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Archive for the ‘Regency Period’ Category

August 16th marks Georgette Heyer’s birthday. In several comments on my book reviews some readers have made it a point to mention that Georgette is no Jane Austen and termed her novels mere romances. Ah, but they are so much more. I love her novels in part because they remind me vividly of the satirical prints that were so popular during Jane Austen’s day.  Observe the dandy at left in the print below, then read Georgette’s description of Sir Nugent!

Beside Sylvester’s quiet elegance and Major Newbury’s military cut she had been thinking that Sir Nugent presented all the appearance of a coxcomb. He was a tall man, rather willowy in build, by no means unhandsome, but so tightly laced-in at the waist, so exaggeratedly padded at the shoulders, that he looked a little ridiculous. From the striking hat set rakishly on his Corinthian crop (he had already divulged that it was the New Dash, and the latest hit of fashion) to his gleaming boots, everything he wore seemed to have been chosen for the purpose of making him conspicuous.  His extravagantly cut coat was embellished with very large and bright buttons; a glimpse of exotic colour hinted at a splended waistcoat beneath it; his breeches were of white corduroy; a diamond pin was stuck in the folds of his preposterous neckcloth; and he wore so many rings on his fingers, and so many fobs and seals dangling at his waist, that he might have been taken for a jeweller advertising his wares. – Georgette Heyer, Sylvester

Astley's Amphitheatre

Here is her passage about Astley’s Amphitheatre in Cotillion:

Though Meg might cry out against so unsophisticated an entertainment, Mr. Westruther knew Kitty well enough to be sure that she would revel in it. Had it been possible, he would unhesitatingly have taken her to Astley’s Amphitheartre, and would himself have derived a good deal of amusement, he thought, from watching her awe and delight at Grand Spectacles, and Equestrian Displays. But the Amphitheatre, like its rival, the Royal Circus, never opened until Easter Monday, by which time, Mr Westruther trusted, Kitty would have returned to Arnside.

Vauxhall Gardens, Samuel Wale, c. 1751

By way of whiling away the eveing Sherry escorted his bride to Vauxhall Gardens. Here they danced, supped in one of the booths on wafter-thin slices of ham, and rack-punch, and watched a display of fireworks. – Friday’s Child



He complied with this request, backing the phaeton into place on the right of the landaulet, so that although the high perch of the phaeton made it impossible for his sister to shake hands with Frederica she was able to exchange greetings with her, and might have maintained a conversation had she not decided that to be obliged to talk to anyone sitting so far above her would soon give Frederica a stiff neck. – Frederica

A Kiss in the Kitchen, Thomas Rowlandson

‘But if she knew that you do not mind George’s having kissed me -‘

‘But I do mind!’ said Sherry, incensed.

‘Do you, Sherry?’ she asked wistfully.

‘Well, of course I do! A pretty sort of a fellow I should be if I did not!’

‘I won’t do it again,’ she promised.

‘You had better not, by Jupiter!’ – Friday’s Child

Time and again the zany plots and witty conversations in Georgette’s novels echo the Regency prints that I love to study. Yes, she is no Jane Austen, but as an interpreter of the Regency era, she is priceless.

As a birthday gift, please click on this link to read her short story, A Proposal to Cecily.

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Jane Austen’s mother, Cassandra’s

features were aristocratic; her hair was dark and her eyes an unusual tint of grey. She had an instinctive tendency to depreciate her own appearance; it was her elder sister Jane, she always insisted, who was the beauty of the family. But Cassandra did admit to a certain vanity concerning her fine patrician blade of a nose.” – Jane Austen, a family record by Deirdre Le Faye, William Austen-Leigh

However, by 1782, when her daughter Jane was only 7 years old, she was described as having lost several foreteeth, which made her look old.

Cassandra Leigh Austen, Jane Austen's mother, with her patrician nose and missing foreteeth

Modern dentistry was still in its infancy when Cassandra Austen gave birth to her eight children. While the wealthy could afford dentists, rural folks still depended on the village blacksmith, who only knew how to pull teeth. Market fairs sold tinctures, toothpowders and abrasive dentifrices.

Lucy Baggott, of Wychwood Books, says: ‘It was not uncommon for the local farrier to draw teeth to relieve toothache of those in desperate pain, for then the blacksmith in many rural communities doubled as a tooth drawer. ‘There were many dubious practices adopted: hot coals, string, forceps, and pliers to name a few. Children were lured to sacrifice their teeth for the supposed benefit of the wealthy in exchange for only a few shillings. One print reads: “Most money given for live teeth”. – Dental Quackery Captured in Print

Louis-Leopold Boilly (1761-1845), Dentist Teeth Patient, 1827

We do know this: tooth extraction was painful and a most unpleasant affair before the age of ether and anesthetics.

In two letters to Cassandra, on Wednesday 15 & Thursday 16 September 1813, Jane [Austen] describes in some detail accompanying her young nieces Lizzy, Marianne and Fanny, on a visit to the London dentist Mr Spence. It was, she relates, ‘a sad business, and cost us many tears’. They attended Mr Spence twice on the Wednesday, and to their consternation had to return on the following day for yet another ‘disagreeable hour’ . Mr Spence remonstrates strongly over Lizzy’s teeth, cleaning and filing them and filling the ‘very sad hole’ between two of the front ones. But it is Marianne who suffers most: she is obliged to have two teeth extracted to make room for others to grow. – The Poor Girls and Their Teeth, A Visit to the Dentist, JASA

Tooth maintenance and dental hygiene were not a new concept. The aristocrats suffered more cavities, for they could afford sweets and foods that would eat into enamel, but they did use tooth powders, tooth picks, and toothbrushes to keep their teeth clean.

The ancient Chinese made toothbrushes with bristles from the necks of cold climate pigs. French dentists were the first Europeans to promote the use of toothbrushes in the seventeenth and early eighteenth centuries. William Addis of Clerkenwald, England, created the first mass-produced toothbrush. Toothpaste: modern toothpastes were developed in the 1800s. In 1824, a dentist named Peabody was the first person to add soap to toothpaste. John Harris first added chalk as an ingredient to toothpaste in the 1850s.- History of Dentistry

Isaac Cruikshank

The caption to the above cartoon states: Dentist. 18th century caricature of a fat dentist with his struggling, overweight female patient. The patient is begging the dentist not to pluck her teeth out like he would the feathers of a pigeon. People who eat large amounts of sugary food are often both overweight and suffer from dental decay. Image drawn in 1797 by British artist Isaac Cruikshank (1756-1811). – Science Photo Library

Tooth Extraction, William Henry Bunbury, mid-18th century

Extractions were by forceps or commonly keys, rather like a door key…When rotated it gripped the tooth tightly. This extracted the tooth – and usually gum and bone with it…Sometimes the jaws were also broken during an extraction by untrained people.”- BBC

A timeline of dentistry in the 18th and 19th centuries:

1780 – William Addis manufactured the first modern toothbrush. 1789 – Frenchman Nicolas Dubois de Chemant receives the first patent for porcelain teeth. 1790 – John Greenwood, one of George Washington’s dentists, constructs the first known dental foot engine. He adapts his mother’s foot treadle spinning wheel to rotate a drill. 1790 – Josiah Flagg, a prominent American dentist, constructs the first chair made specifically for dental patients. To a wooden Windsor chair, Flagg attaches an adjustable headrest, plus an arm extension to hold instruments. 19th Century 1801 – Richard C. Skinner writes the Treatise on the Human Teeth, the first dental book published in America. 1820 – Claudius Ash established his dental manufacturing company in London. 1825 – Samuel Stockton begins commercial manufacture of porcelain teeth. His S.S. White Dental Manufacturing Company establishes and dominates the dental supply market throughout the 19th century. – Nambibian Dental Association

Annotation of the above cartoon by Thomas Rowlandson:

This print is by Thomas Rowlandson (1756-1827) and is dated 1787. It is a satirical comment upon the real practice of rich gentlemen and ladies of the 18th century paying for teeth to be pulled from poor children and transplanted in their gums. The dentist present is portrayed as a quack. There are even two quacking ducks on the placard advertising his fake credentials. He is busy pulling teeth from the mouth of a poor young chimney sweep. Covered in soot and exhausted, he slumps in a chair. Meanwhile the dentist’s assistant transplants a tooth into a fashionably dressed young lady’s mouth. Two children can be seen leaving the room clutching their faces and obviously in pain from having their teeth extracted. As people lost most of their teeth by age 21 due to gum disease, teeth transplants were popular for some time in England although they rarely worked. – Wellcome Images

Thomas Rowlandson – A French dentist showing a specimen of his artificial teeth and false palates Coloured engraving 1811 Image @ Rowlandson, Wellcome Library

Dentures did exist:

Perhaps the most famous false-toothed American was the first president, George Washington. Popular history gave Mr. Washington wooden teeth, though this was not the case. In fact, wooden teeth are impossible; the corrosive effects of saliva would have turned them into mushy pulp before long. As a matter of fact, the first president’s false teeth came from a variety of sources, including teeth extracted from human and animal corpses. – A Short History of Dentistry

Carved ivory upper denture, late 18th century. Image @Skinner Auctioneers

As always, the upper classes had the upper hand:

The upper classes could afford a greater range of treatments, including artificial teeth (highly sought after by the sugar- consuming wealthy). Ivory dentures were popular into the 18th century, and were made from natural materials including walrus, elephant or hippopotamus ivory. Human teeth or ‘Waterloo teeth’ -sourced from battlefields or graveyards- were riveted into the base. These ill fitting and uncomfortable ivory dentures were replaced by porcelain dentures, introduced in the 1790’s. These were not successful due to their bright colours, and tendency to crack.Before the 1800’s, the practice of dentistry was still a long way from achieving professional status. This was to change in the 19th century – the most significant period in the history of dentistry to date. By 1800 there were still relatively few ‘dentists’ practicing the profession. By the middle of the 19th century the number of practicing dentists had increased markedly, although there was no legal or professional control to prevent malpractice and incompetence. Pressure for reform of the profession increased. – Thomas Rowlandson, “Transplanting Teeth (c.1790) [Engraving],” in Children and Youth in History, Item #164, http://chnm.gmu.edu/cyh/primary-sources/164 (accessed August 10, 2011). Annotated by Lynda Payne

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The script in Thomas Rowlandson’s 1810 cartoon states:

“Ah! My old Friend I wish you had called
at some more convenient time but this is washing
day — I have nothing to give you but cold Fish, cold Tripe
& cold potatoes — you smell soap suds a mile!
Ah Jack, Jack you don’t know these Comforts!
you are a Bachelor!”

In Rowlandson’s image, two well fed men are seen smiling. The host is apologetic, for his guest will not get anything but cold collations, probably leftovers from the previous day. His wife and maid are seen toiling over a bucket, their hands probably raw and red from the effects of harsh lye soap. Neither of them will have the time to look to his comforts or make a hot meal, which is why he is apologizing to his unexpected guest. Since laundering was not considered man’s work, he had to “suffer” the lack of his wife’s and servant’s attentions until the wash was done.

Doing the wash in a stream, 1806

First Boyle all the Cloaths with soap, and then wash them..” – John Harrower, indentured servant, writing to his wife (June 14, 1774)

Doing the wash in the Regency era was no small task, and housewives had to set aside two days to perform this dreaded duty, for it meant hauling water, boiling the cottons and linens, washing them with pungent lye soap, which burnt the skin, rinsing the clothes in clean water, which meant hauling more water from the well or a nearby stream, twisting the cloths to remove as much water as possible, hanging the clothes to dry, and then praying that rain would stay away long enough for the sun to perform its duty as a dryer. If one had to do laundry in a town or city, one had to pray that coal soot would not drift upon the clean clothes in a cramped back yard before they dried.

The Victorian scullery in a fine household included a copper for boiling water, a wringer, press, and ironing board.

Doing laundry was so enormous an undertaking, that unless the household were of a great size and boasted many servants, the mistress of the house and her daughters would frequently pitch in with the servants. There were chemises to be laundered, bed and table linens, towels, shirts, muslin dresses, handkerchiefs, socks, and the like. First the clothes would have to be treated for stains, the muslins and silks most delicately. After the wash had dried, ironing would commence, another laborious task.

Drying damp clothes over chair backs in front of a fireplace. Elizabeth Bennet and Mrs. Gardiner at the Lambton Inn, Pride and Prejudice, 1980

Chemises and shirts, which were worn next to the skin, were purposefully made with sturdier cloth so that these inner garments could withstand rougher treatment and more frequent washing. People tended to own more under garments for this reason. Outer clothes were subject to less frequent laundering because they were made of finer stuff, though one must wonder at the cleanliness of trailing hems, the edges of collars and sleeves, and armpits in the days before daily baths became popular, when air conditioning was just a distant dream, and when sweat must have stained clothes in a most visible manner. Is it no wonder that a majority of the Regency fashions that have survived to this day belonged to the rich, who probably wore their fashionable outfits once or twice before purchasing others?

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It’s a truth universally acknowledged that after a bride and groom consummate the marriage the pitter patter of little feet will surely follow (and follow and follow and follow). Such was the case during Jane Austen’s day. Her mother bore eight children and luckily survived her ordeals. The wives of Jane’s brothers Edward and Frank did not, both dying in childbirth with their eleventh child. That these two women were able to survive so many pregnancies was a miracle in itself, given that the chance of a woman dying in childbirth at the time was 20%.

Queen Charlotte, King George IIIs consort, gave birth to 15 children in 21 years. The King and Queen are depicted with their 6 eldest.

Deborah Kaplan writes in Jane Austen Among Women:

“On the birth of his fourteenth child in 1817, Thomas Papillon received this advice within a letter of congratulations from his wife’s uncle, Sir Richard Hardinge: It is now recommended to you to deprive Yourself of the Power of Further Propagation. You have both done Well and Sufficiently.”

The fashionable mamma, or the convenience of modern dress, James Gillray

Abstinence was one method of birth control, as Sir Richard recommended. Breast feeding was another. If a mother breasfed her child for 3-4 years, the pregnancies would be naturally spaced inbetween periods of amenorrhea (the absence of menstruation). While breastfeeding regained some popularity during the Georgian and Regency eras, women did not feed their babies long enough to supress menstruation for very long and often handed them over to a wet nurse. Cassandra Austen farmed her children to a nurse in a nearby village after six to eight months, guaranteeing that her lactation would soon cease and that she would soon be fertile again. The common belief that having intercourse during lactation would in some way harm the mother and child did offer some added protection from pregnancy, but large families were still common.

Amanda Vickery shows a bachelor cadging food from an irritated married friend. The poor young man probably lived in a modest rented room.

Social customs also served to keep pregnancies down. Amanda Vickery mentioned in At Home with the Georgians that a bachelor needed to acquire a house and reliable income before he could seriously contemplate marriage. Such acquisitions took years to amass and would hold up the young man’s inevitable role as parent. Once the young man could afford to marry, however, his long period of delayed consummation with a chaste woman ended and he would waste no time in siring a legitimate child.

A woman’s chaste reputation owed much to the urgent necessity of her not getting pregnant before marriage. Conceiving a child out of wedlock turned a woman into a pariah. In medieval times a chastity belt guaranteed that no bride would enter her marriage bed sullied. Unfortunately, these contraptions came in only one size and were therefore extremely uncomfortable for the larger sized woman.(Johannah Cornblatt, Newsweek). Update: Information about chastity belts in medieval times is being debunked these days as a myth. See links in the comment section below.

James Gillray's priceless caricature.

Married couples anxious to reduce their number of offspring (or who had reached their limit of 10, 11, or 15) tried coitus interruptus and the rhythm method. Since the female fertility cycle was not fully understood until the early twentieth century, the latter form of birth control resembled a game of Russian Roulette more than family planning. Several religious institutions, the Catholic Church in particular, frowned upon a married couple attempting any form of birth control at all, but there was evidence that birth control was effectively practiced. “Some couples managed to delay the first conception within marriage and few babies were born in the months of July and August, when the heaviest harvest labor took place.”-History of Birth Control.

Condoms, which were made of linen soaked in a chemical solution or the lining of animal intestines, had been in use for centuries, but this method of birth control was linked to vice and was mostly practiced in houses of ill repute.

Casanova blowing up a condom with prostitutes looking on.

Giacomo Girolamo Casanova (1725-1798) was among the first to use condoms to prevent pregnancy. The famous womanizer called the condom an “English riding coat.” His memoirs also detail his attempt to use the empty rind of half a lemon as a primitive cervical cap. The engraving shows the Italian seducer blowing up a condom. The photo shows an early 19th-century contraceptive sheath made of animal gut and packaged in a paper envelope. – Newsweek

Condom made of animal gut with paper envelope. Image @Newsweek

One can imagine that such clumsy barriers to impregnation failed on too many occasions to count, although they did manage to prevent venereal disease.

Georgian caricatures made much sport of condoms. This one is entitled: "Quality control in a condom warehouse."

There were other means of pregnancy prevention. Aristotle recommended anointing the womb with olive oil. His other spermicides included cedar oil, lead ointment, or frankincense oil.

Pessaries, 1755. Image @The Global Library of Women's Medicine

“The pessary [mechanical tool or device used to block the cervix] was the most effective contraceptive device used in ancient times and numerous recipes for pessaries from ancient times are known. Ingredients for pessaries included: a base of crocodile dung (dung was frequently a base), a mixture of honey and natural sodium carbonate forming a kind of gum. All were of a consistency which would melt at body temperature and form an impenetrable covering of the cervix. The use of oil was also suggested by Aristotle and advocated as late as 1931 by birth control advocate Marie Stopes.” – History of Birth Control

Other societies had used methods of blocking sperm including plugs of cloth or grass in Africa, balls of bamboo tissue paper in Japan, wool by Islamic and Greek women, andlinen rags by Slavic women. Ancient Jews used a sea sponge wrapped in silk and attached to a string. – History of Birth Control.

Many young girls who had been seduced, engaged in pre-marital sex, or been raped would attempt not to get pregnant by any means. The unfortunate women who did were ostracised, much like Colonel Brandon’s young charge, Liza, who had been enticed by Willoughby in Sense and Sensibility to give up her virginity. These women were frantic to end their pregnancies rather than lose their standing in society or their livelihood, for no pregnant unmarried woman could work as a maid, shopgirl, or seamstress. They would try anything to end their pregnancies, including ingesting turpentine, castor oil, tansy tea, quinine water into which a rusty nail was soaked, horseradish, ginger, epsom salts, ammonia, mustard, gin with iron filings, rosemary, lavender, and opium. Severe exercise, heavy lifting, climbing trees, jumping, and shaking were also attempted, in most instances to no avail. – History of Birth Control

Tess of the D'Urberfield and her baby, Sorrow. Thomas Hardy wrote about the consequences of seduction. (Nastassia Kinski as Tess, 1980)

Infanticide has been practiced since the dawn of time, most famously with the Greeks, who left deformed babies to die outdoors. In Regency times, desperate women would leave their babies in the streets to die. Many left their infants at workhouses, a form of infanticide as the quote below attests, and a large number, too poor to support themselves and unable to work off their debts, wiled away their time in prison.

“When the poor stayed with their children in workhouses, the outcome was little better. Between 1728 and 1757, there were 468,081 christenings and 273,930 infant deaths in those younger than the age of 2 in London workhouses. Foundling hospitals and workhouses were institutionalized infanticide machines.” – Global Library of Women’s Medicine

Women at Bridewell Prison, 1808. Rowlandson and Pugin for Ackermann's Repository of Arts

Once children were born and the family was large, it was not unusual to farm out a few children, some to work in their childhood, as Charles Dickens did, and other to live with relatives, as was the case with Fanny Price, who lived with her aunt’s family in Mansfield Park and Edward Austen Knight, who was adopted by a rich, childless couple.

Early 20th century attitude towards an unwanted child. Image @Newsweek

It has been said that families had many children during the 18th and 19th centuries because of the high rate of infant mortality and the need for many helping hands on the farm. But as society became industrialized, large families became a hindrance. With many mouths to feed and limited resources (except in the case of the rich), it is no wonder that couples since time immemorial have searched for ways to limit the number of their offspring.  Update: As Nancy Mayer rightly pointed out in her comment, most women during the Georgian and Regency eras thought it their duty to bear their husbands children and oversee the family household. The matter of family planning might well have been influenced by women of a certain class who could not allow pregnancies to interfere with the rhythm of the work cycle, single women who were desperate to seek ways to end their pregnancies before their condition became obvious, and in houses of ill repute, where condoms would offer some protection against disease. Mistresses and prostitutes would find pregnancies to be more of a hindrance than help in their work. I have often wondered, for example, how Emma Hamilton managed to have so few children and yet enjoy the charms of so many men.

1920's Lysol Advertisement. Image @The Museum of Menstruation and Women's Health

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If I had only read Kim Wilson’s Tea with Jane Austen many years ago, I would have saved myself a lot of trouble. Yes, gentle readers, I spent hours researching the history of tea and how and when people in the Regency era served it only to find that most of the information had already been gathered in this book.

Tea With Jane Austen at the Morgan Library & Museum gift shop. Image @Jane Austen's World

Kim published her slim but informative book in 2004, two years before I began this blog. It is now in its second edition, and rightly so. The author has included almost all the facts and social customs about tea that a Regency romance author or Jane Austen fan or 18th- and 19th-century social historian could want.

Image inside the book. Copyright 2011 Frances Lincoln Ltd

I read this slim but fact-packed volume in two sittings the first time around, and have since read it twice more. Each time I have been DELIGHTED. Kim includes information about the Austens; a short history of tea; mealtimes and the hours they were taken by both simple folks and the gentry;

A sample page - Making the Perfect Cup. Click on image. Copyright 2011 Kim Wilson

tea served in the home and outside of it; tea served in the morning and at a grand ball; the best way to prepare tea (or how the English do it); the health benefits of tea; shopping for tea; recipes for tea treats (including one for Mr. Woodhouse’s gruel!); and the difference between high tea and low tea (and why so many of us use the terms wrong).

One of the many charming quotes sprinkled throughout the book. Copyright 2011 Frances Lincoln Ltd

If I have any fault to find with the book is that it’s too short. Thankfully, Kim Wilson also wrote In the Garden with Jane Austen, a book I shall review at a later time. I give Tea with Jane Austen five out of five china tea cups. Order the book here: Frances Lincoln, UK; and Amazon.com US

5 out of 5 tea cups

Binding: Hardback, 128 pages
ISBN: 9780711231894
Format: 215mm x 165mm
40 colour and 45 b/w illustrations

BIC Code: BGL, WBX
BISAC Code: BIO007000
Imprint: Frances Lincoln

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