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Dickens recounts how when his father and he went into the prison they both wept very much and his father warned him that if a man had 20 pounds a year and spent 19 pounds, 19 shillings and sixpence, he would be happy, but that a shilling spent the other way would make him wretched. – A.S. Byat, Within Those Walls

Born in prison

Born in prison

The first surprise I encountered watching Little Dorrit on Masterpiece Classic was to see little Amy born in the Marshalsea, the debtor’s prison to which her father had been sentenced for owing £400. William Dorritt, also know as the “Father of the Marshalsea”, was incarcerated for 23 years, slowly rotting from the inside out and living a life without hope of becoming a free man again. He was allowed to bring in his family, a tradition of those bygone days. Sadly, Mrs. Dorrit died before her husband could repay his debt. Amy has never known a life other than in prison.

Life without hope for William Dorrit

Life without hope for William Dorrit

John Howard, a reformer, visited Marshalsea eight times between 1774 and 1783, and made the following observations:

There are in the whole near sixty rooms; and yet only six of them left for common-side debtors. Of the other rooms – five were let to a man who was not a prisoner; in one of them he kept a chandler’s shop, in two he lived with his family; the other two he let to prisoners….The chamber rent wants regulation, for in several rooms where four lie in two beds, and in some rooms where two lie in one bed, each pays 3 p 6d for his lodgings.

The prison is greatly out of repair. No infirmary. The court is well supplied with water. In it the prisoners play at rackets etc., and in a little back court, the Park, at skittles.

In March 1775 when the number of prisoners was 175, there were with them in this incommodious prison wives and children 46. – The Chronicles of London, Saint and Darley, New York, 1994, p 150.

william-dorrit

The prison had not much changed when Charles Dickens lived there, for William Dorrit’s nightmare was his own. In 1824, when Dickens was twelve, his father, John, had been taken there for debts he could not repay. Instead of going to school, Dickens left the Marshalsea each day to work at Warren’s boot-blacking factory, where he was paid six shillings a week.

The family [Dickens] writes, lived more comfortably in prison than they had done for a long time out of it, They were waited on still by the maid of all work from Bayham Street, the orphan girl from Chatham workhouse from whose sharp little worldly, yet also kindly, ways I took my first impressions of the Marchioness in The Old Curiosity Shop. Old and new London a narrative of its history, its people and its places By Walter Thornbury, Edward Walford

His father’s experience in the Marshalsea left an indelible impression. Dickens must have written these lines from the heart: “She looked down into the living grave on which the sun had risen, with her father in it.” Unlike William Dorrit, who spent nearly a quarter of a century in prison, John Dickens walked out after six months when one of his relatives died and left enough money in the will to pay off the debt.

"It was an oblong pile of barrack building, partitioned into squalid houses standing back to back, so that there were no back rooms; environed by a narrow paved yard, hemmed in by high walls duly spiked at top."

"It was an oblong pile of barrack building, partitioned into squalid houses standing back to back, so that there were no back rooms; environed by a narrow paved yard, hemmed in by high walls duly spiked at top."

Once a man of substance, William Dorrit (played by Tom Courtenay) tried to live with some dignity inside the high spiked walls, but much of his self-consequence came at the expense of his youngest daughter, Amy (Little Dorrit), who devoted her young life catering to her father.  “In his deepest heart he knows that he’s made an utter mess of his and his beloved children’s lives, but he would never openly admit to this failure. For his sake, the family all keep up the pretence of respectability.” ( BBC)  Even at his lowest ebb, William Dorrit finds comfort in the title of “Father of the Marshalsea.” He adheres to social standards, blinding himself to his son’s Edward’s dissolute lifestyle and daughter Fanny’s less than acceptable career as a dancer,  and dines in state on the food that Amy has set aside from her own repasts.

The family’s ability to come and go from prison within the curfew hours so surprised me that I wanted to research the topic. Only the debtor remained imprisoned. In reality, as Dickens attests, life inside those walls was not much worse than life outside it – for the destitute. The friendship between Amy and John Chivery was genuine. John performed his duties with humanity, and Amy recognized that the Assistant Turnkey was simply following orders.

Leaving the Marshalsea in state

Leaving the Marshalsea in state

Even when freed, William Dorrit does not step outside his prison. When he is finally released, due to an inheritance found through Arthur Clennam’s perseverance, his heart is as pinched as his confined world had once been.  Charles Dickens wrote about the character:

Crushed at first by his imprisonment, he had soon found a dull relief in it. He was under lock and key; but the lock and key that kept him in, kept numbers of his troubles out. If he had been a man with strength of purpose to face those troubles and fight them, he might have broken the net that held him, or broken his heart; but being what he was, he languidly slipped into this smooth descent, and never more took one step upward.

Instead of thanking Arthur, he avoids him and puts on airs of grandiosity. His children are given lessons of deportment by Mrs. General as they traipse across Europe on a Grand Tour. They are lessons in futility, for Fanny and Edward are beyond help, and Amy is uninterested in the trappings of wealth. And yet despite his opulent surroundings, William was unable to escape the effects of the Marshalsea and his mind remained imprisoned. He returns to London, but instead of enjoying the high life, he is constantly plagued by reminders of his past and falls into a great depression.

William Dorrit in London

William Dorrit in London

In real life, a man who was confined in the Marshalsea just like William Dorrit, reacted to his imprisonment in a much different way. John Howard recalled:

Mr. Henry Allnot, who was many years hence a prisoner here, had during his confinement a large estate bequeathed to him. He learnt sympathy by his sufferings, and left £100 a year for discharging poor debtors from hence whose debts do not exceed £4. As he bound his manor of Goring in Oxfordshire for charitable uses, this is called the Oxford charity.  Many are cleared by it every year. – The Chronicles of London, p. 150

remaining-wall-of-the-marshalsea-prison

Marshalsea Prison was closed in 1842, and all that remains today is a long brick wall and two gated arches.

In 1856 whilst engaged in the purchase of Gad’s Hill, Charles Dickens paid a visit to the Marshalsea, then in the course of demolition, to see what traces were left of the prison of which he had received such early and vivid impressions as a boy, and which he had been able to rebuild almost brick by brick in Little Dorritt by the aid of his wonderfully retentive memory. He writes to his friend John Forster, “Went to the Borough yesterday morning before going to Gad’s Hill to see if I could find any ruins of the Marshalsea. Found a great part of the original building now Marshalsea Place. I found the rooms that had been in my mind’s eye in the story…There is a room there still standing that I think of taking. It is the room through which the ever memorable signers of Captain Porter’s petition filed off in my boyhood. The spikes are gone and the wall is lowered, and any body can go out now who likes to go and is not bed ridden.”  Old and new London a narrative of its history, its people and its places By Walter Thornbury, Edward Walford

My other Little Dorrit Reviews:

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clairefoycourtenayCharles Dickens wrote Little Dorrit during the mid 19th century, but he placed the story at a time when his father was imprisoned in the Marshalsea, a debtor’s prison. PBS will be airing a 5-installment series of Little Dorrit starting tonight at 9 p.m. EST and ending April 26th. If you have missed any episodes, you can watch them online at this link.

The film is stunning; the acting is outstanding; and this story of greed, ponzi schemes, lost fortunes, insurmountable debts, and wrecked lives resonates in today’s financial climate. In the next few weeks I will be posting a series of thoughts and reviews about this film, which is set in the Regency Period. The links sit below this slide show.

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Biblical passages in workhouses reminded the poor of how lucky they were.

Biblical passages in workhouses reminded the poor how lucky they were.

There’s nothing romantic about PBS Masterpiece Classic’s excellent 2008 adaptation of Charles Dickens’ classic, Oliver Twist. Those of us who hold warm and fuzzy memories of the musical –  Oliver! – should put those singing and dancing images out of our minds. This film version depicts the seamy side of Victorian England that Dickens intended – purists will like it for staying true to the author’s gritty vision, and dislike it for the many changes in the plot, as with the character of Rose Maylie.

Oliver lost his mother within hours of his birth and began a twisted start.

Oliver lost his mother within hours of his birth and began a twisted start.

Oliver’s twisted start began not unlike the many orphans of unmarried mothers for whom charity was the only way to survive. In 1848, reformer Lord Ashley referred to the more than thirty thousand children living on the streets as, “naked, filthy, roaming, lawless, and deserted children.” They had no recourse but to live in workhouses, large industrial factories that needed a labor force.

Badly treated workhouse boy.

Badly treated workhouse boy.

Back in the mid-19th century workhouses were no better than concentration camps. Conditions were made purposefully harsh to discourage the destitute from asking for help. Those unlucky enough to qualify were given just enough calories to stay alive for the harsh labor they were forced to perform breaking stones or picking oakum*. In addition to the brutal conditions, parents were separated from their children, and wives were separated from their husbands to prevent more breeding.

William Miller as Oliver Twist

William Miller as Oliver Twist

In 1834 the average age of death for a person in industrial cities like Leeds and Manchester was nineteen. Almost 1/3 of children had lost at least one parent by the age of 15. The odds that a young child would be orphaned was around 8%.**  Such was the world that Charles Dickens grew up in. The child of a debtor and forced into labor in a workhouse at the age of 12, he managed to escape a life of relentless poverty to become one of the most popular and successful authors of his time.

The Board of Guardians eat lavishly while showing Oliver no compassion.

The Board of Guardians eat lavishly while showing Oliver no compassion.

Oliver Twist experienced the horrors of the workhouse from birth. Formerly known as almshouses, these places were supervised by a Board of Guardians, local officials whose aim was to keep the poor out of the way of the middle and upper classes. As in the movie, they treated the poor with complete disdain.

Noah (Adam Gillen) taunts Oliver.

Noah (Adam Gillen) taunts Oliver.

Class was relative. Noah Claypole, who made coffins for Mr. Sowerberry, felt superior to Oliver because he had parents while Oliver did not, and Noah taunted him mercilessly.

Oliver's view of the Sowerberrys, Mr. Bumble, Noah, and Charlotte just before his hair raising escape from the undertaker's establishment.

Oliver's view of the Sowerberrys, Mr. Bumble, Noah, and Charlotte just before his hair raising escape from the undertaker

The workhouse was administered by unpaid bureaucrats, headed by the Beadle, an elected official. These civil servants treated workhouse residents with scorn and cruelty, reminding them with Biblical passages how lucky they were (“Blessed are the poor…”). The workhouse staff received a somewhat better class of lodging and food for their efforts. – Down and Out in Victorian London

After his escape, Oliver walks to London 70 miles away.

After his escape, Oliver walks to London 70 miles away.

During his journey he spots a carriage that carries the mysterious Mr. Monk, who is searching for him.

During his journey he spots a carriage that carries the mysterious Mr. Monk, who is searching for him.

London streets are filled with noise and the clatter of carriages.

London streets are filled with noise and the clatter of carriages.

The lanes are narrow and crowded.

The lanes are narrow and crowded.

Oliver meets his first friendly Londoner, the Artful Dodger (Adam Arnold)

Oliver meetshis first friendly Londoner, the Artful Dodger (Adam Arnold)

For an orphan like Oliver or a woman without family or husband like Nancy, Victorian London was as equally harsh an environment as the workhouse. Newly arrived in town, the Artful Dodger is the only friendly face Oliver sees.

Sophie Okonedo as Nancy

Sophie Okonedo as Nancy

Nancy, a thief and prostitute, had worked for Fagin since the age of 12. She’s one of the few conflicted characters in Dickens’ plot, someone who is neither totally evil, like Sikes or Fagin, or totally good, like Oliver or Rose. Talented actress Sophie Okonedo plays Nancy – the prostitute and thief with a heart of gold – without sentimentality. Although Nancy was a white woman in the novel, black servants were common in Britain, and it’s not a far stretch to imagine that illegitimate mulatto offspring would be forced to make their own way in the world.

Fagin (Timothy Spall) might seem like a nicer character than the Beadle, but he represents oppression of a different kind.

Fagin (Timothy Spall) might seem like a nicer character than the Beadle, but he represents oppression of a different kind.

Fagin, played with relish by Timothy Spall, trained his boys as pickpockets in “foul’d and frosty dens, where vice is closely packed and lacks the room to turn.”  Bill Sikes – evil and completely merciless as written by Dickens and played by Tom Hardy – was probably a product of the London slums or workhouse.

As described by Dickens, Bill Sikes (Tom Hardy) was a violent man and dog beater who terrorized those around him.

As described by Dickens, Bill Sikes (Tom Hardy) was a violent man and dog beater who terrorized those around him.

The scene in which young Oliver was sentenced to the gallows was entirely believable. Punishments were uneven and unbelievably harsh. Children as young as twelve were sentenced to death or sent to the penal colony in Australia for minor crimes like pickpocketing, stealing a penny’s worth of paint, or being found in the company of gypsies.

Oliver walks 70 miles to London.

Oliver walks 70 miles to London.

The director of the film, Coky Giedroyc, takes advantage of setting and color to depict Oliver’s world. The workhouse is bleak and gray and the cinematic colors remains so when Oliver works for Mr. Sowerberry, the undertaker. The only bucolic scene is shot during Oliver’s long journey on foot to London, and even then it rains more often than not. London looks and feels crowded and claustrophobic as Oliver walks to the East End. When he enters Fagin’s den, surrounded by colorfully clad boys and stolen scarves, his world brightens, though it remains hemmed in.

Food and colorful scarves in Fagin's lair.

Food and colorful scarves in Fagin's lair.

Oliver wakes up in Mr. Brownlow’s house after being rescued from the gallows and his world brightens even more. Light floods over him and Rose and Mrs. Bedwin as they tenderly take care of him. This bright interlude in which Oliver gets a glimpse of another world is short lived. Before long he is plucked away from his sanctuary by Sikes and Fagin, who fear the young boy might reveal their names, location, and criminal operations.

Oliver mistakenly thinks he's died when he wakes up and sees Rose's gentle but concerned face.

Oliver mistakenly thinks he's died when he wakes up and sees Rose's (Morven Christie) gentle but concerned face.

Written as a serialized novel, Oliver Twist is filled with colorful characters, unsuspected plot twists, and suspense, which translate well into film. The result is a remarkably modern plot that has the feel of a detective story.

The Artful Dodger is always on the make.

The Artful Dodger is always on the make.

Everyone was discussing Oliver Twist, from the newly crowned teenage Queen Victoria (who said she disapproved of the novel for younger readers, but read on herself anyway) to Prime Minister Lord Melbourne (“…all about workhouses and coffin makers and pickpockets… I don’t like that low and debasing view of mankind”) to those who could never afford to buy the novel whole, but who could readily identify with the reality it described. All England found itself caught up in the tale of the lonely and mysterious orphan at the mercy of the parish welfare system. – The Rise of the Killer Serial

Mr. Brownlow (Edward Fox).

Mr. Brownlow (Edward Fox).

Mr. Brownlow, whose pocket was picked by the Artful Dodger, turns out to be Oliver’s grandfather. He gives Oliver shelter in his home after testifying on the boy’s behalf and saving him from the gallows. Only the reader/viewer knows early on about this coincidence. Rose Maylie is now Mr. Brownlow’s ward and lives with him – a plot change Dickensian purists will dislike. Edward, his grandson and Oliver’s half brother, walks a fine line between pretending concern over finding out what happened to Agnes, Oliver’s mother, and ordering his brother’s murder. Julian Rhind-Tutt plays Edward (Mr. Monk) with just the right amount of sleaziness, especially when courting Rose.

"We will find Agnes," the double talking Edward (Julian Rhind-Tutt) assures his grandfather.

"We will find Agnes," the double talking Edward (Julian Rhind-Tutt) assures his grandfather.

The first week’s episode ends with two shots fired in the dark and Oliver’s outcry. In Dickens’s tale, Rose Maylie lived in the mansion that Sikes was about to rob. Had this adaptation been more faithful to the book’s plot, she would have found Oliver and nursed him back to health, but Bill Sikes carries the wounded boy back to London instead, where Nancy nurses him. The tale ends with Oliver reunited with Mr. Brownlow and Rose; Nancy, Bill Sikes, and Fagin dead; Mr. Brumble marrying Mrs. Corney; and Edmund disgraced and disinherited.

Young William Miller, like all the Olivers before him, looks angelic. I found it strange, however, that despite being raised in the workhouse with the likes of Mr. Brumble and Mrs. Corney, his accent is so refined. And where did he learn his exquisite manners? Would nature truly be so triumphant over nurture in such a hard scrabble world? I think not, but this is not this production’s only failing.

Mrs. Corny tries to blackmail Monks.

Mrs. Corny tries to blackmail Monks.

While Mr. Brumble and Mrs. Corney do marry, as in the film, their tale does not end at the altar. They squander their ill gotten gains and wind up in the workhouse without hope of leaving and experiencing the same lack of compassion that they had meeted out.

Fagin guilty on all counts

Fagin guilty on all counts

In the book Edward teams up with Fagin – a sinister character as Dickens describes him and without a hint of the lovable traits depicted by Timothy Spall – to hunt after Oliver. In Dickens’ plot, Edward (Mr. Monks) is not cast out without a penny. After receiving half his inheritance from Mr. Brownlow, who hopes he will redeem himself, Edward travels to America, where he squanders his fortune and dies destitute in prison. Seeing him grovel in the film just did not seem quite in character and I found the scene  distasteful and discordant.

Oliver Returns

Oliver Returns

While the second half of this tale was much darker than the first installment, which was grim enough, the film’s pacing had me sitting on the edge of my seat towards the end. Fagin’s death was swift and merciless, and the deft visual touch of the Artful Dodger walking away with Bill Sikes’ dog showed how quickly life moves on. Before Fagin lay cold in his grave, his position had been replaced by one of the boys and his passing went largely unnoticed, except for the crowd. Such hanging scenes were common back then, and vendors sold food and drink as if the crowd was attending an entertainment, which in a strange way they were.  As for Sikes, in the book he dies in a gristly accident running from an angry mob. Death by his own hand seemed just a bit too merciful an ending for a merciless and inhumane man.

If you missed the second installment of this adaptation, click here to view it online. The video will be available on PBS’s site from Feb 23 – March 1.

More Links:

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We continue our revisit with Sense and Sensibility and visual review of Part 2 of the movie (click here for Part 1) wherein Mrs. Ferrars is suitably creepy and mean, and Marianne’s tear ducts gush more water than the fountains at Chatsworth House. While many details in Jane’s novel were changed in this production, the film’s length was satisfying. Strangely I found many echoes of Emma Thompson’s and Ang Lee’s excellent 1995 film in this adaptation as well.

Margaret hiding in the library is a scene taken from the 1995 film.

Margaret hiding in the library is a scene taken from the 1995 film.

Lucy and Anne Steele had different accents. While Lucy seemed more refined, Anne stole the show.

Lucy and Anne Steele spoke in different accents. While Lucy seemed more refined, Anne was comedic.

Henry Dashwood, much older than in Jane's novel, seems a bit embarassed wearing those curls and collar.

Henry Dashwood, much older than in Jane's novel, seems a bit embarrassed wearing long curls and a frilly collar.

Edward chopping wood in the rain.

Working off his frustration, Edward chops wood in the rain.

Elinor talks to Edward in the rain.

Elinor, confused with Edward's behavior, talks to him in the rain.

In fact most of the outdoor shots were filmed in the rain.

In fact most of the outdoor shots were filmed in the rain.

In London Marianne looks for Willoughby in vain.

Newly arrived in London, Marianne looks for Willoughby in vain.

Lucy and Anne ogle the nasty beasts at the assembly.

Lucy and Anne ogle the nasty beasts, as Anne describes the men at the ball.

When she finds him she is seriously displeased.

When Marianne sees Willoughby she overcome.

Marianne finally receives a letter from Willoughby.

Marianne finally receives a tepid letter of explanation from Willoughby.

Edward awkwardly offers his arm to his betrothed in front of Elinor.

Edward awkwardly offers his arm to his betrothed in front of Elinor.

Elinor confesses to Marianne how unhappy she has been.

Elinor confesses to Marianne how unhappy she has been.

Mrs. Ferrars is seriously displeased with Edward when he confesses his engagement to Lucy.

Mrs. Ferrars is seriously displeased with Edward when he confesses his engagement to Lucy.

Fanny Dashwood, equally upset, holds onto her husband's hand.

Fanny Dashwood, equally upset with the news, clenches her husband's hand.

Marianne wants to leave London.

Marianne cannot wait to leave London for home.

Walking to Willoughby's house, Marianne is refreshed by the rain.

She walks to Willoughby's house in the rain and catches a lung infection, more reminiscent of the 1995 film than Jane's novel.

The colonel is beside himself with worry.

The colonel is beside himself with worry.

Charity Wakefield, looking suitably wan, properly thanks Colonel Brandon.

Marianne looked suitably wan in bed, but very pretty when she thanks the colonel.

An anguished Willoughby tries to convince Elinor that he truly cared for Marianne.

An anguished Willoughby tries to convince Elinor that he truly cared for Marianne.

The film ends on a happy and romantic note in a scene that is eerily similar to 1995's Sense and Sensibility.

The film ends on a happy and romantic note in a scene that is eerily similar to 1995's Sense and Sensibility.

The colonel carries his bride across the threshold.

The colonel carries his bride across the threshold.

My other Sense and Sensibility posts sit here, including Sense and Sensibility Soaked.

Post script: Where was Janet McTeer/Mrs. Dashwood? A fine actress, she wasn’t given much camera time except for reaction shots.

Think I'll add a few more Mrs. Dashwood lines in the script. Wonder if anyone will notice?

Think I'll add a few more Mrs. Dashwood lines in the script. Wonder if anyone will notice?

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Sense and Sensibility will have its second airing on PBS Masterpiece Classic tonight at 9 PM EST. For those who prefer not to watch the Super Bowl, this film provides a fine alternative viewing. Click here for my review, Sense and Sensibility Makes Sense for the Most Part. Click below to view the trailer for Part One:

I have since added more images from this adaptation to my collection.

The opening scene was a bit confusing. Who was making love and why?

The opening scene was a bit confusing. Who was making love and why? Does not this actress resemble Hattie Morahan?

The Dashwoods lived in a grand house when Mr. Dashwood unexpectedly died.

The Dashwoods lived in a grand house when Mr. Dashwood unexpectedly died.

Poor Mrs. Dashwood, Elinor and Marianne were still in deep mourning

Poor Mrs. Dashwood, Elinor and Marianne were still in deep mourning when ...

Fanny Dashwood was suitably creepy and mean

. . . John and Fanny Dashwood (who was suitably creepy and mean), showed up with very little notice.

She deserved to eat this unappetizing fish

Fanny deserved to eat this unappetizing fish ...

and to wear this terrible hairdo

... and to wear this terrible hairdo.

Edward was handsomer than expected

Edward was handsomer than expected ...

and so was Colonel Brandon

and so was Colonel Brandon.

In fact, both were more attractive than Willoughby, which is not what Jane Austen intended.

In fact, both were more attractive than Willoughby, which is not what Jane Austen intended.

Sir John Middleton ...

Sir John Middleton ...

... had quite a handsome family. We see them in so few movie adaptations.

... had quite a handsome family. We see them in so few movie adaptations.

Mrs. Jennings was vulgar and effusive as ever.

Mrs. Jennings was as vulgar and effusive as ever.

Barton Cottage was quite a comedown from Norland Park.

Barton Cottage was quite a comedown from Norland Park.

But they managed to make the best of the situation.

But the Dashwood ladies managed to make the best of the situation.

Stay tuned for more images next week … at this link.

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