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Archive for the ‘British Servants’ Category

Inquiring Readers: Servants and the working class are ever present as background characters in Jane Austen’s novels. Readers in her time were well aware of their important duties in all levels of Regency households. They were essential in the running of daily life and/or an estate, and therefore were given no distinction in Austen’s novels unless their roles moved the plot forward.

Introduction:

Without much explanation, Austen’s contemporaries could easily gauge the number of servants that the Bertrams or the Woodhouses employed (at least 7-9 inside their grand houses and more in the fields and gardens) against the socially downward turn the Elliot family and Dashwood women experienced by the number of their reduced help, which in the latter instance was three. The Dashwood women were able to maintain some kind of social status within their unenviable income of £500 a year and with the help of a friendly (and very rich) Mrs. Jennings.

Mrs and Miss Bates employed a maid of all work to help them with their daily chores, although they were dependent on the kindness of their neighbors to help make ends meet. Fanny Price’s parents in Portsmouth engaged two housemaids, impoverished as they were, their poverty due no doubt to Mr. Price’s drinking and meager income, which needed to stretch to clothe and feed a family of 12. Only Mrs Smith, Anne Elliot’s old school friend, an impoverished widow, was too poor to “afford herself the comfort of a servant.” (Persuasion, Chapter 16.) She lived in public accommodations in Bath, whose landlady employed only one servant for her lodgers.

Hogarth portrait of 6 Georgian servants, 3 men (boy to older men) and 3 women, all wearing caps

Heads of Six of Hogarth’s Servants, mid 1770’s. Creative Commons image from Wikimedia Commons , via the Tate Gallery.

Austen’s descriptions of her characters reveal much about the way they treated their help. Imagine having to work under Mrs. Norris’s direction or Mrs. Elton’s! Those two exacting women, neither of whom possessed an ounce of compassion, set the most stringent standards, yet still found time to complain about their staff’s performances.

Compare their attitude to Colonel Brandon’s, who treated underlings with respect and caring, or Mr. Darcy, whose housekeeper’s admiration for her master helped change Elizabeth’s opinion of the man she rejected for being too proud, distant, and arrogant. 

Austen’s oblique descriptions of other characters’ interactions with their servants – Mr. Woodhouse (Emma’s father), for example – causes the reader to contemplate poor James’s situation as his coachman. James was asked to ferry guests like Mrs and Miss Bates back and forth, regardless of time or weather, which was considered a terrible imposition by Austen’s contemporaries. Mr. Woodhouse’s cook, who probably failed to satisfy her employer’s exacting standards for boiling an egg or making gruel, must have suffered silently through his passive aggressive sighs of disappointment for not achieving perfection. 

Then there is Sir Walter Elliot, whose ego was twelve sizes larger than his income, and whose ability to employ the help he was accustomed to was reduced to such a degree that his daughter Elizabeth chose not to invite the Musgroves to dinner, but only to an evening get-together where the lack of servants would not be so obvious. Sir Walter’s major sin in the eyes of Austen’s contemporaries was to squander his fortune to such an extent that he had to rent out his estate and downsize to a mere townhouse in Bath.

Watercolor of a busy office in which prospective employers interview and look over potential servant applicants

Register Office for the Hiring of Servants, Thomas Rowlandson, Watercolour, 1800-1805, Creative Commons image from Wikimedia Commons, Yale Center for British Art.

Servants and help in the Austen family’s household:

The Austens lived a rural life in Steventon Rectory, a life that fed Jane’s budding creativity. Servants in small villages did not necessarily live with their employers. A few might have lived with the Austens, but others worked during the day and returned to their families at night, or worked only the hours they were needed. (Worsley, p. 95.) Laundresses, for example, were employed only on certain days, for their work was strenuous, with intensive labor required for this task. 

“The Austen household was large, with eight children – six boys and two girls – as well as additional pupils, for Rev. George Austen supplemented his clerical income by taking in boy pupils as boarders. There was also a small farm, to supply the family with meat and vegetables, and there were maids and manservants to help with the work. – Jane Austen: A Life

As the above quote suggests, an active working family managed Steventon Rectory. The house sat on Glebe land, or land that yielded revenue to a parish church. An 1821 plan of the Glebe land shows Steventon house, its outbuildings, a yard, and fields. (Robinson Walker, detail from the Jane Austen Memorial Trust.) The family were hardworking. Rev. Austen visited his parishes, collected tithes, raised sheep and pigs, supervised the farm, oversaw the workmen, and taught a boarding school of young boys, among many duties. Mrs Austen tended to the kitchen, the kitchen gardens, chickens, and her alderney cow (which produced a copious amount of milk for its small size, which resulted in a rich butter). She guided her family, the household (including the boarders), and house servants. According to Maggie Lane in Jane Austen and Food, (p. 7):

“…though the family always kept a cook, they did not aspire to a housekeeper to plan meals, organise stores and superintend the daily work of the kitchen. This was done first by Jane’s mother, later by Jane’s sister Cassandra, with Jane herself as subordinate…”

Linda Robinson Walker (Why Was Jane Austen Sent Away to School at Seven?) created an impressive table that shows the number of family members, students, and servants living, studying, and working in the rectory between 1775 and 1795. The chart totals the number of people living in the house, which ranged from 9-20 during that time. Within that total number she included 4-8 servants.

In a letter to Cassandra, Jane wrote fondly of Nanny Littlewart dressing her hair. Nanny is Anne Littleworth, who fostered Jane and Cassandra when they were quite young. Jane mentions as many as nine servants in her letters in 1798. The laundry, for example, “was to be handed over from Mrs Bushell to Mrs Steevens; there was a new maid: ‘we have felt the inconvenience of being without a maid so long, that we are determined to like her.’” (Worsley, p.95.)

In 1801, after Rev. Austen retired and the Austen parents and their two daughters moved to Bath, Mrs Austen expressed her desire to retain two maids, although she kept Rev. Austen in the dark regarding those plans. (Le Faye, Letter 29, p.69.)  At this time, the family’s income was drastically diminished, as were the number of servants. Not until the women moved into Chawton Cottage, did their peripatetic life become stable and a semblance of normalcy re-establish itself, including Mrs. Austen’s work in the gardens, with overseeing the chickens and kitchens and servants. 

Jane also visited many great houses: Stoneleigh Abbey, her mother’s ancestral home; Godmersham Park and Chawton House, both owned by her brother Edward, and Manydown Park, where she received, accepted, and then rejected a proposal from Harris Big-Whither, its heir. These visits acquainted her with the management of great houses and the numbers of servants required to service them and their extensive grounds. Her personal observations were reflected especially in her letters. 

Engraving of Godmersham Park, Kent

Godmersham Park, Kent, 1824, John Preston Neal, digitized by the British Library.  Creative Commons. Wikimedia CommonsWikipedia.

Gossip and the lack of privacy between servant and employer: 

And now to the servant “problem,” meaning the lack of privacy they represented to those who were served, and the gossip among the servants that irked their employers. In Japanese cultures, where dividing walls consisted of screens largely made of wood frames and rice paper, people learned not to actively listen to their neighbors and intrude on their privacy. 

Servants in Austen’s era, who dressed, bathed, fed, and catered to their employers needs and whims could not help but notice their moods, hear their private conversations, or know about their most intimate habits.

In turn, as a form of self protection, employers simply chose not to notice their staff. Their schedules also did not coincide, for the staff were the first to awaken and the last to retire to bed. They entered rooms to stoke fires when their employers were still asleep, or cleaned and dusted them when those rooms were empty. If they did encounter each other, few exchanges, if any, occurred. 

There were some personal interactions, of course. A master spoke to his valet, steward and/or butler; the mistress to her personal maid, and to give instructions to the cook and housekeeper. These individuals acted as buffers between the employers and the majority of the staff. 

“A good servant was scarcely noticed by his or her employer. To serve is to wear a cloak of invisibility, as it is in Persuasion:

‘Did you observe the woman who opened the door to you, when you called yesterday?’ [Mrs Smith]

‘No. Was it not Mrs Speed, as usual, or the maid? I observed no one in particular.’ [Anne Elliot]” – (Worsley, 2017, pp 95-96) “

This short discussion in Persuasion demonstrated the matter of factness with which Austen (and Anne) regarded this exchange.

Servants were human, however. They gossiped about their betters below stairs or in the kitchens. Often, they were the source of gossip for their employers. Mrs Smith, who, as a cripple, lived a solitary life, learned all she wanted to know through Nurse Rook, who kindly helped her and told her about all the goings on. 

“Call it gossip if you will; but when Nurse Rooke has half an hour’s leisure to bestow on me, she is sure to have something to relate that is entertaining and profitable, something that makes one know one’s species better. One likes to hear what is going on, to be au fait as to the newest modes of being trifling and silly. To me, who live so much alone, her conversation I assure you is a treat.” – Mrs. Smith, Persuasion, Ch 17.

Some individuals, like Lydia Bennet, lost all decorum when she ran to show off her engagement ring to the servants. This was another method by which Austen alerted her readers to Lydia’s recklessness.

Conclusion:

While Austen’s details of her characters and daily life were spare in her novels, her letters revealed personal observations that filled in the gaps for today’s readers. Suffice it to say that Jane’s contemporary readers easily understood her characters when she described their attitudes and treatments towards staff. Two hundred years later we have lost much of that knowledge and require annotation to fully understand the customs of that bygone era, but a lady in Austen’s time would have known how to maintain her dignity despite all the familiarity..

The most fitting ending to this short essay is a quote by Lucy Worsley about Mrs Smith’s network of information (p 96): 

“ Mrs Smith [revealed] to Anne the hidden spy network of servants, nurses and maids that brings her all the Bath gossip. Like Mrs Smith, Jane would notice more than most people did about the invisible people who kept households running.” 

_________

Sources:

Giles, K. Help! – Servants During the Regency, Randolph College, downloaded 6/2/21.

Jane Austen: A Life, Jane Austen’s House, downloaded 6/2/21

Lane, M. (2018) Jane Austen and Food, Lume Books (Kindle)

Le Faye, D. Jane Austen’s Letters (4th ed.) Oxford University Press

Mulan, J. (2013). What Matters in Jane Austen? Twenty Crucial Puzzles Solved. Chapter 8: “Do We Ever See the Lower Classes?” (1st ed. U.S.). Bloomsbury Press.

Robinson Walker, L. (2005). Why Was Jane Austen Sent away to School at Seven? An Empirical Look at a Vexing Question. Persuasions On-Line, 26 (No. 1 (Winter)). http://www.jasna.org/persuasions/on-line/vol26no1/walker.htm

Worsley, L. (2017). Jane Austen at Home (1st ed. U.S.). St. Martin’s Press

Posts about servants on this blog:

The Green Baize Door: Dividing Line Between Servant and Master, January 2012.

Food – To Die For: Food Preparation in the Georgian Era, August, 2012.

Laundry, Georgian Style, August, 2011

Regency Servants: Maid of All Work, June, 2009.

Hiring Servants in the Regency Era and Later, May, 2009.

Footmen: Male Servants in The Regency Era, January, 2008.

Regency Life: Finding a Job as a Servant, June, 2008

Every Day Chores of Laundry and Scullery Maids, and Washer Women, July 2007.

The Scullery Maid, November 2006.

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Gentle readers, this poem in a mid-19th century children’s family circle book perfectly describes the long and arduous day of an ordinary family cook.

The Discontented Cook. Image @Forrester's pictorial miscellany for the family circle edited by Mark Forrester, 1855

Oh, who would wish to be a cook,
To live in such a broil!

With all one’s pains, to cook one’s brains,
And lead a Life of toil?

“Tis, Stir the pudding, Peggy,
And give those ducks a turn;

Be quick, be quick, you lazy jade!
Else one or both will burn.

An hour before the rising sun
I’m forced to leave my bed,

To make the fires, and fry the cakes,

And get the table spread.
‘Tis, Stir the pudding, Peggy,

And give those ducks a turn;
Be quick, be quick, you lazy jade!

Else one or both will burn.

The breakfast’s scarely over,

And all things set to rights,
Before the savory haunch, or fowl,

My skill and care invites.
‘T is, Stir the pudding, Peggy,

And give those ducks a turn;
Be quick, be quick, you lazy jade!

Else one or both will burn.

And here I stand before the fire,

And turn them round and round;
And keep the kettle boiling —

I hate their very sound!
‘T is, Stir the pudding, Peggy,

And give those ducks a turn;
Be quick, be quick, you lazy jade!

Else one or both will burn.

And long before the day is spent,

I ‘m all in such a toast,
You scarce could tell which’s done the most

Myself, or what I roast!
‘Tis, Stir the pudding, Peggy,

And give those ducks a turn;
Be quick, be quick, you lazy jade’.

Else one or both will burn.

From Forrester’s Pictorial Miscellany for the Family Circle, 1855

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The third episode of Upstairs Downstairs will be shown this Sunday. Will you tune in?  (Watch all three episodes from April 25 through May 24 at this link.) Better yet, the BBC will make the DVD available for sale Tuesday, April 26th.

BBC’s Upstairs Downstairs DVD is available for purchase!

Upstairs Downstairs has been brought back with a fresh new cast. It is 1936 and six years since parlormaid Rose (Jean Marsh) left 165 Eaton Place. Fate brings her back to the house and its new owners, Sir Hallam Holland (Ed Stoppard), his wife Lady Agnes (Keeley Hawes), and his mother, Lady Maud Holland (Eileen Atkins). Rose recruits a new “downstairs” family to help run the elegance and finery of the “upstairs” world. Set against the historical backdrop of a pre-World War II Britain with a new King on the throne, with Fascism on the rise on the continent, and with sexual, social and political tensions at 165 Eaton Place, this new series provides an evocative take on the master-servant relationship.

In honor of the U.S Premiere on PBS’s Masterpiece Classic, the BBC is giving away a free DVD just two days following the conclusion of the third episode. This DVD includes the making-of featurette Upstairs Downstairs – Behind Closed Doors. (SRP: $34.98 ($43.98 in Canada)

CONTEST is CLOSED. The winner is Felicia!!: For an opportunity to win the DVD, all you need to do is leave a comment stating what you liked best about this 2010 series! The drawing (by random number) will be held on Tuesday, April 26th at 11:59 PM, EST.

Read this blog’s reviews of UpDown in these posts:

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Oh, my, Upstairs Downstairs turned down a darker road in the second episode, which can be seen online this week until May 24th.

The arrival of parlor maid, Rachel Perlmutter, changes the mood of the show from light-hearted to somber. She is a Jewish refugee from Germany who is forced to work as a maid, a career that is dangerous to her asthmatic condition.

Rachel (Helen Bradbury) suffers from asthma, which strikes her at the most unexpected moments.

Race and prejudice are the very obvious subtexts of this episode, in which Mr. Amanjit, who at first lived apart from the staff, is slowly accepted downstairs.

This scene, in which Mr. Amanjit was invited to listen to music on the radio, was most gratifying

Harry Spargo, the chauffeur, has developed a political interest that is typical of many people in the 1930’s, but his leanings are towards the far right and with the black shirts of Oswald Mosley’s fascist party.

Harrys social politics will place him at odds with the family and lead to tragedy belowstairs

A bored Ladie Percie flirts with danger as she pursues the chauffeur and his interests.

Bored and rebellious are not a good combination in the mind of a none too bright woman. Lady Percie races up the stairs to join an unsuspecting Harry at a far right rally.

And Agnes, the mistress, is pregnant.

A montage shows the stages of Agness pregnancy in swift succession

While I liked that Upstairs Downstairs embraced the many social upheavals of pre-war Britain, the one hour format is too rushed for these complex plot developments. I know the original series was based on one-hour shows, but back then each episode centered on one plot line that was often developed over several episodes. There were too many holes in the various plots that have been introduced and this series seems rushed, giving almost no time to character development. I hope that the pace slows down in Season 2 next year. Meanwhile, I can’t wait to see what develops in Episode 3, for at this point the twists and turns have intrigued me.

I must admit to being disappointed with the costumes, which did not appeal to me at all.

Other Upstairs Downstairs posts on this blog:

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The servants in Downton Abbey. Image courtesy @ITV and PBS Masterpiece.

Downton Abbey. Gosford Hall.  Manor House. Regency House. Each film follows the servants and takes the viewer up and down back stairways, into kitchens and butler’s pantries, and stables and courtyards. But how were the servants’ quarters laid out, and where were they placed in relation to the public and private rooms that the family used? Each house had a different arrangement, to be sure, but patterns did exist.

A narrow corridor leads from the kitchen. Image courtesy @PBS Masterpiece.

The interior and exterior shots of Downton Abbey were filmed in Highclere Castle,but because the servant kitchens and bedrooms below-stairs no longer existed as they once were, the servant quarters for the mini-series were reconstructed in Ealing Studios in London. The cost of reconstructing these “plain” rooms was relatively affordable. Imagine if one of the elaborate public rooms had to be reconstructed. As script writer Julian Fellowes observed: “The thing about filming in these great houses is that if you were to start from scratch, you simply couldn’t build this and if you did you would have used up all your budget in one room.”

Servant stairs in Downton Abbey. Image courtesy @PBS Masterpiece

The ground plan from Eastbury Manor House is representative of a great house. It shows the servant quarters at the right near tight round servant stairs, or back stairs, that the servants used instead of the grand staircase reserved for the family and their guests. Maids were expected to work invisibly and sweep and dust when the family was asleep, or work in a room when the family was not scheduled to use it. In fact, many of the lower servants never encountered the family during their years of service.

Unless they were polishing or cleaning the grand staircase, the servants would use the backstairs for all other occasions. A small housemaid’s closet would be located near the back stair on the bedroom floor to accommodate brushes, dusters, pails, and cans. In “modern” Victorian and Edwardian houses, such a closet might  contain a sink that provided water for mopping.  Some great houses boasted a linen-room on the bedroom floor, where clean bed linen and table linen were stored. In this instance, a dry environment was essential.

Late 19th c. maid and lad at the back entrance

Servants were expected to enter the house in their own entrance, even in smaller houses, such as townhouses.  The Regency Townhouse Annex shows a typical entrance below street level. If you click on the links on the various rooms, you can see the other servant areas in this site.

Stairs to servant’s entrance. Bath. Image @Tony Grant

In a country house, the entrance would be in the back of the building or from a courtyard, where supplies could be delivered. The philosophy of a smooth running household was that servants were out of sight and out of mind.

Belowstairs entrance, Bath. Image @Tony Grant

Upon entering, servants would walk along a long hallway to reach the servants’ rooms and other work areas such as the kitchen, scullery, servant’s hall, housekeeper’s room, butler’s room, storage room, etc.  Country were at least two or three stories tall. Servants climbed the stairs and came down them again all day long, cleaning, hauling water, carrying meals or coal for fires, and a myriad other duties. They rose before the family, often from top floor garrets with small windows, and worked long after their employers had gone to bed.

Interior, Upstairs Downstairs web page. Notice the tiny garret bedrooms.

In this image, you can see the small garret rooms reserved for servants in the attic of a townhouse. Men’s and women’s quarters were separated, as in Downton Abbey, with the women’s quarters called the virgin’s wing. The most common servant quarters are described below.

A meal belowstairs. Downton Abbey. Notice the servant bells on the back wall. Image courtesy @PBS Masterpiece

Servant’s Hall:

The servant’s hall was a common room where the work staff congregated, ate their meals, performed small but essential tasks, like mending, darning, polishing, ect. A long table was its main feature, as well as a window that would let in enough light for the tasks that needed to be accomplished. This window is a feature in images of several servants halls, which makes me think it was essential, for many of their tasks (darning, polishing shoes, ironing, and the like) required good light.

1907 Watercolor of the windows in a servant’s hall

The servants would regard the hall as their living room, for they ate their meals there and congregated in the hall for the evening. Often the cook did not regard making the servants’ meals as part of her duty, and this task would be left to the kitchen maids. Servants would also receive the visitors’ servants here (as in Gosford Park), persons of similar rank, or their own visitors on a very rare occasion.

Image of Victorian servants eating dinner in the servants hall.

The servant bells were located in this area, as well as hooks for coats and uniforms.

Daisy puts on her coat as William speaks to her just outside the servants hall. Downton Abbey. Image courtesy @PBS masterpiece

The servants followed a hierarchy downstairs as strict as upstairs, and the upper servants, the butler, housekeeper, cook, valet and ladies maid would be served meals and tea by the lower servants.  The highest ranking servant was the stewart, then came the butler and housekeeper.

Anna completes a task in the servants hall. Downton Abbey. Image courtesy @PBS Masterpiece

The ladies maid would defer to the housekeeper and the valet to the butler. Standing low down was the scullery maid or tweeny, who often was just a young girl of twelve or thirteen. Her hours were the longest, for she would make sure that the water was boiling for the cook before she began her day.

Kitchen:

The long work table is the focal point of the kitchen. Downton Abbey. Image courtesy @PBS Masterpiece

The kitchen even in great houses were utilitarian, and positioned away from the family quarters to keep cooking smells away yet near enough for the delivery of food. Kitchens were also located near an entrance were supplies could be delivered, and near the kitchen gardens (but not always. See below.)

Harewood house and grounds. The kitchen was a 20-minute walk to the walled garden.

Kitchens tended to be oblong and dominated by a large kitchen table, where the majority of food preparation was done. The window would be ideally positioned to the left side of the range, and the kitchen dresser, where essential equipment was held, would stand close to the work table.

Kitchen suite, 1900 house.

The cook worked under the housekeeper, but the kitchen was her domain. She saw to its cleanliness and neatness, and made sure the larders were well-stocked. Not only were the floors, shelves, and work spaces scrubbed, but they had to be thoroughly dried to prevent mold and mildew from contaminating food stuffs and work tops. The arrangement of the scullery and kitchen was convenient, so that one did not need to cross the kitchen to reach the scullery. Natural light in both rooms needed to be ample. 

This kitchen in the Royal Crescent in Bath needs renovation and preservation.

She (for by the end of the 19th century, most of the cooks in British households were female) oversaw the meals and kitchen staff, consisting of kitchen maids and the scullery maid.

Scullery and kitchen in the Fota House, Ireland

Scullery:

Cleaning in the scullery

The scullery was always located in a separate room from the kitchen so that food would not be contaminated by soiled water. Double stone sinks were the main feature of this room, where pots and pans and the servants’ crockery were rinsed and cleaned. The family’s fine china would be washed in a copper sink, whose softer surface prevented chipping. A cistern above the sinks was used to flush the drains, which led out of house. This was one reason that sculleries were located next to the outer walls and nearest the courtyards or an outer garden. Often, the scullery had no door into the kitchen (only a pass through), and one could enter the room only from the outside. An outside door in the scullery was also known as the “tradesmen’s entrance”.

Scullery, Image @Harewood House.

Food preparation also occurred in this area, such as chopping vegetables. Hygiene was essential in order not to contaminate existing food supplies, or the people within the house with soiled cutlery or water. This meant constant hauling of fresh water, scrubbing, washing, and cleaning. The scullery floor, made of stone, was lower than the kitchen’s, which prevented water from flowing into the cooking areas. Dry goods were stashed well away from the scullery, which also had to be kept dry in order to prevent mold. To prevent standing in water all day long, raised latticed wood mats were placed by the sink for the scullery maid to stand upon.

Panorama of a Victorian scullery with boiler and laundry features

Sculleries also contained a copper for boiling clothes on laundry day, washtubs, washboards, irons, and cabinets for cleaning supplies. In 1908, an eight-room house required 27 hours per week of labor, which did not include laundering clothes. One can only imagine how long a house the size of Downton Abbey took to manage.

Scullery sinks, Chawton

She stood at a sink behind a wooden dresser backed with choppers and stained with blood and grease, upon which were piles of coppers and saucepans that she had to scour, piles of dirty dishes she had to wash. Her frock, her cap, her face and arms were more or less wet, soiled, perspiring and her apron was a filthy piece of sacking, wet and tied round her with a cord. The den where she wrought was low, damp, ill-smelling, windowless, lighted by a flaring gas-jet……with many ugly dirty implements around her. – The History of Country House Staff

In this 17th c. image, the scullery maid stands upon a platform to keep her feet dry.

In Downton Abbey, the scullery maid is nowhere to be seen. (Daisy is the kitchen maid,  with vastly different duties.) Two modern women who played the scullery maid in Manor House quit the series, unable to pursue that role for the duration of the series. Only the third person, Ellen Beard, who had a better understanding of the scullery maid’s duties of endless washing, managed to remain at her station until the very end. Click on this link to hear a short podcast of a Scottish scullery maid, who described her job as slave labor.

The butler polishes the silver, 1868.

Butler’s room and Butler’s Pantry

The duties of the butler confine him to the drawing-room and dining-room. The dining-room, however, is his particular domain; he sees that everything is in order, that the table is laid correctly, the lighting effect satisfactory, the flowers arranged, and in short that the room and appointments are in perfect readiness for a punctual meal. In this work a parlor maid assists him by sweeping and dusting, and a pantry-maid helps him by keeping everything immaculate and in readiness in the pantry. The butler serves at breakfast, luncheon and dinner.” – Vintage Maids and Butlers

Butlert’s pantry, 1896. Staatsburg House, McKim, Mead, & White

The butler’s rooms, which included the Butler’s Pantry, were located in the basement nearest the dining room upstairs and back entry, and had no connection with the kitchen, except for service. When he was summoned, even in his rooms, the butler could appear quickly. In smaller establishments, such as Matthew Crawley’s house, the butler also acted as valet. In all instances, except for the steward, he was the highest-ranking servant, answering directly to the master.

One of the duties of the butler (Mr. Carson in Downton Abbey) is to account for the wine. In this instance, he notices a discrepancy in the tally and the books. Image courtesy @PBS Masterpiece

The butler’s pantry was kept under lock and key, so that thievery was impossible at best, and at the very least deterred. A plate-closet or safe were placed there, as well as a private scullery for cleaning. The butler’s bedroom was a necessary (and lockable) adjunct in large houses for the protection of the plate.

Mrs. Hughes and Mr. Carson chat in her sitting room. Downton Abbey. Image courtesy @PBS Masterpiece

The Housekeeper’s Room

The housekeepers room in large establishments served as both a sitting- and business-room where she would take the directions of the day from the lady of the house. She would also entertain visitors of similar rank in her quarters. The housekeeper oversaw the female servants, and when she walked, a thick assortment of keys, symbols of her status and which dangled from her waist, would jiggle and certainly make a sound.

The housekeeper’s room in Uppark. At times the upper servants would congregate there for tea, and in some houses, for dinner.

Before dinner in the servants hall, the upper servants would assemble in the housekeeper’s room, also known as the Pug’s Parlour, and walk in for dinner, with the butler leading the way. This was known as the Pug’s Parade. After dinner, the upper servants would withdraw to the housekeeper’s parlor again for conversation.

Servant Bedrooms

Anna and Gwen confronted by O’Brien in their unlocked room. Downton Abbey. Image courtesy @PBS Masterpiece

In the latter half of the 19th century, servants slept in attic bedrooms. These were often cold and damp in the winter and hot in the summer, with little light coming in from small windows. Some male servants slept downstairs to guard the family silver. The furnishings in servant quarters were basic and essential. A servant might have a locked box in which personal materials were kept, but the rooms were open and subject to inspection by their employers.

The valet’s simple bedroom. Downton Abbey. Image courtesy @PBS Masterpiece

One source for servant quarters and duties of the servants cautioned that books about servant etiquette discussed ideal behavior. In reality, servant turnover was high, theft did occur, and servants did not always know their place. In this humorous Punch cartoon, the mistress arrived home unexpectedly, catching the servants eating upstairs and generally misbehaving. The truth, I suspect, is somewhere in between.

“Oh, hey, the missus! Servants eating a meal upstairs.” Cruikshank. Punch

Sources: (A long list that fleshes out the topic.)

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