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Archive for the ‘Austenesque novels’ Category

I know I am late in reviewing this Jane Austen undead novel, which came out in August. My initial reaction to Emma and the Vampires was “Meh!” and “Oh, no, not another one of those deadfuls.” But as I read Wayne Josephson’s book further, its sweet and gentle quality and its quiet humor began to grow on me. Then I became confused.

If this book was meant to be a vampire mashup, then it failed miserably, for aren’t vampires ravenous for human blood? Aren’t they irresistibly drawn to the smell of humans to the point where they are sexually attracted to their victims and MUST have them at all cost? Aren’t vampires generally fearful of daylight and aren’t decent, law-abiding humans frightened to associate with them?

Emma, while highly skilled at driving stakes through the hearts of the rag tag vampires that attack humans, is unaware that a number of her social group have already gone over to the other side, including Miss Taylor upon her marriage to the vampire, Mr. Weston, Mr. Knightley and his brother George, Mr. Elton, who is attracted to her long neck, and Mr. Martin. These vampires live normally among humans, abstaining from feasting on their human acquaintances and friends, and concentrating on hunting wild animals. They are able to emerge on overcast or rainy days to go about human-like business, but they do not sleep or eat.

Then there are the horrible vampires, who bare their fangs, wear rags, and thrash and drool. These are the vampires that must be dealt with by both the citizens of Highbury and the aristocratic vampires, who are not of their class. In one scene, as the party leaves Randall’s because of the snow, the bad vampires attack the Knightley family and Mr. Woodhouse as they exit the door. As Mrs. Westos screams and Mr. Woodhouse faints, Mr. George Knightley dashes back into the house to return “with two sabres, one of which he tossed to Mr. Weston, who expertly caught it…Emma deftly retrieved her wooden stake from beneath her bombazines, having practiced the the exercise repeatedly at home.” John Knightley joins in the fray, and the fighters, half of them human, half of them aristocratic vampires, then quickly dispatch the drooling, murderous undead. These vampire wars and the dangers in the countryside feed Mr. Woodhouse’s paranoia and general sense of fear, a nice twist on his hypochondria. He is also clueless:

Yes, but the children never sleep—nor does John. They are up all the night long, running everywhere while John paces. And they keep disappearing into the forest, for what reason I haven’t the slightest notion. It worries me exceedingly, with so many wild vampires about.”

As with all vampire books, there are gaping gaps in logic. Why the humans of Highbury don’t seem to connect the dots – that the good vampires among them are never seen eating, that the majority of their activities are done at night, that their eyes are bright red – is beyond me, and one must suspend all logic when entering into the spirit of this novel. As my mom would say, the reader will simply have to go with the flow.

This Emma is Jane Austen light. The book’s tone and style are quite accessible to the modern reader. I had read somewhere that Mr. Josephson had written this novel for his young teenage daughter. If that is the case, then its sweet tone, its epic tale of benevolent vampires fighting evil ones, and its accessible introduction of the Emma character are appropriate.

I enjoyed this novel for what it was. This book certainly has a different take on vampires. If it is true that it is geared toward a younger audience, then it has found its niche. While it would not appeal to die-hard fans of True Blood and Ann Rice novels, it does have a charm of its own.

I give Emma and the Vampires two out of three regency fans.

My Other Mashup Reviews:

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Coming in October is the new annotated edition of Pride and Prejudice by Patricia Myer Spacks. Here’s a peek I took for you of this beautifully illustrated and informative book.

Click here to view this blog listed at Harvard University Press. I’m chuffed!

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Murder on the Bride’s Side is Tracy Kiely’s second murder mystery. I thought her debut novel, Murder at Longbourn, quite charming. Although it was set in modern times, the tie ins to Jane Austen were detailed enough to be satisfying. (In the first book, Aunt Winnie was the proprietor of the Inn at Longbourn, the heroine Elizabeth Parker turned to reading Pride and Prejudice in times of stress, a cat named Lady Catherine prowled the premises, and two friends named Bridget and Colin joined a band of murder suspects for the New Year’s festivities.)

Murder on the Bride’s Side begins where Murder at Longbourn left off. Elizabeth Parker, the heroine who helped to solve the first murder, thereby saving her aunt from being falsely accused, is a fact checker for a local Virginia paper. This explains her eye for details. As the novel opens, guests are assembling to attend Bridget and Colin’s wedding in Richmond, Virginia. Elizabeth and Peter McGowan are now an item, which must have made Aunt Winnie deliriously happy, for she practically forced Peter’s company onto Elizabeth in Murder at Longbourn.

During her spare time Elizabeth reads Sense and Sensibility, which is quoted quite often at the start of this mystery. These quotes provide a tentative connection to Jane Austen, for, unlike Tracy Kiely’s first novel, the plot of this book has not been so neatly constructed around Jane’s oeuvre, and Tracy stops quoting Sense and Sensibility early on. She quotes other books as well, each one introducing a new chapter, setting up the theme.

As guests arrive for the wedding and assemble for the rehearsal dinner and reception, the reader is introduced to each murder suspect. The victim, Roni, is a suitably nasty individual whose treatment of her husband, Avery, her daughter, Megan, and the world in general is such that murdering her was quite a sensible solution.

Bridget and Colin are married and then the fun happens. As with Tracy Kiely’s first novel, the murder and its denouement are incidental to the development of the characters and their relationship to each other. Kiely’s writing style is breezy and effortless, and she has constructed a tight and entertaining mystery that leads to a satisfying conclusion. This time around the murder is not so easily solved, for she offers a side trail that a careless reader who has missed some important clues might follow.

And now we come to the tricky part of this review, for I truly enjoyed this novel. I live in Richmond, Virginia and was delighted to learn that the novel was set in my city. But the city that Tracy, a Maryland resident describes, is not one that I know. Basic mistakes were made. While going to The Tobacco Company in Shockoe Slip, Tracy has her guests park in a garage near Capitol Hill and then walk several long city blocks to the restaurant. With so many parking garages closer to this dining establishment, why would anyone want to walk through such a featureless, uninteresting part of town? The Governor’s mansion and Virginia state capitol building are not easily seen from the street and the traffic is ghastly. The cobble stone streets of East Cary Street with its trendy boutique shops, restaurants, and bars would have made a much more picturesque backdrop. Plus Tracy describes this slightly touristy, trendy-in-the-1980’s restaurant in detail, while barely mentioning the magnificent interior of the world class, historic register Jefferson Hotel several chapters later.

In this book, Tracy often arranges for people to meet “downtown”. Well, downtown Richmond is a wasteland of office buildings, banks, vacant lots, and parking garages. Major thoroughfares crisscross streets, making it hard for pedestrians to navigate towards the river, for example. The few restaurants that are making it in the financial district tend to be open only for breakfast and lunch. For entertainment and dining, Richmonders say they will meet in a specific section of town: The Fan, Cary Town, the Museum District, Church Hill, the Canal Walk, Belle Isle, Shockoe Slip, Shockoe Bottom, Libby and Grove, or the near or far West End. I am being picky, I know, but not once did I get the sense that Tracy’s characters were living and breathing in my city.

Perhaps I quibble too much, for this reviewer from The Richmond Times Dispatch was quite delighted with the book.

I give Murder on the Bride’s Side two out of three Regency fans. Will I read another Elizabeth Parker murder mystery when Tracy Kiely writes her third book? Why, yes, of course. I want to follow Peter and Elizabeth as they deepen their romance against a backdrop of murder most foul. Just not in Richmond.

More on the topic:

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Along with Austenprose, this blog is celebrating Georgette Heyer’s 108th birthday on August 16th. Look for Laurel Ann’s interview with me on her blog that day! Her questions were quite challenging.

The recent reviews featured on Laurel Ann’s blog echo some of the reviews that have been published in recent years on this blog. For your enjoyment and in celebration of the Austenprose event, we are reviving some of our favorite Georgette Heyer reviews.

Read more Georgette Heyer reviews by a wide variety of bloggers on Austenprose.

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Consider this recipe for a modern Austenesque mystery: Take a familiar and beloved novel, Mansfield Park, with characters whose motives and actions we know intimately, and tear the book up. Throw the pages inside a bag, shake vigorously, and let the characters and plot fall where they may. Add a writer who has cooked up a complex plot for a delicious murder (or two or more, who knows?), and you have Murder at Mansfield Park, a truly hearty and satisfying new mystery novel.

Lynn Shepherd, the chef of this roman à clef, has by dint of her imagination turned  Jane Austen’s classic novel topsy turvy. The characters’ names are familiar, the setting is the same, some of the action as originally described by Jane Austen has been retained, and yet Ms. Shepherd has managed to create something new, refreshing and different.

I must admit to disliking mysteries in general, as many regular readers of my blog know. And I tend not to review Jane Austen sequels. But this novel is different. Oh, I was skeptical at first, slogging through the first chapter, trying to wrap my mind around the changes in the characters. And then I got caught up in the plot and became absorbed to the point where I could not put the book down.

Some red herrings are thrown into the mix, but not so many as to make the reader angry. The plot’s denouement was more than satisfactory and made logical sense. I suppose a true mystery fan might have guessed the killer sooner. Truth be told I held off guessing, for I wanted to be surprised, and so I was.

That Murder at Mansfield Park is Lynn Shepherd’s first novel is most surprising. Her writing style is lovely and effortless as she weaves several plot elements into a seamless whole. Rather than copy Jane Austen, Ms. Shepherd uses Mansfield Park as a take-off point. This novel is intelligently written and assumes that the reader has some command of the English language and enough background knowledge in history, Jane Austen, and other subtle historical and social references to understand the numerous references that crop up.

I give Murder at Mansfield Park six regency fans, my highest rating ever.

Post script: Gentle reader – If you are curious to learn more about Lynn’s novel after reading my review, be forewarned. Many reviewers have spoiled the plot by giving away too much of Lynn’s changes while gushing about them. Honestly, does no one take Review a Novel 101 any more? One irresponsible reviewer of a major online news publication even gave away who was murdered, ignoring the fact that half the fun of this mystery is guessing who the victim will be. So be careful, wary reader, of careless reviewers who do not even bother to place *Spoiler Alert* at the top of their reviews.

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