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Oh, my, Upstairs Downstairs turned down a darker road in the second episode, which can be seen online this week until May 24th.

The arrival of parlor maid, Rachel Perlmutter, changes the mood of the show from light-hearted to somber. She is a Jewish refugee from Germany who is forced to work as a maid, a career that is dangerous to her asthmatic condition.

Rachel (Helen Bradbury) suffers from asthma, which strikes her at the most unexpected moments.

Race and prejudice are the very obvious subtexts of this episode, in which Mr. Amanjit, who at first lived apart from the staff, is slowly accepted downstairs.

This scene, in which Mr. Amanjit was invited to listen to music on the radio, was most gratifying

Harry Spargo, the chauffeur, has developed a political interest that is typical of many people in the 1930’s, but his leanings are towards the far right and with the black shirts of Oswald Mosley’s fascist party.

Harrys social politics will place him at odds with the family and lead to tragedy belowstairs

A bored Ladie Percie flirts with danger as she pursues the chauffeur and his interests.

Bored and rebellious are not a good combination in the mind of a none too bright woman. Lady Percie races up the stairs to join an unsuspecting Harry at a far right rally.

And Agnes, the mistress, is pregnant.

A montage shows the stages of Agness pregnancy in swift succession

While I liked that Upstairs Downstairs embraced the many social upheavals of pre-war Britain, the one hour format is too rushed for these complex plot developments. I know the original series was based on one-hour shows, but back then each episode centered on one plot line that was often developed over several episodes. There were too many holes in the various plots that have been introduced and this series seems rushed, giving almost no time to character development. I hope that the pace slows down in Season 2 next year. Meanwhile, I can’t wait to see what develops in Episode 3, for at this point the twists and turns have intrigued me.

I must admit to being disappointed with the costumes, which did not appeal to me at all.

Other Upstairs Downstairs posts on this blog:

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Gentle Readers, Laurel Anne from Austenprose and I were chatting the other day about this, that, and the other, for we are both a bit Jane Austen nutty (if you haven’t noticed.) As you continue reading, you will need to know only one thing:  we are just a wee bit longer in the tooth than Jane’s young heroines:

LA: Vic and I were chatting on the phone today. Over the course of our three plus year Austen-inspired friendship we have mostly emailed, so this was a treat. She has the most infectious laugh which made me laugh too. Of course we were talking about our favorite author and she remarked that Austen excelled at humor and the amazing secondary characters she developed. Somehow it just popped out and I boldly asked her what Jane Austen character she most identified with. Without hesitation she replied, Lady Russell from Persuasion. “Lady Russell?” I replied in surprise! “Well, yes.”

Jane Rus.., er, Mrs. Russell

She then revealed that she is often wrong about the advice she gives people. At work she gathers the young-uns around her and freely offers opinions, whether they are solicited or not. When she gives wrong counsel – which she admits is more often than not – she torpedos herself in a most spectacular fashion. “The error of my ways does not go unnoticed by this unforgiving crowd. Unlike Lady Russell, I will own up to a misteak, er, mistake or two, and apologize for having interfered, but I hold the line at groveling.”

Another reason why she identifies with this character is her independence. Lady Russell is a widow with a healthy income and she has no intention of remarrying and being subjugated by a man. “I am a divorced woman who has discovered the joys of living singly on my own terms and by my own schedule. Ah, what total, selfish bliss!”

Vic further admitted that at a party, or when she lets her hair loose, she starts to resemble Mrs. Jennings. You know the type: a bit vulgar, out for a good time, giggling at precisely the wrong moments, and making those with a more composed nature feel uncomfortable with crass jokes and loud language. “Like Mrs. Jennings, I have a good heart. But I can be out there and in your face too. I might seem unseemly to a quieter person like Elinor, and be totally disliked by the likes of a Marianne, but my friends and family get me, and that’s what counts.”

Oh Vic! You are such a card. Lady Russell and Mrs. Jennings? She then turned the tables on me. “Now, who do you identify with in Jane’s novels? Are you like me, a bossy and interfering carouser? Or are your a bit more sedate and ladylike?”

Harriet Smith (Tony Collette) patiently poses for Emma

Vic: “Sedate. A total Harriet Smith,” LA replied. Many years ago a dear Janeite friend tagged her as a Harriet to her Emma. “It seemed appropriate since I was often asking for advice and was very mailable to change.” In her view, Harriet was a bit of a ditz and gullible which she has been accused of too. The thing she liked about being a Harriet is that Austen gave her such a great ending. She is resilient, and after being tossed about in love no less than three times in a year, Harriet gets the man she wanted in the first place and proves Emma, with her self-important airs, was totally clueless about the human heart. “I like having the last laugh, and being right.” ;-)

Sir John Middleton (Robert Hardy) and Mrs. Jennings (Elizabeth Spriggs)

Lately LA thinks she has evolved into Sir John Middleton from Sense and Sensibility. He was the Dashwood’s cousin and landlord of Barton Cottage. He is very gracious and likes to pop in and make sure his tenants are comfortable and entertained. He is a bit of a bore and talks too much about things that are not of interest to his young companions, but he likes dogs, has a good heart and loves to laugh. “As an enthusiastic bookseller, I like to inform customers of their choices and make suggestions. I am also a bit of an organizer and enjoy planning events on my blog, and orchestrating the 23 authors in my anthology. It is like herding cats, but I like being the boss of my own world!”

One man’s ways may be as good as another’s, but we all like our own best. Persuasion, Ch 13

Now our question. Which Jane Austen character do you, estimable viewer, most identify with, or which character are you afraid of becoming? Feel free to leave your comments!

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Upstairs Dowstairs returns

Coming to PBS this Sunday, April 10th,  is Upstairs Downstairs, the newly minted series. Except for Rose, the characters have completely changed, but the nature of the program, following the family and the servants who cater to them, has not.

165 Eaton Place

It is 1936, and only six years have passed by since the Bellamys last lived at 165 Eaton Place. The townhouse is an abandoned shell when Lady Agnes Holland (Keely Hawes) and her diplomat husband, Sir Hallam Holland (Ed Stoppard), arrive from abroad to renovate it as their first home in England.

Keely Hawes as Lady Holland looks towards a new future

Rose (Jean Marsh), the only holdover from the original series, has left service to care for a sick aunt and is now self-employed, finding work for other domestics. A frugal Lady Holland solicits her to fill her house with servants. This means she does not mind employing help with little experience and who need training.

Young Johnny (Nico Mirallegro) needs training

Heidi Thomas, who also wrote the script for Cranford, delivered a crisp, intelligent, and witty script that draws viewers in right away, preserving the elements that drew us to the original show. This series (which has been renewed for a second season) stacks up well against its parent very well indeed. (Although my heart will always be with Hudson, the first butler.)

Jean Marsh as Rose

Thirty years or so ago, Upstairs, Downstairs was a television sensation, and rightly so. The series had been conceived by Jean Marsh and Eileen Atkins, who was working on another project when filming began, and so she did not play a maid alongside her friend, Jean. Thankfully so, for Ms. Atkins has returned as Maude, Lady Holland a character who lights up the screen as delightfully as Maggie Smith’s dowager Countess  in Downton Abbey.

Eileen Atkins as Lady Maud Holland

In this year of The King’s Speech, it is interesting to note that Wallis Simpson makes an appearance in the first episode and that the cast listens to Edward’s first radio speech as king. The story of the king and his abdication has long legs this season (he and Wallis were also featured in Any Human Heart, also shown on PBS)

Although invited to the party, Wallis Simpson's (Emma Clifford) appearance is not welcome.

Comparisons of Upstairs Downstairs to Downton Abbey are inevitable, but this is unfair. After all, Upstairs, Downstairs arrived on the scene decades earlier and provided the template for all the master/servant stories that followed. Viewers will not be disappointed with the renewal of a most beloved series. I certainly wasn’t.

Image @Radio Times

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A Review by Lady Anne, Vic’s most excellent friend.

Miss Dido Kent is an unmarried gentlewoman of some 35 years. In this second book of the series set in 1806 and showing the lifestyles of the gentry and their dependents, the young relative whom she is visiting is foolish and therefore, to Dido, slightly boring. Visiting a succession of relatives is Dido’s fate, and the vehicle through which she can continue her mystery solving. Her fate, because she is unmarried and without money. Her relatives invite her to stay with them either when they have need of her. Pretty, empty-headed cousin Flora’s husband is away on business, and it will be a comfort to the young woman (as well as, we do not doubt, her husband) to have her clever cousin Dido to keep her company. Author Anna Dean, hereby presents a credible way to offer Dido new mysterious events to solve without having her audience need to suspend its disbelief too very much about all the murder and mayhem she encounters. The events of the series will not all occur in the one family, one small village, or neighborhood.

The mystery in this book concerns the assisted departure from this life of one Mrs. Lansdale. By all accounts, she was a difficult woman. However, she left behind a lovely fortune and a most attractive young nephew to inherit it. Richmond, the charming and proper new suburb of London where all this takes place, also harbors Mrs. Midgely, a disagreeably gossiping harridan who seems determined to bring the young man to book. Cousin Flora wants her clever cousin Dido to clear his name, because no one that attractive and charming could possibly be guilty of murder. Mrs. Midgely is recently widowed and has, in addition to a paid companion living in her household, her husband’s ward, a lovely young woman whom she is recently determined to place as a governess. The neighborhood also evinces a very lively interest in the recent marriage of their old friend Sir Joshua Carisbrooke to a lovely, talented, and very much younger woman.

It is Dido’s task to solve the mysteries: the death of Mrs. Lansdale, the reason for Mrs. Midgely’s determination to find Mr. Landsdale guilty, the identity of Mrs. Midgely’s ward, the mystery surrounding her companion, and an explanation of the quick and romantic Carisbrooke marriage. Dido’s skills in observation and in understanding the ramifications of what she has seen allow her to clear all these entangled mysteries large and small. The interconnection of all the puzzles of the neighborhood is very cleverly done, although one of the strands probably does not bear close scrutiny. Her reasoning abilities allow her to resolve everything in a timely manner; she not only solves the mystery of the death, she also clears the other problems without scandal, thereby depriving Mrs. Midgely of further nastiness.

It is this same clever mind that has kept Dido single: determined not to marry where she does not love, she has avoided or turned down several proposals. But without money of her own, she is continuously dependent upon the kindness of her family, and the story shows that this dependence could have a shaky foundation. Mr. Lomax, the steward she met at Belfield Hall in the book of that name, is able once again to provide some assistance as well as romantic interest for Dido, but his wishes to protect her from harm and to keep her from meddling she cannot bear. However, Mr. Lomax is not going to be easily deterred, we readers have the feeling that he will overcome her concerns and waverings over the course of the next few books. We can all look forward to Dido’s clearing more suspicious events in other interesting stately homes and neighborhoods.

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A Review From the desk of Shelley DeWees…of The Uprising.

I am thinking of enlisting. One of my acquaintances happened to recommend his regiment to me this morning, and as I have nothing better to do I believe I will join. It will get me away from London, where my creditors are once again pressing me, and take me into Hertfordshire, a place where I am not known. Then I can begin again, and at the very least, run up some new bills. And at the most…There will be impressionable young women in Meryton, no doubt, and they will all be susceptible to a charming and handsome young man in a red coat.”

So says that feisty George Wickham, with such a feisty future ahead of him, in the quazi-coming-of-age tale Wickham’s Diary by Amanda Grange. Although you may think this little novella is going to give a sneaky glimpse into the wooing of Lydia Bennet or perhaps a strange view of Wickham’s wicked scheming, alas, it doesn’t. In fact, Wickham’s Diary has next to zero connection the Bennet tale (you know the one I mean) and can be more easily likened to the history of George Wickham and his family.

The introduction on the back of the book explains, “He wasn’t always this cold-hearted.” But…um…well, according to this, he actually was. He grows up, as you, a learned reader, already know, in the shadow of Darcy and his sweet sister Georgiana, as the son of the steward with nearly nothing to his own name. Childhood almost-friendship with Darcy withers away in favor of rabid jealously, and Wickham decides at a young age that the situation just isn’t fair. “Why should I be beneath him?” he asks. “I am just as handsome as he is; I am just as intelligent, even though he works harder at his books; and I am just as amusing; in fact, I dare say I am a great deal more amusing, for Fitzwilliam is so proud and he will not take the trouble to entertain other people. Yet altogether he is no better than me, when he grows up he will inherit Pemberley and I will inherit nothing.” Tough break Georgie, but hey, that’s life. Regency life. Now of course he could take what he’s been given, which is truly not a bad situation, and apply himself toward a worthy, amiable path and a generally secure future. But as we know, he’s the villain and must therefore take the lowest possible road: planning, scheming, and plotting against everyone and everything, never blaming himself when things go awry. He looks around every corner for someone to exploit, usually while still experiencing success with his last victim, pocketing their money and breaking their hearts with no qualms. He’s conniving and rude. He’s spoiled and foolhardy. He is, naturally, a scoundrel.

I’d say that’s pretty cold-hearted behavior.

The reader is briefly shown the world of George Wickham as he works his way up the “Biggest Jerk in the Universe” ladder, tossing people aside who stand in the way of his ultimate goal to marry an heiress and be done with it. Darcy has long taken his own path, only reappearing to pay Wickham the value of the living he’s denounced and then quickly evaporating out of the picture, never to be seen again. Though I enjoyed the interesting and albeit unhealthy relationship Wickham has with his mother, I found myself disappointed that this teeny weeny 12-dollar novel ended without exploring Wickham’s character in any in-depth sense. The reader learns a bit about his motivations for villainy, yes, but nothing much about him as a person. No one commits a crime against humanity without some measure of mental back-and-forth…didn’t he ever have second thoughts? Blank pages abound in the book itself, and the type is shamefully over-sized.

The phrase that comes to mind with Wickham’s Diary is “hastily-written.” It’s a fair read and represents some of the author’s good attributes. But considering the 2 hours you’ll spend with it, you might want to save your 12 dollars.

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