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Archive for the ‘Edwardian Life’ Category

When I hosted a read-along of The Secret Garden by Frances Hodgson Burnett earlier this fall, we spent time discussing the wonderful personality, character, and symbolism of the robin “who showed the way” to the secret garden. After hearing many intriguing tales that members of the group had heard about robins at Christmas time, I decided to read more for myself. I especially wanted to know why the robin features so often on British Christmas cards, tins, and decorations – especially those that have a more vintage feel.

And, of course, I wanted to know if Robin Redbreast was part of the Christmas season during Jane Austen’s lifetime or if that came about later. What I found was fascinating!

Robins as Symbols of Good Will

If you’ve ever seen a robin, you’ll notice that the friendly brown bird’s breast is more of an orange color than a reddish hue. Apparently, the color orange didn’t originally have a name in the UK. Thus, according to tradition, the robin was named for its “red” breast and it stuck.

Robins in art and literature are always associated with good will and friendliness. They are known to be the gardener’s friend. They are intelligent, happy birds who almost seem as though they are communicating. Robins also symbolize spring, good fortune, new beginnings, and rebirth.

Robins are so generally known as happy, cheerful birds that many field guides even say that the robin’s call sounds like this: “Cheer up! Cheerily! Cheer up! Cheerily!”

Wikipedia Commons, European Robin.

Robins as Guides in Literature

Robins feature throughout British folklore, stories, and classic literature. They are usually bright, friendly, happy, cheerful birds. They are often depicted as clever and intelligent birds.

The robin features in The Secret Garden as Mary Lennox’s first friend in England and the one who shows the way to the door of the mysterious garden and to the key to the locked door:

“You showed me where the key was yesterday,” Mary said. “You ought to show me the door today; but I don’t believe you know!”

The robin flew from his swinging spray of ivy on to the top of the wall and he opened his beak and sang a loud, lovely trill, merely to show off. Nothing in the world is quite as adorably lovely as a robin when he shows off—and they are nearly always doing it.

One of the nice little gusts of wind rushed down the walk, and it was a stronger one than the rest. It was strong enough to wave the branches of the trees, and it was more than strong enough to sway the trailing sprays of untrimmed ivy hanging from the wall. Mary had stepped close to the robin, and suddenly the gust of wind swung aside some loose ivy trails, and more suddenly still she jumped toward it and caught it in her hand. This she did because she had seen something under it—a round knob which had been covered by the leaves hanging over it. It was the knob of a door.

The Secret Garden

In C.S. Lewis’ Chronicles of Narnia, a robin is a guide once again, helping the Pevensies find their way:

They were all still, wondering what to do next, when Lucy said, “Look! There’s a robin, with such a red breast. It’s the first bird I’ve seen here. I say!—I wonder can birds talk in Narnia? It almost looks as if it wanted to say something to us.” Then she turned to the Robin and said, “Please, can you tell us where Tumnus the Faun has been taken to?” As she said this she took a step towards the bird. It at once hopped away but only as far as to the next tree. There it perched and looked at them very hard as if it understood all they had been saying. Almost without noticing that they had done so, the four children went a step or two nearer to it. At this the Robin flew away again to the next tree and once more looked at them very hard. (You couldn’t have found a robin with a redder chest or a brighter eye.)

“Do you know,” said Lucy, “I really believe he means us to follow him.”

“I’ve an idea he does,” said Susan, “what do you think, Peter?”

“Well, we might as well try it,” answered Peter.

The Robin appeared to understand the matter thoroughly. It kept going from tree to tree, always a few yards ahead of them but always so near that they could easily follow it. In this way it led them on . . .

The Lion, the Witch, and the Wardrobe

In fact, robins are so well known as symbols of goodness, when Edmund asks Peter, “How do we know which side that bird is on? Why shouldn’t it be leading us into a trap?” Peter replies, “That’s a nasty idea. Still—a robin you know. They’re good birds in all the stories I’ve ever read. I’m sure a robin wouldn’t be on the wrong side.

Robins and December

Robins in the UK (European Robins) don’t migrate; they stay in England year-round. They are territorial birds and they do not often leave their homes or nesting areas. It’s common to see them out and about during the winter because that is when they begin to look for mates. This is another reason robins have become synonymous with December and winter time.

In The Nature Notes of an Edwardian Lady (1905) by Edith Holden, a journal of watercolor paintings of flowers, plants, birds and butterflies, along with poems and anecdotes, the author has a section devoted to each month of the year. For December, she includes this watercolor of several birds, including a robin. She also includes a poem about robins.

Robins and Christianity

Several old English fables and folk tales link the robin to Christianity. There are many versions of the tales told, but there are two that are quite popular. The first one explains that the robin used to be a plain, brown bird with no red breast, but it went to sing to Jesus when he was dying on the cross. The blood from Jesus’ wounds are said to have stained the bird’s breast, thereby giving it a red breast.

In another tale, the robin was present at the birth of Jesus. It was a cold night in Bethlehem, and the story goes that a brown bird came near and fanned the flames of a small fire to help keep the baby Jesus warm. His breast was scorched by the flames and turned red thereafter.

There are other similar old fables and tales that link robins with Christmas in the Christian tradition. Perhaps you’ve heard one. (If so, please share it in the comments.) There have been many stories told and written since that feature the robin or other friendly birds at Christmas.

Photo by Rachel Dodge, 2022

Robins and Victorian Christmas Cards

If you’ve seen Christmas cards and decorations featuring a robin redbreast, it most likely came about during the Victorian era.

During the mid-1800s in England, Christmas cards became popular. People even began to send Christmas greetings by post. At the time, Victorian postmen wore red coats. Tradition has it that these “red breasted robins” went from house to house and from street to street, delivering season’s greetings and well-wishes.

Moses James Nobbs: (Last of the Mail Coach Guards), Watercolour by H E Brown. C 1890. Courtesy of The Postal Museum.

Ever since the days of these red-breasted mail carriers, robins have been featured on Christmas cards. Many vintage Christmas cards from that era even have drawings of a robin with a letter in its mouth. Robins delivering the mail – even sometimes dressed as mail carriers – has been part of traditional Christmas culture ever since!

Victorian Christmas Card, Ebay.

Robins and Jane Austen

Would Jane Austen have sent Christmas cards or been familiar with the robin red-breast at Christmas time? No, she would not. She definitely would not have sent cards at Christmas. However, she may have been familiar with some of the old tales about the robin. And of course, I’m sure she met many robins on her rambles through the country lanes of Hampshire.

Yet again, the Victorians introduced another beloved Christian tradition and symbol that we’ve all come to enjoy and recognize.

If you’re feeling blue this Christmas or winter, try some bird-watching. It’s such fun and you just might hear a friendly, “Cheer up! Cheerily! Cheer up! Cheerily!”


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women DevotionalThe Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Now Available: The Secret Garden Devotional! You can visit Rachel online at www.RachelDodge.com.

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Gentle Readers: Amanda Millay on New Noblewoman has found modern fashions inspired by Downton Abbey. She has graciously allowed me to reproduce her article for this blog. It will lead you to her blog, The New Noblewoman, which features all things fashion.

Downton Abbey is not just successful as good entertainment. Women everywhere are clamoring for clothing inspired by the show, and finding that modern-day retail wear is not even as pretty as the show’s most simple dresses.

The longing for Downton Abbey-inspired fashions, and the very few options available at the retail level, indicate that a change is needed in women’s fashion. Most women can’t afford a $1,000 dress, and designers and manufacturers will continue to make cheap, ugly, throwaway clothing until people stop buying it. But there is one option remaining for turning the fashion tide: Making or buying only top-quality, beautiful clothes, and making do with a limited wardrobe . . . like most people did for centuries. We should bring the emphasis in fashion back to having a few quality items, rather than amassing a huge quantity of synthetic items that we grow weary of or that go out of style after a few months. Women are already realizing this, and have started searching out homemade clothing (and making their own) in the quest to bring some true style back into fashion.

So can women today find anything that’s comparable to Downton Abbey fashion (without making it, or wearing an evening gown during the day)? I’ve scoured online women’s boutiques and department stores, and after looking through thousands of dresses, here are the best options I’ve found for Downton Abbey-inspired style. There are some great dresses at exorbitant prices, but in this list, everything is less than $200.

(If you’re looking for authentic vintage style, check out the Ladies Emporium,Recollections, Etsy, or this list of retailers from Sense & Sensibility Patterns.)

Long Dresses for a Look That’s Casual or Elegant

The ladies of Downton Abbey are usually dressed to impress. But it’s possible to find empire-waist dresses and long dresses in a variety of styles that have a bit of pre-World War I British flair. Click here for the rest of the article on New Noblewoman.

Other links:

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Last night PBS showcased the Christmas special of Downton Abbey. Did you find the finale of Season 2 satisfying? Too cliched? Did you encounter unexpected twists? Or did you guess just about every plot point as my neighbor did? Warning to those who have not seen the Christmas special: This post contains nothing but plot spoilers!

Julian Fellowes with Dan Stevens and Elizabeth McGovern.

Julian Fellowes with Dan Stevens and Elizabeth McGovern. Credit courtesy Carnival Film & Television Limited 2011 for MASTERPIECE

I found the details of how the Crawleys treated the servants at Christmas quite interesting, giving them gifts and allowing them a free day.  Sir Richard’s response to the Crawleys’ generosity towards the servants told much about him and foreshadowed the difficulties he would encounter with Mary. They are constantly at loggerheads and his jealousy towards her real feelings for Matthew bubbled over.Sir Richard’s jealousy of Matthew bubbles over. He and Mary are constantly at loggerheads. While he seemed a harsh man, in the end it turns out that he truly cared for the eldest Crawley sister. Even as they make googoo eyes at each other, an upright and uptight Matthew informs Lady Mary that they can never be together because of his guilt trip over Lavinia’s death. Her reply, “Didn’t they teach you never to make promises?” This story line, ending in their engagement, finally gives the viewer a happy ending

With Mr. Bates in prison, the viewer is beginning to wonder if things will ever go right for him and Anna.  I am beginning not to care. The trial was over the top and melodramatic, but it did showcase O’Brien’s attempts to say and do the right thing. As for Anna’s reaction to hubby’s impending life/death sentence in prison – violin strings please.

This viewer sorely missed seeing Sybil and Tom. Their absence created a glaring hole in the story line, although their good news about her pregnancy meant joy for Cora and a Fenian grandchild for the skeptical earl.

It was a delight to see Edith boldly cast her hook and line at Sir Anthony Strallan, one of the few able bodied single men left standing after the war, albeit a little long in the tooth.

In order to be thought a hero,Thomas absconded with the earl’s dog, Isis, a most foul deed that backfired. With this act he entered the pantheon of  the ten most dastardly villains in entertainment history. Isis escapes from the shack

The story of Mr. Mason, William’s father, and Daisy provided a sweet sub plot. Daisy talks to William via the ouija board and Mrs. Patmore.

Many plot points were tied up during the finale, which redeemed Season 2. I do hope that Sybil and Branson will return, for I felt their absence keenly. As for Bates and Anna, their down-in-the-luck story line is getting a little old. While a happy couple makes for boring fiction, the relentless bad luck that this couple experiences has entered the realm of the absurd. It is also time that Edith enjoys her moment in the spotlight. She’s changed this year. While she still gives Mary a couple of good digs, she has become a more rounded character. What did you think of the last episode? Alas we will have to wait 11 months before Season 3 airs. Can we even stand it?

Today I conclude this year’s coverage of Downton Abbey. Future posts will return to the Georgian and Regency eras, where this blog ideally resides. Thank you, readers, for your patience as my Downton Abbey fever ran its course.

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Season Two of Downton Abbey is winding down on PBS tonight with the Christmas Special. Americans can watch previous episodes online through March 6, 2012. All I can say is – it’s about time. I don’t know about you, but this season seems a bit long and dragged out. I don’t think the one-hour airings between 2-hour book-ended shows helped. Several of us talked over the water cooler at work and felt that the one-hour airings were too short and ended abruptly. Plus some of the plot lines were a bit predictable. Be that as it may, I still prefer this series heads and shoulders above almost anything shown on cable these days.

To assuage your Downton Abbey cravings before Season 3 airs (Yesss!), an excellent artist named Kyle Hilton has created a series of paper dolls for you to download and play with. (The concept was by Willa Paskin. Vulture commissioned the four sets of paper dolls.) Perhaps you could even create your own story lines. Matthew and Mary come with a surprise, and Violet’s been given a range of expressions! Or not.

The paper dolls that are missing whose story line I would like to change are those for Mr. Bates and Anna. Perhaps Kyle is studying up on prison uniforms of the time, or figuring out how to place those two dolls in their marital bed. I also miss having the earl and his countess.

I quibble, however. These are such fun! Click on the links below to print out the paper dolls. You will have to cut them out the old-fashioned way – with scissors.

Meanwhile, I shall be on tenterhooks all night long waiting for the Christmas finale. See you there and at the twitter party with moi and one of your favorite Janeite friends, Laurel Ann Natress, editor of the anthology, Jane Austen Made Me Do It. Hash tag: #DowntonPBS

Paper dolls courtesy of Kyle Hilton

Links:

Kyle writes about his paper dolls and why they are free:
Personally, I think artists selling artwork that is largely someone else’s intellectual property is wrong.  It may not be a clear, black and white illegal issue, but the selling designs of t-shirts, posters, or even something like these paper dolls that are based off something someone else created (like tv shows, movies, etc) is to me, a cheap and easy way to make money.  There are a ton of shirts and posters out there that get around the issue by not directly showing a character or a logo, but in my opinion are still depending on the intellectual property of someone else’s creation.  I know not every illustrator sees it the same way, but for me, I’d rather make these dolls because I love doing it, share them for free at the highest resolution Tumblr allows and not get involved in trying to make money that for the most part belongs to people like Vince Gilligan, Mitch Hurwitz and Tim and Eric.  Plus, how often is stuff free? Not getting money for these means I’m free to make terrible, terrible mistakes!

All ads are placed here by WordPress. I make no money from my blog.

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My regular Jane Austen readers have been patient as I succumbed to Downton Abbey fever and began to cover events 100 years after Jane Austen’s death. Customs changed during that intervening century. Take the matter of dress. While proper Regency ladies changed their outfits from morning gowns to walking gowns when they went out, and changed into dinner dress when dining, by Victorian and Edwardian times the custom of a lady changing her clothes throughout the day had turned into a fine art.  One could get by with no less than 4-5 changes per day. A woman who packed to visit a country estate was sure not to be seen in the same outfit twice. This meant that for a 4-day visit she would need at the very minimum to have her maid pack 16 changes of outfits. One can only imagine the work of a lady’s maid to keep all the clothes and unmentionables in perfect (and clean) condition. Such attention to detail required quite a bit of organization.

Morning dress, 1815. Ackermann plate. While she looked proper in her at home attire, this morning dress looks stodgy compared to the Edwardian teagown.

Corsets were worn all through the 19th century and into the early part of the 20th century. Women were constricted into these garments for most of their waking day, but there were times when they were free from these tight-laced garments.  During the early 19th century, upper class women at home would wear comfortable (but beautiful) morning gowns. Dressing gowns were also worn. Such gowns were meant to be seen by the family and close relatives only. The moment a woman expected to be seen, she would change into more proper dress.

Cora, the Countess of Grantham, lived during a time when teagowns were all the rage. These beautiful ornate gowns had the advantage of being simply cut and worn without a corset. It was possible that for just a few hours she could relax comfortably before dinner.

They were generally loose-fitting and elaborately trimmed, and gave full vent to the dressmaker’s or couturier’s skill and taste for theatricality. Tea-gowns were influenced by historical styles from eighteenth century Watteau-pleats, to renaissance hanging sleeves and empire waistlines and quite often, all of them at the same time. Never has so much love and art been invested in such an arguably unnecessary garment. All kinds of informal garments including tea jackets, peignoirs, dressing gowns, combing sacques, morning robes and dressing jackets also had their place in the leisured Edwardian lady’s wardrobe, all of them beautifully decorated and almost all of them now obsolete. 1900-1919: The Last Age of Elegance 

American dancer and actress Irene Castle wearing a teagown, 1913

It had long been the custom for a lady to entertain both male and female visitors in her boudoir. (Read my article on this topic.) During the Regency era, dressing gowns were quite plain and simple compared to teagowns.

1810-23 dresssing gown. Image @Met Museum

At times the teagown gave rise to temptation, for a woman could entertain in private and not need the services of her maid:

Worn between five and seven oclock,  gave rise to the French phrase ‘cinq à sept‘. This referred to the hours when lovers were received, the only time of day when a maid wouldn’t need to be there to help you undress and therefore discover your secret. – “Style”, The World of Downton Abbey, Jessica Fellowes

Early 19th century dressing gown. Image @Met Museum

Attired in her tea-gown, a soft flowing robe of filmy chiffon or fine silk, trimmed with an abundance of lace and often free of corsetry, the hostess must have been a tempting prospect for many men. Such loose gowns afforded women great comfort, ease of access and a tremendous sense of femininity. Little wonder then that whilst hemlines rose and fell the tea-gown, which had appeared in England as early as 1875 lingered on until the 1920s. – Edwardian tea gowns, fashion era

This Lingerie-style dress embellished with Irish crochet, c.1905 (below) can be seen in more detail on Vintage Texiles. Made of sheer cotton decorated with lace and ruffles, this sheer dress required a slip.

Edwardian teagown, 1905. Image @Vintage Textile

More on the topic:

Read more on the topic: Tea Gowns, Edwardian Promenade

Image of an early 19th century dressing gown at the Met Museum

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