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Archive for the ‘Regency gardens’ Category

Last month, in Part 2 of our tour of Elizabeth Bennet’s travels, we took a closer look at Derbyshire, Matlock, and Dovedale. Earlier, we explored the route Elizabeth and Mr. and Mrs. Gardiner took on their journey to Derbyshire through Oxford, Blenheim, Warwick, Kenilworth, and Birmingham. We now turn our attention to Chatsworth House.

In the following excerpt, Austen tells us what they saw while in Derbyshire, a place of special interest to Mrs. Gardiner:

. . .according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.

Chatsworth House plays a double role in our understanding of Pride and Prejudice. First, it is mentioned as an actual site Elizabeth Bennet saw on her journey. Second, it is believed to be a possible inspiration for Mr. Darcy’s home at Pemberley when Austen was writing.

Chatsworth House. Photo: Chatsworth.org.

Regency Tours of Great Houses

As a stop along their fictional sightseeing tour, Chatsworth House would have indeed been a common stop during the Regency Era. When Elizabeth and the Gardiners visit Pemberley in Pride and Prejudice, Austen highlights the popular practice wherein genteel travelers often toured portions of many large country estates and gardens.

To do so, guests would typically arrive by carriage and ask the housekeeper or porter for permission to view the house and grounds. A servant often guided guests through the principal rooms, pointing out paintings, furnishings, and family history along the way. We see this first-hand in PP:

First, we read of their approach and admittance into the hall:

They descended the hill, crossed the bridge, and drove to the door; and, while examining the nearer aspect of the house, all her apprehension of meeting its owner returned. She dreaded lest the chambermaid had been mistaken. On applying to see the place, they were admitted into the hall; and Elizabeth, as they waited for the housekeeper, had leisure to wonder at her being where she was.

Next, we learn about the tour given by the housekeeper:

The housekeeper came; a respectable looking elderly woman, much less fine, and more civil, than she had any notion of finding her. They followed her into the dining-parlour. It was a large, well-proportioned room, handsomely fitted up. Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but{303} from every window there were beauties to be seen. The rooms were lofty and handsome, and their furniture suitable to the fortune of their proprietor; but Elizabeth saw, with admiration of his taste, that it was neither gaudy nor uselessly fine,—with less of splendour, and more real elegance, than the furniture of Rosings.

Chatsworth Then

During the Regency Era, Chatsworth would have been a beautiful sight to behold and a lovely spot for Elizabeth and the Gardiners to visit. By that time, Lancelot “Capability” Brown’s breathtaking redesign of the Chatsworth grounds, much like many other estates of that time, had been completed. However, visitors up through the early 1700s would have seen a much more formal view.

Here is the landscape at Chatsworth “before” Capability Brown:

Richard Wilson, A View of Elizabethan Chatsworth (oil on canvas), c. 17th century. Wikimedia Commons.
Jan Kip and Leonard Knyff, “Bird’s Eye View of Chatsworth,” c. 1699. Britannia Illustrata (1707). Wikimedia Commons.

Regency visitors would have seen a totally different landscape at Chatsworth only half a century later, complete with rolling hills and a more pastoral scene. Commissioned by the 4th Duke of Devonshire in the 1750s, Brown swept away the estate’s formal Baroque parterres (ornamental, geometric gardens) and reimagined the landscape entirely, with his signature, natural-looking landscape. His design included oaks, beeches, and willows scattered over the hillsides and deer grazing freely in open green areas. He even had the River Derwent rerouted to wind naturally through the extensive lawns below the house.

Here is the landscape at Chatsworth “after” Capability Brown:

Marlow, William. View of the West Front of Chatsworth House. 18th century. Wikimedia Commons, Devonshire Collections.

Chatsworth Now

Today, “Chatsworth comprises a Grade I listed house and stables, a 105-acre garden, a 1,822-acre park, a farmyard and adventure playground, and one of Europe’s most significant private art collections.” It is a major tourist attraction, as are most family-owned estates in England today, due to the vast financial commitment it takes to keep these beautiful estates thriving.

At Chatsworth, you can take a tour of the House and its artwork and artifacts, which span over 4,000 years of history. The house is enormous and is somewhat like touring a museum. The Devonshire family has owned the estate for 500 years and has a wonderful history to share about the house and estate. You can also tour the extensive Gardens and surrounding landscape. Beyond the House and Garden, there is also the Farmyard and Playground with animals to pet and a play area for children.

The farm itself plays a huge part in the economical success of the estate, and the Farm Shop sells all manner of meat, cheeses, and other fine foods, including a “traditional butchery showcasing estate-reared meat, fresh fish from British waters, handmade patisserie, freshly baked bread, and seasonal fruits and vegetables.”

The house and gardens have been featured in several Jane Austen film adaptations and many period films, which is another practical way for the estate to continue to flourish. In the 2005 film adaptation of Pride and Prejudice, Chatsworth was used as Mr. Darcy’s grand home at Pemberley, making it more famous than ever.

For those interested in learning more about the estate, I recommend the 3-part BBC documentary mini-series called “Chatsworth” (2012), which focuses on Chatsworth House in more detail. It is currently streaming on Prime Video.

Chatsworth House today (photo: HistoricHomes.org)

Austen’s Pemberley

Let us now explore Chatsworth as Austen’s possible inspiration for Pemberley. While Pemberley itself is fictional, many believe Chatsworth may have been one of the homes that inspired Austen. Chatsworth is mentioned as one of the estates Elizabeth Bennet and the Gardiners visited, so we know Austen was familiar with it. (To read about how Austen may have known about it, though she had never visited, you can read more HERE.)

Other homes may have also inspired Austen, such as Kedleston Hall (also in Derbyshire), Lyme Park (used to film the 1995 adaptation of Pride and Prejudice), and Sudbury Hall (used to film the interiors of Pemberley in the 1995 film). She must have also been inspired by the homes she herself visited or saw while traveling, including her brother’s home at Godmersham Park.

Elizabeth (Keira Knightley), Chatworth House exterior, PP (2005). Photo: Chatsworth.org.

Elizabeth Bennet at Pemberley

Regardless of the actual homes that may have inspired Austen, it’s easy to see why a grand estate like Mr. Darcy’s, if it were anything like Chatsworth or Godmersham, would have made Elizabeth Bennet exclaim at seeing it:

Elizabeth’s mind was too full for conversation, but she saw and admired every remarkable spot and point of view. They gradually ascended for half a mile, and then found themselves at the top of a considerable eminence, where the wood ceased, and the eye was instantly caught by Pemberley House, situated on the opposite side of the valley, into which the road with some abruptness wound. It was a large, handsome stone building, standing well on rising ground, and backed by a ridge of high woody hills; and in front a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal nor falsely adorned. Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste. They were all of them warm in their admiration; and at that moment she felt that to be mistress of Pemberley might be something!

Elizabeth (Jennifer Ehle) sees Pemberley in PP (1995).
Lyme Park, exterior for PP (1995).
Elizabeth (Keira Knightley) sees Pemberley in PP (2005).
Chatsworth House as “Pemberley” in PP (2005).

Chatsworth, Pemberley, and Beyond

While there are many theories about the estates that may have inspired Austen, it’s clear that visions of large estates like Chatsworth would have played in the back of the minds of her Regency readers. They certainly would have understood by Austen’s descriptions that Darcy’s home was meant to be extensive.

I hope you’ve enjoyed our tour of Elizabeth Bennet’s travels thus far. Next month, we will visit the Peak District and nearby Bakewell. There we will discover more of the rugged natural beauty seen in several of the film adaptations of PP and a quintessential English village set in the heart of Derbyshire that may have been the inspiration for Mrs. Gardiner’s Lambton.


Rachel Dodge teaches writing classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables DevotionalThe Little Women DevotionalThe Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. She has narrated numerous book titles, including the Praying with Jane Audiobook with actress Amanda Root. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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Fellow Janeites, I have a new book review for you in honor of Jane’s 250th year: Jane Austen’s Garden: A Botanical Tour of the Classic Novels written by Molly Williams and illustrated by Jessica Roux. This new book pairs two of my favorite things: Jane Austen and gardening! I looked forward to its release for months and it now sits prominently on my shelves!

Photo by Rachel Dodge, ©2025

Book Review

I knew this book would be beautiful, and I confess that I preordered it based on how pretty it looked. I have another gorgeous book by Jessica Roux called Floriography: An Illustrated Guide to the Victorian Language of Flowers. I’ve always been drawn to the language of flowers and their meanings.

When I ordered it, I assumed Jane Austen’s Garden would mostly include drawings and tidbits of information. However, when it arrived, I discovered that it is filled with detailed information about the flowers, plants, trees, fruits, and vegetables mentioned in Austen’s novels and in her own garden and kitchen garden! There are even instructions about how to grow your own fruits and vegetables at home.

And don’t let the Table of Contents fool you. This book has a LOT to offer. The editor(s) merely listed the craft projects in the book in the Table of Contents, which does a great disservice to Williams’ painstaking research and intriguing information. Williams provides ample material for Jane Austen fans and has done a wonderful job of researching every detail of this book.

Order Your Copy Here:

Literary Landscapes and Illustrations

In each chapter, there is a section entitled “From the Literary Landscape.” This is the best part!! This is where Jane Austen fans can really dig into Williams’ research. She outlines the instances when various trees, fruits, or flowers are mentioned in the novels (or how the Austens used them in their everyday lives). Then, Williams goes into detail about what they signified and/or their history. As many of you know from my articles over the years, I love to look for specific items in the novels and research them.

Finally, the illustrations in this book are to die for. Truly, Roux is a most extraordinary artist. You can see more of her art HERE. I truly could look at it all day long!!!! I have a dream of writing a book with botanical illustrations one day, and I can’t imagine having someone like Roux do the artwork. She brings Williams’ research to life and captures the Regency imagination beautifully.

Book Description

An elegantly illustrated celebration of Jane Austen’s life and literature as told through the flowers, plants, and landscapes that inspired her.

Through explorations of the botanical inspirations and symbolism in Austen’s work and personal life, as well as historical information about the gardens and landscapes of the Regency Era, Jane Austen’s Garden will transport readers back in time to the lush English landscape of the early 1800s. Woven throughout are DIY projects to help you create a home garden worthy of a surprise visit from Lady Catherine de Bourgh or maybe just give your dining table a bit of historical flair. Accessible, entertaining, and enhanced by the enchanted illustrations of celebrated artist Jessica Roux, Jane Austen’s Garden is a fun twist on a familiar subject that will delight plant lovers and Janeites alike.

Book Contents

The Table of Contents is misleading as it only outlines the various DIY projects you can try at home. The book itself has a LOT more meat to it, so don’t let the overview dissuade you from purchasing it. In an effort to provide a fuller picture of all that Williams included, I created a full outline of the book:

Below are two examples of how Williams includes information about different flowers and plants in the novels, along with more illustrations from Roux:

About the Author and Illustrator

Molly Williams is the author of Killer Plants: Growing and Caring for FlytrapsPitcher Plants and Other Deadly Flora, and Taming the Potted Beast: The Strange and Sensational History of the Not-So-Humble Houseplant, and she writes regularly for Apartment Therapy‘s gardening and horticulture section. She grew up on a flower farm and is now a professor of writing in New England. You can visit her online HERE.

Jessica Roux is a Nashville-based freelance illustrator and plant and animal enthusiast. She loves exploring in her own backyard and being surrounded by an abundance of nature. Using subdued colors and rhythmic shapes, she renders flora and fauna with intricate detail reminiscent of old-world beauty. She is the author and illustrator behind Floriography: An Illustrated Guide to the Victorian Language of FlowersOrnithography: An Illustrated Guide to Bird Lore & Symbolism, and the Woodland Wardens Oracle Deck & Guidebook. You can visit her online HERE.

250 Years of Bookish Bounty

Books like these truly make the 250th celebration of Jane Austen’s life, writing, and legacy a true gift and a joy. I’m so thankful to the authors, illustrators, editors, and publishers who make books like this possible. The bounty of books releasing this year is a wonder to behold. I hope you’ll check this one out and add it to your bookshelves!


RACHEL DODGE teaches college English classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables DevotionalThe Little Women DevotionalThe Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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Last month I started a new month-by-month series titled “A Year in Jane Austen’s World,” wherein I began exploring important events and details that happened in Jane Austen’s novels, letters, and lifetime during each month of the year. Starting with January in Jane Austen’s World, my aim is to share my monthly finds every month this year, through December. My goal is simple: Glean as much as I can from Austen’s life, letters, and novels about what life was like for Jane Austen during her time and era.

We now turn our attention to February in Jane Austen’s novels. As I examined passages in her novels and letters that mention February, some of the information I found was an extension of what we learned last month: Mainly, that most of the British aristocracy went to the London (and some to Bath) during the winter months for “the season.” They enjoyed balls, parties, and other social gatherings in the bigger cities during the colder months and then moved back to their country homes by summer when the heat and stench of the cities became unendurable. You can read about it here.

Snowdrops at Chawton House in February, Photo: @ChawtonHouse.

February in Hampshire

The snowdrops are in full bloom at Jane Austen’s House Museum and Chawton House this time of year. Chawton House even hosts “Snowdrop Sunday” tours, when guests can come visit the grounds and enjoy the stunning display of snowdrops and other bulbs that are starting to pop out.

I mention the snowdrops because they are everywhere on the grounds of Chawton House in the winter time, and it’s lovely to think that perhaps Jane Austen saw them for herself. These type of bulbs can spread and spread for years.

Chawton House in February, Photo: @ChawtonHouse.

February in Jane Austen’s Letters

Several of Austen’s surviving letters were written in February. In them, she covers many topics, but the excerpts belows are especially intriguing.

8 February 1807 (Castle Square, Southampton):

These snippets are from Austen’s letters when the Austen women lived in Castle Square, Southampton. This first letter mentions the improvements they were making:

  • Garden: “Our garden is putting in order by a man who bears a remarkably good character, has a very fine complexion, and asks something less than the first. The shrubs which border the gravel walk, he says, are only sweetbriar and roses, and the latter of an indifferent sort; we mean to get a few of a better kind, therefore, and at my own particular desire he procures us some syringas. I could not do without a syringa, for the sake of Cowper’s line. We talk also of a laburnum. The border under the terrace wall is clearing away to receive currants and gooseberry bushes, and a spot is found very proper for raspberries.”
  • Interior: “The alterations and improvements within doors, too, advance very properly, and the offices will be made very convenient indeed. Our dressing table is constructing on the spot, out of a large kitchen table belonging to the house, for doing which we have the permission of Mr. Husket, Lord Lansdown’s painter — domestic painter, I should call him, for he lives in the castle. Domestic chaplains have given way to this more necessary office, and I suppose whenever the walls want no touching up he is employed about my lady’s face.”
  • Beds: “The garret beds are made, and ours will be finished to-day. I had hoped it would be finished on Saturday, but neither Mrs. Hall nor Jenny was able to give help enough for that, and I have as yet done very little, and Mary nothing at all. This week we shall do more, and I should like to have all the five beds completed by the end of it. There will then be the window curtains, sofa-cover, and a carpet to be altered.”
  • You must be very cold to-day at Godmersham. We are cold here. I expect a severe March, a wet April, and a sharp May. And with this prophecy I must conclude.

20 February 1807 (Castle Square):

In this letter, we hear a bit more about the weather there in Southampton and at Godmersham, where Cassandra was staying:

  • “We could not pay our visit on Monday; the weather altered just too soon, and we have since had a touch of almost everything in the weather way; two of the severest frosts since the winter began, preceded by rain, hail, and snow. Now we are smiling again.”
  • “You must have had more snow at Godmersham than we had here; on Wednesday morning there was a thin covering of it over the fields and roofs of the houses, but I do not think there was any left the next day. Everybody used to Southampton says that snow never lies more than twenty-four hours near it, and, from what we have observed ourselves, it is very true.”
  • And one of Austen’s hilarious one-liners:”A widower with three children has no right to look higher than his daughter’s governess.”
Southampton High Street, 18th C.

4 February 1813 (Chawton, regarding PP):

In the following letters, we read a bit about Austen’s first beta readers for Pride and Prejudice and her reactions to their commentary:

  • “My dear Cassandra,—Your letter was truly welcome, and I am much obliged to you for all your praise; it came at a right time, for I had had some fits of disgust. Our second evening’s reading to Miss B. had not pleased me so well, but I believe something must be attributed to my mother’s too rapid way of getting on: though she perfectly understands the characters herself, she cannot speak as they ought. Upon the whole, however, I am quite vain enough and well satisfied enough. The work is rather too light and bright and sparkling: it wants shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story,—an essay on writing, a critique on Walter Scott, or the history of Buonaparte, or something that would form a contrast, and bring the reader with increased delight to the playfulness and epigrammatism of the general style…. The greatest blunder in the printing that I have met with is in page 220, v. 3, where two speeches are made into one. There might as well be no suppers at Longbourn; but I suppose it was the remains of Mrs. Bennet’s old Meryton habits.”

Dated soon after:

  • “I am exceedingly pleased that you can say what you do, after having gone through the whole work, and Fanny’s praise is very gratifying. My hopes were tolerably strong of her, but nothing like a certainty. Her liking Darcy and Elizabeth is enough. She might hate all the others, if she would. I have her opinion under her own hand this morning, but your transcript of it, which I read first, was not, and is not, the less acceptable. To me it is of course all praise, but the more exact truth which she sends you is good enough.”

Garden Plans at Castle Square

As most gardeners (myself included) can attest, planning one’s spring garden is a happy prospect in the middle of February. Jane Austen was no different! With that in mind, let’s take a closer look at her descriptions of the plans for their garden from her 8 February 1807 letter to Cassandra:

Our garden is putting in order by a man who bears a remarkably good character, has a very fine complexion, and asks something less than the first. The shrubs which border the gravel walk, he says, are only sweetbriar and roses, and the latter of an indifferent sort; we mean to get a few of a better kind, therefore, and at my own particular desire he procures us some syringas. I could not do without a syringa, for the sake of Cowper’s line. We talk also of a laburnum. The border under the terrace wall is clearing away to receive currants and gooseberry bushes, and a spot is found very proper for raspberries.

Letter to Cassandra, 8 February 1807.

Austen’s Southampton Garden

With these lovely descriptions, we can paint a picture in our minds of what Austen was imagining as she planned the garden:

Sweet Briar

Austen wrote: “The shrubs which border the gravel walk, he says, are only sweetbriar and roses, and the latter of an indifferent sort; we mean to get a few of a better…”

On the blog From the Notebook of a Rosarian, you can read all about Sweet-Briar (or Eglantine Rose). I imagine Austen would have looked forward to seeing these blooms very much! Here is an example:

Regency Roses

Austen wrote: “roses . . . of an indifferent sort; we mean to get a few of a better…”

Perhaps the existing roses either weren’t uniform or weren’t as pretty as the Austen women wanted. Thus, they planned to add a few of “a better” sort. One can imagine a line of beautiful roses along their walkway come summer.

You can read a wonderful article about Regency Roses from Leeds University Library here: Regency Roses. Here is an example:

Pierre-Joseph Redouté, ‘Les Roses’, 1817-1824. Image credit: Leeds University Library.

Syringa (Lilac)

Austen wrote: “I could not do without a syringa, for the sake of Cowper’s line. We talk also of a laburnum.” This is in reference to a line in William Cowper’s poem, “The Winter Walk at Noon” (Book VI, The Task, 1899).

In her article “‘With what intense desire she wants her home’: Cowper’s Influence on Jane Austen,” Jane Darcy provides the following commentary:

The house in Castle Square in Southampton feels more like a home [for Austen]; there is a garden which she energetically starts to plan. She insists on lilacs: ‘I could not do without a Syringa, for the sake of Cowper’s Line’, adding ‘We talk also of a Laburnum’, referring to the lines in ‘The Winter Walk at Noon’,
Book VI of The Task:
… Laburnum rich
In streaming gold; syringa iv’ry pure (149-150)

Jane Darcy, CowperandNewtonMuseum.org
Edward Phillis, “A Georgian Springtime” (Strictly Jane Austen).

Laburnum

Austen wrote: “We talk also of a laburnum.”

Laburnum, a flowering tree, also called golden chain or golden rain, is pictured below. One can imagine how lovely it would look in Austen’s garden in spring.

Laburnum, flowering tree. Wikimedia.

Austen wrote: “The border under the terrace wall is clearing away to receive currants and gooseberry bushes, and a spot is found very proper for raspberries.”

Here, we find an example of something pretty and edible for the garden come summer. Currants, gooseberries, and raspberries were all useful in a variety recipes. You can read more about the history of British food and Gooseberries here.

Gooseberries, Britishfoodhistory.com.

To read more about the trees and shrubs Austen would have recognized, the JASNA Eastern Washington/Northern Idado region provides this fascinating information regarding the “Trees and Shrubs Mentioned in Jane Austen’s Novels, Letters, and Minor Works with Historical Background: “Austen’s Trees and Shrubs A-K” and “Austen’s Trees and Shrubs L-Z.”

February in Jane Austen’s Novels

The following are a collection of interesting little tidbits and important moments from Austen’s novels:

Sense and Sensibility

  • “[Mrs. Palmer] expects to be confined in February,” continued Mrs. Jennings.
  • “[Edward] will be there in February, otherwise London would have no charms for me; I have not spirits for it.” (Lucy Steele)
  • Colonel Brandon: “But last February, almost a twelvemonth back, [my little Eliza] suddenly disappeared.” […] “Good heavens!” cried Elinor, “could it be—could Willoughby!”—
  • “[Mrs. Dashwood] had yet another reason for wishing her children to remain [in London]; a letter from her son-in-law had told her that he and his wife were to be in town before the middle of February, and she judged it right that they should sometimes see their brother.”
  • “Early in February, within a fortnight from the receipt of Willoughby’s letter, Elinor had the painful office of informing her sister that he was married.”

Pride and Prejudice

  • “With no greater events than these in the Longbourn family, and otherwise diversified by little beyond the walks to Meryton, sometimes dirty and sometimes cold, did January and February pass away.”

Mansfield Park

  • “With such thoughts as these, among ten hundred others, Fanny proceeded in her journey safely and cheerfully, and as expeditiously as could rationally be hoped in the dirty month of February. They entered Oxford, but she could take only a hasty glimpse of Edmund’s college as they passed along, and made no stop anywhere till they reached Newbury, where a comfortable meal, uniting dinner and supper, wound up the enjoyments and fatigues of the day.”
“Entrance to Oxford from the London Road.” Ackermann’s Oxford University. Engraved by Frederick Christian Lewis after Frederick Nash (1814).

Emma

  • “In the summer it might have passed; but what can any body’s native air do for them in the months of January, February, and March? Good fires and carriages would be much more to the purpose in most cases of delicate health, and I dare say in her’s. I do not require you to adopt all my suspicions, though you make so noble a profession of doing it, but I honestly tell you what they are.”
  • “Frank was here in February for a fortnight.”
  • “When [Frank] was here before, we made the best of it; but there was a good deal of wet, damp, cheerless weather; there always is in February, you know, and we could not do half that we intended. Now will be the time.
  • “Mr. Woodhouse was resigned. The time of year lightened the evil to him. May was better for every thing than February.”

Persuasion

  • “It was the beginning of February; and Anne, having been a month in Bath, was growing very eager for news from Uppercross and Lyme.”
  • Mary Musgrove sends a long, newsy letter to Anne from Uppercross.

Northanger Abbey

  • “Catherine . . . gave herself up to all the enjoyment of air and exercise of the most invigorating kind, in a fine mild day of February, with the consciousness of safety.”
Bath, England, Regency Era.

February Dates of Importance

This brings us now to several dates that would have been quite important to Austen personally:

Celebrations/Birthdays:

13 February 1765: James Austen (Jane’s brother) born at Deane.

Historic Dates:

1 February 1793: France declares war on England.

4 February 1794: France abolishes slavery in French colonies.

February 1811: George, Prince of Wales, becomes the prince regent of England.

Sorrows:

22 February 1794: Eliza de Feuillide’s husband is executed by guillotine in Paris.

February 1797: Tom Fowle (Cassandra’s fiancé), who was serving as a chaplain, dies in San Domingo of yellow fever.

Writing:

Winter 1810: Sense and Sensibility accepted for publication (Thomas Egerton).

February 1811: Jane Austen starts work on Mansfield Park.

Sense and Sensibility, 1st edition, JaneAusten’s.House.

February in the Life of Austen

I hope you enjoyed this tour of February in Jane Austen’s World as much as I enjoyed researching it and writing it. There is so much more to explore! I followed several intriguing trails and threads in this article, but I’m sure one might find many other avenues to research. Austen’s letters alone are a fount of information and charm. Here’s to what we’ll find in March in Jane Austen’s World next month!


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women DevotionalThe Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Now Available: The Secret Garden Devotional! You can visit Rachel online at www.RachelDodge.com.

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Book Review by Brenda S. Cox

“You cannot imagine—it is not in Human Nature to imagine what a nice walk we have round the Orchard.”—Jane Austen to Cassandra, May 31, 1811

“One likes to get out into a shrubbery in fine weather.”—Lady Bertram, Mansfield Park

In the Garden With Jane Austen, by Kim Wilson, a delightful view of English gardens

Jane Austen’s letters and novels are full of references to gardens of one sort or another. The theme of JASNA’s AGM in Victoria, Canada this year is Sense and Sensibility in the City of Gardens. Following this garden theme, this summer might be a great time to read Kim Wilson’s book, In the Garden with Jane Austen.

The lovely photos throughout the book alone are worth the price. We get to see lovely estates and their grounds and gardens as well as many flowers, clearly labeled.

Kim Wilson, author of In the Garden with Jane Austen, as well as Tea with Jane Austen and At Home with Jane Austen.

Interview with Kim Wilson

I asked the author, Kim Wilson, to share some of her thoughts with us.

What gave you the idea to write this book?

As I read Jane Austen’s novels, I couldn’t help noticing that the characters we love appreciate nature and the outdoors and the characters we love to hate do not. The characters of Mansfield Park are perfect examples of this. Fanny Price loves nature to the depths of her soul and is inspired by nature poetry, as Jane Austen herself was. Mary Crawford, on the other hand, is carelessly indifferent to the beauties of nature, which should be enough to warn us about her dubious moral views. And there are so many references to landscape and gardens in the novels and in Austen’s letters that it made me curious about the gardens she might have encountered that could have inspired her writing. What, for example, was so special about a Regency shrubbery? Austen’s heroines often fling themselves into the shrubbery whenever they get the least bit emotional, and I knew I had to find out why. The next thing you know I was mapping out a tour of the gardens belonging to the Austen family and their friends. It’s always wonderful to have the excuse to see more of Jane Austen’s world!

What do you hope readers will take away from the book?

I hope my research gives my readers a better appreciation of Jane Austen’s emotional connection to gardens and the possible inspirations for the outdoor scenes in her works.

What were the hardest and best parts of researching this book?

The saddest thing about researching the book was visiting the sites where the gardens no longer exist, such as the Austen family’s garden at Steventon Parsonage, or Jane Austen’s brother Henry’s garden in Hans Place in London that she had called “quite a Love.” But of course touring the existing sites, such as the beautiful gardens at Jane Austen’s House Museum and at her brother Edward’s Chawton House (both in Chawton, Hampshire) completely made up for it. To sit in the same gardens where Jane Austen herself sat “and look upon verdure, is the most perfect refreshment.”

A Variety of Gardens

The first chapter explores Cottage Gardens, focusing, of course, on Chawton Cottage where Austen lived. We also learn about laborers’ cottage gardens, which provided much-needed food, and farm and parsonage gardens, like those of Robert Martin and Mr. Collins. The opposite end of the scale was the cottage ornée of the rich, with much fancier gardens. Such “cottages” are mentioned in Sanditon and Sense and Sensibility. The outbuildings found in a country garden get a mention as well, ranging from the brewhouse to the privy.

Next come “Mansion and Manor House Gardens,” the gardens of great estates like Pemberley. Godmersham, Chawton House, and Chatsworth are good examples. Wilson describes how estates like Sotherton (Mansfield Park) were being “improved” by Repton and others to match current fashions in landscaping. Such estates offered pleasure grounds, flower gardens, shrubberies, and wildernesses. Wilson also explores the fads for temples, Gothic seats, grottoes, and hermitages, as well as conservatories and hothouses.

“City Gardens” provided refreshment in the midst of town. Jane hoped for a house with a garden in Bath. The Georgian Garden in Bath, which I have visited, recreates a lovely city garden of Austen’s era. London is apparently full of hidden “garden squares,” which are thrown open to the public one weekend a year (June 10 and 11, 2023, I just looked it up!). The chapter also explores the role of the job gardener, who was paid by the job, though he sometime stole valuable plants. Again we find out where the privy might be hidden in the garden. Flowers also had a role as party decorations and hat trim, as Austen mentions.

“Public Gardens and Parks” explores gardens like London’s Kensington Gardens and Bath’s Sydney Gardens, across the street from a house where Jane’s family lived. We also see views of Box Hill and Netley Abbey and learn about tours of the picturesque, epitomized by The Tour of Dr. Syntax.

The final chapter provides details on “Re-Creating Jane Austen’s Garden,” including some of Jane’s favorite flowers.

The paperback version of In the Garden with Jane Austen, with a nice sturdy cover.

I see this book as a treasure trove for:

  • Jane Austen fans, of course. In each chapter, Wilson gives us connections with Austen and her novels and letters. For example, we find out that when General Tilney of Northanger Abbey said his pinery “had yielded only one hundred” pineapples, he was boasting of his wealth, since pineapples were very expensive, selling for a guinea apiece or more. (Wilson says this is equivalent to about $100 or £50 each today.)
  • History buffs who will learn things like why people hired hermits to live in their gardens, why shrubberies had gravel paths, and what crimes dishonest gardeners committed. Fun historical recipes are included for things like “Bee’s Wax Lip-Salve” and “Pot-Pourri.”
  • Writers of Regency fiction and Jane Austen Fan Fiction who want to include gardens in their stories. The book will give them lists of appropriate flowers with some pictures, and information about the gardens and their designs. (She doesn’t tell you when different flowers bloom in England, though, so you’ll have to look that up elsewhere.)
  • Gardeners who want to create their own Jane Austen-style garden, or who just enjoy reading about different types of gardens and plants. Wilson gives ideas for recreating a cottage garden, flower border, villa or small mansion house garden, herb garden, great estate garden, and town or city garden. She includes lists of flowers and herbs from real English gardens including those at Chawton Cottage and nearby Gilbert White’s House, along with diagrams of how those gardens are laid out. She even tells you how to find seeds for authentic “heirloom” plants.
  • Tourists (including armchair tourists) who want to visit Austen-style gardens in England. I count 25 gardens Wilson recommends visiting. For each, she shows a lovely picture and gives contact information. She tells readers what to see and what tours are available. (Be sure to check websites for current information, of course.) She includes obvious places, like Chawton Cottage and Stoneleigh Abbey, and unfamiliar ones I’d love to see, like Houghton Lodge and The Royal Crescent Hotel. The end of the book also lists “Gardens Featured in Jane Austen Film Adaptations.” So you can explore those as well, either in person, if you have enough time and money, or online.
  • Any lovers of beautiful gardens and flowers will enjoy the book, as it’s a delight to peruse!

Kim Wilson just informed me that In the Garden with Jane Austen is currently out of print, though you can still find copies at Jane Austen Books, online, or possibly through your library. She plans to work on a new edition next spring, traveling to England for new photos and information. So if you want to wait 18 months to a year, you can get the new edition, if you prefer.

Enjoy the refreshment of In the Garden with Jane Austen.

More about Kim Wilson

Kim Wilson is a writer, speaker, tea lover, gardening enthusiast, food historian, and a life member of the Jane Austen Society of North America. She is the award-winning author of At Home with Jane Austen, Tea with Jane Austen, and In the Garden with Jane Austen. A popular speaker, Kim gives entertaining talks to audiences nationwide. She has been a featured lecturer for the Royal Oak Foundation (the American partner of the National Trust of England, Wales and Northern Ireland) and Road Scholar, and was the keynote speaker for the 2020 Chawton House Virtual Garden Festival. She is currently writing Entertaining Mr. Darcy, and Celebrating Jane Austen’s Birthday for the series Celebrating the Year with Jane Austen with coauthor Jo Ann Staples.

Her other books:

Tea with Jane Austen

“In this delightful book Kim Wilson shares the secrets of tea drinking in Regency England, including a whole batch of recipes to help recreate some memorable occasions. . . . Kim Wilson has assembled a collection of anecdotes, quotations, verses and recipes, charmingly illustrated with largely contemporary engravings and line drawings, to provide an exhaustive and uplifting history of England’s favourite brew.” Jane Austen’s Regency World Magazine

At Home with Jane Austen

“Wilson once again leads the reader through a specific aspect of Austen’s life– in this case, the physical spaces which she lived in or visited. . . . Quotes from Austen’s letters convey the day-to-day experience of living in these places, and examples from her work demonstrate how often these experiences found their way into the novels. . . . even casual fans should enjoy following in the beloved author’s footsteps.”Publishers Weekly

Brenda S. Cox blogs on Faith, Science, Joy, and Jane Austen. She is working on a book entitled Fashionable Goodness: Christianity in Jane Austen’s England, which should be available this fall.

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When visiting Jane Austen’s England today, you can stroll through the gardens at Chawton House and Jane Austen’s House Museum, explore the churches at Steventon and Chawton, and tour the homes and churches where Jane Austen and her relatives lived and worshipped in Bath and other areas of England. But what about Steventon Rectory (or parsonage) where Jane Austen and her family lived for the first 25 years of her life?

At Steventon, you can see the site of the rectory and get an idea of where it used to sit before it was torn down in the 1820s. It’s a beautiful spot in the lovely Hampshire countryside. And there’s more to see than just the fields and lanes where Austen grew up.

The old rectory site where the parsonage once stood. A well is the only visible remnant of that house.

If you drive up the tree-canopied lane further, you come to St. Nicholas Church, where Jane’s father preached and where Jane and her family attended church. The church is usually open for visitors who want to look or sit or reflect.

Road to St. Nicholas Church, Steventon. Photo @ Rachel Dodge.

The Rectory Landscape

Though we can’t take a tour of the gardens and property surrounding the Rectory, we do have detailed descriptions available to help us imagine what it once was like.

Deirdre Le Faye paints a descriptive picture of the Rectory garden in Jane Austen: The World of Her Novels: “Mr. Austen’s study was at the back of the house, on the warm southern side, overlooking the walled garden with its sundial, espaliered fruit trees, vegetable and flower beds and grassy walks.” Green meadows stretched beyond it, dotted with livestock.

In A Memoir of Jane Austen, James Edward Austen-Leigh provides this further description of the landscape surrounding the Rectory:

“[T]he neighbourhood had its beauties of rustic lanes and hidden nooks; and Steventon, from the fall of the ground and the abundance of its timber, was one of the prettiest spots in it… It stood ‘in a shallow valley, surrounded by sloping meadows, well sprinkled with elm-trees, at the end of a small village of cottages, each well provided with a garden, scattered about prettily on either side of the road…”

Parsonage, Steventon

Austen-Leigh continues with this: “North of the house, the road from Deane to Popham Lane ran at a sufficient distance from the front to allow a carriage drive, through turf and trees. On the south side, the ground rose gently and was occupied by one of those old-fashioned gardens in which vegetables and flowers are combined, flanked and protected on the east by one of the thatched mud walls common in that country, and overshadowed by fine elms. Along the upper or southern side of the garden ran a terrace of the finest turf…”

Improvements

In Jane Austen’s England, Maggie Lane provides several details about the changes the Austens made during their residency there. She says one of the “constant themes of discussion at Steventon Rectory was ‘improvement.’ Much had been done even before Jane’s birth, but throughout her twenty-five years’ residence there her parents were enthusiastically planting and landscaping their modest grounds.”

The following are some of the grander changes the Austens made to the landscape:

  • They planted a “screen” of chestnuts and spruce fir to “shut out the view of the farm building.”
  • They cut “an imposing carriage ‘sweep’ through the turf to the front door.”
  • The Church Walk – a “broad hedgerow of mixed timber and shrub, carpeted by wild flowers and wide enough to contain within it a winding footpath for the greater shelter and privacy of the family in their frequent walks to the church.”
  • The Elm Walk (or Wood Walk) – a similar hedgerow walk that skirted the meadows and included the “occasional rustic seat” where “weary stollers” could sit or rest.

In Austen-Leigh’s Memoir, he provides further details about the walks and hedgerows:

“But the chief beauty of Steventon consisted in its hedgerows. A hedgerow in that country does not mean a thin formal line of quickset, but an irregular border of copse-wood and timber, often wide enough to contain within it a winding footpath, or a rough cart-track. Under its shelter the earliest primroses, anemones, and wild hyacinths were to be found; sometimes the first bird’s nest; and, now and then, the unwelcome adder. Two such hedgerows radiated, as it were, from the parsonage garden. One, a continuation of the turf terrace, proceeded westward, forming the southern boundary of the home meadows; and was formed into a rustic shrubbery, with occasional seats, entitled ‘The Wood Walk.’ The other ran straight up the hill, under the name of ‘The Church Walk,’ because it led to the parish church…”

Hampshire is still breathtaking; scenes like these give us a sense of the greenery and vegetation Austen might have known.

In October 1800, Jane wrote to Cassandra about the improvements her parents were undertaking at the time: “Our improvements have advanced very well; the bank along the elm wall is sloped down for the reception of thorns and lilacs, and it is settled that the other side of the path is to continue turfed, and to be planted with beech, ash, and larch.”

In November, she wrote again: “Hacker has been here to-day putting in the fruit trees. A new plan has been suggested concerning the plantation of the new inclosure (sic) of the right-hand side of the elm walk: the doubt is whether it would be better to make a little orchard of it by planting apples, pears, and cherries, or whether it should be larch, mountain ash, and acacia.”

Reading these descriptions, it’s easy to see why Jane Austen included “improvements” to the grounds of the estates featured in so many of her novels.

Food and Livestock

However, the Austens didn’t just improve their land to make it more pleasing to the eye or pleasurable for walking. Lane tells us that “the garden at Steventon Rectory was a happy compromise between fashionable ideas and down-to-earth utility – typical of the balanced Austen approach to life.”

In Mrs. Austen’s garden, “vegetables and flowers [were] combined” to balance beauty and provision. One can imagine how the garden must have looked in the spring, summer, and fall, with its tangled profusion of color.

Today, “companion planting” is popular for many gardeners who include flowers among their vegetables.

Beyond the gardens around the Rectory, the Austens kept livestock and grew crops. Mrs. Austen oversaw the poultry-yard and the dairy: “She supervised making all the butter and cheese, baking all the bread and brewing all the beer and wine required by a large household. With the exception of such commodities as tea, coffee, chocolate and sugar, the Austens were virtually self-sufficient in food.” As for Rev. Austen, he grew “oats, barley and wheat, and reared cattle, pigs and sheep” and was able to “not only feed his family, but to sell the surplus.” (Lane)

“All the fruit, vegetables, and herbs consumed by the family were raised here. The Austens’ strawberry fields were famous, and Mrs. Austen was one of the first people in the neighbourhood to grow potatoes.” Taking this all into account, we get a better idea of the gardens and food Jane Austen enjoyed in her youth.

Today, strawberry crops are still grown and produced in Hampshire.

Reading these descriptions of the land surrounding Steventon Rectory can help us better envision what the gardens and fields looked like when Austen was growing up. It’s lovely to try to imagine where she walked and read and thought and imagined; what foods she ate; and what her parents did.

If there ever was a fundraising campaign I could get behind, it would be to someday see a replica (or a scale model) built of the Steventon Rectory and its surrounding gardens. Wouldn’t that be something? For now, I’ll keep dreaming and imagining, which almost just as nice.

If you’d like to take a deeper dive into the Steventon Rectory and its garden and farm, you can read “Why Was Jane Austen Sent away to School at Seven? An Empirical Look at a Vexing Question” in Persuasions On-Line by Linda Robinson Walker.


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women Devotional, The Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. You can visit Rachel online at www.RachelDodge.com.

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