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One of the releases I’ve most anticipated this year is the new book A Jane Austen Year: Celebrating 250 years of Jane Austen by Jane Austen’s House and the brilliant new A Jane Austen Year Podcast of the same name.

After spending so much time researching and writing my seasonal, month-by-month “A Year in Jane Austen’s World” blog series last year, I knew it was right down my alley. I am happy to report that the information included in this book covers a variety of intriguing topics, recipes, illustrations, and specially commissioned photos. It feels like taking a tour of Jane Austen’s House Museum each month of the year. It is well worth the read!

“Arranged chronologically across the calendar year, this uniquely intimate insight into Jane Austen’s world offers reproductions of her letters, the objects she held dear, the story of how her first novel Pride and Prejudice came to be published and the routines of her everyday life at this idyllic Hampshire cottage. Experience life as Austen did herself, as both the notable writer she was, and also the daughter, sister and friend she remained to those closest to her.”

Published by Pitkin, A Jane Austen Year releases March 11, 2025. I was grateful to receive a digital copy in order to review it before its release.

ORDER YOUR COPY HERE

My Review

First of all, this book makes a beautiful addition to your shelves or coffee table if you’re a book collector or if you like to display your Jane Austen books as part of your home, office, or library decor. I also appreciate that it was put together by the people who work at Jane Austen’s House Museum. Many of the photos and insights come directly from Chawton Cottage, where Jane Austen spent the latter years of her life and writing career, and its collections.

As I read through each month’s offerings in A Jane Austen Year, I enjoyed seeing photographs of Jane Austen’s House Museum during every season and reading through the excerpts from Jane Austen’s letters and novels that pertained to that particular month. Of special note are the recipes for meals, vinegars, and salves, sheet music Jane might have played or heard, costume designs for theater productions of the time, gardening notes and illustrations, photos from the collections held at JAHM, as well as snippets from the film adaptations.

Overall, this is a wonderful book to peruse. I look forward to spending a lot more time with it this year. The photographs are stunning and I can’t wait to delve in deeper with the information provided. Now that I’ve read through the entire book, I plan to go through it month by month for the remainder of the year.

Book Excerpt

“This book is written from Jane Austen’s House in Chawton – one of the most important places in the history of English literature and the development of the novel.

“Here, in this inspiring Hampshire cottage, Jane Austen lived for the last eight years of her life. Here, her genius flourished and she wrote, revised and had published all six of her globally beloved novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey and Persuasion.

“Today, Jane Austen’s House is a cherished museum with an unparalleled collection of Austen treasures, including items of furniture, paintings and household objects. Visitors can discover Jane’s personal letters and first editions of her novels, items of jewellery, portraits of her friends and family, and the tiny writing table at which she wrote.

“This book brings together some of the precious fragments of Jane Austen’s life story, along with world events that shaped her life and understanding, extracts from her novels and letters, and a range of extraordinary objects held here in the museum’s collection. Dip into it as you will, or go through month by month and enjoy a full year of Jane Austen: her life and writings, people and objects she knew and, of course, her beautiful, inspiring home.”

Book Description

This beautifully illustrated book charts the life of one of the world’s most beloved authors through the letters, objects, and manuscripts that shaped her life.

Published in partnership with the curators of Jane Austen’s House, the enchanting Hampshire cottage where Jane Austen’s genius flourished that now attracts thousands of visitors every year.

Arranged over the course of a calendar year, from snowy scenes in January to festive recipes in December, specially commissioned photography of Austen’s home and possessions are brought together with extracts from her books, reproductions of her letters, and stories of her life throughout the seasons. Highlights include the first time Austen read a published copy of Pride and Prejudice to an enraptured audience in her drawing room, affectionate letters to her sister Cassandra reproduced in full and an exquisite miniature portrait of Tom Lefroy, the man she nearly married.

Read this book for a unique and intimate insight into Austen’s world. Dip into it as you will, or visit each month, and enjoy a full year of Austen—her life, works and letters, people and objects she knew, and of course her idyllic, inspiring home.

A Jane Austen Year Podcast

Jane Austen’s House has also released a delightful new podcast to accompany the book. There is a new installment each month! You can listen in HERE.

The A Jane Austen Year podcast is a seasonal journey through Jane Austen’s novels, the story of her life and the world she lived in. It is created and recorded at Jane Austen’s House in Chawton, Hampshire – “the most treasured Austen site in the world.”

For those who haven’t listened yet, I must say that I find this podcast absolutely delightful! It is chock-full of wonderful information about Jane Austen, her writing, her family, her world, and Chawton Cottage. The music, narration, and production make this podcast one of the most soothing and gentle podcasts I’ve heard in a long time. I can’t wait for the next installment!

Podcast Details

A Jane Austen Year transports you to Jane Austen’s House in Chawton, the idyllic Hampshire cottage where Jane Austen lived and wrote her globally beloved novels – now a beloved museum.

Each month, join us on a seasonal journey through Jane Austen’s novels, the story of her life and the world she lived in. Discover scenes, letters, recipes, and objects from the museum collection, bound together with readings and sounds recorded in the House itself.

Each episode is recorded by the people who work at Jane Austen’s House, caring for this special place and protecting it for future generations. January, for example, is voiced by: Lizzie Dunford, Jenny Durrant, Jessica Halmshaw, Amelia Harvell,Sophie Reynolds, Rebecca Wood – with a guest appearance by Dominic Gerrard.

I highly recommend both the book and the podcast. If I could travel to Chawton again this summer, that would be the pinnacle of my Jane Austen year, but these new productions are an absolute gift from Jane Austen’s House Museum. I’m sure it’s been a massive undertaking, and I am grateful!


RACHEL DODGE teaches college English classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling and award-winning author of The Anne of Green Gables DevotionalThe Little Women Devotional, The Secret Garden Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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We’ve arrived at December in Jane Austen’s World, dear readers! We’ve traversed Austen’s life, letters, and novels for a full year now, and it’s been a wonderful adventure.

You can find the rest of the “A Year in Jane Austen’s World” series here: JanFebMarAprilMayJuneJulyAugSept, Oct, and Nov.

Happy Birthday, Jane Austen!

To start, December is Jane Austen’s birthday month, and today, December 16th, is her birthday! Let’s stop for a moment and wish a very Happy Birthday to Jane!!

Can you imagine raising a child like Jane? I’m sure her parents had no idea that their little bundle of joy held such an incredible gift within her – a gift that would bless people around the world for generations to come. Almost 250 years after her birth, people still study and celebrate her writing every day!

December in Hampshire

As we do each month, let us now turn our attention to the lovely Hampshire countryside, the place where Jane spent most of her life, and see what it looks like this time of year. Here are the Chawton Great House gardens in December:

Chawton House in December: Photo @ChawtonHouse.

As one might assume, the weather turns cold and brisk this time of year. However, the weather in December did not keep Regency people at home as much as January-March, so many of Austen’s letters and novels feature parties, balls, and gatherings in December. Austen makes mention of December weather in her letters here:

Steventon (26 December 1798): 

“The snow came to nothing yesterday, so I did go to Deane, and returned home at nine o’clock at night in the little carriage, and without being very cold.”

Castle Square (27 December 1808):

“We have had snow on the ground here almost a week; it is now going, but Southampton must boast no longer.”

And here is a photo of Jane Austen’s House Museum all decked out for Christmas:

Jane Austen’s House, Photo: @JaneAustensHouse.

December in Jane Austen’s Letters

We have letters posted from Steventon on December 1st, 18th, 24th, and 28th in 1798; from Castle Square on December 9th and 27th in 1808; and a small mention in January 1809 of an important letter from Charles from posted from Bermuda in December 1808.

But first, perhaps one of the most important letters we have from December – Jane’s father’s letter to his sister announcing his second daughter’s entry into the world!

You have doubtless been for some time in expectation of hearing from Hampshire, and perhaps wondered a little we were in our old age grown such bad reckoners but so it was, for Cassy certainly expected to have been brought to bed a month ago: however last night the time came, and without a great deal of warning, everything was soon happily over. We have now another girl, a present plaything for her sister Cassy and a future companion. She is to be Jenny.

Tree-lined lane to St. Nicholas Church, Steventon. Photo @ Rachel Dodge.

Other odds and ends from Austen’s December letters are below, but I encourage you to read them in their entirety. Her letters are always so newsy and amusing. Several in this batch include information about her brothers away at sea. Relaying letters and news about their whereabouts and safety was of utmost importance to the entire family, as is true of every family with members serving in the military.

Steventon (1 December 1798):

  • News of Frank: “I am so good as to write to you again thus speedily, to let you know that I have just heard from Frank (Francis). He was at Cadiz, alive and well, on October 19, and had then very lately received a letter from you, written as long ago as when the ‘London’ was at St. Helen’s… Frank writes in good spirits, but says that our correspondence cannot be so easily carried on in future as it has been, as the communication between Cadiz and Lisbon is less frequent than formerly. You and my mother, therefore, must not alarm yourselves at the long intervals that may divide his letters. I address this advice to you two as being the most tender-hearted of the family.
  • A splendid dinner: “Mr. Lyford…came while we were at dinner, and partook of our elegant entertainment. I was not ashamed at asking him to sit down to table, for we had some pease-soup, a sparerib, and a pudding. He wants my mother to look yellow and to throw out a rash, but she will do neither.”
  • New baby and Jane’s opinions on ‘laying in’: “Mary does not manage matters in such a way as to make me want to lay in myself. She is not tidy enough in her appearance; she has no dressing-gown to sit up in; her curtains are all too thin, and things are not in that comfort and style about her which are necessary to make such a situation an enviable one. Elizabeth was really a pretty object with her nice clean cap put on so tidily and her dress so uniformly white and orderly.”
Regency-style meal (reproduction). Jane Austen’s House, Photo: @JaneAustensHouse.

Steventon (18 December 1798):

  • A birthday message received: “I am very much obliged to my dear little George for his message,—for his love at least; his duty, I suppose, was only in consequence of some hint of my favorable intentions towards him from his father or mother. I am sincerely rejoiced, however, that I ever was born, since it has been the means of procuring him a dish of tea. Give my best love to him…”

Steventon (24 December 1798):

  • News of both brothers in the Navy: “Admiral Gambier, in reply to my father’s application, writes as follows: As it is usual to keep young officers in small vessels, it being most proper on account of their inexperience, and it being also a situation where they are more in the way of learning their duty, your son (Charles) has been continued in the ‘Scorpion;’ but I have mentioned to the Board of Admiralty his wish to be in a frigate, and when a proper opportunity offers and it is judged that he has taken his turn in a small ship, I hope he will be removed. With regard to your son now in the ‘London’ (Francis) I am glad I can give you the assurance that his promotion is likely to take place very soon, as Lord Spencer has been so good as to say he would include him in an arrangement that he proposes making in a short time relative to some promotions in that quarter.”
  • One of Jane’s now-famous quotes: “Miss Blackford is agreeable enough. I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.
  • A Christmas-time ball: “Our ball was very thin, but by no means unpleasant. There were thirty-one people, and only eleven ladies out of the number, and but five single women in the room. Of the gentlemen present you may have some idea from the list of my partners,—Mr. Wood, G. Lefroy, Rice, a Mr. Butcher (belonging to the Temples, a sailor and not of the 11th Light Dragoons), Mr. Temple (not the horrid one of all), Mr. Wm. Orde (cousin to the Kingsclere man), Mr. John Harwood, and Mr. Calland, who appeared as usual with his hat in his hand, and stood every now and then behind Catherine and me to be talked to and abused for not dancing. We teased him, however, into it at last. I was very glad to see him again after so long a separation, and he was altogether rather the genius and flirt of the evening. He inquired after you.”

  • There were twenty dances, and I danced them all, and without any fatigue. “I was glad to find myself capable of dancing so much, and with so much satisfaction as I did; from my slender enjoyment of the Ashford balls (as assemblies for dancing) I had not thought myself equal to it, but in cold weather and with few couples I fancy I could just as well dance for a week together as for half an hour. My black cap was openly admired by Mrs. Lefroy, and secretly I imagine by everybody else in the room…”
Regency Dancing, Pride and Prejudice (1995).

Steventon (28 December 1798):

  • More Navy news: “Frank is made. He was yesterday raised to the rank of Commander, and appointed to the ‘Petterel’ sloop, now at Gibraltar. A letter from Daysh has just announced this, and as it is confirmed by a very friendly one from Mr. Mathew to the same effect, transcribing one from Admiral Gambier to the General, we have no reason to suspect the truth of it. As soon as you have cried a little for joy, you may go on, and learn further that the India House have taken Captain Austen’s petition into consideration,—this comes from Daysh,—and likewise that Lieutenant Charles John Austen is removed to the ‘Tamar’ frigate,—this comes from the Admiral. We cannot find out where the ‘Tamar’ is, but I hope we shall now see Charles here at all events.”

Castle Square (8 December 1808):

  • A December ball: “Our ball was rather more amusing than I expected. Martha liked it very much, and I did not gape till the last quarter of an hour. It was past nine before we were sent for, and not twelve when we returned. The room was tolerably full, and there were, perhaps, thirty couple of dancers. The melancholy part was to see so many dozen young women standing by without partners, and each of them with two ugly naked shoulders. It was the same room in which we danced fifteen years ago. I thought it all over, and in spite of the shame of being so much older, felt with thankfulness that I was quite as happy now as then. We paid an additional shilling for our tea, which we took as we chose in an adjoining and very comfortable room.”

Castle Square (27 December 1808):

  • A new pianoforte: “Yes, yes, we will have a pianoforte, as good a one as can be got for thirty guineas, and I will practise country dances, that we may have some amusement for our nephews and nieces, when we have the pleasure of their company.”
Regency ladies at a pianoforte.

December in Jane Austen’s Novels

There are several mentions in Austen’s novels about Christmas, but as next week’s post from Brenda will focus on Christmas scenes from the novels, we shall mostly stick to the month of December in this article with a few helpful quotes about the Christmas season:

Sense and Sensibility

  • Insight on Mr. Willoughby: “He is as good a sort of fellow, I believe, as ever lived,” repeated Sir John. “I remember last Christmas at a little hop at the park, he danced from eight o’clock till four, without once sitting down.”

Pride and Prejudice

  • A family holiday: “On the following Monday, Mrs. Bennet had the pleasure of receiving her brother and his wife, who came, as usual, to spend the Christmas at Longbourn.”

Mansfield Park

  • A special visit from William: “William determining, soon after her removal, to be a sailor, was invited to spend a week with his sister in Northamptonshire before he went to sea. Their eager affection in meeting, their exquisite delight in being together, their hours of happy mirth, and moments of serious conference, may be imagined; as well as the sanguine views and spirits of the boy even to the last, and the misery of the girl when he left her. Luckily the visit happened in the Christmas holidays, when she could directly look for comfort to her cousin Edmund; and he told her such charming things of what William was to do, and be hereafter, in consequence of his profession, as made her gradually admit that the separation might have some use.”

Emma

  • Tolerable weather: “Though now the middle of December, there had yet been no weather to prevent the young ladies from tolerably regular exercise; and on the morrow, Emma had a charitable visit to pay to a poor sick family, who lived a little way out of Highbury.”
  • The fogs of December: “The next thing wanted was to get the picture framed; and here were a few difficulties. It must be done directly; it must be done in London; the order must go through the hands of some intelligent person whose taste could be depended on; and Isabella, the usual doer of all commissions, must not be applied to, because it was December, and Mr. Woodhouse could not bear the idea of her stirring out of her house in the fogs of December.”
  • Dinner party at Randalls: “The evening before this great event (for it was a very great event that Mr. Woodhouse should dine out, on the 24th of December) had been spent by Harriet at Hartfield, and she had gone home so much indisposed with a cold, that, but for her own earnest wish of being nursed by Mrs. Goddard, Emma could not have allowed her to leave the house.”
Regency dinner party, Emma (2020).

Persuasion

  • Charles and Mary Musgrove married 16 December, Jane’s birthday: “Sir Walter had improved it by adding, for the information of himself and his family, these words, after the date of Mary’s birth—’Married, December 16, 1810, Charles, son and heir of Charles Musgrove, Esq. of Uppercross, in the county of Somerset…'”
  • Mary Musgrove bemoans the lack of December parties: “We have had a very dull Christmas; Mr and Mrs Musgrove have not had one dinner party all the holidays. I do not reckon the Hayters as anybody. The holidays, however, are over at last: I believe no children ever had such long ones. I am sure I had not.”

Northanger Abbey

  • A December visit: “Mrs. Thorpe and her daughters had scarcely begun the history of their acquaintance with Mr. James Morland, before she remembered that her eldest brother had lately formed an intimacy with a young man of his own college, of the name of Thorpe; and that he had spent the last week of the Christmas vacation with his family, near London.”
  • A long lecture on dress: “Dress is at all times a frivolous distinction, and excessive solicitude about it often destroys its own aim. Catherine knew all this very well; her great aunt had read her a lecture on the subject only the Christmas before…”

December Dates of Importance

And now for our monthly round-up of December dates of importance relating to Jane and her family. This time, there is plenty of family news, plus important publishing news and one very difficult sorrow:

Family News:

  • 16 December 1775: Jane Austen born at home in Steventon.
  • December 1786: Jane and Cassandra Austen leave Abbey School.
  • 23 December 1788: After finishing at the Royal Naval Academy, Francis Austen sails to the East Indies.
  • 27 December 1791: Edward Austen marries Elizabeth Bridges.
  • 31 December 1797: Henry Austen marries Eliza de Feuillide.
  • December 1800: Rev. Austen announces his retirement and intention to move to Bath.
  • 2 and 3 December 1802: Harris Bigg-Wither proposes to Austen and she accepts. The next day, she rejects his proposal.

Historic Dates:

  • 16 December 1773: An event occurs in the American colonies now known as the Boston Tea Party.
  • 2 December 1804: Napoleon crowns himself emperor of France.

Writing:

  • December 1815: Emma is published and dedicated to the Prince Regent.
  • December 1817: Northanger Abbey and Persuasion published together, posthumously.

Sorrows:

  • 16 December 1804: Austen’s close friend, Mrs. Anne Lefroy, is killed in a riding accident.
Boston Tea Party, engraving in W. D. Cooper’s The History of North America, London: E. Newberry, 1789.

Looking Forward to Next Year

Writing this series for the past twelve months has been a great joy. I’ve learned a lot, and I feel as though I know and understand Jane Austen and her life and time period better than before. I hope you’ve enjoyed it as well! In the new year, I look forward to a year-long celebration of the 250th anniversary of Jane Austen’s birth and all the events and books coming our way. Have a very happy Christmas!


RACHEL DODGE teaches college English classes, speaks at libraries, teas, and conferences, and writes for Jane Austen’s World blog. She is the bestselling, award-winning author of The Anne of Green Gables Devotional, The Little Women Devotional, and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Her most recent book is The Secret Garden Devotional. A true kindred spirit at heart, Rachel loves books, bonnets, and ballgowns. Visit her online at www.RachelDodge.com.

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As we enjoy the crisp air of autumn, let’s take a tour of October in Jane Austen’s World! We’ll look at her life and times through the lens of her letters, novels, and personal interests and see what we can learn about Regency life in the month of October.

If you’re just jumping on the bus, you can find previous articles in the “A Year in Jane Austen’s World” series here: JanuaryFebruaryMarchAprilMayJuneJuly, August, and September.

First off, let’s see what Jane Austen’s beautiful Hampshire countryside looks like in October. Big changes occur as the month continues, which means the lush green of summer turns to the yellow, gold, and ruby colors of fall. Here is a stunning photo of Chawton House Gardens:

Chawton House in October: Photo @ChawtonHouse.

October in Hampshire

October in Jane Austen’s Hampshire brings a total change of atmosphere. The leaves turn, and the weather cools and crisps, just like the apples in the orchard at Chawton House. As is our tradition, I’ve collected a few snippets from Austen’s letters regarding the season change, weather, and gardens/orchards:

24 October 1798 (“Bull & George,” Dartford): “My day’s journey has been pleasanter in every respect than I expected. I have been very little crowded and by no means unhappy. Your watchfulness with regard to the weather on our accounts was very kind and very effectual. We had one heavy shower on leaving Sittingbourne, but afterwards the clouds cleared away, and we had a very bright chrystal afternoon.”

27 October 1798 (Steventon): “I understand that there are some grapes left, but I believe not many; they must be gathered as soon as possible, or this rain will entirely rot them.”

24 October 1808 (Castle Square): “We have just had two hampers of apples from Kintbury, and the floor of our little garret is almost covered.”

11 October 1813 (Godmersham Park): “We had thunder and lightning here on Thursday morning, between five and seven; no very bad thunder, but a great deal of lightning. It has given the commencement of a season of wind and rain, and perhaps for the next six weeks we shall not have two dry days together.”

Such detailed descriptions of October! Here now is a current glimpse of Jane Austen’s House Museum and its gardens in October:

Jane Austen’s House in October, Photo: @JaneAustensHouse.

October in Jane Austen’s Letters: Jane’s Writing

While there are other October letters to consider, there is one excerpt that requires our attention first because it pertains to the safekeeping of Austen’s writing!

24 October 1798 (“Bull and George,” Dartford):

  • “I should have begun my letter soon after our arrival, but for a little adventure which prevented me. After we had been here a quarter of an hour it was discovered that my writing and dressing boxes had been by accident put into a chaise which was just packing off as we came in, and were driven away toward Gravesend in their way to the West Indies. No part of my property could have been such a prize before, for in my writing-box was all my worldly wealth, 7l., and my dear Harry’s deputation. Mr. Nottley immediately despatched a man and horse after the chaise, and in half an hour’s time I had the pleasure of being as rich as ever; they were got about two or three miles off.”

Thank goodness her writing box was found (and any money stowed in it). And what a beautiful description: “all my worldly wealth.” Though money and paperwork are important, one wonders if any of her writing might also have been in that box–a letter, a scene, a phrase. That would be treasure indeed.

Regency Era traveling writing desk.

October in Jane Austen’s Letters: A Great Loss

Now we must turn our main focus to Austen’s letters dating from October 1808. For those of us who take a personal interest in Jane Austen’s life and family, this is the month when Elizabeth Austen, Edward’s darling wife, died (10 October 1808).

Elizabeth Austen nee Bridges (1773-1808) married Edward Austen (Knight) on 27 December 1791, in Goodnestone, Kent, England. They had a large family and were very happily married. She was 35 when she passed and Edward never remarried.

The letters between Jane and Cassandra during that time are particularly tender. Both sisters mourned her death, but as is usual when a family member loses a spouse, they were even more concerned for Edward and his children (Jane’s nieces and nephews). I highly recommend reading the letters in full on your own, but below are several excerpts that share the beautiful manner in which Jane and Cassandra helped to comfort Edward and his children as they grieved the lost of a beloved wife and mother:

13 October (Castle Square):

  • First news of Elizabeth’s death: “My dearest Cassandra,—I have received your letter, and with most melancholy anxiety was it expected, for the sad news reached us last night, but without any particulars. It came in a short letter to Martha from her sister, begun at Steventon and finished in Winchester.”
  • Family Condolences: “We have felt, we do feel, for you all, as you will not need to be told,—for you, for Fanny, for Henry, for Lady Bridges, and for dearest Edward, whose loss and whose sufferings seem to make those of every other person nothing. God be praised that you can say what you do of him: that he has a religious mind to bear him up, and a disposition that will gradually lead him to comfort.”
  • Fanny Knight: “My dear, dear Fanny, I am so thankful that she has you with her! You will be everything to her; you will give her all the consolation that human aid can give. May the Almighty sustain you all, and keep you, my dearest Cassandra, well; but for the present I dare say you are equal to everything.”
  • Update on the boys: “You will know that the poor boys are at Steventon. Perhaps it is best for them, as they will have more means of exercise and amusement there than they could have with us, but I own myself disappointed by the arrangement. I should have loved to have them with me at such a time. I shall write to Edward by this post.”
Patchbox with portrait of Elizabeth Austen, courtesy of Jane Austen’s House.

15 October (Castle Square):

  • Concern for Edward: “Your accounts make us as comfortable as we can expect to be at such a time. Edward’s loss is terrible, and must be felt as such, and these are too early days indeed to think of moderation in grief, either in him or his afflicted daughter, but soon we may hope that our dear Fanny’s sense of duty to that beloved father will rouse her to exertion. For his sake, and as the most acceptable proof of love to the spirit of her departed mother, she will try to be tranquil and resigned. Does she feel you to be a comfort to her, or is she too much overpowered for anything but solitude?”
  • Concern for Lizzy: “Your account of Lizzy is very interesting. Poor child! One must hope the impression will be strong, and yet one’s heart aches for a dejected mind of eight years old.”
  • Mourning clothes for Cassandra: “Your parcel shall set off on Monday, and I hope the shoes will fit; Martha and I both tried them on. I shall send you such of your mourning as I think most likely to be useful, reserving for myself your stockings and half the velvet, in which selfish arrangement I know I am doing what you wish.
  • Mourning clothes for Jane: “I am to be in bombazeen and crape, according to what we are told is universal here, and which agrees with Martha’s previous observation. My mourning, however, will not impoverish me, for by having my velvet pelisse fresh lined and made up, I am sure I shall have no occasion this winter for anything new of that sort. I take my cloak for the lining, and shall send yours on the chance of its doing something of the same for you, though I believe your pelisse is in better repair than mine. One Miss Baker makes my gown and the other my bonnet, which is to be silk covered with crape.”
  • Sisterly Condolences: “That you are forever in our thoughts you will not doubt. I see your mournful party in my mind’s eye under every varying circumstance of the day; and in the evening especially figure to myself its sad gloom: the efforts to talk, the frequent summons to melancholy orders and cares, and poor Edward, restless in misery, going from one room to another, and perhaps not seldom upstairs, to see all that remains of his Elizabeth. Dearest Fanny must now look upon herself as his prime source of comfort, his dearest friend; as the being who is gradually to supply to him, to the extent that is possible, what he has lost. This consideration will elevate and cheer her. Adieu. You cannot write too often, as I said before. We are heartily rejoiced that the poor baby gives you no particular anxiety. Kiss dear Lizzy for us. Tell Fanny that I shall write in a day or two to Miss Sharpe.”
From Beatrice Knight’s article on Regency Mourning. Click HERE to read her article on this topic.

24 October (Castle Square):

  • Edward’s sons arrive: “Edward and George came to us soon after seven on Saturday, very well, but very cold, having by choice travelled on the outside, and with no greatcoat but what Mr. Wise, the coachman, good-naturedly spared them of his, as they sat by his side. They were so much chilled when they arrived, that I was afraid they must have taken cold; but it does not seem at all the case: I never saw them looking better.”
  • Jane’s Affectionate Observations: “They behave extremely well in every respect, showing quite as much feeling as one wishes to see, and on every occasion speaking of their father with the liveliest affection. His letter was read over by each of them yesterday, and with many tears; George sobbed aloud, Edward’s tears do not flow so easily; but as far as I can judge they are both very properly impressed by what has happened. Miss Lloyd, who is a more impartial judge than I can be, is exceedingly pleased with them.”
  • Entertaining the boys: “George is almost a new acquaintance to me, and I find him in a different way as engaging as Edward. We do not want amusement: bilbocatch, at which George is indefatigable, spillikins, paper ships, riddles, conundrums, and cards, with watching the flow and ebb of the river, and now and then a stroll out, keep us well employed; and we mean to avail ourselves of our kind papa’s consideration, by not returning to Winchester till quite the evening of Wednesday.”
  • Church on Sunday: “I hope your sorrowing party were at church yesterday, and have no longer that to dread. Martha was kept at home by a cold, but I went with my two nephews, and I saw Edward was much affected by the sermon, which, indeed, I could have supposed purposely addressed to the afflicted, if the text had not naturally come in the course of Dr. Mant’s observations on the Litany: ‘All that are in danger, necessity, or tribulation,’ was the subject of it.”
  • Sunday walk: “The weather did not allow us afterwards to get farther than the quay, where George was very happy as long as we could stay, flying about from one side to the other, and skipping on board a collier immediately.”
  • Sunday evening: “In the evening we had the Psalms and Lessons, and a sermon at home, to which they were very attentive; but you will not expect to hear that they did not return to conundrums the moment it was over… While I write now, George is most industriously making and naming paper ships, at which he afterwards shoots with horse-chestnuts, brought from Steventon on purpose; and Edward equally intent over the ‘Lake of Killarney,’ twisting himself about in one of our great chairs.”
A game of “Spillikins,” image courtesy of the Jane Austen Centre. Read their article for the rules of the game!

25 October (Castle Square) – contained in the same post:

  • Updates on Edward: “All that you say of Edward is truly comfortable; I began to fear that when the bustle of the first week was over, his spirits might for a time be more depressed; and perhaps one must still expect something of the kind.”
  • Adventures to Northam and Hopeful Plans for Netley: “We had a little water-party yesterday; I and my two nephews went from the Itchen Ferry up to Northam, where we landed, looked into the 74, and walked home, and it was so much enjoyed that I had intended to take them to Netley to-day; the tide is just right for our going immediately after moonshine, but I am afraid there will be rain; if we cannot get so far, however, we may perhaps go round from the ferry to the quay. I had not proposed doing more than cross the Itchen yesterday, but it proved so pleasant, and so much to the satisfaction of all, that when we reached the middle of the stream we agreed to be rowed up the river; both the boys rowed great part of the way, and their questions and remarks, as well as their enjoyment, were very amusing; George’s inquiries were endless, and his eagerness in everything reminds me often of his uncle Henry.”
  • Evening Entertainment: “Our evening was equally agreeable in its way: I introduced speculation, and it was so much approved that we hardly knew how to leave off.”
Site of the Itchen ferry in the 18th C.

October in Jane Austen’s Novels

Sense and Sensibility

  • Private Balls and Parties: “When Marianne was recovered, the schemes of amusement at home and abroad, which Sir John had been previously forming, were put into execution. The private balls at the park then began; and parties on the water were made and accomplished as often as a showery October would allow.”
  • Colonel Brandon’s Fateful Letter: “The first news that reached me of her [little Eliza] came in a letter from herself, last October. It was forwarded to me from Delaford, and I received it on the very morning of our intended party to Whitwell; and this was the reason of my leaving Barton so suddenly, which I am sure must at the time have appeared strange to every body, and which I believe gave offence to some. Little did Mr. Willoughby imagine, I suppose, when his looks censured me for incivility in breaking up the party, that I was called away to the relief of one whom he had made poor and miserable; but had he known it, what would it have availed? Would he have been less gay or less happy in the smiles of your sister? No, he had already done that, which no man who can feel for another would do. He had left the girl whose youth and innocence he had seduced, in a situation of the utmost distress, with no creditable home, no help, no friends, ignorant of his address! He had left her, promising to return; he neither returned, nor wrote, nor relieved her.”
Alan Rickman as Colonel Brandon, Sense and Sensibility (1995).

Pride and Prejudice

  • Mr. Collins Writes to Mr. Bennet: Excerpts from letter, from “Hunsford, near Westerham, Kent, 15th October,” read as follows:

    “The disagreement subsisting between yourself and my late honoured father always gave me much uneasiness; and, since I have had the misfortune to lose him, I have frequently wished to heal the breach: but, for some time, I was kept back by my own doubts, fearing lest it might seem disrespectful to his memory for me to be on good terms with anyone with whom it had always pleased him to be at variance… As a clergyman, moreover, I feel it my duty to promote and establish the blessing of peace in all families within the reach of my influence…

    “If you should have no objection to receive me into your house, I propose myself the satisfaction of waiting on you and your family, Monday, November 18th, by four o’clock, and shall probably trespass on your hospitality till the Saturday se’nnight following, which I can do without any inconvenience, as Lady Catherine is far from objecting to my occasional absence on a Sunday, provided that some other clergyman is engaged to do the duty of the day.”
David Bamber as Mr. Collins, Pride and Prejudice 1995.

Mansfield Park

  • Tom Bertram on Hunting: “We have just been trying, by way of doing something, and amusing my mother, just within the last week, to get up a few scenes, a mere trifle. We have had such incessant rains almost since October began, that we have been nearly confined to the house for days together. I have hardly taken out a gun since the 3rd. Tolerable sport the first three days, but there has been no attempting anything since.”
  • Mr. Crawford on Fanny: “You see her every day, and therefore do not notice it; but I assure you she is quite a different creature from what she was in the autumn. She was then merely a quiet, modest, not plain-looking girl, but she is now absolutely pretty. I used to think she had neither complexion nor countenance; but in that soft skin of hers, so frequently tinged with a blush as it was yesterday, there is decided beauty; and from what I observed of her eyes and mouth, I do not despair of their being capable of expression enough when she has anything to express. And then, her air, her manner, her tout ensemble, is so indescribably improved! She must be grown two inches, at least, since October.”
  • Miss Crawford’s Response: “Phoo! phoo! This is only because there were no tall women to compare her with, and because she has got a new gown, and you never saw her so well dressed before. She is just what she was in October, believe me. The truth is, that she was the only girl in company for you to notice, and you must have a somebody.”
Fanny Price refusing Henry Crawford.

Emma

  • Emma Longs for Isabella’s Christmas Visit: “[Emma’s] sister, though comparatively but little removed by matrimony, being settled in London, only sixteen miles off, was much beyond her daily reach; and many a long October and November evening must be struggled through at Hartfield, before Christmas brought the next visit from Isabella and her husband, and their little children, to fill the house, and give her pleasant society again.”
  • Mrs. Weston on Mr. Frank Churchill and Jane Fairfax: “‘You may well be amazed,’ returned Mrs. Weston, still averting her eyes, and talking on with eagerness, that Emma might have time to recover— ‘You may well be amazed. But it is even so. There has been a solemn engagement between them ever since October—formed at Weymouth, and kept a secret from every body. Not a creature knowing it but themselves—neither the Campbells, nor her family, nor his.—It is so wonderful, that though perfectly convinced of the fact, it is yet almost incredible to myself. I can hardly believe it.—I thought I knew him.'”
  • Mr. and Mrs. Weston’s Pain: “Engaged since October,—secretly engaged.—It has hurt me, Emma, very much. It has hurt his father equally. Some part of his conduct we cannot excuse.”
  • Emma and Mr. Knightley get married in October:
    • “Before the end of September, Emma attended Harriet to church, and saw her hand bestowed on Robert Martin…”
    • “The Mr. Churchills were also in town; and they were only waiting for November. The intermediate month was the one fixed on, as far as they dared, by Emma and Mr. Knightley. They had determined that their marriage ought to be concluded while John and Isabella were still at Hartfield, to allow them the fortnight’s absence in a tour to the seaside, which was the plan.”
    • “But Mr. John Knightley must be in London again by the end of the first week in November.”
    • “[Emma] was able to fix her wedding-day—and Mr. Elton was called on, within a month from the marriage of Mr. and Mrs. Robert Martin, to join the hands of Mr. Knightley and Miss Woodhouse.”
Gwyneth Paltrow as Emma Woodhouse, Emma 2009.

October Dates of Importance

This brings us now to several important October dates relating to Jane and her family:

Family News:

7 October 1767: Edward Austen born at Deane.

25 October 1804: Austen family returns to Bath and lives at 3 Green Park Buildings East.

October 1806: Austen women move to Southampton to live with Francis Austen and wife Mary.

14 October 1812: Edward Austen officially adopts “Knight” as surname.

4 October 1815: Austen travels to London and stays two months to nurse Henry during his illness.

Historic Dates:

19 October 1781: Major British defeat at the Battle of Yorktown, marking the end of the fighting during the American Revolutionary War.

16 October 1793: Marie Antoinette executed in France.

1 October 1801: Truce between Britain and France.

21 October 1805: Nelson defeats French-Spanish fleet at the Battle of Trafalgar.

Writing:

October 1796: Austen begins writing “First Impressions” (later revised as Pride and Prejudice).

30 October 1811: Sense and Sensibility published “By a Lady.”

Sorrows:

10 October 1808: Elizabeth Austen (Edward’s wife) dies after eleventh childbirth.

Battle of Trafalgar.

October

As we round the corner into the last few months of the year, it’s fascinating to find so many interesting tidbits each month in Jane Austen’s letters, novels, and life. Next month, we’ll take a look at November in Jane Austen’s World!


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog. She is the bestselling author of The Little Women DevotionalThe Anne of Green Gables Devotional and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Now Available: The Secret Garden Devotional! You can visit Rachel online at www.RachelDodge.com.

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Fashionable GoodnessGentle Readers:

One of our blog’s writers, Brenda Cox, is introducing her book Fashionable Goodness: Christianity in Jane Austen’s England this week to the Jane Austen community. I am not only excited about its publication, but honored to be the first person on this tour to interview her. 

Prior Praise: 

“Finally! Fashionable Goodness is the Jane Austen reference book that’s been missing from the bookshelves of every Austen fan and scholar.”

— Rachel Dodge, bestselling author of Praying with Jane

You will look at Mr. Collins, the Crawfords, the Dashwoods, the Tilneys, the Wickhams, and Willoughbys–and especially Fanny Price!–with new and surprising insights. Bravo to Brenda Cox for giving us this very accessible, illuminating take on the ‘fashionable goodness’ of Austen’s era!”

— Deborah Barnum, Jane Austen in Vermont

Vic: What prompted you to write Fashionable Goodness? Was your decision a quick one, or was your journey long and thoughtful?

Brenda: It was a long journey. I first intended, about ten years ago, to write a novel based on Sense and Sensibility. But I always want to get things “right,” so I began to research. I wanted to include the church and faith in the story, since those things are important to me and I knew they were important to Austen. I discovered some fascinating churches, with their own stories, on a visit to Bath. I got hold of all the relevant books and sources I could. As I learned more and more about the church in Austen’s England, my notes multiplied. 

Finally, I realized that I needed a book about this topic, and it might benefit other readers as well. Therefore, I decided to put together a book that would bring together a wide range of information in one place. I wanted it to be accurate, affordable, and accessible for any reader. The book grew, I cut it back, grew, and I cut it back, multiple times. The text is easy for anyone to read, plus I have included resource lists and notes for scholars.

Eventually I shared it with friends, writers, and my wonderful editor, who all told me I needed to publish it. It’s been a  journey of several years even from then. I am such a perfectionist that it’s hard for me to let go of the book and release it into the world, but I’m excited to see it become “real” at last!

Vic: How did researching and writing Fashionable Goodness give you insights about Jane Austen as a person and a writer?

I can see now how deeply Austen’s faith affected her life and novels. I can also now understand her references to the church and clergy. That gives even more depth to the stories and characters.

Vic: How did your research change your personal feelings towards Jane?

Brenda: I feel closer to her now, since I’ve spent so much time in her letters and books. I looked at many small details to gain a clearer picture of her values. I can understand and appreciate her views, even when they are not quite the same as mine.

Vic: Do you have any advice for authors who are thinking about self-publishing? What tools do they need? What support system would help them along?

Brenda: For myself, I spoke to a number of agents and publishers during my journey, and their input was helpful. Some really liked the book and wanted to read it when it came out. However, it didn’t fit into their “categories,” since it’s about literature, history, and religion, and the intersection of all three. Also the book is fairly long, but my editor and beta readers kept wanting me to add more rather than take things out! So finally I went with self-publishing, which gives me the freedom to publish something “outside of the box” and charge what I think is a reasonable price.

But, I made sure to do it right. I have been writing for publications for many years. I know the craft well, from books, courses, and workshops about writing. I attended writers’ conferences to learn and to network. I hired a professional editor: a Janeite I providentially met at an AGM, who has edited for major publishers. I got extensive feedback from other writers and from beta readers. I got very involved in JASNA and gave JASNA talks, which honed my information and showed me what Janeites wanted to know. And, in the book, I show extensive documentation (with many pages of endnotes and a long bibliography) for those who might wonder about a self-published work.

The mechanics of self-publishing are much easier than in the past; Amazon keeps honing the process. A friend recommended Vellum as a formatting program, which I found excellent and reasonably priced. Once you have a good, professionally written and edited book, getting it online is not difficult, if you are at all technically inclined. (If you are not, you can hire people to do that part.) 

I am thankful that self-publishing has allowed me to get this book out into the world without the long lead time and higher prices of more traditional publishers. But I do encourage anyone considering self-publishing to get good help and make sure your work is done well.

Thank you, Brenda, for your thoughtful answers. You are the fourth writer I know who is self-published. While the journey is not easy, all feel such satisfaction in finding their hard work in print. I wish you all the luck in the world with this book!–Vic

Brenda CoxAbout the author, Brenda S. Cox:

Brenda S. Cox has loved Jane Austen since she came across a copy of Emma as a young adult; she went out and bought a whole set of the novels as soon as she finished it! She has spent years researching the church in Austen’s England, visiting English churches and reading hundreds of books and articles, including many written by Austen’s contemporaries. She speaks at Jane Austen Society of North America meetings (incuding three AGMs) and writes for Persuasions On-Line (JASNA journal) and the websites Jane Austen’s World and her own Faith, Science, Joy, and Jane Austen.

Where to Buy:

Fashionable Goodness: Christianity in Jane Austen’s England is now available from Amazon and Jane Austen Books. International link: Amazon

Blog Tour Schedule

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Book cover of Bath: An Adumbration in Rhyme by John Matthews

Cover of Bath: An Adumbration in Rhyme by John Matthews

Inquiring readers: Many of you who have visited here before are aware of Dr. Wiebracht’s online senior high school students’ research on John Matthews’s 18th century poem “Bath: An Adumbration in Rhyme.” This link leads to their published work, as well as Dr. Wiebracht’s description about the project and his advice for teachers on starting a similar semester-long online endeavor. Their remarkable results were published on this blog in January and spring of this year. The third step in Dr. Wiebracht’s examination of the poem – a publication – is presented in this review.

So the beaux in their boots, the belles in their slippers,

Come to walk up and down, and peep at the dippers,

For though strange it appears, I’d have you to know,

Whilst you’re drinking above, some are bathing below,

And each glass of water brought up by the pumps

Contains the quintessence of half-a-score rumps.”

Bath: An Adumbration in Rhyme, John Matthews

cruikshank-bathing-bath

A Peep at the Dippers, Cruikshank. Public Domain Image

The forgotten contemporaries of Jane Austen and an introduction to the first book in a series that will examine them

In his introduction of this unique annotated publication, Wiebracht writes that it:

speaks as directly as possible to the typical reader – the same reader Austen herself addressed. And teachers and students, particularly high-school students, will be inspired to know that the volume they are reading was researched, designed, and edited in large part by other high-school students. Indeed, as a teacher and scholar, one of my hopes for this series is that it challenges the narrow assumption that only university faculty and graduate students are capable of making original contributions to literary scholarship. This isn’t so.”

After the students completed their project in December 2020, Dr. Wiebracht and his academic colleagues continued to study the Adumbration. The result was this completed book, published in August of this year.

The major goals for Dr. Wiebracht, his students, and academic researchers were to find original sources to chronicle the genesis of this poem and the resources that influenced it. These sources can be found in the Table of Contents under bibliography and further reading, as well as a biographical essay on John Matthews, and an essay on Bath satire. Also included is a thoroughly accessible, but academic analysis of *Northanger Abbey (with references to Persuasion) regarding Austen’s descriptions of Bath, Anstley’s The New Bath Guide (1762), and G. Davis’s and P. Bonhall’s book, entitled A History of Bath: Image and Reality (2006). The highlight of this volume, though, is the poem, located near the very end. My close friend, H. Major, (and editor) particularly liked how the annotations were placed on the right page, next  to the archaic phrases in the poem on the left page for helpful understanding.

annotation of the adumbration

Side by side- poem on the left, annotation on the right

This 54-page book is the first in a planned series entitled Forgotten Contemporaries of Jane Austen. The selected works will have a varied audience in mind, with characteristics that include: 

  1. The work is not available in any other modern edition.
  2. It must discuss subjects that directly concern Jane Austen and are featured prominently in her novels.
  3. It must be relatively short to enable teachers and professors to use it as a supplement in a class or unit devoted to Jane Austen.
  4. It must have merit in its own right.

I won’t reveal too many details about the information contained in this first Critical Edition, for it would spoil your fun in learning what it has to offer when you purchase the book, which I recommend highly, but I would like to mention one sequence of connections that clearly tie several topics together: Bath in the late 18th century + Jane Austen’s Northanger Abbey and Persuasion + 18th century satire + writing in rhyme + macaronis and fops + Matthew’s one-dimensional view of fops compared to Austen’s more masterful take on that fashionable group of gentlemen.

Historical and literary connections:

In 1762, Christopher Anstey wrote The New Bath Guide: Or Memoirs of the B-R-D Family, which consisted of 15 letters in poetic verse. The popularity of this guide began a tradition of writing letters, journals, and guides in rhyme. Decades later, John Matthews followed in his footsteps by using bawdy and satiric references, while also including Greek myths and the daily habits of visitors to Bath, and the region’s topography.

A portion of the page of Anstey's guide

Anstey’s rhyme regarding a reflection on arrival in Bath

In his poem, published in 1795, Matthews describes a day in Bath from morning to night using the sharp humor characteristic of Georgian era satire (notice the quote about taking the waters in the pump room at the start of this review). Matthews was not the only one to follow this wide practice. Men and women of fashion often wrote in rhyme, as did Jane Austen’s mother, Cassandra, who wrote delightful recipes in that tradition. Jane, too, wrote poetry, but her poems are merely adequate when compared to her novels.

In one passage in the Adumbration, Matthews mentions macaronis in Milsom Street:

“Where, booted and spurred, the gay macaronies, 

Bestride Mandell’s counter instead of their ponies,

Preferring the pleasure of ‘tending the fair,

To breathing the freshness of Lansdown’s pure air” – Matthews

From the mid-18th century, cartoonists and writers made merry sport of the affectations of effete fops and macaronis, who were objects of visual and verbal fun. In his Adumbration, Matthews follows his era’s sardonic judgment. The annotations offer definitions and historical context that are placed conveniently near the Georgian terms and phrases that modern readers no longer understand. 

Image of a macaroni

1774 Wikimedia image of a macaroni or fop. “What is This, My Son Tom?”

Jane Austen’s take on fops, in the form of  Sir Walter Elliot (Persuasion), a man who cared more about his personal appearance than most men and women of his acquaintance, is more nuanced than Matthews’ fops, for behind Sir Walter’s sartorial pride and conceit, is a man disdainful of the middling sort, a man whose high opinion is reserved only for those he deems his equals, and a man who squanders his inheritance in the service of his immense ego. Unlike Austen, Mathews simply makes surface sport of a macaroni’s preference for fashion, much like the caricatures of his era.

Both Austen and Matthews portrayed Bath past its prime, however. It was once a highly desired resort town that, by the 1790’s, saw the mingling of the rising middle classes with an aging gentry and those on the downward slide, like Sir Walter, or with fortune hunters. Today, we read Matthews’ guide for fun and understanding; but we tend to reread Jane’s “fun” novels for their richness and insights!

matthew.austen

Portraits of John Matthews and Jane Austen. Vic’s image is from the book

Stanford online high school student testimonials:

The Jane Austen’s World team would like to thank the students for their hard work on this project and the excellent results. We would also like to thank Dr. Wiebracht and his colleagues for illuminating this document for a wider audience. In addition to their research, students were required to read Austen’s *Northanger Abbey. They also attended two 1 hour zoom workshops, one given by Tony Grant, and the other given by me, Vic.  A number of them sent notes of thanks!

“Thank you so much for being willing to get involved in our Bath project, for your enthusiasm on our work, and for helping us learn something new and unique about Jane Austen’s era! – Josie Chan

“Thank you so much for giving us a space on your platform, and for visiting our class last year!  Your insight on both Jane Austen and the publication process was invaluable.” –  Varsha Venkatram

“Thank you so much not only for giving us the opportunity to publish on your blog but for sharing your expertise. Your advice was an invaluable guide in this process.” – Sophia Romagnoli

“Thank you for visiting our class and publishing our article on your blog! It’s an honor to have been part of a team contribution to Jane Austen’s World. – Carolyn Engargiola

Note from Jane Austen’s World: Dear students, the honor is ours. We are so proud of your research and contributions, and cannot recommend this book highly enough – Vic Sanborn and Tony Grant

Order the book on Amazon:

Bath: An Adumbration in Rhyme: A Critical Edition for Readers of Jane Austen (Forgotten Contemporaries of Jane Austen) Paperback – 8 August 2021

by John Matthews  (Author), Ben Wiebracht (Editor), Josephine Chan (Editor), & 6 more

$9.99 U.S.

54 pages

Publisher: Pixelia Publishing (August 8, 2021)

Language: English

Paperback: 54 pages

U.S. Amazon

UK Amazon

Links:

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