Susan is as close as Austen gets to Hogarth and Rowlandson I think.
You are so right about Hogarth’s morality tales, which I adore. While Jane Austen’s views were highly personal, her education and exposure to her father’s vast library, her fondness for novels, and the fact that she was relatively well traveled for a country miss must have made her keenly aware of the licentious behavior of many of her countrymen. Do we have any record of her having read Fielding’s ‘Tom Jones’? She must have been a bit cynical after her move to Bath to start working on Lady Susan, a woman of no morality or conscience.
How nice.
There’s a wonderful collection of Jane Austen works at Goucher College in Towson, near Baltimore, Maryland.
denise
Hi Denise, Goucher’s campus is only minutes from my new home and abuts my mom’s retirement home. Once I’m fully retired in a few months, I plan on visiting the library and, hopefully, see the collection up close.
I’m just ~30 minutes north of you.