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Chelsea Buns. Image courtesy @

Chelsea Buns. Image courtesy @Kathleen Corfield, The Ordinary Cook (Click on blog for the British recipe.)

Our crocuses and daffodils are blooming in Richmond, making me realize that Easter and spring and hot cross buns are just around the corner. Back in Jane Austen’s day, the Chelsea bun was the treat of choice.  These sticky sweet buns, filled with raisins and currants and topped with a sugary glaze, were sold by the tens of thousands at the famous Chelsea Bun-House on Pimlico Road near Sloane Square in London (technically Pimlico, not Chelsea), which was frequented by Royalty and the public alike.

During the last century, and early in the present, a pleasant walk across green fields, intersected with hedges and ditches, led the pedestrian from Westminster and Millbank to “The Old Bun House” at Chelsea. This far-famed establishment…stood at the end of Jew’s Row (now Pimlico Road), not far from Grosvenor Row. The building was a one-storeyed structure, with a colonnade projecting over the foot pavement, and was demolished in 1839, after having enjoyed the favour of the public for more than a century and a half. ” – Old and New London: Volume 5, Edward Walford, 1878, British History Online, Chelsea

“I soon turned the corner of a street which took me out of sight of the space on which once stood the gay Ranelagh. … Before me appeared the shop so famed for Chelsea buns, which for above thirty years I have never passed without filling my pockets. In the original of these shops—for even of Chelsea buns there are counterfeits—are preserved mementoes of domestic events in the first half of the past century. The bottle-conjuror is exhibited in a toy of his own age; portraits are also displayed of Duke William and other noted personages; a model of a British soldier, in the stiff costume of the same age; and some grotto-works, serve to indicate the taste of a former owner, and were, perhaps, intended to rival the neighbouring exhibition at Don Saltero’s. These buns have afforded a competency, and even wealth, to four generations of the same family; and it is singular that their delicate flavour, lightness, and richness, have never been successfully imitated.” – Sir Richard Phillips,  “Morning’s Walk from London to Kew,” 1817.

Chelsea Bun-House image from The Mirror, Google eBook

Chelsea Bun-House image from The Mirror, Google eBook

The building was fifty-two feet long, by twenty-one feet wide. The colonnade e xtended over the foot pavement into the street, and afforded a tempting shelter and resting-place to the passenger to stop and refresh himself. Latterly the floor of the colonnade was level with the road, which has probably been considerably raised; as in the old print it is represented as a platform with steps at the three doors for company to alight from their carriages. – The Gentleman’s Magazine and Historical Chronicle, Volume 11, 1839

Not all of the bun house’s customers enjoyed the sweet sticky buns, as Dean Swift attests in 1711: “Pray, are not the fine buns sold here in our town? was it not R-r-r-r-r-r-r-r-r-rrare Chelsea buns ? I bought one today in my walk ; it cost me a penny ; it was stale, and I did not like it, as the man said, [R-r-r-r-rnre] Sec.” – (Journal to Stella. May 2, 1711.)

It is not to be wondered at, that the witty Dean did not relish his stale bun ; for, to be good, it should be made with a good deal of butter, be very light, and eat hot. Chelsea Buns formed a frequent cry in the streets of London during the last century, and were as popular as the Bath Buns of the present time. The cry (or rather song) was ” Chelsea Buna, hot Cheheii Buns, rare Chelsea Buns! ” Good Friday was the day in all the year when they were most in request; and the crowds that frequented the Bunhouse on that day, is almost past belief. – Gentleman’s Magazine

The following account was written in The Mirror, April 6, 1839, the year that the original Bun-House was demolished for improvements.

CHELSEA BUN-HOUSE. This Bun-House, whose fame has extended throughout the land, was first established about the beginning of the last century; for, as early as 1712, it is thus mentioned by the celebrated Dean Swift:—”Pray are not the fine buns sold here in our town, as the rare Chelsea buns ? I bought one to-day in my walk,” &c.

The building consists of one story, fifty feet long, and fourteen feet wide. It projects into the high-way in an unsightly manner, in form of a colonade, affording a very agreeable shelter to the passenger in unfavourable weather.

The whole premises are condemned to be pulled down immediately, to make way for the proposed improvements of Chelsea and its neighbourhood, the bill for which is in committee of the House of Commons, under the superintendance of that most active member, Sir Matthew Wood.

It was the fashion formerly for the royal family, and the nobility and gentry, to visit Chelsea Bun-House in the morning. His Majesty King George the Second, Queen Caroline, and the Princesses, frequently honoured the elder Mrs. Hand with their company.

Their late Majesties King George III, and Queen Charlotte, were also much in the habit of frequenting the Bun-House when their children were young, and used to alight and sit to look around and admire the place and passing scene. The Queen presented Mrs. Hand with a silver half-gallon mug, richly enchaced, with five guineas in it, as a mark of her approbation for the attentions bestowed upon her during these visits: this testimonial was kept a long time in the family.

On the morning of Good Friday, the Bunhouse used to present a scene of great bustle; it was opened as early as four o’clock j and the concourse of people was so great, that it was difficult to approach the house; it has been estimated that more than fifty thousand persons have assembled in the neighbourhood before eight in the morning; at length it was found necessary to shut it up partially, in order to prevent the disturbances and excesses of the immense unruly and riotous London mob which congregated on those occasions. Hand-bills were printed, and constables stationed to prevent a recurrence of these scenes.

Whilst Ranelagh was in fashion, the BunHouse was much frequented by the visitors of that celebrated temple of pleasure ; but after the failure of Ranelagh, the business fell off in a great degree, and dwindled into insignificance.

Interior of Chelsea Bun-House. Image from 1839 edition of The Mirror, Google eBook

Interior of Chelsea Bun-House. Image from 1839 edition of The Mirror, Google eBook. The inside of the Bun-House was fitted up as a museum. It might have contained some very curious articles, but the most valuable had long since disappeared.The materials of the building, with the relics of the museum, were sold by auction April 18, 1839, and the whole was immediately cleared away. – Gentleman’s Magazine

Click here to see a color drawing of the Bun-House interior at the British Museum

See another image of the Bun-House at Swann Galleries

INTERIOR Of CHELSEA BUN-HOUSE. The interior was formerly fitted up in a very singular and grotesque style, being furnished with foreign clocks, and many natural and artificial curiosities from abroad ; but most of these articles have disappeared since the decease of Mrs. Hand.

At the upper end of the shop is placed, in a large glass-case, a model of Radcliffe Church, at Bristol, cut out very curiously and elaborately in paste-board ; but the upper towers, pinnacles, &c. resemble more an eastern mosque than a Christian church.

Over the parlour door is placed an equestrian coloured statue, in lead, of William, the great Duke of Cumberland, in the military costume of the year 1745, taken just after the celebrated battle of Culloden: it is eighteen inches in height.

On each side stand two grenadier guards, presenting arms, and in the military dress of the above period, with their high sugarloaf caps, long-flap coats, and broad gerilles, and old-fashioned muskets, presenting a grotesque appearance, when compared with the neat short-cut military trim of the present day. These figures are also cast in lead, and coloured; are near four feet high, and weigh each about two hundred weight.

Underneath, on the wall, is suspended a whole-length portrait, much admired by connoisseurs, of Aurengzebe, Emperor of Persia. This is probably the work of an Italian artist, but his name is unknown.

After the death of Mrs. Hand, the business was carried on by her son, who was an eccentric character, and used to dress in a very peculiar manner,; he dealt largely in butter which he carried about the streets in a basket on his head; hot or cold, wet or dry, throughout the year, the punctual butterman made his appearance at the door, and gained the esteem of every one by his cheerful aspect and entertaining conversation ; for he was rich in village anecdote, and could relate all the vicissitudes of the neighbourhood for more than half a century.

After his decease, his elder brother came into the possession of the business; he had been bred it soldier, and was at that time one of the poor knights of Windsor, and was remarkable for his eccentric manners and costume. He left no family, nor relations, in consequence of which his property reverted to the crown…A writer in the Gentleman’s Magazine, vol. LIU. for July 1783, p. 578, speaking of Cross Buns in Passion week, observes, that ” these being, formerly at least, unleavened, may have a retrospect to the unleavened bread of the Jews, in the same manner as Lamb at Easter to the Pascal Lamb. “

Chelsea Bun-House, image @ Gentleman's Magazine and Historical Chronicle, Volume 11

Chelsea Bun-House, image @ Gentleman’s Magazine and Historical Chronicle, Volume 11. One can see the raised steps leading to three doors where ladies and gentlemen could alight comfortably from their carriages.

 

Apparently when Chelsea Buns were invented there were two rivals who vied for the honor of selling the best buns: the Old Chelsea Bun House or the “Real Old Original Chelsea Bun-house.” On Good Friday, long lines of people waited to purchase the buns. In 1792, the Good Friday line was so long that the Bun-House skipped selling them the following year. A notice stated:

“Royal Bun House, Chelsea, Good Friday.—No Cross Buns. Mrs. Hand respectfully informs her friends and the public, that in consequence of the great concourse of people which assembled before her house at a very early hour, on the morning of Good Friday last, by which her neighbours (with whom she has always lived in friendship and repute) have been much alarmed and annoyed; it having also been intimated, that to encourage or countenance a tumultuous assembly at this particular period might be attended with consequences more serious than have hitherto been apprehended; desirous, therefore, of testifying her regard and obedience to those laws by which she is happily protected, she is determined, though much to her loss, not to sell Cross Buns on that day to any person whatever, but Chelsea buns as usual.”

Forty six years later, the Bun-House closed its doors for good. One has to wonder today if during her many trips to London Jane Austen traveled to the Bun-House on Pimlico Road to purchase a half-dozen of these fresh-baked delicacies.

Pimlico Road in 2012

Google map image of Pimlico Road in 2012 London, near what was once Grosvenor Row.

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Today U.S. citizens are celebrating July 4th and the independence of our nation from Great Britain. Grand firework displays will play a pivotal role in our national revelry tonight, culminating a day long celebration. Fireworks were not unknown during the Georgian Era, and were used for grand effect in public celebrations. I will point out only a few instances in London.

The picture above is of the firework display held by the Duke of Richmond at Richmond House near the Thames in Whitehall, London [May 1749] and shows both the whole effect of all the fireworks and also, very interestingly, gives individual details [on the side] of the individual fireworks which made up the whole display. – Austenonly

Temple of Peace in Green Park.

Early view of Green Park and the Temple of Peace.

Green Park was readied for a grand fireworks display in 1763 to celebrate the Treaty of Paris, which ended the French and Indian War in North America. The park had attracted firework displays before:

The Green Park was used for a national party in 1746 to celebrate the end of the War of Hanoverian Succession. The royal family arranged a great firework display and commissioned the composer, Handel, to write his Music for the Royal Fireworks. A vast Temple of Peace was built in the park to store the fireworks. But early on a stray rocket hit the temple. Three people died and 10,000 fireworks were destroyed in the fire that followed. – The Green Park

Temple of Peace in Green Park lit up by fire works.

The Treaty of Paris  granted Great Britain control of all land to the east of the Mississippi River, a cause for a grand celebration and a good reason for building a ceremonial temple. (View a print of the scene here.)

Another cause for creating massive firework displays was the long reign of George III. The details of  the Golden Jubilee celebrations are beautifully described at Austenonly.

Fireworks in London in celebration of King George III Golden Jubilee in 1809

Fireworks were quite dangerous, and so were  gas lit fires. In 1814, another grand celebration was planned in St. James Park (which lies close to Green Park) to commemorate 100 years of the Hanoverian royal family. A seven-story pagoda was erected on a Chinese-style bridge spanning the canal in St. James’s Park.

A view of the Chinese pagoda burning. Image @British Library

The splendid gala was organized for the joint August first celebration of the Hanoverian Centenary and the anniversary of the Battle of the Nile. The brilliant and daring tactics of Lord Nelson at the Battle of the Nile were represented by rowboats upon the canal. A disaster occurred when the gas lit pagoda caught fire and burned. Two men were killed and a number injured trying to put out the fire. A number of the Royal swans succumbed to smoke and fire. The crowd unaware that this was an accident took the occurrence to be part of the spectacle and applauded wildly. – The Georgian Index

When the Napoleonic Wars came to an end, famed rope walker, Madame Squi, could finally cross the English Channel in  1816 to perform at Vauxhall Gardens for the first time.

Madame Saqui illuminated by the bursts of fireworks, Vauxhall, 1816. Copyright Museum of London*

‘In the midst of a great burst of fireworks, Bengal lights glimmering faintly in the clouds of smoke, she (Saqui) stands on a rope, sixty feet up, and follows a narrow and difficult path to the end of her journey. Sometimes she is completely hidden from our eyes by the billowing waves, but from the way she walks, so self-assured, one would think an Immortal was walking peacefully towards her celestial home.’ [Lerouge on Madam Saqui at Vauxhall] – Rope Walkers and Equillibrists

Firework displays were no novelty at Vauxhall Gardens, or any of the major gardens where people congregated to walk along grand promenades, dance publicly to music, eat, drink, and enjoy an evening out in the open.

Fireworks display at Vauxhall, 1800s.

There were terrible accidents then as now with fireworks. Here is an account from  an 1858 newspaper** about an accident in central London:

All over the U.S. we will be enjoying various kinds of firework displays. Those in Washington D.C. and the major cities will be the grandest, I am sure. I recall an intimate firework display along a small lake in Vermont one year, in which only a few fireworks were set off. Interestingly, of all the firework displays I have seen, that is the one I tend to recall. Happy Birthday, America! Stay safe.

*Museum of London Prints

**Newspaper Account of Vauxhall accident.

More about Green Park at this link.

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Curious readers: Tony Grant (London Calling) has contributed an article about Kew Gardens and his beautiful photographs to go with it. Relax and enjoy this visual feast of gardens, walkways, and flowers.

The Royal Entrance at Kew. Image @Tony Grant

I have been to Kew Gardens, which is only a couple of miles from where I live, on the other side of Richmond upon Thames, many, many times for more than thirty years. When I first visited Kew gardens all those years ago the charge to get through those regal, ornate gates was 1p, a penny, a mere token payment. Kew is a government research centre and a leading authority on plants throughout the world. I think they felt in those far off days that a token payment, just to keep the paths swept, was all that was required. It was and is a government-owned establishment, and so by default, we, the British public, own it, (A little like The National Gallery and The National Portrait Gallery. Those paintings belong to me you know. So, why shouldn’t I get in free?)

Bumble bee at Kew. Image @Tony Grant

Nowadays, it costs an arm and a leg to get into Kew Gardens. I’ll whisper this; “it’s £13.90 for an adult.” The Government decided, to help finance research, and to develop further public facilities in the gardens, we should all pay to get in. It’s such a beautiful place and such an elemental place that, yes, I’ll pay to get in. No questions asked. I need my dose of Kew. And many, many thousands of others just love to pay to get in too.

Through the glass wall. Image @Tony Grant

Oh, by the way, if you are a mum with a baby and young toddlers in tow, it’s free for the children, totally free. An example of British quirkiness in action. The gardens are a great place to meet for morning coffee in one of the 18th-century orangeries, to have a chat and a place to let the youngsters roam.

The Chinese Pagoda. Image @Tony Grant

My first encounter with Kew, I must admit, involved fellow students, bottles of wine, cans of beer, some very attractive females (my future wife amongst them), and an appreciation of nature and trees gained by lying on my back looking up through leafy branches to a clear blue sunny sky beyond.

Approaching a palm house. Image @Tony Grant

Kew to me means pleasant tree-lined walks, elegant plant houses with their acres of glass and miles of fine wrought iron structural parts painted white and curved and curled into shapely structures. It is a place to look closely at beautiful flowers, contemplating their wondrous shapes and form, and their intense colours, and to take in their seductive perfumes. It is uplifting to observe the majesty of the many varieties of trees, with their beautiful patterned leaves, and their branch and twig systems like fine black lace against changing skies.

Environmental art at Kew. Image @Tony Grant

Kew calms the spirit. It is a meditative place. You can become one with yourself as you walk around or find a place on the grass to sit.

A Zen Garden. Be at peace. Image @Tony Grant

It is vast enough to give you personal space and there is tranquillity amongst the greens and shade.

Museum Number One, Economic Botany. Image @Tony Grant

The Importance of Kew

Kew is an important place. It has a seed bank that holds 10% of all the worlds’ plant species, and contains samples of nearly all endangered species. It also has a herbarium whose collection is being added to virtually daily. At the Joderell Laboratory at Kew, they research the molecular systems, and study the physiology and biochemistry of plants. They study the plants to find natural medicines, specifically for anti-cancer and anti-inflammatory drugs. One department focuses on agricultural research, and there are also botanical illustration and photography departments. Kew is a world leader in conservation and plant technology.

18th century orangery. Image @Tony Grant

Development of Kew

The development of Kew began in the 16th century when Henry VII built a palace at Richmond just along the Thames from Kew. By the 17th century the area round Richmond had become established as a hub of political power for part of the year. Everybody who was part of the court and the government came there in the summer when the king was in residence. Later, James I combined all the royal land in the area, along with former monastic land, with the park that existed at Shene, and created a new hunting ground of 370 acres. Robert Stickles, the architect, built a hunting lodge called Richmond Lodge right in the middle of it.

Temperate House and pagoda. Image @Tony Grant

After Charles I was executed, and The Commonwealth had taken over under Oliver Cromwell, much of the Royal property around Richmond and Kew was sold off. However, those sales were reversed during the reign of William III. Robert Stickles’s Richmond Lodge had survived, and it was extended and turned into a royal palace. The old deer park was reassembled, and the land around Richmond Lodge was turned into formal gardens. So began what we know today as Kew Gardens.

The broad walk.Image @Tony Grant

In the 1690’s, George London created the Broad Avenue, a wide path that goes nearly the full length of the gardens connecting many of the main gardens features. Charles Bridgeman and William Kent, two great 18th century landscape gardeners, primarily created the layout and design of the original gardens.

William Kent

Capability Brown added to the design later. Because of these three great garden designers’ influences and ideas, the garden at Kew were watched and visited, so that new ideas in garden design could be disseminated. Kew was an important influence to 18th century garden design throughout Britain.

Shape, pattern, colour. Image @Tony Grant

This early 18th-century plan was overlaid by later designers, although some of the Capability Brown’s features still persist. It is also likely that some of the older trees might have been planted by Charles Bridgeman. In 1731, King George II’s son, Frederick, Prince of Wale,s leased Kew farm. In 1736 he married Princess Augusta of Saxe Gotha, and together they began some drastic changes at Kew. They commissioned William Kent to redesign Richmond Lodge. He added extensions and covered the façade in white stucco. It became known as The White House.

Monkey puzzle tree. Image @Tony Grant

Frederick and Augusta were garden enthusiasts, and they were helped by the Earl of Bute, who advised them on obtaining plants and landscaping. He later became the tutor to their son, who became George III. Unfortunately, Frederick died in 1751 due to a bout of pleurisy and a burst abscess in his chest. He wasn’t able to fulfil his plans for the gardens. At the time it was said his death was a great loss to the development of gardening in this country. George III, Frederick’s son, succeeded to the throne on the death of his grandfather, George II in 1760.

 

The Dutch House at Kew, Kew Palace. Image @Tony Grant

Capability Brown was commissioned to re-landscape the gardens. The royal family used Richmond Lodge as a summer home. When, Princess Augusta, George’s wife, died, the royal family moved to the White House, whilst The prince of Wales and his brother Prince Frederick lived in the Dutch House, which still exists today and is now called Kew Palace. The royal children were given lessons in botany and botanical illustration. During his bouts of illness, the King lived at Kew.

George III

During the Georgian period Joseph Banks became friends with George III and was the unofficial director of Kew Gardens. He became one of the most influential botanists of his time and began many of the work botanists do today.

Natural art beside an orangery. Image @Tony Grant

Sir Joseph Banks (1743 – 1820)
In 1761he inherited his father’s estate in Lincolnshire to which was attached considerable wealth. His first voyage of discovery was to the coasts of Newfoundland and Labrador on the ship HMS Niger. On his return to London in 1767 he was elected a member of the Royal Society at the tender age of 23.

Joseph Banks

When the society proposed an expedition to observe the transit of Venus in the Pacific in 1769, Joseph Banks financed his own expedition with his own team of scientists, including the botanist Daniel Solander and the artist Sydney Parkinson. HMS Endeavor under Captain Cook left England in August 1768.

Inside a green house. Image @Tony Grant

Joseph Banks’ botanical collection formed the basis of the Herbarium at Kew today. His original specimens an still be studied there. Later he mounted expeditions to Iceland, the Hebrides, and the Orkneys. Banks helped organise the first collections at Kew. Specimens arrived from all over the growing British Empire, a typical trait with Empire building.

Water lillies. Image @Tony Grant

The initial impulse were trade and wealth, but so many other things went along in parallel with that:  science, exploration, discovery, art, culture. The British Empire brought religion, government, and even citizenship along with it. You can see examples and parallels with The Roman Empire, the Spanish exploration of South America, and present-day empire building.

Inside the roof of the Palm House. Image @Tony Grant

Kew is a special place, and a visit there brings home the importance of plants, the keystone of our planet and very existence. They do so much for us, and their beauty brings us peace and joy. Is it such a strange thing to do – hug a tree?

Scots pine. Image @Tony Grant

More images:

Before opening. Image @Tony Grant

Environmental art at Kew. Image @Tony Grant

Inside the Palm House. Image @Tony Grant

Side entrance. Image @Tony Grant

Stairs inside the Palm House. Image @Tony Grant

Water tower. Image @Tony Grant

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