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francis william austen

My dearest Frank, You will be glad to hear that every copy of  S. and S. is sold, and that it has brought me £140 besides the copyright, if that should ever be of any value.

In 1788,  14 ½ year-old Frank Austen prepared to put out to sea and leave his family. After excelling in his courses at the Portsmouth Naval Academy, the Commissioner of the Dockyards recommended that Frank join the Perserverance under the direction of Cornwallis, who was recently appointed Commander-in-Chief of India. The letter that young Francis received from his father, Rev.  George Austen, upon his departure was one that he would treasure for the rest of his life. In part, the Reverend wrote:

As you have hitherto, my dear Francis, been extremely fortunate in making friends, I trust your future conduct will confirm their good opinion of you; and I have the more confidence of this expectation because the high character you acquired at the Academy for propriety of behaviour and diligence in your studies, when you were so much younger and had so much less experience, seems to promise that riper years and more knowledge of the world will strengthen your naturally good disposition. That this may be the case I sincerely pray, as you will readily believe when you are assured that your good mother, brothers, sisters and myself will all exult in your reputation and rejoice in your happiness …

Ten years later, Jane would write with exultation:

My dear Cassandra, Frank is made. He was yesterday raised to the rank of Commander and appointed to the Petterel sloop, now at Gilbraltar. – Dec 28, 1798

Vice Admiral Sir Francis Austen

Vice Admiral Sir Francis Austen

By 1800, Frank, was still single, although his captain’s salary would enable him to marry and support a family in reasonable comfort. The letter Jane would write him on January 21, 1805 was heartbreaking:

My dearest Frank

I have melancholy news to relate, & sincerely feel for your feelings under the shock of it.—I wish I could better prepare you for it. But having said so much, your mind will already forestall the sort of event which I have to communicate.—Our dear Father has closed his virtuous & happy life, in a death almost as free from suffering as his Children could have wished. He was taken ill on Saturday morning, exactly in the same way as heretofore, an oppression in the head, with fever, violent tremulousness, & the greatest degree of Feebleness….towards the Evening however he got better, had a tolerable night, & yesterday morning was so greatly amended as to get up & join us at breakfast as usual, & walk about with only the help of a stick, & every symptom was then so favourable that when Bowen saw him at one, he felt sure of his doing perfectly well. But as the day advanced, all these comfortable appearances gradually changed; the fever grew stronger than ever, & when Bowen saw him at ten at night, he pronounc’d his situation to be most alarming. At nine this morning he came again—& by his desire a Physician was called in;—Dr. Gibbs—But it was then absolutely a lost case—. Dr. Gibbs said that nothing but a Miracle could save him, and about twenty minutes after Ten he drew his last gasp…My Mother bears the Shock as well as possible; she was quite prepared for it, & feels all the blessing of his being spared a long Illness. My Uncle & Aunt have been with us, & shew us every imaginable kindness. And tomorrow we shall I dare say have the comfort of James’s presence, as an express has been sent to him. Adieu my dearest Frank. The loss of such a Parent must be felt, or we should be Brutes—. I wish I could have given you better preparation—but it has been impossible. Yours Ever affectly – J A.

The news must have been a great blow to Frank, who sailed the world over and only saw his family sporadically. Perhaps his grief was somewhat ameliorated by Jane’s next letter a little over a week later:

My mother has found among our dear father’s little personal property a small astronomical instrument, which she hopes you will accept for his sake. It is, I believe, a compass and sundial, and is in a black shagreen case…Yours very affecly, JA.

When Frank asked Miss Mary Gibson to marry him, Jane and Cassandra discovered that they liked her extremely well. Their cordial relationship had an opportunity to flourish after Rev. George Austen’s death. Frank invited his mother and sisters to live with him and his bride in Southampton from 1806 to 1808.  It was to be a mutually beneficial arrangement, for Frank did not want his young wife to be alone while he was away on his next voyage. He rented a house in Castle Square  with a fine garden and a view across Southampton Water to the Isle of Wight, which Jane found very much to her liking. The invitation included the Austen women’s close friend, Martha Lloyd, sister to James Austen’s wife Mary.

Sir Francis Austen lived until 1865, well into the age of photography

Sir Francis Austen lived until 1865, well into the age of photography

Unfortunately, like Edward’s wife Elizabeth, Mary did not survive into old age and died after the birth of her 11th child in 1823.  In an ironic turn of events, Frank asked Martha Lloyd to be his second wife in 1828 and she accepted. By any stretch of the imagination, Frank’s career was illustrious. He eventually achieved Knighthood as Sir Francis Austen and rose to the position of Admiral of the Fleet. Jane last saw her brother in the New Year of 1817, when a lull in her fatal illness allowed her to visit Frank and his large rambunctious family in Alton.

Thirty-five years after her death there came also a voice of praise from across the Atlantic. In 1852 the following letter was received by her brother Sir Francis Austen:

Boston, Massachusetts, U.S.A., 6th Jan. 1852

Since high critical authority has pronounced the delineations of character in the works of Jane Austen second only to those of Shakspeare, trans-atlantic admiration appears superfluous; yet it may not be uninteresting to her family to receive an assurance that the influence of her genius is extensively recognised in the American Republic, even by the highest judicial authorities. The late Mr Chief Justice Marshall, of the supreme Court of the United States, and his associate Mr Justice Story, highly estimated and admired Miss Austen, and to them we owe our introduction to her society. For many years her talents have brightened our daily path, and her name and those of her characters are familiar to us as ‘household words’. We have long wished to express to some of her family the sentiments of gratitude and affection she has inspired, and request more information relative to her life than is given in the brief memoir prefixed to her works.

Having accidentally heard that a brother of Jane Austen held a high rank in the British navy, we have obtained his address from our friend Admiral Wormley, now resident in Boston, and we trust this expression of our feeling will be received by her relations with the kindness and urbanity characteristic of Admirals of her creation. Sir Francis Austen, or one of his family, would confer a great favour by complying with our request. The autograph of his sister, or a few lines in her handwriting, would be placed among our chief treasures.

The family who delight in the companionship of Jane Austen, and who present this petition, are of English origin. Their ancestor held a high rank among the first emigrants to New England, and his name and character have been ably represented by his descendants in various public stations of trust and responsibility to the present time in the colony and state of Massachusetts. A letter addressed to Miss Quincey, care of the Honble Josiah Quincey, Boston, Massachusetts, would reach its destination.

Sir Francis Austen returned a suitable reply to this application; and sent a long letter of his sister’s, which, no doubt, still occupies the place of honour promised by the Quincey family. – A Memoir of Jane Austen by her nephew, Chapter IX

More links:

Gentle reader: In honor of JASNA’s annual meeting in Philadelphia this week, this blog, Austenprose, and Jane Austen Today will be devoting posts to Jane Austen and her siblings. Look for new links each day.

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Edward Austen Knight

[Marianne] “’What have wealth or grandeur to do with happiness?’
‘Grandeur has but little,’ said Elinor, ‘but wealth has much to do with it.’‘Elinor, for shame!’ said Marianne; ‘money can only give happiness where there is nothing else to give it. Beyond a competence, it can afford no real satisfaction as far as mere self is concerned.’

‘Perhaps,’ said Elinor, smiling, ‘we may come to the same point. Your competence and my wealth are very much alike, I dare say; and without them, as the world goes now, we shall both agree that every kind of external comfort must be wanting. Your ideas are only more noble than mine. Come, what is your competence?’

‘About eighteen hundred or two thousand a year; not more than that.’

Elinor laughed. ‘Two thousand a year! One is my wealth! I guessed how it would end.’” – Jane Austen, Sense & Sensibility, volume 1, chapter 17

“To be above vulgar economy” … was one of Jane Austen’s express wishes, yet on the surface it would seem that her rich brother Edward contributed very little to Jane’s and her mother’s and sister’s notions of security. How was it that Edward’s fortunes were so very much above that of his family, and why did he not do more for his sisters and mother than provide them with a roof over their heads and a small annual sum?

Rev. George Austen presents his son, Edward, to Thomas Knight and family

Rev. George Austen presents his son, Edward, to Thomas Knight and family

Edward, third son of the family … became the favourite of some wealthy childless relatives of his father, the Thomas Knights. They met him as a 12-year-old when they visited the rectory at Steventon on their wedding journey. When they left, Edward accompanied them for the rest of the trip and subsequently went frequently for holidays at their estate. Eventually, when Edward was 16, they adopted him as their heir. – Janet Todd, Jane Austen in Context

The Austens must have been thrilled beyond belief when Thomas Knight, George’s rich, childless cousin, took an interest in Edward, his third son. The practice of childless couples in adopting an heir from a less fortunate branch of the family was not an uncommon one for wealthy relatives to take at the time. When Edward inherited his estates from his adopted father, he became richer than Mr. Darcy, earning £15,000 per year from his investments against Mr. Darcy’s £10,000 per year. Multiply this number by 50 and you have an approximate amount of how much income Edward enjoyed in today’s terms.

Godmersham Park

Godmersham Park

And yet, with such a rich brother, Jane and her sister and mother worried a great deal about money after the sudden death of Rev. George Austen in Bath in 1805. Three of the brothers rallied behind them. Edward’s initial pledge of £100 a year almost doubled his mother’s income of  £122 from a small South Seas fortune, and both Henry and Frank pledged £50 apiece per year to support their mother and sisters. Cassandra received a small income from Tom Fowle’s £1000, which he had bequeathed to her in his will.  Even so, the three women were forced to move in March to more affordable rented living quarters on Gay Street, and then to Southampton in 1806, where they, along with their friend Martha Lloyd, shared a house with Frank Austen and his new bride.

The move to the house in Castle Square, Southampton in 1807 brought much cheer to Jane. The house, she noted, was not in good repair but it had a large garden. Her accounts for 1807 show that from her allowance of £50 she spent £2.13.6 to hire a pianoforte.”- Soft and Loud, JASA

Panorama of Chawton

Panorama of Chawton

Edward finally came through for his mother and sisters. Four years after his father’s death, he refurbished Chawton Cottage and invited them to move in. It was in this cottage that Jane was at her most prolific, polishing off earlier versions of Pride and Prejudice and Sense and Sensibility and famously writing Mansfield Park, Emma, and Persuasion. In skimming through a variety of biographies, many authors treat Edward’s seeming parsimony with a hint of contempt. The Knights had a history of generosity towards their poorer Austen relatives. Thomas Knight, second cousin to Rev. George Austen, gave him two livings that were valued at £210 the year that Jane was born. At Steventon, the Austens also had land to farm, which was an important factor in their diet and maintaining their self-sufficiency. The Austens also took in boarding pupils, and by the time Rev. Austen retired , he was earning almost  £600 per year, the same amount that his eldest son, James, made towards the end of his life.

Jane, her sister and mother had fallen on hard times. Financially dependend on their families, they are forced to move in March to rented living quarters on Gay Street, and then to Southampton in 1806, where they, along with their friend martha Lloyd shared a house with Frank Austen and his new bride.
“The move to the house in Castle Square, Southampton in 1807 brought much cheer to Jane. The house, she noted, was not in good repair but it had a large garden. Her accounts for 1807 show that from her allowance of £50 she spent £2.13.6 to hire a pianoforte.” JASA Soft and Loud,
Finally, four years after his father’s death, Edward Austen Knight refurbished Chawton Cottage for his mother and sisters, and had them move in. The walled garden, designed by Edward Austen Knight on the advice of his sisters Jane and Cassandra, is being recreated to provide not only flowers but organically grown fruit, vegetables and herbs, some of which will be used in contemporary recipes to be prepared in the kitchens. The church where Jane’s mother and sister are buried sits halfway up the drive.(from Chawton site)There had always been generostiy from the Knights towards the Austens. .

Jane’s mother, Cassandra, who was related to the Leighs of Stoneleigh Abbey, placed a great hope that her rich childless brother, James Leigh-Perrot, would leave money to her eldest son James. While James Leigh-Perrot provided James with a clerical living and some supplementary cash, his property eventually went  not to James, but to his son, James Edward, who was Jane Austen’s biographer. James Leigh-Perrot left nothing to his sister Cassandra, even knowing that she lived on a small income. He might have supposed that her uber rich son, Edward, would take care of his mother, which, in a fashion he did. Why did Edward not contribute more to his mother and siblings?

This is mere conjecture on my part, but Edward did the best he could under the circumstances. Yes, he was rich beyond imagining, but his responsibilities were many and heavy. He inherited two large estates, which were the physical embodiment of his inheritance. The laws of primogentirue demanded that as the heir, he should keep everything intact, from the land, which provided the income, to the house and all the family heirlooms within it. The heir was merely a “keeper” of the estate and the family name, and his actions were proscribed. Edward was more a tenant than an owner, and he was duty bound to turn over his entire estate to his male heir. – The Country House, JASA.

Chawton Cottage

Chawton Cottage

Running these estates, with their attendant servants and necessary improvements, took an enormous, some would say crippling, amount of resources. In addition, Edward’s family was large. His first wife, Elizabeth, died after giving birth to their eleventh child. Add his seven brothers and sisters, his biological mother and adopted mother and her family, the Knight family, and the ever widening circle of nieces and nephews, and the even larger circle of aunts, uncles and cousins on both the biological and adopted sides, and you can imagine the pressures Edward must have felt all around.  Had he doled out what we would deem as adequate support to all the needy individuals in his extended family, Edward’s estate would soon have been frittered away.

Chawton House

Chawton House

One cannot fault Edward too much for moving prudently and cautiously, for he was obliged first to his immediate family and the need to provide for adequate dowries for his daughters and support for his younger sons. I do fault him for not helping Jane to repurchase her manuscript, Susan (renamed Northanger Abbey), for the measly sum of £10, so that she could pursue its publication, but for all we know she might have never applied to him for help.

I sometimes wonder if the Austen women were as destitute as people today conjecture. Unlike 90% of their countrymen, who rarely traveled outside of their immediate area, the Austens traveled frequently, visiting friends and relatives. They were able to keep two servants and supplement their diet with vegetables from their kitchen garden, and received an endless supply of milk from Edward’s cows. Jane secured a modest but extra income from her writing, and the three women lived off a yearly income of  £500 pounds, which was only  £100 less than Rev. George Austen earned, who had a family of eight to feed, in addition to his boarders. Jane’s eldest brother,  Rev. Frank Austen, managed to keep a carriage for his second wife on an income of  £600 per year. I am not saying that the three women were rich, by any means, for, like Elinor Dashwood, they lived frugally and prudently, but they did dine frequently with Edward and visited him over extensive periods of time at Godmersham Park, which must have been as luxurious an experience as any visit to a high end resort.

After Thomas Knight died, his widow, instead of waiting until her own death, handed over the family estates to Edward, who from 1798 lived the life of a country gentleman at Godmersham in Kent. When Mrs Knight herself died in 1812, Edward and his family, as stipulated in her will, took the name of ‘Knight’, prompting his eldest daughter Fanny (a favourite niece of Jane Austen’s) to write in her diary that now ‘we are therefore all Knights instead of dear old Austens How I hate it!!!!!’. Fanny’s aunt Jane wrote more calmly to her friend Martha Lloyd that ‘I must learn to make a better K.” – Janet Todd, Jane Austen in Context

Edward was the Austen's third oldest child

Edward was the Austen's third oldest child

More on the topic:

Gentle reader: In honor of JASNA’s annual meeting in Philadelphia this week, this blog, Austenprose, and Jane Austen Today will be devoting posts to Jane Austen and her siblings. Look for new links each day.

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“Riding Through the Ridings”: Random Sketches of Yorkshire Coaching Inns was written and illustrated in 1947 by Joseph Appleyard. An unpublished book, it has found a home online through his son, David. The illustrations fit so well with my recent posts for post boys and the postal mail, that I was eager to share them with you,with Mr. Appleyard’s kind permission.
The George Inn York Joseph Appleyard

The website contains the full transcript and most of the illustrations for “Riding through the Ridings”, whose foreword by Major J. Fairfax-Blakeborough M.C. is telling:
Post-Boys Joseph Appleyard

Some of us are old enough to have talked with the last of the drivers of stage coaches, with post-boys and quaint old ostlers, who could recall the music of the fast-trotting horses and the note on the guard’s horn. Such have heard at first hand of all the bustle there was when the four steaming horses were to be speedily changed, relieved by others standing in readiness for the next stage. More there are who remember the long rows of stables, loose-boxes, saddle rooms and post-boy’s quarters — unused and maybe derelict — in the spacious yards of the old coaching inns. These have also lived to see the end of coach-horse breeding in Yorkshire and the passing of the fairs in the country, at which hundreds of animals were yearly bought to horse the coaches in various parts of the country. Later, in pre-motor days, the best carriage-horses were sold in large numbers at these same Yorkshire fairs; to buyers from all over the world. The horse fairs as they declined, were the swan song of the long ranges of stabling, which were an essential adjunct and integral part of every coaching inn. All this formed the last remaining links with the spacious, leisurely, picturesque coaching-days.

Picking up the mail

Picking up the mail

Major Fairfax-Blakeboroughsums up the illustrations nicely:

The beautifully executed illustrations in this book are marked by their accuracy in technique and detail — no easy achievement in view of the distinctive dress, horse, harness and so forth, which belonged to those days and to a great extent passed with them. Contemporary literature is pregnant with references to the particular care and pride those who played their part in the coaching era took with regard to all these details and how the young sons of patrician families, did not consider their education complete until they could tool a four-in-hand and dress the part with such meticulous exactness that they were mistaken for professional coachmen. The fascinating illustration on the succeeding pages emphasise more than any other of the previous volumes dealing with the epoch, the poetry and romance surrounding it and the important part the old posting houses plated in the life of the nation and as the very hub of their own immediate area.

coach Horse, Joseph Appleyard 1947

coach Horse, Joseph Appleyard 1947

The site also offers a short biography of the artist (1908-1960), and contains photographs, published works, sketches, drawings, book illustrations and newspaper articles of his life and career.

Joe Appleyard attended local evening classes at Leeds School of Art where his fondness of animals gave rise to his interest in Romany and Circus life. He worked full time in window display and general advertising, and painted the scenery of Airedale, Wharfedale and Washburn Valleys in his spare time. Appleyard first began showing his paintings at the Leeds City Art Gallery in 1934, and by 1947 had exhibited over two hundred different works. He co-founded Otley Arts Club, and today his sketchbooks are in a permanent collection at Leeds Art Gallery. His St Leger and racehorse portraits and studies are in a permanent collection at Doncaster Art Gallery.

A light post horse, Joseph Appleyard

A light post horse, Joseph Appleyard

Joe Appleyard, Self portrait, age 26

Joe Appleyard, Self portrait, age 26

David Appleyard writes about designing a website for his father:

The Old Swan Hotel, Harrogate, has three large oil paintings on permanent display, now well restored to remove fifty years of nicotine. The nicotine would not have bothered Joe for he liked his Three Castles cigarettes and as his self-portrait shows political correctness was not an issue in those days! Some twelve years ago I tried to publish “Riding through the Ridings”. My efforts were unsuccessful and the project lay dormant until 1999 when I decided to “publish” it on the Internet. With access to Joe’s remarkably good records the site has grown and showcases more than 200 examples of his work as my tribute to a wonderful father and talented artist.

To see the rest of the illustrations and read the book, click on this link: Joseph Appleyard, Author or type http://www.josephappleyard.co.uk

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royal lion innDorset Public Inns With a Literary Connection showcases a number of inns with connections to John Cowper Powys, Thomas Hardy, Jane Austen,  Robert Louis Stevenson, and John Fowles. Constance Hill, author of Jane Austen: Her Homes and Her Friends, identifies the lodging in Persuasion as the Royal Lion Inn:

Now the inn to which they were bound we fully believe to have been the “Royal Lion,” which stands on the right-hand side about half way up the main street. The circumstances of the story all suggest it rather than the old “Three Cups,” the only other inn of importance in Miss Austen’s day. From the quaint projecting windows of the “Royal Lion” the ladies would be able to see Mr. Elliot’s “curricle coming round from the stable yard to the front door,” and could “all kindly watch” its owner as he drove up the steep hill. This would have been impossible from the windows of the “Three Cups,” which stood at the bottom of the main street and turned slightly away from it. The “Three Cups” was burnt down in 1844, but we have seen its site and have looked at an old print showing the building and its surroundings.

Update: Natalie Manifold, who runs the Jane Austen tours in Lyme Regis, wrote to say that Constance Hill’s information is wrong. The Royal Lion Inn is not the inn described in Persuasion. She has done extensive research on this topic, examining all the town’s old maps and records, and found that the front section of the hotel was a “privately owned cottage up until 1844 when it was scorched in a fire. Subsequently, it was sold and bought by the owner of the inn, which up until that point had been situated right at the back of the hotel’s car park near the river. The bay window is also Victorian as it was added when the front structure was included as part of the hotel.” Natalie concludes: “There is no way that the party would have been able to see up the hill from the hotel’s situation during the Regency period, leaving the old Three Cups as the most likely place of their stay.”

Agreeing with Natalie’s assessment are: John Fowles – the town’s most noted historian and author, Diana Shervington – relation of Austen, and Francis Turner Palgrave – Anthologist. (Thank you for the update, Natalie, which I very much appreciate.)

Royal Lion Inn Lyme Regis
Chances are that Jane Austen was familiar with the  Inn. In 1804 Jane Austen and her family traveled to Lyme and stayed there in the summer. The Royal Lion Inn, or the Lion as it was known, was built as a coaching inn in 1601. More information about the inn can be found in Dorset Public Inns With a Literary Connection. Over a century later, author and traveler, F. J. Harvey Darton wrote about the two inns:

Nothing could be better than the confrontation of the two chief hotels, the Royal Lion and the Three Cups. The Cups is the older house, and seems to go back to at least Stuart times in name and site. But they are both models of what a country inn of the better sort should appear to be. – The Soul of Dorset, F. J. Harvey Darton , 1922

More Links to Lyme Regis

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After many parts of Bath disappeared overnight during a German bombing raid in World War II, efforts to restore the city began – efforts to reconstruct the major landmarks like the Assembly Rooms and The Circus, that is.  Smaller Georgian houses were scheduled for demolition.  In 1970, a horrified James Lees-Milne wrote to the Times:
Your readers may be interested to learn that we are getting on quite nicely with the demolition of the centre of Bath. This year alone we have swept away several acres between Lansdown Road and the Circus. The whole southern end of Walcot Street (including the 19th century burial ground and tombstones) has entirely gone. We are just beginning on Northgate Street and have only knocked down two or three houses in Broad Street this month. But New Bond Street’s turn is imminent. All the houses are (or were) Georgian, every one.
Lees-Milne, who joined the National Trust, “played an active part in the campaign to save Bath.” Click here to read the review of Michael Bloch’s book, James Lees-Milne, The Life: Saving what was left to a Georgian city, which goes on to describe the rest of this fascinating story.

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