In 1798, the famous caricaturist Thomas Rowlandson drew The Comforts of Bath, a series of satiric drawings. The cartoons were used to illustrate the 1858 edition of the New Bath Guide, written by Christopher Anstey and first published in 1766.* Rowlandson depicted both the social and medical scene in Bath just before the period described by Jane Austen in Northanger Abbey and Persuasion, and by Georgette Heyer in her Regency romances.
The Portrait, Comforts of Bath, 1798, Thomas Rowlandson
In this post I combined Rowlandson’s images with excerpts from an 1811 guidebook, A new guide through Bath and its environs By Richard Warner. The scenes depict the use of mineral water therapy for the invalids who flocked to Bath, a city whose fashionable post-Nash reputation was already well past its prime and whose medical men were generally regarded as quacks or, worse, “potential murderers”. The rotund gentleman in front and center of all these scenes (who undoubtedly suffered from gout, a painful rich man’s disease), was conjectured to be based after Tobias Smollet’s Mr. Bramble. In the pictorial’s subtext, notice how “Mr. Bramble’s” young wife (companion or daughter) flirts with the young officer who boldly woos her (Image above). Even while satirizing them, Rowlandson gets the social details just right. Underneath each image sits a quote from the guidebook.
King Bladud's Bath, Comforts of Bath, Rowlandson
It is fit for the patient when he goeth into the bath to defend those parts which are apt to be offended by the bath, as to have his head well covered from the air and wind and from the vapours arising from the bath, also his kidneys if they be subject to the stone, anointed with some cooling unguents as rosatum comitiffs infrigidans Galeni Santo linum &c. Also, to begin gently with the bath till his body be inured to it, and to be quiet from swimming or much motion which may offend the head by sending up vapours thither at his coming forth, to have his body well dryed and to rest in his bed an hour and sweat, etc.” – A New Guide Through Bath, 1811
The Pump Room, The Comforts of Bath, 1798, Rowlandson
The new Pump Room supplied water from a covered pump. Before the room was built, the populace drank the waters in the open air. But the new rooms allowed them to
… take the exercise prescribed to them sheltered from the inclemency of the weather. The work was accordingly begun in 1704, finished two years afterwards, and opened for the reception of the company under the auspices of Mr Nash, who had just then become the Arbiter Elegantiarum of Bath…A New Guide Through Bath, 1811
Black and White detail of above print
In the year 1751 [The Pump] Room was enlarged. Accommodated with a beautiful Portico stretching from it in a northern direction in 1786, and adorned with superb Western Frontispiece in 1791, The Corporation further beautified the city in 1796 by taking down the old Pump Room entirely and building on its site the much larger and more magnificent edifice known at present by that name…A New Guide Through Bath, 1811
Public Breakfast, The Comforts of Bath, 1798, Rowlandson
Pertaining to the construction of the Harrison rooms and the Assembly Rooms:
Temporary booths had hitherto been the only places in which the company could drink their tea and divert themselves with cards, but Mr Harrison, a man of spirit and speculation, perceiving that a building of this nature was much wanted and would probably make him a very suitable return, undertook at the suggestion of Mr Nash to erect a large and commodious room for the purpose of receiving the company. The succes of this attempt induced a similar one in the year 1728, when another large room was built by Mr Thayer. A regular system of pleasurable amusements commenced from this period, and the gay routine of public breakfasts, morning concerts, noon card parties, evening promenades, and nocturnal balls rolled on in an endless and diversified succession. – A New Guide Through Bath, 1811
Company at Play, The Comforts of Bath, Rowlandson
Rules card games:
That no persons be permitted to play with cards left by another party; That no hazard or unlawful game of any sort be allowed in these Rooms on any account whatever nor any cards on Sundays...A New Guide Through Bath, 1811
The Concert, Bath Chambers, Rowlandson
For music sweet music has charms to controul; And tune up each passion that ruffles the soul; What things have I read and what stories been told; Of feats that were done by musicians of old – The New Bath Guide, 1779
Dinner, Comforts of Bath, 1798
Bath has little trade and no manufactures; the higher clafles of people and their dependents conftitute the chief part of the population, and the number of the lower clafles being but fmall…A New Guide Through Bath, 1811
Bath Races, Rowlandson
More on the topic:
- Thomas Rowlandson’s “The Comforts of Bath” (1798)
- New Bath Guide, Christopher Anstey, 1779, Google book
- *From Hogarth to Rowlandson,medicine in art in eighteenth-century Britain By Fiona Haslam, 1996, p 174
- In the bowels of the novel: The exchange of fluids in the Beau Monde
- Beechen Cliff, the Arts and Natural Surroundings
- The Lower Assembly Rooms and Bath Society
- Dancing in Regency Bath
- The Pump Room: Little-Known and Well-Known Facts
Josephine, wife of Napoleon Bonaparte, was known for her spectacular garden at Chateau de Malmaison, where exotic plants were cultivated. The plants, acquired from around the world, were documented by France’s leading horticulturists and botanists, and painted by Pierre-Joseph Redouté.
William Hogarth’s famous 1741 etched engraving of ” The Enraged Musician” visually described the cacophony of sounds heard all over the city of London: the shouts of vendors, clattering of wagon wheels and clopping of horses’ hooves, impromptu concerts from street musicians, clackety-clack of ladies’ pattens (which protected delicate shoes from mud), and the clapping of hooves and bleeting of animals as drovers guided them to Smithfield Market. Laws were enacted to control these noises, but the change did not occur overnight, nor did these laws completely eliminate all irritating sounds for city dwellers. In 1841, 100 years after Hogarth engraved his famous scene, Charles Knight described London’s noises (
Sir Walter Elliot, of Kellynch-hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Barontage; there he found occupation for an idle hour, and consolation in a distressed one – Persuasion
Jane Austen's World 
