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Archive for the ‘Regency World’ Category

During the 2007-2008 holidays, artist and cartoonist Paula J. Becker watched Pride and Prejudice movies nonstop, from the 1940’s version, to the 1980’s and the mammoth 1995 Colin Firth adaptation.  When she finished viewing P&P 2005, she was inspired to draw Mr. Darcy and Lizzy at a ball. What fun she must have had! You will recognize Ms Becker’s style, for you have most likely seen her cartoons in greeting cards and her artwork in children’s books.

pride_72Mr. Darcy makes a most handsome bow to his Lizzy. The revel rousers in the background seem to be having a great deal of fun.

g-kitties_72These Georgian Kitties could easily be Caroline Bingley and her sister, Mrs. Hurst.

Cartoons reproduced with Ms. Becker’s permission.

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Romola speaks as emmaEmily Hill of the Evening Standard isn’t thrilled with this adaptation of Emma:

The tension of the series comes not from the characters being marooned in stuffy Regency England, but from the bizarre twenty-first-century dating psychobabble. At some point, whoever created this very pretty 9 pm drama seems to have thrown the actual novel aside and adapted the work with exclusive reference to other Jane Austen adaptations and what they think middle-aged women want to down with their end-of-Sabbath Chardonnay. Even the actors seem to be stuck in synthetic Austen-land.

My review of Emma sits at this link

Having watched 3/4 of the film, tell us what you thought of Emma, Episode Three


My rambling discourse about hair echoes my thinking about this production of Emma, for I can’t decide whether I like it or not. Count me as one of the viewers who is still sitting on the fence. I understand that the producers wanted to modernize and jazz Emma up, so that a new audience can appreciate her story. But many liberties were taken in the process,  such as with Jane Austen’s dialogue and wit, which are practically nonexistent. Let’s examine the hair styles in this film. Ringlets were in vogue at the time Jane Austen wrote the novel. They peeped out of bonnets and mobcaps. Even when hair was pulled back into a chignon, ringlets would be fashioned around the face and in front of the ears.

harriet smith hair
In this image, Harriet Smith’s hair style has ringlets aplenty, but is more reminiscent of the updos worn in 1826-1832, when the ringlets resembled poodle ears. Of course, this hairdo did have a certain cinematic effect, for Harriet is a bit silly and naive and the hairdo suits her personality to a tee. If you recall, Mrs. Bennet (Alison Steadman) in 1995’s Pride and Prejudice was given a similar hair do, and every time she spoke, her ringlets shook, making her seem even sillier.

Ballgown 1826

Ballgown 1826

Fashion plate 1832

Fashion plate 1832

In the next image, Christina Cole (Augusta Elton), below, demonstrates the sort of hair/bonnet combination I have come to associate with the era. Her loose ringlets peep out from under her straw hat most becomingly.
augusta elton Christina Cole
Emma was published in 1815. Let’s compare Augusta’s hair and cap to fashion plate images of the same year. Close enough, don’t you think? Her bonnet is different, but there were many modish styles to choose from and one can’t quibble with a becoming straw cap.
1815 cap and bonnet1815 bonnet

Jodhi May as Mrs. Weston

Jodhi May as Mrs. Weston

Why was such a plain and unflattering hairstyle chosen for beautiful Jodhi May? Was her hair Quakerish on purpose so that she would not compete in beauty with Emma? At this point she is no longer a governess, but the mistress of her own house and can dress herself accordingly. Even poor Miss Bates (sitting at right below) shows more attempt at “styling”.

Miss Fairfax and Miss Bates at Box Hill

Miss Fairfax and Miss Bates at Box Hill

This plain upswept chignon was adorned with simple curls in front of the ears, which would have helped Jodhi’s hairstyle immensely, making it seem more “authentic.”
chignon ringlets
In this image, Blake Ritson wears his hair a la Brutus, a style commonly worn by men in the Regency era. Poor Harriet (Louise Dylan) is stuck with the poodle style for the duration of the film.
blake ritson and louise dylan
In the image below, Blake looks like he’s about to enter Bedlam, which I suppose was his hair stylist’s intention, for Mr. Elton IS a ridiculous character. Still, Blake’s facial ticks should have been enough to clue the viewer in. We didn’t need crazy hair as well.

Did the stylists use 21st century hair gel to accomplish this style?

Did the stylists use 21st century hair gel to accomplish this style?

To be fair, men pomaded their hair and created fantastic styles. Witness Beau Brummel in 1805.

BeauBrummellKlein

beau 1805

Which begs the question: Why did Jonny Lee Miller fashion his hair a la the 21st century?

Oops, wrong image

Oops, wrong image

I meant to insert this one

I meant to insert this one

Men wore their hair in many styles, some elaborate, and some quite sleek and modern to our eyes. Jonny’s hairstyle is remarkably close to McMurdo’s below, who, from the neck up would not look too out of place in today’s world.

Lieut Colonel Bryce McMurdo, 1800-1810 by Henry Raeburn

Lieut Colonel Bryce McMurdo, 1800-1810 by Henry Raeburn

Women often wore caps in bed, which they drew over their paper curlers.  Hair was washed only occasionally in those days, and caps prevented pillow cases from being soiled from accumulated oil and dirt.
harriet sick

Ok, we get it. Harriet is SICK. Where is her night cap?

I just had to include the image below. Yes, very young girls at that time wore their hair loose, and, yes, they had to be taught their manners.  (For aren’t we all little savages until our governesses teach us better?) For my finnicky taste, this image shows a woman who is much too modern in hairstyle and facial expression. At the very least, Emma would have been taught to place her hand in front of her mouth when yawning.

yawn Goodness. What would the servants have thought?

I’m still on the fence, waiting to like this film adaptation. It seems that the numbers are tanking and people are not staying with the show (a bad omen for the future of bonnet movies on BBC). Kali at StrangeGirl.com and blog author of Emma Adaptations is still liking this adaptation, although elements are starting to get on her nerves. Please feel free to agree or disagree with anything said in this post. :)

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English Pleasure Gardens

It would be very pleasant to be near Sydney Gardens; we might go into the labyrinth every day. – Jane Austen to Cassandra Wednesday, January 21, 180

The English Pleasure Garden 1660-1860 is a small, slim volume that easily slips into my purse. I was rather skeptical that a mere 63 pages could contain very much information but I was wrong.  Sarah Jane Downing, the author, has assembled a large variety of pleasure garden images that I have not seen before, and written about the topic in a clear and readable style that was loaded with information. This book is a must for history buffs and historical romance authors who wish to write a scene set in Vauxhall or Ranelagh gardens, or perhaps in venue that is less well known, for Ms Downing writes about gardens I had not known existed.

While London’s west end boasted clean and spacious streets, the rabbit warren streets in The City were filthy, overcrowded, and dangerous. The possibility of a few hours of escape to a pleasure garden with its broad walks, decorative shrubbery, hidden bowers, music and entertainments, and fireworks drew a large number of crowds. In the 18th century, London and its environs boasted sixty-four pleasure gardens of various sizes. Aside from their obvious attraction, pleasure gardens attracted a variety of visitors from all walks of life. Aristocrats rubbed elbows with the hoi polloi, who could gain entry to even the most luxurious gardens if they could come up with one shilling for a ticket (no mean feat, for an ordinary day laborer made no more than one shilling per week.)

Vauxhall Pleasure Gardens

Vauxhall Pleasure Gardens

There were three kinds of public gardens people could choose from: 1) Bowling greens at pubs or tea gardens with a small but pleasant green space and limited social opportunity, 2) fashionable spa resorts that offered bowling, taking the waters, and pleasant graveled walks, and provided some entertainments, and 3) the great pleasure gardens, which were filled with glamorous and wondrous sights, and acres of lighted paths, music pavilions and private supper boxes, and arranged for a variety of fantastic entertainments, music, and dancing. The best known pleasure gardens were Vauxhall, once known as Spring Gardens, and Ranelagh Gardens, which gave Vauxhall a run for its money. Its spacious Rotunda allowed for large crowds to gather inside. Ranelagh could open in February, whereas other gardens waited until Easter.

View of a lunch party inside Ranelagh garden's famous rotunda

View of a lunch party inside Ranelagh garden's famous rotunda

Vauxhall tickets, British Museum

Vauxhall tickets, British Museum

All good things must come to an end and the gardens’ success at attracting large crowds spelled their doom. Eventually it was hard to tell the aristocrats from the poseurs, or a courtesan from a lady. As the gardens attracted an increasingly larger group of dubious people and fewer of the upper classes, their reputations suffered. Rowdy behavior, vandalism, crime, and prostitution all served to keep the “right” people away, but this development didn’t necessarily spell their death knell. They would eventually close due to competition from a distant source. The advent of cheap and rapid transportation allowed people to seek their pleasures along the grand promenades at sea side resorts, and once again the classes separated during leisure hours, each into their own niche.

This lovely little book also describes pleasure gardens outside of London – Sydney Gardens in Bath, Vauxhall Gardens in Birmingham, Tinker’s Garden in Manchester, etc. At $12.95, The English Pleasure Garden 1660-1860, loaded with color images, is a bargain. Read my post about 18th & 19th Century Pleasure and Tea Gardens in London at this link.

These links lead to more information about pleasure gardens, but they do not match the variety of information to be found in this slim volume.

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Jane AustenSir Walter Elliot, of Kellynch-hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Barontage; there he found occupation for an idle hour, and consolation in a distressed one – Persuasion

Gentle reader, it is hard to name my favorite books about Jane Austen and her era. Thankfully, Laurel Ann at Austenprose has already compiled her list to wrap up Jane Austen Sibling Week, so I only need to add in my two cents worth. Where Laurel Ann concentrated on pure biographies, I shall mention the picture books that resemble the intent of this blog in both content and form:

Lane Jane Austens WorldJane Austen’s World, Maggie Lane. When I named this blog I had no idea this book existed. Maggie, who knows the period so well, writes about Jane’s life and what daily life looked like for her and her family. The illustrations are lush, and the content is presented on two pages, so that one moves from Courtship to Travel to The Royal Navy and The Picturesque seamlessly. The information is just enough for a casual reader to learn more about the era and to steer a more determined Janeite on a world of Regency era discovery.

Watkins Town and Country StyleJane Austen’s Town and Country Style, Susan Watkins. I purchased this now well-thumbed book in England when it was first published. The cover is a lush photo of a bedroom in Stoneleigh Abbey, the ancestral seat of Cassandra Austen nee Leigh’s family. Themes covered include etiquette, the country house, architectural themes, fashion, and entertainment. The theme of this novel is the architectural settings and interior environments of the Regency era, and its pages linger over images and information about embroidery, gardens, furniture, wallpaper, architectural styles, fashion, etc.

Hughes Hallet My Dear CassandraMy Dear Cassandra, The Illustrated Letters of Jane Austen, Selected and introduced by Penelope Hughes-Hallet. Not only do Jane’s own observations come alive, but the letters are arranged in context of her life and images of the era. The format is excellent and very well done. Not all of Jane’s letters are included in this selection, but I would say that for those who have never read Jane’s letters before, this is a great introduction.

le faye jane austen the world of her novels (2)Jane Austen, The World of Her Novels by Deirdre Le Faye. I find it remarkable that each of these authors have a different perspective of Jane and her life. Yes, there is an overlap of information, but each author brings her own take on Jane to their book. Deirdre spends little time with Jane and her family, and devotes more pages to the novels, their settings, and images that evoke the era and region in which the books were set. Deirdre’s book contains more text and fewer images than the other books, but it is well organized and the illustrations help the reader to understand the unique places in which the novels are set and how they contribute to the story and characters.

Jane Austen An Illustrated Treasury DicksonJane Austen: An Illustrated Treasury by Rebecca Dickson. At first glance this seems like a coffee table book that is filled with illustrations. The book also features removable memorabilia, including handwritten letter, drafts, paintings, and more.  It looks like a fluff piece, because it is so beautifully designed, but the author discusses all of Jane’s novels in context of the age and with images that take your breath away. I found the font in the body of the main text annoying to read, but that is a minor quibble. This is a great gift for a budding Janeite fan in your family.

Obviously, there are many other excellent biographies about Jane Austen that Laurel Ann and I have not mentioned. These are just a few in my collection that the new Jane Austen fan will love. Jane Austen scholars have access to more scholarly works, and there are many new biographies that have been published in recent years. This post ends our Jane Austen Sibling week. Thank you for coming to our blogs to participate in this event. Vic

Our posts in honor of Jane Austen Sibling Week:

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“We have this comfort, he cannot be a bad or a wicked child,” George Austen writing about his second son, George

George Austen 2George Austen, Jane’s second oldest brother is an enigma, rarely glimpsed and hardly known to the world. No image exists of him, which is why the image I used for this post has no face to speak of. George Austen was thought to be mentally or physically impaired, or suffering from an infirmity. Nearly ten years older than Jane, Claire Tomalin wrote that he still lived in Steventon village in 1776 (See Boris’s comment in the comment section) and that the very young Jane knew him.

“He could walk, and he was not a Down’s Syndrome child, or he would not have lived so long, lacking modern medication. Because Jane knew deaf and dumb sign language as an adult— she mentioned talking “with my fingers” in a letter of 1808— it is thought he may have lacked language; it would not have stopped him joining in the village children’s games.” – Claire Tomalin, Jane Austen, A Biography

The Austens produced remarkably hardy children, for all survived their childhood. At forty-one, Jane was the youngest to die. George, who survived to a ripe old age, was cared for along with his Uncle Thomas (a mentally defective person), by Francis Cullum, who lived in Monk Sherborne, a nearby Hampshire village. Although George was not mentioned in Austen family letters, he was not totally forgotten, for the family contributed to his upkeep. The wildly sentimental film, Becoming Jane, shows George as an active member of the family, walking with Jane in the woods and attending church with them, but an article in JASNA rightly states, “It is not likely that he attended church with the Austens, as depicted in the movie.”

Jane, George, Rev. Austen, Eliza de Feuillide and Cassandra after church service in Becoming Jane.

Jane, George, Rev. Austen, Eliza de Feuillide and Cassandra after church service in Becoming Jane.

After Jane’s death, mention of George disappeared from several family sources. John and Edith Hubback in Jane Austen’s Sailor Brothers wrote: “In a family of seven all turned out well, two rose to the top of their profession, and one was—Jane Austen.”  Their math is obviously wrong. In the Memoir of Jane Austen, her nephew James Edward Austen-Leigh mentions that James was the first brother and Edward the second. This historical oversight has outraged some authors, David Nokes in particular, whose reaction is described in a Washington Post review of his book, Jane Austen: A Life:

A second “family secret” hitherto little mentioned is the existence of Jane Austen’s brother George, 10 years older than Jane, who “never learned to speak” and was boarded out for the rest of his life in another Hampshire village along with Thomas Leigh, Mrs. Austen’s mentally defective brother. This George Austen (perhaps the origin of “poor Richard” Musgrave in Persuasion) long survived his sister Jane and lived on into his seventies. David Nokes devotes an indignant last chapter to “poor George” and contrasts the Austen family’s ruthless jettisoning of him — apart from payment of a small, regular fee for his upkeep — with their family’s rather sickening adulation, after Jane’s death, of their “dear angel” Aunt Jane — whose propensity for satire and malice was almost entirely played down, while her simple religious beliefs were elevated into near-canonization.

The Loiterer cautions us about first-hand accounts, saying they can be wildly inaccurate:

“There were eight children in the family and the second brother was George and not Edward who, in fact, was the third brother. George, apparently, was epileptic and may have been deaf and dumb as well. He simply was not allowed to join the family in their home. None of Jane’s existing letters mentions him—not one single time. (In spite of his infirmities, he outlived Jane by at least ten years!) Now, there is something to give one perspective on “first-hand accounts”. – The Loiterer

Another source of outrage for David Nokes was Mrs. Austen, who died in 1823. In her will she had divided the money from her South Sea Annuities equally among the surviving Austen children, with the exception of  George.

“He, as usual, was excluded and forgotten. It was Edward Knight who, as an act of kindness, made over his share of the money ‘for the use of my brother George, being his full share of the £3,350 old South Sea Annuities. – David Nokes, p. 525

Francis Cullum, George caretaker, died in the spring of 1834. After his death, his son George took over the responsibilities of caring for George Austen, who died of dropsy in 1838. Once again, David Nokes writes with melodramatic flourish about the loving way in which Jane’s memory was perpetuated by her family, even as they neglected poor George:

“Less than twenty miles away [from Jane’s grave], Jane’s brother George was laid to rest in an unnamed grave in the churchyard of All Saints church, Monk Sherborne. In death, as in life, he was to be forgotten, his remains unmarked by any stone. Only George Cullum was in attendance at George Austen’s death. It was he who noted for the death certificate that George Austen was ‘a gentleman’. – Nokes, p. 526

I cannot express how much I disagree with David Nokes in this instance. The Austens arranged to have George and Cassandra’s brother, Thomas Leigh, looked after by a caring family, and supported these two family members financially. One imagines that with eight children, a boarding school, a small plot of land to tend to with chickens and a cow, and two livings as a clergyman, that the two elder Austens had their hands full overseeing their burgeoning household. The addition of a special needs child who required constant care would have added a great strain to their living situation.

Bedlam inmate shackled in irons, Bethelehem Royal Hospital, London

Bedlam inmate shackled in irons, Bethelehem Royal Hospital, London

This was an age where few asylums for the mentally disabled or the physically disabled existed. People with infirmities were looked upon as defectives and many became sideshows at fairs or carnivals, or as beggars on the streets. It was a custom at this time to visit Bedlam and stare at the people in the lunatic asylum. In fact, there were very few institutions available during this era for people of special needs and very few places that could take them in. Bedlam was the only hospital of its kind in London during Jane’s lifetime. Workhouses and almshouses were the only other places where the physically and mentally handicapped could be deposited, and these were places that people strove to avoid at all cost. In addition, there has been a history since the beginning of time in almost all cultures that looked the other way when parents left their defective babies in the wild to die. (This situation still exists today.) Unlike David Nokes, my conclusion is that, given the era the Austens lived in, the family behaved in a remarkably responsible manner towards George, who lived a quiet life of peace and relative comfort for 72 long years. As for the inaccuracies in later biographies written by Austen family members, one wonders how effectively George had been hidden from view. Out of sight is out of mind, and these mistakes of omittance may well have been the natural result of – as David Nokes accused the Austens of doing – the extended family forgetting that George had ever existed.
Austen family

Gentle reader: In honor of JASNA’s annual meeting in Philadelphia this week, this blog, Austenprose, and Jane Austen Today have devoted posts to Jane Austen and her siblings. This is the last of seven articles devoted to her brothers and sisters. Tomorrow, Laurel Ann and I will recommend several biographies on Jane Austen.

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