This image of a bourdaloue might be somewhat confusing to the uninitiated. Could this small and elegant vessel be a gravy boat? Or a blood-letting container?
Sevres bourdaloue, 1831.
This image by Francois Boucher says it all. A fully dressed lady is relieving herself into an object called the bourdaloue or bourdalou, careful not to soil her skirts. Her maid, no doubt, stands nearby, waiting to receive the small chamber pot in order to empty it. The lady (or woman of ill repute) is in a public place – a theatre or tavern, perhaps – but certainly not a church. Wherever she is, the place has no public toilet. And so she must relieve herself standing up, taking care not to soil her skirt and petticoats.
Louis Bourdaloue. Image @Wikimedia Commons
According to legend, the name of this porta potty comes from Louis Bourdaloue (1632-1704), one of Louis XIVs Jesuit priests. His oratorical skills were reputedly so accomplished that people felt they could not miss a single word of his sermons. It is said that women sat through his masses with a bourdaloue placed under their dresses, whose skirts were held out by panniers. Since the priest’s sermons were somewhat longwinded, the chances that ladies would need to relieve themselves were almost certain. As a rule, churches and theatres had no toilets, and there were no breaks given during sermons. Ergo these portable urinals, which were ergonomically designed to accommodate the female body.
The vessel was oblong, rectangular, or oval in shape. A slightly raised lip at one end and a handle at the other allowed the woman to relieve herself from a squatting or standing position. The edges curved inward to avoid hurting her tenderest parts.
Sevres bourdaloue, with medallion depicting a scene from Watteau, blue lapis and framed in gold leaf. 1892.
It is a little hard to distinguish truth from fiction, so I am a bit skeptical about this apocryphal tale. Were the priest’s sermons in the early 18th century so truly awe-inspiring that a lady would squat in her pew, however discreetly, to relieve herself in front of her family and other parishioners so as not to miss a word?
In truth it was her maid who brought the vessel in, for bourdaloues were compact and came with a cover. When a lady had to relieve herself she would, I imagine, retreat discreetly to a private corner of a tall pew or to a back or side room in the church. Her maid would then hand the vessel over to her mistress, who took care not to spill any liquid on her skirts. When the lady was finished, she would hand the bourdaloue to her maid to empty its contents. When attending a play or opera at the theatre, I imagine she would again retreat to a darker more private corner of the box to urinate.
A PAIR OF SEVRES BOURDALOUES (POTS DE CHAMBRE OVALE) CIRCA 1776,
Designed only for women, these bourdalous are quite beautiful. Made of faience or porcelain, they are decorated with flowers or painted scenes. Many are gilded. The portable pots, or coach pots as they were known in England, could be decorated inside as well. They were quite small and compact, designed for travel, which made it easy to carry them and pack them for coach trips. They were also taken to long banquets, where ladies would scurry behind curtains when they needed to go.
Bourdalou made in France c. 1840. It has an engraved crest and a leather case to contain it. The silver bourdalou is a small urinary receptacle for female use, of compressed eliptical shape and generally made of porcelaine or earthenware, but also made occasionally of silver. Its front end has an incurved rim and, usually, stands on a simple foot ring with a simple loop handle. Also known as a coach pot in England.
Bourdaloues were used throughout the 18th and for most of the 19th century. As water closets began to be built inside homes and buildings, the use of these chamber pots began to be reduced dramatically.
Plain bourdaloue made of creamware. The shape is quite elegant.
Gentlemen had it a little easier, although this satiric French cartoon, which I have shown before, depicts the disgust that Frenchmen felt towards Englishmen who freely pissed in a pot in the dining room. In this instance, the man misses the chamber pot and hits the floor. There seems to be a lack of modesty among these men, which largely holds true today.
c1816, from Fitzwilliam Museum.
Modesty is also lacking in this cartoon of ladies relieving themselves inside a public restroom at Vauxhall Gardens. Four are arrayed on a long latrine against the wall. One lady is refreshing her make up and another is tightening her garter. If such scenes were common for upper class women in public spaces, perhaps many felt no modesty relieving themselves in church as well.
The Inside of the Lady’s Garden at Vauxhall, 1788 by SW Fores. Image @British Library. The interior of a ladies’ cloak-room. Against the wall on two sides of the room is a bench forming a latrine on which four fashionably dressed ladies are seated. On the right a woman in profile to the right, resembling Lady Archer, applies paint to her cheeks before a mirror lit by two candles. A young woman seated beside her on the extreme right ties up her garter.
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The final image in this post shows the danger of a broken glass window and a young boy falling from furniture that he had rearranged at play. Another, earlier book entitled The Blossoms of Morality and published in 1806, concentrates on the instruction of young ladies and gentlemen”. The stories include “Juvenile tyranny conquered” and “The melancholy effects of pride”. One can imagine that, after reading Fordyce’s Sermons to his young children, Mr. Collins would have picked up these books to read to his children.
Jane Austen's World 