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Carlton House was the town house of the Prince Regent for several decades from 1783 until it was demolished forty years later. It faced the south side of Pall Mall, and its gardens abutted St. James’s Park in the St James’s district of London. The location of the house, now replaced by Carlton House Terrace, was a main reason for the creation of John Nash’s ceremonial route from St James’s to Regent’s Park via Regent Street, All Souls, Langham Place and Park Square. Lower Regent Street and Waterloo Place were originally laid out to form the approach to its front entrance

An existing early eighteenth century house had been sold in 1732 to Frederick, Prince of Wales, and son of George I. William Kent had been employed to lay out the garden of which no trace remains. Frederick’s widow, Augusta, enlarged the house, had the entrance gates and porter’s lodge redesigned and a colonnaded porch built. She died in 1772 and for some years the house was unoccupied.

Portrait of The Prince of Wales, later King George IV (1762 – 1830) 1790. John Russell RA

In 1783 George III handed the house over, with £60,000 to refurbish it, to George, Prince of Wales on his coming of age. During the following years the interiors were remodelled and refurnished on a palatial scale.

Carlton House ca.1825. As published in Britton and Pugin, Public Buildings of London. 1825. Patrick has worked on elements from the areas marked with a cross

Initially Sir William Chambers was appointed as architect, but he was quickly replaced by Henry Holland. Both Chambers and Holland were proponents of the French neoclassical style of architecture, and Carlton House would be extremely influential in introducing the Louis XVI style to England.

The Grand Staircase

Holland began working first on the State Apartments along the south (garden) front, the principal reception rooms of the house. Construction commenced in 1784. By the time of his marriage to Mrs Fitzherbert in December 1785, however, construction at Carlton House came to a halt because of the Prince of Wales’ mounting debts. Costs continued to soar and more money had to be found by the Prince…  Continue to read this post on Patrick Baty’s blog.

Inquiring Readers, Patrick Baty is one of the foremost authorities on architectural paint and colour on historic architecture and interiors. These days, the majority of Patrick’s time is spent as a historic paint consultant, sampling paint layers on buildings, bridges and architectural details to produce a forensic history of the decoration from creation to the present day. He has graciously allowed me to link to his post about Carlton House.

Other posts by Patrick Baty on this blog:

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There is an old 18th century white washed house in The High Street of Kingston upon Thames that backs on to the river. On the road side there is a large circular green plaque positioned on the outside wall of this house that reads:

“ Cesar Picton
c1755-1836.
A native of Senegal
West Coast of Africa.
Brought to England in 1761
as servant to Sir John Philips of Norbiton
Kingston upon Thames.
Later a coal merchant and gentleman.
Lived here 1788 – 1807.”

Cesar Picton's house, front. Image @Tony Grant

Cesar Picton was a slave in the ownership of Sir John Philips, and was made a freed man. It is interesting to note that 1807, the last year Cesar Picton lived in this house, before he moved to Thames Ditton, a few miles away,  the year the slave trade was abolished in Britain. It would be another twenty-six years before slavery itself would be abolished.

The road outside Cesar Picton's house. Image @Tony Grant

Cesar Picton

But Cesar Picton was a freed man long before this  event and already a prosperous merchant. His freedom had to do with Sir John Philips and what he and his family believed. Jane Austen would have passed through Kingston at the time Cesar Picton was a gentleman and merchant there. I wonder if she saw him in the streets? Jane’s family must have had close connections with slavery. Her brother Henry was a banker. Most of the wealth of Britain at the time came from slavery. Her brother Charles was a Royal Naval captain and was stationed on the North American station, often calling into Bermuda. His ship must have been used to protect the slaving ships that the fictional SirThomas Bertram, in Mansfield Park, relied on for his wealth in the plantations.

Slave ship, Bristol

Apart from this oblique reference in Mansfield Park, Jane never mentions slavery or her views about it. During her lifetime the slave trade was abolished but not slavery itself. But change was happening, and by the time Cassandra died slavery was seen as a repugnant thing and was abolished. Was it one of the reasons Jane’s letters were culled by Cassandra in later life? Did she try to hide Jane’s – perhaps – unpopular views in the tide of anti slavery? We will never know.

The year 1761, when Cesar Picton was brought to Britain by Captain Parr of the British Army especially for Sir John Phillips,  is an interesting one. Senegal had been British up to 1677, when the French took it over. France and Britain had been at war in the late18th and early 19th centuries. Goree, the island just off Senegal that was used for trading slaves, changed hands briefly during these wars back and forth between the British and French. It could well have been during one of these brief spells in charge by the British that Cesar Picton was bought as a promising servant for a wealthy man back in England.

There must have always been an element in British religious and moral sensibilities that saw these African slaves as equal human beings and at a high government level. In 1788 Britain set up a settlement for freed slaves further along the coast from Senegal to accommodate slaves from the plantations of Virginia and Carolina. They had helped the British fight The War of Independence against the Americans, and a place for them to live had to be found after the British retreated from America. Nova Scotia was their first settlement, but the climate was too cold.

Freetown, Sierra Leone, 1803

Sierra Leone on the West African coast was set up for them, and Freetown, the capital, was established. But slavery was a vital element in the Empire for trade and financial wealth. It couldn’t be given up that easily, no matter how much it pricked certain people’s consciences, and the majority of people in England were kept ignorant of what went on in the slave plantations.

Sir John Philipps

Sir John Philipps (1666 – 1773), the gentleman who obtained Cesar Picton, was a member of an illustrious family whose main seat was Picton Castle, near Haverfordwest in Pembrokeshire, South Wales. In the 18th century, the Philips family was the most powerful family in the political, social, and economic arenas  in Pembrokeshire. Sir John Philips, who owned large areas of land in Wales, was a philanthropist who supported the building of schools. He built twentythree of them in Pembrokeshire alone. He also built schools in Camarthenshire.

Fort Nassau, Senegal, 1760

It was to Picton Castle in Wales that Cesar Picton was first brought from Senegal. He then took the name of the castle as his surname.

Picton Castle, Pembrokeshire, 1865

Sir John Philipps attended Westminster public school in 1679 when he was 13 years of age. He went on to Trinity College, Cambridge between 1662 to 1664, and was admitted to Lincolns Inn in 1683. He did not complete his degree at Cambridge, and he was not called to the bar either. Sir John appears to have wasted his time and seemed to have enjoyed a frivolous life style when he was young. However by 1695 he became the Member of Parliament for Pembrokeshire. He remained a Member of Parliament until 1702. He then later returned to parliament for Haverfordwest and remained there until 1772. On the 18th January, 1697, Sir John’s father died, and he became the 4th baronet. In the same year he married Mary, the daughter and heiress of Anthony Smith, a rich East India merchant. Sir John had influential friends and great wealth. His sister Elizabeth’s daughter married Horace Walpole in 1700.

The Oxford Holy Club

From 1695 to 1737, Sir John was a leading figure in many religious and philanthropic movements. Most important of all, in relation to Cesar Picton, Sir John was a member of The Holy Club. The Holy Club had many religious reformers amongst its numbers, A.H. Francke, A.W. Boehme, J.F. Osterwald, John and Charles Wesley and George Whitefield. These were Evangelists, Methodists and Quakers. It was from amongst these religious colleagues that the anti slavery movement found it’s strength and became an unstoppable force. Sir John was part of a group therefore that constructed the legislation to abolish the save trade and eventually abolish slavery. In his treatment of Cesar Picton we can see these beliefs in early action. It might have been that Sir John Picton actively sought a slave from Senegal with the express purpose of freeing him once back in England and supporting him to become a wealthy esteemed member of society. Maybe Cesar Picton was his proof that slaves were his equal. This is what happened to Cesar Picton.

Cesar Picton's coal wharf site. Image @Tony Grant

Cesar Picton was six years old when he was brought to England by Captain Parr , an British Army officer who had been serving in Senegal.. He was given to Sir John Philips along with a parakeet. Cesar was born a Muslim but soon after arriving in Sir John’s household at Picton Castle he was baptised and given the name of Cesar on the 6th December 1761. He was dressed as a servant wearing a velvet turban, which cost 10 shillings and sixpence. It was fashionable for black servants to be richly dressed. There were very few black servants in England. Only very rich merchants and the wealthy aristocracy would have them. They were not treated the same as slaves which were used in their tens of thousands on the sugar, tobacco and cotton plantations of the West Indies and the mainland coast of America. Normally a black servant would have been the personal servant of the male head of the household but Cesar became the favourite of Lady Philips. He mixed with the family on equal terms. Sir John’s philanthropic and religious beliefs were applied to the treatment of Cesar.

Horace Walpole

Horace Walpole, the younger son of the first British Prime Minister Robert Walpole. who married Elizabeth the sister of Sir John, wrote in a letter to a friend in 1788,

“I was in Kingston with the sisters of Lady Milford; they have a favourite black, who has been with them a great many years and is remarkably sensible.”

Sir John died in 1764 and his son became Lord Milford. Milford is the area in Wales where Picton Castle is situated. Lady Milford made a new will in which she left Cesar £100. Her son sold Norbiton Place near Kingston. With the money he was given, Cesar was able to rent a coach house and stables next to the Thames in Kingston. This building today is called Picton House.

Kingston Upon Thames, 18th century

After paying a corporation tax of £10 to trade, Picton set himself up as a coal merchant. By 1795 he had made enough money to buy Picton House, a wharf for his coal barges, and a malt house for brewing beer. In 1801, one of the Philips daughters died and left him a further £100. He was wealthy by now on his own terms. In 1807,when he was 52, he let his properties in Kingston and lived in Tolworth neaby to Kingston for a while.

Picton House, Thames Ditton

In February 1816 he bought a house in Thames Ditton, down river from Kingston, for the then massive sum of £4000. He lived there for the next twenty years until his death. When he died the list of the contents of his house included a horse and chaise, two watches, with gold chains, seals, brooches, gold rings, a tortoiseshell tea chest, silver spoons and tongs. There were also paintings of his friends hanging in his house including a portrait of himself.

While Picton was living in Thames Ditton, the other two Philips daughters died in Hampton Court. Joyce left him £100 and Katherine left him £50 and a legacy of £30 per year for life. Cesar himself died in 1836 aged 81. He did not marry and had no heirs,  and was buried in All Saints Church, Kingston upon Thames on the 16th June, 1836. He had become very fat in his old age and his body had to be taken to the church on a four-wheeled trolley.

Cesar Picton Gravestone. Image @Find a Grave

Unlike some of the other freed slaves in England at the time, Cesar did not make his thoughts known about slavery and the slave trade. He was happy to lead a comfortable life. Olaudah Equiano wrote a book about his experiences and actively took part in the campaigning of William Wilberforce and Thomas Clarkson. Others, like Briton Hammon and Ukawsaw Gronniosaw, made oral accounts that were transcribed. Letters were written by Ignatius Sancho to help bolster the anti slavery cause.

Jane Austen wrote in Mansfield Park,

These opinions had been hardly canvassed a year, before another event arose of such importance in the family, as might fairly claim some place in the thoughts and conversation of the ladies. Sir Thomas had found it expedient to go to Antigua himself, for the better arrangement of his affairs, and he took his eldest son with him in the hope of detaching him from some bad connections at home. They left England with the probability of being nearly a twelve month absent.”

Slaves digging the cane holes, Antiqua, 1823

Sir Thomas Bertram’s affairs in Antigua could only have referred to his sugar plantations, the source of all his wealth and the financial source of Mansfield Park itself.

Slave cutting sugar cane, 1799

Jane’s own brothers, Frank and Charles would have been amongst the captains with their warships used to protect the likes of Sir Thomas Bertram’s trading ventures, which must have included slaves for his plantations in Antigua. Henry, Jane’s favorite brother, would have invested the proceeds of this trade through his bank. It is very possible that Jane caught sight of the famous Cesar Picton, wealthy merchant and freed man, walking in the streets of Kingston upon Thames. I wonder what her opinion was?

Kingston Upon Thames, Thomas Hornor, 1813

Post written by Tony Grant, London Calling.

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Bandeau: in clothing and fashion, the term means a narrow band of ribbon, velvet, etc., worn round the head. A wide range of materials make up a hair bandeau, including jewels, ribbons, cloth, and flowers. In some cases, a tiara can be said to be an elaborate form of the bandeau. This head band has been popular since the beginning of recorded history, for the decoration is flattering for almost any hair style. The bandeau provides an instant frame for curls, adds color, and can hold unruly hair in place. Bandeaux were quite popular during the Regency era as both formal and informal head wear.

Structured bandeau with feathers. Northanger Abbey (Cassie Stuart and Greg Hicks) 1986

In the image above, Isabella Thorpe’s bandeau resembles an open turban. It play an integral part in the hair design.

Court gown, 1799. This bandeau, worn for a formal event, also holds feathers, as in the above photo.

Bandeau made of ribbon, similar to the illustration below, but with the bow to the side. This is an informal use of a bandeau, which carries enough "weight" to serve as a headcover. Emma (Gwynneth Paltrow and Jeremy Northam) 1996

1812 La Belle Assemblee, evening dress and bandeau, which frames the curls beautifully.

Felicity as Catherine Morland (2007) wears a thin bandeau. This image is inaccurate in that ladies in those days did not venture outdoors without a head cover. We can tell that Isabella (Carey Mulligan) is “fast” for she reveals more of her bosom during the day than is ladylike and wears no hat while strolling through Bath.

Woman wearing a chemise dress (1799) and thin bandeau, and contemplating a hat.

The Countess of Oxford wears a thin ribbon bandeau. Painted by John Hoppner, 1797.


Rolinda Sharples painted a flower bandeau for the lady at front and center of this detail.

Thin satin or silk ribbon bandeau woven into the hair on the righ;, bandeaux made with pearls in the center two images; and gold ornamental combs in the hairstyle on the left.

Bandeau with long lace streamers. 1818 French court dress, La Belle Assemblee.

Bandeaux have been popular throughout the ages, and continue to be so.

Pompeii couple. The woman at left wears a thin bandeau.

Beaded bandeau from the Edwardian Era

Haley Steinfeld, 2011 Oscars

Gallery of Fashion – Women’s bandeaux

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Emma was not inclined to give herself much trouble for his entertainment, and after hard labour of mind, [Lord Osborne] produced the remark of its being a very fine day, and followed it up with the question of:  “Have you been walking this morning?”

Walking dress with blue half boots, 1818. La Belle Assemblee.

“No my lord, we thought it too dirty.” (Unpleasant, stormy.)

“You should wear half boots.” After another pause: “Nothing sets off a neat ankle more than a half boot; nankeen galoshed with black looks very well. Do not you like half boots?”

“Yes; but unless they are so stout as to injure their beauty, they are not fit for country walking.” – Jane Austen, The Watsons

Satin half boots, 1830. Image @Vintage Textile

Ladies shoes were quite delicate in Jane Austen’s day. They were made of satin or soft kid leather, and thin soles with short heels.  Kid leather was a soft and pliable leather made from young goat skin that was often used for slippers (and gloves as well). Shoes made from kid leather could be dyed or embroidered, but the thin flimsy material could barely withstand ordinary wear and tear, much less rough treatment.

Delicate pastel kid shoes with stencilled motif, 1800. Image @Victoria & Albert Museum

During the mid-Regency, tied shoes went out of fashion as lace-up half-boots became popular for outdoor wear. Made of leather or nankeen (a durable natural cotton from China, with a distinct yellow color), these boots were more geared for long walks in the country than the delicate slippers they replaced. But the boots were deceptive, for the leather was quite thin by today’s standards and tore and scuffed easily or were quickly ruined by the elements. As a general rule, thick leather shoes with sturdy wooden soles were worn by laborers. The ruling classes, it was felt, needed no such rough and tumble items.

1795-1815 leather boots. Image @Metropolitan Museum Collection.

Although still a minority in women’s footwear at the beginning of the 19th century, ankle boots would become the dominant style of daytime footwear by the 1830s. This early pair of fashionable boots shoes shows the importance of angular lines, repeated throughout designs and evident from what ever position the boots are viewed. The museum also possesses a similar boot with a small “Italian” heel (2009.300.1487), demonstrating the overlap in styles. The original shoelaces, unlike those now in the boots, would have most likely matched the dark teal color of the leather. – Met Mus collection database

1795-1810, blue European boots. Image @Metropolitan Museum Collection

Boots began to become fashionable for women in the last quarter of the 18th century, but their use was limited primarily to riding and driving. Few pairs survive, and the peculiar wrap-around leg on this example is specific to this period and extremely rare. Although not well-fitted enough to provide a particularly secure fastening to the foot, the wrapped leg may have been intended to provide superior protection from dust and moisture than the standard laced closure. Colored footwear was a favored means of complimenting plain white dresses in the early 19th century, and the dark teal blue color seen here seems to have been particularly favored.- Boots

1812-1820 ladies boots. Image @Victoria & Albert Museum

In the early years of the 19th century boots gradually became acceptable for women. By 1804, half-boots with front lacing and ribbon trimmings, like this pair, had started to appear in fashion illustrations for ‘walking’ or ‘morning’ dress. Hardwearing cottons – the striped uppers are made of cotton jean – became increasingly available and were used as alternatives to leather. Heroines in novels by Jane Austen (1775-1817) are often described wearing footwear of this kind. V&A

Nankeen half boots, 1795-1810. Image @Virginia Review

Toughening Nankeen for rough wear and tear: To Wash- Put a handful of salt into a vessel with a gallon of cold water immerse the nankeenm and let it remain for twenty four hours; then wash it in hot lye without soapm and hang up to dry without wringing it, Nankeen washed in this manner will keep its colour for a long time – The Dictionary of Daily Wants, 1866

1830. Sturdier damask gaiter boots. Image @Vintage Textile

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1810 woven Chinese silk cloth with handpainted decorations. Image @Victoria & Albert Museum

We have come to associate delicate white muslin material woven in India with Regency fashion to such a degree that it is easy to forget that other colors and printed fabrics were also used, and that many silk and cotton dresses were made of fabrics with colorful patterns and distinctive designs, such as this 1820’s day dress, or this 1790 caraco printed jacket…

 

1790 Caraco jacket of printed cotton. Image @Christie's

…or the lively Ackermann dress below.

Dinner dress, Ackermann. 1817

Some of the fabrics were  lavishly embroidered…

1810 Evening Dress with embroidery

… or painted to produce a patterned effect.

1780-1800. Painted satin cloth. Image @Victoria & Albert museum

But with the industrial revolution, printing and dying techniques began to be improved.

Fabric, Manchester art gallery

By the mid-eighteenth century, wood-block printing on cotton and linen textiles had developed to a high standard, even though the home market was affected by legislation protecting the silk and wool industries.” – *V&A

 

Block printed round gown. Image @Colonial Williamsburg

The dyeing techniques used to produce the strong fast colours on imported Indian chintzes which had dazzled European customers in the seventeenth century had been mastered, and colour ranges were developed further with the introduction of ‘pencilling’ of indigo in the 1730s, and ‘china blue’ by the early 1740s.” – *V&A

Block printed cotton, 1790. Image @Victoria & Albert Museum

“A commentator on the state of British textile arts in 1756 wrote : “chintz…can imitate the richest silk brocades, with a great variety of beautiful colours. This length of block-printed cotton dress fabric is typical in its design and colouring of English production at the end of the 18th century.” – *Block Printed Cotton, Victoria & Albert Museum

 

Child's cotton dress roller printed, 1820. Image @Vintage Textile

Roller printing also became popular.

Roller printing, a mechanical improvement on the copperplate technique, was developed in England in the late eighteenth century and was in use in the north of England by 1790.” – **Met Museum

Detail, roller printed Regency day gown.

The copper roller gave manufacturers the ability to print larger quantities of fabrics at greater speeds, for lower prices, and the production of printed cotton increased dramatically in the nineteenth century.” – ** Source: Textile Production in Europe: Printed, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art

1800 dress fabric, British. Image @Victoria & Albert Museum

 

19th century white cotton gown with roller print. Image @Greene Collection

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1795-1800 Printed cotton gown detail. Image @Victoria&Albert Museum

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