This Jane Austen blog brings Jane Austen, her novels, and the Regency Period alive through food, dress, social customs, and other 19th C. historical details related to this topic.
Inquiring readers: At the end of 2010, PBS sent Jane Austen’s World blog many DVDs for review. Most dealt with Jane Austen or the Georgian/Regency era. Close to fifteen years have passed since the series “At Home With the Georgians” first aired in the US. Recently I started to think that a new audience of Jane Austen fans might not be aware of this marvelous series, which presented the private lives, courtships, and marriages of Georgian men and women in 18th Century England. This series was developed in a variety of ways: by reading original sources, such as letters, discussions with experts, museum displays, and visiting the houses and regions where the British from all classes once lived.
This three part series is based on Amanda Vickery’s book, Behind Closed Doors: At Home in Georgian England, a thoroughly informative and academic effort. Vickery is also the host of this visually stunning show. About the Georgian household she states that a home “reflected your taste, your values, your moral character, and the state of your marriage.” This concise introduction sums up the series. A man’s home ownership determines his position. For example, a rented home could determine his status. If he rented the entire house, from top to bottom, he could not only attract a wife, he would also be viewed as a full citizen qualified to vote. Bachelors who rented rooms in squalid areas of town, were at the bottom of the matrimonial ladder, always yearning to improve their circumstances.
Bachelor fantasizing about a home and family. (DVD scene)
Marrying well was the major focus for Georgian women. Spinster ladies who were unsuccessful in finding a husband, led lives of dependency. Austen described their lot beautifully in her letters and novels.
Gertrude Saville, a very sad spinster (DVD Scene)
Finding a husband and raising a family were a Georgian woman’s main ambitions. As for the man, all he really needed for happiness was “a wife and a fire.” His primary focus early in life was to set up the kind of household that enabled him to woo a woman successfully.
A proper Georgian Family. Thomas Hudson,The Thistlethwayte Family, ca. 1758. Yale Center for British Art
The third video has a much darker tone than the first two, but its content is equally as fascinating. In it, Vickery discusses how the home provided safety during the night, especially in cities, towns, and rural communities that were dark after sundown and badly lit at night in an age before electricity.
Georgian dress with chatelaines attached to her bodice and skirt
While the wife carried the keys and other instruments, such as sewing scissors, inside the home during the day to perform her housewifely duties (notice the instruments attached to the bodice in the image), the husband’s responsibility was to walk around the house every night, and lock the doors and windows to prevent intruders from entering. As the 18th century progressed, crimes, including relatively minor ones of theft, were punished more harshly. Serious robberies and break ins led increasingly to brutal imprisonment or a death sentence.
The “At Home With the Georgians” videos are divided into the following three topics. Click on the links to read our full reviews.
A Woman’s Touch, reviewed by Tony Grant, a frequent contributor to this blog. Read it at this link.
Safe as Houses, reviewed by Vic, with photo contributions from Tony Grant. Read it at this link.
Where to view the videos today
DVDs of these videos are available at Amazon and eBay. Roku Channel and Tubi offer free views, although if I recall correctly, they come with ads. One YouTube channel features at least the first two videos: A Man’s Place and A Woman’s Touch. Click on soniab1’s YouTube channel to see them.
About Amanda Vickery
Amanda Vickery reading letters & documents
Amanda Jane Vickery FBA is an English historian, writer, radio and television presenter, and professor of early modern history at Queen Mary, University of London. Source: Wikipedia
“I have seen nobody in London yet with such a long chin as Dr Syntax” (Jane Austen, March 2, 1814).
I just finished reading, cover to cover, a brand-new book which is over 200 years old. The Tour of Doctor Syntax in Search of the Picturesque, by William Combe, is a classic which Jane Austen herself enjoyed. But it’s out in a new edition, with wonderful illustrations, explanations, and comments.
A fun new annotated version of The Tour of Doctor Syntax, including parallels with Jane Austen’s novels!
The story in verse was first published from 1809-1811 as a series in Ackermann’s Poetical Magazine. Ackermann had a series of prints by the great caricaturist Thomas Rowlandson. They featured a country clergyman with a long pointed chin and a tall white wig traveling through the countryside. Ackermann gave Combe the illustrations for each issue of the magazine, and Combe wrote a section of the story to go with them. He didn’t know ahead of time what the pictures would be for the next issue, but somehow he came up with a coherent story. One interesting facet is that Rowlandson apparently intended to satirize the clergy, but Combe made Syntax into a good, learned man, a little silly, but lovable.
A book version came out in 1812. Dr. Syntax was wildly popular and stayed in print, with multiple printings and editions, well into the 1800s.
This new version of The Tour of Doctor Syntax was edited and annotated by an advanced high school class and their professor, Dr. Ben Wiebracht. Ben actually discovered Dr. Syntax through one of my posts right here at Jane Austen’s World. Recognizing its potential for his class on “Jane Austen and Her World,” he asked Vic Sanborn, owner and primary writer of this website, and myself, to share with his class. Vic owns some lovely Rowlandson prints. We both loved connecting with such bright and interested students, who asked knowledgeable questions.
The Book
They’ve done a brilliant job with the book. It starts with a biography of William Combe and the history of the book itself. Combe’s challenges as a writer in Austen’s age were fascinating to me, as a writer myself. A clear introduction explains “the picturesque,” which is mentioned in Austen’s novels. Parallel to the text are straightforward explanations of difficult terms and phrases. That makes them easy to quickly reference. A glossary in the back gives terms previously defined.
The best part, for me, are comments pointing out parallels with Jane Austen’s work. I can’t even begin to list these, but there are many great insights. Some are about the clergy in Austen’s work, since Syntax is an underpaid country curate like Charles Hayter of Persuasion. Many comments have to do with the “picturesque,” “improvement” and country estates ranging from Sotherton to Pemberley. Others relate to the class system, Gothic novels, and other topics.
The full text of the poem/story is opposite explanations, comments, and illustrations, making them easy to access. The Tour of Doctor Syntax, 2024.
“Doctor Syntax Tumbling into the Lake,” by Thomas Rowlandson. One of the lovely full-page illustrations for this new version of The Tour of Doctor Syntax.
Victorian illustration, 1838, of the same scene, by Alfred Crowquill. The Tour of Doctor Syntax includes both the Rowlandson and Crowquill illustrations.
I also loved the illustrations. The editors chose the best versions they could find of each of the full-page, hand-colored pictures by Rowlandson that were the basis of the book. They added illustrations from a later Victorian version, as well as other entertaining and illuminating cartoons and pictures from the time.
Interview with the Editor
I’ll let Dr. Wiebracht himself tell you more about how this book came about.
Ben, please tell me about your class that produced this book.
The class is called “Jane Austen and Her World” and it’s designed for advanced juniors and seniors. The goal is to see Austen’s novels not as sealed-off masterpieces, floating in a historical vacuum, but as windows into her world. Most class days, our Austen reading is accompanied by shorter texts designed to create a sense of context and show how Austen was in conversation with her contemporaries. For instance:
We pair Austen’s account of Bath in Northanger Abbey with a number of late 18th-c. satires of Bath, 18th-c. dance music, and illustrations of the city by Rowlandson and others.
We pair Catherine’s pseudo-Gothic adventures in Vol. II with excerpts from The Monk, The Castle of Otranto, and The Mysteries of Udolpho.
We pair the private theatricals in Mansfield Park with a viewing of a performance of Lover’s Vows, as well as specimens of anti-theatrical criticism from the period, including a satire on private theatricals by Jane’s brothers!
We pair the discussion of landscape gardening in Mansfield Park with images from Humphry Repton’s famous “red books” showing “before and after” estate grounds.
The idea is to understand Austen in a deeper way by developing the practice of “reading outward.” And we incorporate that principle in our work for the class. Instead of the usual school essays, students work with me to create a critical edition of a neglected text from Austen’s time, with annotations and other resources that draw connections between the text and Austen’s life and work.
The class enrolled 16 students (the maximum). They hailed from all over the country and world: Japan, China, and many different U.S. states. This was my first time teaching the course, though I developed the core ideas in an Austen unit for a previous course. In the future, I will probably teach the course every three years. The book project in particular is a heavy lift, and I’m not capable of it every year!
How did you end up studying Dr. Syntax along with Jane Austen?
I have to back up a bit here. In the course of an Austen unit for a previous class, students and I had created a critical edition of a long-forgotten 1795 poem called Bath: An Adumbration in Rhyme. We used that book to launch a new series called “Forgotten Contemporaries of Jane Austen.” Its goals are:
to recover neglected but valuable texts from Austen’s time, and
to trace new connections between Austen and her contemporaries.
As I was preparing my Austen class, I settled on Doctor Syntax (first brought to my attention in JAW by one of your articles!) for three reasons.
First, the poem had undeniable literary-historical importance – one of the all-out bestsellers of the Regency. A critical edition, I thought, was long overdue.
Second, many of its themes – from the plight of poor clergy to the “picturesque” – were major concerns of Austen’s novels, too.
Finally, the poem was simply a really good read. Combe’s verses are light, fun, and at times even touching, and Rowlandson’s accompanying illustrations are some of his best work. In every way, the poem deserved to be revived!
What do you hope readers will gain from the book?
There are a lot of things I hope people take away! One would be a deeper appreciation of just how engaged Austen was in the debates and issues of her day. Sometimes Austen is talked about as something of a provincial writer, sealed off from the wider Regency world, modestly toiling away on her “pictures of domestic life in country villages,” as she once put it. But when we keep in mind just how much of a smash hit Doctor Syntax was, and when we consider the many, many parallels between this work and Austen’s novels, which our edition lays out in detail, then we see Austen differently. She now starts looking like a very savvy writer, who understood what the major issues of the day were, what readers were interested in. To be sure, she stuck to her convictions and drew on her own experience and observations, but she did so in a way designed to appeal to a broad, national readership.
I’m also excited for people to meet this poet William Combe, who had one of the most interesting lives of any Regency writer. He was a remarkable literary talent. He doesn’t fit the mold of the “Romantic poet,” which is one reason he might be overlooked. Instead he offers a light, generous humor that shows us that Regency poetry wasn’t all about Byronic heroes and Wordsworthian dreamers. There was a sociable, comic side to the poetry of the period. Combe represents that comic side particularly well.
Finally, I would love it if this book inspired other teacher-scholars to undertake collaborative research with their students – especially at the upper-high-school level. There are so many benefits. For students, it’s a more rewarding and enjoyable approach to literary scholarship than the usual school essays. For teachers, it’s a welcome relief from the role of “judge/grader” – instead you get to teach through co-creation, as is done in most trades through the apprenticeship model. And for the reading public, there’s the benefit of the work produced! I am convinced that student involvement, with the right guidance and leadership from the teacher, leads to better scholarship. It certainly has in my experience.
By the way, while we don’t offer a Kindle edition, we do offer a free etext in the form of a downloadable PDF on our website. We decided from the beginning to be an open-access publisher, in part to make it easier for teachers with low-income students to assign our books. The best way to use the e-text is to enable the 2-page view in your pdf reader – that way the text and notes are neatly parallel, as in the physical book. The etext can also be used as a supplement to the physical book – for instance if you want to do a text search for a particular word.
How did you and the students share the work on this project?
Each student was responsible to annotate one of the poem’s 26 cantos, about ten pages of text. I did the other ten cantos myself. Students also had one or more additional responsibilities, which included:
Researching aspects of Combe’s life
Researching Gilpin and the picturesque
Compiling chronologies
Drawing maps
Designing the cover
Editing the text according to scholarly standards
My job was twofold. First, I offered regular feedback on work in progress, helping students learn how to navigate library databases, write good, concise annotations, etc. I also did the parts of the book that were a bit beyond the reach of high-school students, even excellent ones, which all the students who worked on this book were! For example, I wrote most of the introductory materials, as well as some of the trickier annotations. I helped with the final prose, too, to ensure continuity of voice. That doesn’t mean, though, that the best stuff is mine. Many of the best, most insightful annotations in the book are entirely by students, and every one of my students has some of their own writing, their own voice in the final book – which was a major priority for me. And just as students benefited from my feedback, I benefitted from theirs. They fully earned their editor credits in the final book.
Final Thoughts
Dr. Wiebracht and his class did an amazing job. I highly recommend this book, which is available on Amazon and from Jane Austen Books at a discount. I have not yet read the earlier book in the series, Bath: An Adumbration in Rhyme, but now I want to get hold of that and read it, too!
If you’re at the JASNA AGM this month, you can hear Ben and some of his students speak, and get them to sign your copy of the book. (Unfortunately I’m speaking in a slot opposite theirs, as well as other excellent speakers at that time, so you’ll have to choose! It’s always challenging.) Their talk is also available in the virtual version of the AGM.
The price is very reasonable for a book with color illustrations. I hope you’ll get a chance to enjoy and learn from this lovely book!
As we continue our month-by-month journey through Jane Austen’s novels, letters, and lifetime, we find ourselves in the lovely month of April! If you’re just jumping on the bus, you can find previous articles in my “A Year in Jane Austen’s World” series here: January, February, and March.
Let’s see what we find as we explore April in Jane Austen’s World! First up, our monthly view of Chawton House and Gardens, where the tulips are beginning to bloom!
April is when everything starts to come back to life and bloom in Hampshire. The trees boast new leaves, the roads and lanes are lined with green, and flowers and trees are in blossom. The weather ranges from cloudy to partly cloudy to partly sunny to rainy.
Why talk about the flowers and the weather? Because it’s fun to picture some of the details about Hampshire that Austen loved and that we can still enjoy today!
The badness of the weather disconcerted an excellent plan of mine,—that of calling on Miss Beckford again; but from the middle of the day it rained incessantly.
Letter to Cassandra, Sloane St., Thursday (April 18, 1811)
Your lilacs are in leaf, ours are in bloom. The horse-chestnuts are quite out, and the elms almost. I had a pleasant walk in Kensington Gardens on Sunday with Henry, Mr. Smith, and Mr. Tilson; everything was fresh and beautiful.
Letter to Cassandra, Sloane St., Thursday (April 25, 1811)
Here is a glimpse of Jane Austen’s House Museum this month. The garden is looking absolutely lovely already!
We have two letters from April 1811 when Jane was staying with her brother in Sloane Street in London. The following are a few excerpts of special interest:
Her spring shopping purchases: “I am sorry to tell you that I am getting very extravagant, and spending all my money, and, what is worse for you, I have been spending yours too; for in a linendraper’s shop to which I went for checked muslin, and for which I was obliged to give seven shillings a yard, I was tempted by a pretty-coloured muslin, and bought ten yards of it on the chance of your liking it; but, at the same time, if it should not suit you, you must not think yourself at all obliged to take it; it is only 3s. 6d. per yard, and I should not in the least mind keeping the whole. In texture it is just what we prefer, but its resemblance to green crewels, I must own, is not great, for the pattern is a small red spot. And now I believe I have done all my commissions except Wedgwood.”
More walking and shopping: “I liked my walk very much; it was shorter than I had expected, and the weather was delightful. We set off immediately after breakfast, and must have reached Grafton House by half-past 11; but when we entered the shop the whole counter was thronged, and we waited full half an hour before we could be attended to. When we were served, however, I was very well satisfied with my purchases — my bugle trimming at 2s. 4d. and three pair silk stockings for a little less than 12s. a pair.”
News about their brothers and their careers in the Navy: “Frank is superseded in the ‘Caledonia.’ Henry brought us this news yesterday from Mr. Daysh, and he heard at the same time that Charles may be in England in the course of a month. Sir Edward Pollen succeeds Lord Gambier in his command, and some captain of his succeeds Frank; and I believe the order is already gone out. Henry means to inquire farther to-day. He wrote to Mary on the occasion. This is something to think of. Henry is convinced that he will have the offer of something else, but does not think it will be at all incumbent on him to accept it; and then follows, what will he do? and where will he live?”
The HMS Caledonia was a 120-gun first-rate ship of the line of the Royal Navy, launched on 25 June 1808 at Plymouth. Wikipedia.
Austen’s progress with and thoughts about Sense and Sensibility: “No, indeed, I am never too busy to think of S. and S. I can no more forget it than a mother can forget her sucking child; and I am much obliged to you for your inquiries. I have had two sheets to correct, but the last only brings us to Willoughby’s first appearance. Mrs. K. regrets in the most flattering manner that she must wait till May, but I have scarcely a hope of its being out in June. Henry does not neglect it; he has hurried the printer, and says he will see him again to-day. It will not stand still during his absence, it will be sent to Eliza.”
Plenty of wonderful details about a party hosted by Henry and Eliza: “Including everybody we were sixty-six — which was considerably more than Eliza had expected, and quite enough to fill the back drawing-room and leave a few to be scattered about in the other and in the passage.”
“The music was extremely good. It opened (tell Fanny) with ‘Poike de Parp pirs praise pof Prapela’; and of the other glees I remember, ‘In peace love tunes,’ ‘Rosabelle,’ ‘The Red Cross Knight,’ and ‘Poor Insect.’ Between the songs were lessons on the harp, or harp and pianoforte together; and the harp-player was Wiepart, whose name seems famous, though new to me. There was one female singer, a short Miss Davis, all in blue, bringing up for the public line, whose voice was said to be very fine indeed; and all the performers gave great satisfaction by doing what they were paid for, and giving themselves no airs. No amateur could be persuaded to do anything.”
“The house was not clear till after twelve. If you wish to hear more of it, you must put your questions, but I seem rather to have exhausted than spared the subject.”
The following are a collection of interesting details and scenes that occur in (or refer to) the month of April in Austen’s novels. Springtime appears to be a good time for travel, walking, and riding as the weather slowly improves:
Sense and Sensibility
The Palmers, Mrs. Jennings, and the Dashwood sisters leave London for Cleveland in April (for the Easter holidays): “Very early in April, and tolerably early in the day, the two parties from Hanover Square and Berkeley Street set out from their respective homes, to meet, by appointment, on the road. For the convenience of Charlotte and her child, they were to be more than two days on their journey, and Mr. Palmer, travelling more expeditiously with Colonel Brandon, was to join them at Cleveland soon after their arrival.”
Pride and Prejudice
Darcy proposes again and refers to his first April proposal to Elizabeth Bennet (he surely remembers that date VERY well): “You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever.”
Mansfield Park
Fanny is left without fitting exercise: “[The Miss Bertrams] took their cheerful rides in the fine mornings of April and May; and Fanny either sat at home the whole day with one aunt, or walked beyond her strength at the instigation of the other: Lady Bertram holding exercise to be as unnecessary for everybody as it was unpleasant to herself; and Mrs. Norris, who was walking all day, thinking everybody ought to walk as much.”
Sir Thomas’s letter home: “[Sir Thomas] wrote in April, and had strong hopes of settling everything to his entire satisfaction, and leaving Antigua before the end of the summer.”
Fanny Price in Portsmouth: “The end of April was coming on; it would soon be almost three months, instead of two, that she had been absent from them all, and that her days had been passing in a state of penance, which she loved them too well to hope they would thoroughly understand; and who could yet say when there might be leisure to think of or fetch her?”
Fanny’s thoughts on springtime in the countryside versus the congested town: “It was sad to Fanny to lose all the pleasures of spring. She had not known before what pleasures she had to lose in passing March and April in a town. She had not known before how much the beginnings and progress of vegetation had delighted her. What animation, both of body and mind, she had derived from watching the advance of that season which cannot, in spite of its capriciousness, be unlovely, and seeing its increasing beauties from the earliest flowers in the warmest divisions of her aunt’s garden, to the opening of leaves of her uncle’s plantations, and the glory of his woods. To be losing such pleasures was no trifle; to be losing them, because she was in the midst of closeness and noise, to have confinement, bad air, bad smells, substituted for liberty, freshness, fragrance, and verdure, was infinitely worse: but even these incitements to regret were feeble, compared with what arose from the conviction of being missed by her best friends, and the longing to be useful to those who were wanting her!
Northanger Abbey
Isabella writes a “very unexpected letter” to Catherine.
Emma
Mrs. Elton pressures Jane to find a position as a governess very soon so that she doesn’t miss her chance: “But, my dear child, the time is drawing near; here is April, and June, or say even July, is very near, with such business to accomplish before us. Your inexperience really amuses me! A situation such as you deserve, and your friends would require for you, is no everyday occurrence, is not obtained at a moment’s notice; indeed, indeed, we must begin inquiring directly.”
For the introverts among us: “John Knightley only was in mute astonishment.—That a man (Mr. Weston) who might have spent his evening quietly at home after a day of business in London, should set off again, and walk half a mile to another man’s house, for the sake of being in mixed company till bed-time, of finishing his day in the efforts of civility and the noise of numbers, was a circumstance to strike him deeply. A man who had been in motion since eight o’clock in the morning, and might now have been still, who had been long talking, and might have been silent, who had been in more than one crowd, and might have been alone!—Such a man, to quit the tranquillity and independence of his own fireside, and on the evening of a cold sleety April day rush out again into the world!“
Mrs. Elton and Jane Fairfax in Emma (1996).
April Dates of Importance
This brings us now to several dates that would have been important to Austen personally and to the Austen family as a whole:
Family News:
26 April 1764: Rev. George Austen marries Cassandra Leigh.
23 April 1774: Francis (Frank) Austen (Jane’s brother) born at Steventon.
April 1786: Francis Austen enters the Royal Naval Academy at Portsmouth
15 April 1793: James Austen’s first child, Anna, is born.
Historic Dates:
19 April 1775: The Battle of Lexington marks the start of America’s Revolutionary War.
Writing:
April 1811: Austen continues to correct proofs of Sense and Sensibility. She anticipates its publication date.
Sorrows:
22 April 1813: Eliza de Feuillide (Austen’s cousin and, later, sister-in-law) ill. Jane Austen goes to her bedside in London to help attend to her.
25 April 1813: Eliza de Feuillide dies.
27 April 1817: Austen drafts her will:
“I Jane Austen of the Parish of Chawton do by this my last Will & Testament give and bequeath to my dearest Sister Cassandra Elizth everything of which I may die possessed, or which may be hereafter due to me, subject to the payment of my Funeral Expences, & to a Legacy of £50. to my Brother Henry, & £50. to Mde Bigeon–which I request may be paid as soon as convenient. And I appoint my said dear Sister the Executrix of this my last Will & Testament.”
As we continue through the year, one of the highlights for me has been surveying the photos of the gardens at Chawton House and Jane Austen’s House each month and seeing the changes therein. I hope these April showers will bring many beautiful May flowers next month as we continue our tour of Hampshire in the spring with May in Jane Austen’s World!
Last month I started a new month-by-month series titled “A Year in Jane Austen’s World,” wherein I began exploring important events and details that happened in Jane Austen’s novels, letters, and lifetime during each month of the year. Starting with January in Jane Austen’s World, my aim is to share my monthly finds every month this year, through December. My goal is simple: Glean as much as I can from Austen’s life, letters, and novels about what life was like for Jane Austen during her time and era.
We now turn our attention to February in Jane Austen’s novels. As I examined passages in her novels and letters that mention February, some of the information I found was an extension of what we learned last month: Mainly, that most of the British aristocracy went to the London (and some to Bath) during the winter months for “the season.” They enjoyed balls, parties, and other social gatherings in the bigger cities during the colder months and then moved back to their country homes by summer when the heat and stench of the cities became unendurable. You can read about it here.
Snowdrops at Chawton House in February, Photo: @ChawtonHouse.
February in Hampshire
The snowdrops are in full bloom at Jane Austen’s House Museum and Chawton House this time of year. Chawton House even hosts “Snowdrop Sunday” tours, when guests can come visit the grounds and enjoy the stunning display of snowdrops and other bulbs that are starting to pop out.
I mention the snowdrops because they are everywhere on the grounds of Chawton House in the winter time, and it’s lovely to think that perhaps Jane Austen saw them for herself. These type of bulbs can spread and spread for years.
Several of Austen’s surviving letters were written in February. In them, she covers many topics, but the excerpts belows are especially intriguing.
8 February 1807 (Castle Square, Southampton):
These snippets are from Austen’s letters when the Austen women lived in Castle Square, Southampton. This first letter mentions the improvements they were making:
Garden: “Our garden is putting in order by a man who bears a remarkably good character, has a very fine complexion, and asks something less than the first. The shrubs which border the gravel walk, he says, are only sweetbriar and roses, and the latter of an indifferent sort; we mean to get a few of a better kind, therefore, and at my own particular desire he procures us some syringas. I could not do without a syringa, for the sake of Cowper’s line. We talk also of a laburnum. The border under the terrace wall is clearing away to receive currants and gooseberry bushes, and a spot is found very proper for raspberries.”
Interior: “The alterations and improvements within doors, too, advance very properly, and the offices will be made very convenient indeed. Our dressing table is constructing on the spot, out of a large kitchen table belonging to the house, for doing which we have the permission of Mr. Husket, Lord Lansdown’s painter — domestic painter, I should call him, for he lives in the castle. Domestic chaplains have given way to this more necessary office, and I suppose whenever the walls want no touching up he is employed about my lady’s face.”
Beds: “The garret beds are made, and ours will be finished to-day. I had hoped it would be finished on Saturday, but neither Mrs. Hall nor Jenny was able to give help enough for that, and I have as yet done very little, and Mary nothing at all. This week we shall do more, and I should like to have all the five beds completed by the end of it. There will then be the window curtains, sofa-cover, and a carpet to be altered.”
You must be very cold to-day at Godmersham. We are cold here. I expect a severe March, a wet April, and a sharp May. And with this prophecy I must conclude.
20 February 1807 (Castle Square):
In this letter, we hear a bit more about the weather there in Southampton and at Godmersham, where Cassandra was staying:
“We could not pay our visit on Monday; the weather altered just too soon, and we have since had a touch of almost everything in the weather way; two of the severest frosts since the winter began, preceded by rain, hail, and snow. Now we are smiling again.”
“You must have had more snow at Godmersham than we had here; on Wednesday morning there was a thin covering of it over the fields and roofs of the houses, but I do not think there was any left the next day. Everybody used to Southampton says that snow never lies more than twenty-four hours near it, and, from what we have observed ourselves, it is very true.”
And one of Austen’s hilarious one-liners:”A widower with three children has no right to look higher than his daughter’s governess.”
Southampton High Street, 18th C.
4 February 1813 (Chawton, regarding PP):
In the following letters, we read a bit about Austen’s first beta readers for Pride and Prejudice and her reactions to their commentary:
“My dear Cassandra,—Your letter was truly welcome, and I am much obliged to you for all your praise; it came at a right time, for I had had some fits of disgust. Our second evening’s reading to Miss B. had not pleased me so well, but I believe something must be attributed to my mother’s too rapid way of getting on: though she perfectly understands the characters herself, she cannot speak as they ought. Upon the whole, however, I am quite vain enough and well satisfied enough. The work is rather too light and bright and sparkling: it wants shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story,—an essay on writing, a critique on Walter Scott, or the history of Buonaparte, or something that would form a contrast, and bring the reader with increased delight to the playfulness and epigrammatism of the general style…. The greatest blunder in the printing that I have met with is in page 220, v. 3, where two speeches are made into one. There might as well be no suppers at Longbourn; but I suppose it was the remains of Mrs. Bennet’s old Meryton habits.”
Dated soon after:
“I am exceedingly pleased that you can say what you do, after having gone through the whole work, and Fanny’s praise is very gratifying. My hopes were tolerably strong of her, but nothing like a certainty. Her liking Darcy and Elizabeth is enough. She might hate all the others, if she would. I have her opinion under her own hand this morning, but your transcript of it, which I read first, was not, and is not, the less acceptable. To me it is of course all praise, but the more exact truth which she sends you is good enough.”
Garden Plans at Castle Square
As most gardeners (myself included) can attest, planning one’s spring garden is a happy prospect in the middle of February. Jane Austen was no different! With that in mind, let’s take a closer look at her descriptions of the plans for their garden from her 8 February 1807 letter to Cassandra:
Our garden is putting in order by a man who bears a remarkably good character, has a very fine complexion, and asks something less than the first. The shrubs which border the gravel walk, he says, are only sweetbriar and roses, and the latter of an indifferent sort; we mean to get a few of a better kind, therefore, and at my own particular desire he procures us some syringas. I could not do without a syringa, for the sake of Cowper’s line. We talk also of a laburnum. The border under the terrace wall is clearing away to receive currants and gooseberry bushes, and a spot is found very proper for raspberries.
Letter to Cassandra, 8 February 1807.
Austen’s Southampton Garden
With these lovely descriptions, we can paint a picture in our minds of what Austen was imagining as she planned the garden:
Sweet Briar
Austen wrote: “The shrubs which border the gravel walk, he says, are only sweetbriar and roses, and the latter of an indifferent sort; we mean to get a few of a better…”
On the blog From the Notebook of a Rosarian, you can read all about Sweet-Briar (or Eglantine Rose). I imagine Austen would have looked forward to seeing these blooms very much! Here is an example:
Regency Roses
Austen wrote: “roses . . . of an indifferent sort; we mean to get a few of a better…”
Perhaps the existing roses either weren’t uniform or weren’t as pretty as the Austen women wanted. Thus, they planned to add a few of “a better” sort. One can imagine a line of beautiful roses along their walkway come summer.
You can read a wonderful article about Regency Roses from Leeds University Library here: Regency Roses. Here is an example:
Austen wrote: “I could not do without a syringa, for the sake of Cowper’s line. We talk also of a laburnum.” This is in reference to a line in William Cowper’s poem, “The Winter Walk at Noon” (Book VI, The Task, 1899).
In her article “‘With what intense desire she wants her home’: Cowper’s Influence on Jane Austen,” Jane Darcy provides the following commentary:
The house in Castle Square in Southampton feels more like a home [for Austen]; there is a garden which she energetically starts to plan. She insists on lilacs: ‘I could not do without a Syringa, for the sake of Cowper’s Line’, adding ‘We talk also of a Laburnum’, referring to the lines in ‘The Winter Walk at Noon’, Book VI of The Task: … Laburnum rich In streaming gold; syringa iv’ry pure (149-150)
Laburnum, a flowering tree, also called golden chain or golden rain, is pictured below. One can imagine how lovely it would look in Austen’s garden in spring.
Austen wrote: “The border under the terrace wall is clearing away to receive currants and gooseberry bushes, and a spot is found very proper for raspberries.”
Here, we find an example of something pretty and edible for the garden come summer. Currants, gooseberries, and raspberries were all useful in a variety recipes. You can read more about the history of British food and Gooseberries here.
To read more about the trees and shrubs Austen would have recognized, the JASNA Eastern Washington/Northern Idado region provides this fascinating information regarding the “Trees and Shrubs Mentioned in Jane Austen’s Novels, Letters, and Minor Works with Historical Background: “Austen’s Trees and Shrubs A-K” and “Austen’s Trees and Shrubs L-Z.”
February in Jane Austen’s Novels
The following are a collection of interesting little tidbits and important moments from Austen’s novels:
Sense and Sensibility
“[Mrs. Palmer] expects to be confined in February,” continued Mrs. Jennings.
“[Edward] will be there in February, otherwise London would have no charms for me; I have not spirits for it.” (Lucy Steele)
Colonel Brandon: “But last February, almost a twelvemonth back, [my little Eliza] suddenly disappeared.” […] “Good heavens!” cried Elinor, “could it be—could Willoughby!”—
“[Mrs. Dashwood] had yet another reason for wishing her children to remain [in London]; a letter from her son-in-law had told her that he and his wife were to be in town before the middle of February, and she judged it right that they should sometimes see their brother.”
“Early in February, within a fortnight from the receipt of Willoughby’s letter, Elinor had the painful office of informing her sister that he was married.”
Pride and Prejudice
“With no greater events than these in the Longbourn family, and otherwise diversified by little beyond the walks to Meryton, sometimes dirty and sometimes cold, did January and February pass away.”
Mansfield Park
“With such thoughts as these, among ten hundred others, Fanny proceeded in her journey safely and cheerfully, and as expeditiously as could rationally be hoped in the dirty month of February. They entered Oxford, but she could take only a hasty glimpse of Edmund’s college as they passed along, and made no stop anywhere till they reached Newbury, where a comfortable meal, uniting dinner and supper, wound up the enjoyments and fatigues of the day.”
“Entrance to Oxford from the London Road.” Ackermann’s Oxford University. Engraved by Frederick Christian Lewis after Frederick Nash (1814).
Emma
“In the summer it might have passed; but what can any body’s native air do for them in the months of January, February, and March? Good fires and carriages would be much more to the purpose in most cases of delicate health, and I dare say in her’s. I do not require you to adopt all my suspicions, though you make so noble a profession of doing it, but I honestly tell you what they are.”
“Frank was here in February for a fortnight.”
“When [Frank] was here before, we made the best of it; but there was a good deal of wet, damp, cheerless weather; there always is in February, you know, and we could not do half that we intended. Now will be the time.
“Mr. Woodhouse was resigned. The time of year lightened the evil to him. May was better for every thing than February.”
Persuasion
“It was the beginning of February; and Anne, having been a month in Bath, was growing very eager for news from Uppercross and Lyme.”
Mary Musgrove sends a long, newsy letter to Anne from Uppercross.
Northanger Abbey
“Catherine . . . gave herself up to all the enjoyment of air and exercise of the most invigorating kind, in a fine mild day of February, with the consciousness of safety.”
Bath, England, Regency Era.
February Dates of Importance
This brings us now to several dates that would have been quite important to Austen personally:
Celebrations/Birthdays:
13 February 1765: James Austen (Jane’s brother) born at Deane.
Historic Dates:
1 February 1793: France declares war on England.
4 February 1794: France abolishes slavery in French colonies.
February 1811: George, Prince of Wales, becomes the prince regent of England.
Sorrows:
22 February 1794: Eliza de Feuillide’s husband is executed by guillotine in Paris.
February 1797: Tom Fowle (Cassandra’s fiancé), who was serving as a chaplain, dies in San Domingo of yellow fever.
Writing:
Winter 1810: Sense and Sensibility accepted for publication (Thomas Egerton).
February 1811: Jane Austen starts work on Mansfield Park.
I hope you enjoyed this tour of February in Jane Austen’s World as much as I enjoyed researching it and writing it. There is so much more to explore! I followed several intriguing trails and threads in this article, but I’m sure one might find many other avenues to research. Austen’s letters alone are a fount of information and charm. Here’s to what we’ll find in March in Jane Austen’s World next month!
Today marks the start of a new month-by-month series, “A Year in Jane Austen’s World,” in which I highlight several important events and details that happened in Jane Austen’s novels, letters, and lifetime during each month of the year.
We’ll kick off Jane Austen January (aka “Jane-uary”) by examining passages and situations in each of her novels that occur in January. While some of the novels have no mention of January, others do—with interesting results! Next, we’ll note where Austen was and what she was doing in January by checking her letters for January dates and details. Finally, we’ll highlight events and anniversaries that occurred in January that directed affected Jane Austen or her family.
All of this can help us better understand Austen’s life and times as we look at specific dates, events, and details in the context of months and seasons.
Snowdrops at Chawton House in January, courtesy of Chawton House.
January in Regency Times
One of the highlights of January for Jane Austen’s family was surely Twelfth Night (also known as Epiphany), which falls on January 5th.
Maria Grace, in her article “Celebrating Twelfth Night–Jane in January and You,” explains its religious importance: “Epiphany or Twelfth Night … was the exciting climax of the Christmastide season… It was a feast day to mark the coming of the Magi bearing gifts to the Christ child, and as such was the traditional day to exchange gifts.”
She also explains the social side of Twelfth Night: “In Jane Austen’s day, the party of the year would generally be held on Twelfth Night.” (Austen Variations)
During the Regency Era, people hosted parties and balls to celebrate Christmas and especially the last day of the Christmas season. The entertainment often involved guests playing assigned parts for the evening, dressing up in costumes, eating “Twelfth Cake,” and eating and drinking.
Rowlandson, “Twelfth Night Characters,” Creative Commons, 1811.
In a letter to Cassandra on December 27, 1808, Austen writes about an upcoming ball between Christmas and “Twelfth-day” at Manydown:
I was happy to hear, chiefly for Anna’s sake, that a ball at Manydown was once more in agitation; it is called a child’s ball, and given by Mrs. Heathcote to Wm. Such was its beginning at least, but it will probably swell into something more. Edward was invited during his stay at Manydown, and it is to take place between this and Twelfth-day. Mrs. Hulbert has taken Anna a pair of white shoes on the occasion.
Austen’s Letters (December 27, 1808)
Later, on January 10, 1809, she writes, “The Manydown ball was a smaller thing than I expected, but it seems to have made Anna very happy. At her age it would not have done for me.”
Manydown Great House, Wikipedia Commons, 1833.
January Travel in Jane Austen’s Novels
In Austen’s novels, January is primarily mentioned in the context of parties and travel. Anne Elliot goes to Bath for January and February, Miss Crawford is invited for “a long visit” to see her friend in London in January, Mrs. Jennings goes to her own house in London in January, and Mr. Bingley, Mr. Darcy, and Bingley’s sisters all go to London (when Bingley leaves Netherfield) and stay for the winter.
In Sense and Sensibility, Lucy Steele and her sister, Anne, go to “town” (London) in January to stay with relatives (and subsequently move from house to house throughout the season as socially advantageous opportunities become available):
I had quite depended upon meeting you there. Anne and me are to go the latter end of January to some relations who have been wanting us to visit them these several years! But I only go for the sake of seeing Edward. He will be there in February, otherwise London would have no charms for me; I have not spirits for it.
Sense and Sensibility
Mrs. Jennings, who “resided every winter in a house in one of the streets near Portman Square,” invites Elinor and Marianne to come with her to London in January when her thoughts begin to turn toward home after Christmas.
Portman Square, London, Wikipedia Commons, 1813.
The London Season
So why do so many of Austen’s characters travel to London in January? Wouldn’t the weather make travel difficult? Wouldn’t they prefer to stay home (and inside) where it’s cozy?
These are fair questions, but after Christmas, a large portion of the genteel class moved “to town” during the winter months for the London Season, which coincided with England’s political schedule, for entertainment and socializing. The Season had previously started in the fall, meaning most people went to London before the bad weather set in, but with the improvement of roads and travel during Austen’s day, the season slowly shifted later.
Here’s an explanation of the London Season from Jane Austen’s House Museum:
The London season coincided with the sitting of Parliament, beginning at some point after Christmas when fashionable families would move into their London houses. The men would attend Parliament, whilst the women shopped, visited, and found husbands for themselves or their daughters. It lasted until early summer, when the ‘beau monde’ would return to their country estates, escaping the city’s stifling heat and pungent smells.
The season was a whirlwind of court balls and concerts, private balls and dances, parties and sporting events. On a typical day, ladies would rise early to go riding in Hyde Park, before returning home to breakfast and spending the day shopping, dealing with correspondence and paying calls.
Most villages had assemblies and balls during the winter, but all of the most important social occasions happened “in town.” In Pride and Prejudice, we’re told that the Bennet sisters have little to do “beyond the walks to Meryton” in January and February, when conditions are “sometimes dirty and sometimes cold” (Ch. 27). It makes sense that many young women longed to go to town in the winter, at the height of the London Season and “marriage market,” when the majority of the parties, balls, and social events were held.
Rowlandson, Drawing Room at St. James’s Palace in London, Wikimedia Commons, 1810.
January in Jane Austen’s Letters
January often brings rain, cold weather, and even snow to the various locations where Austen lived and traveled. Austen kept her spirits up, but January in England, especially in homes without central heating or today’s insulation, could not have been entirely comfortable. Balls and assemblies, visits and travel, kept Austen busy and content during the winter months.
Austen’s entries follow below and give us a glimpse into the miserable weather conditions during one particularly snowy and wet January:
17 January 1809 (Castle Square): “Yes, we have got another fall of snow, and are very dreadful; everything seems to turn to snow this winter.”
24 January 1809 (Castle Square): “This day three weeks you are to be in London, and I wish you better weather; not but that you may have worse, for we have now nothing but ceaseless snow or rain and insufferable dirt to complain of; no tempestuous winds nor severity of cold. Since I wrote last we have had something of each, but it is not genteel to rip up old grievances.”
In the same letter, Austen describes her writing: “I am gratified by her having pleasure in what I write, but I wish the knowledge of my being exposed to her discerning criticism may not hurt my style, by inducing too great a solicitude. I begin already to weigh my words and sentences more than I did, and am looking about for a sentiment, an illustration, or a metaphor in every corner of the room. Could my ideas flow as fast as the rain in the store-closet, it would be charming.”
On the topic of the store-closet, she writes this: “We have been in two or three dreadful states within the last week, from the melting of the snow, etc., and the contest between us and the closet has now ended in our defeat. I have been obliged to move almost everything out of it, and leave it to splash itself as it likes.”
30 January 1809 (Castle Square): “Here is such a wet day as never was seen. I wish the poor little girls had better weather for their journey; they must amuse themselves with watching the raindrops down the windows. Sackree, I suppose, feels quite broken-hearted. I cannot have done with the weather without observing how delightfully mild it is; I am sure Fanny must enjoy it with us. Yesterday was a very blowing day; we got to church, however, which we had not been able to do for two Sundays before.”
And a final update on the flooded closet: “The store-closet, I hope, will never do so again, for much of the evil is proved to have proceeded from the gutter being choked up, and we have had it cleared. We had reason to rejoice in the child’s absence at the time of the thaw, for the nursery was not habitable. We hear of similar disasters from almost everybody.”
If you’ve ever dealt with water damage or burst pipes due to cold weather, you know how awful and destructive it can be. Austen makes light, but one can imagine it caused quite a bit of damage.
Snow at Jane Austen’s House Museum, January 2021.
January in Jane Austen’s Lifetime
And finally, let us turn our attention to some of the most important dates and events that happened (or were celebrated) during the first month of the year in Jane Austen’s lifetime. In December 1800, Reverend Austen decided to retire and remove his family to Bath. Austen’s letters in January 1801 prove an interesting read as she and the Austen family prepare to move later in the year:
3 January 1801 (Steventon): Austen writes that her mother wants to keep two maids and quips about their plans to have “a steady cook and a young giddy housemaid, with a sedate, middle-aged man, who is to undertake the double office of husband to the former and sweetheart to the latter.”
Austen discusses three parts of Bath where they might live: “Westgate Buildings, Charles Street, and some of the short streets leading from Laura Place or Pulteney Street.” She writes extensively about each neighborhood and several others, giving her opinion and hopes about each. She details which pictures, furniture, and beds they are choosing to keep or leave behind and asks Cassandra’s advice. And she shares plans for the family to travel to Bath a few weeks from then.
Austen shares own thoughts on their move to Bath: “I get more and more reconciled to the idea of our removal. We have lived long enough in this neighborhood: the Basingstoke balls are certainly on the decline, there is something interesting in the bustle of going away, and the prospect of spending future summers by the sea or in Wales is very delightful. For a time we shall now possess many of the advantages which I have often thought of with envy in the wives of sailors or soldiers. It must not be generally known, however, that I am not sacrificing a great deal in quitting the country, or I can expect to inspire no tenderness, no interest, in those we leave behind…”
The letter is full of useful information and well-worth a read. You can access it HERE.
14 January 1801 (Steventon): Austen speaks of the many visitors they’ve received in response to the news that Rev. Austen is retiring and the family is moving to Bath. She says, “Hardly a day passes in which we do not have some visitor or other: yesterday came Mrs. Bramstone, who is very sorry that she is to lose us, and afterwards Mr. Holder, who was shut up for an hour with my father and James in a most awful manner.”
4 Sydney Place, Bath.Plaque outside 4 Sydney Place, Bath.
January Dates of Importance
This brings us now to several dates that would have been quite important to Austen personally:
Celebrations/Birthdays:
9 January 1773: Jane Austen’s sister, Cassandra Elizabeth Austen, born.
23 January 1793: Edward Austen’s first child, Fanny, born.
Goodbyes/Sorrows:
January 1796: Tom Lefroy leaves Ashe for London (and never returns) and Tom Fowle (Cassandra’s fiancé) sets sail for the Indies, where he later dies.
21 January 1805: Rev. George Austen (Jane’s father) dies suddenly in Bath.
Writing:
28 January 1813: Pride and Prejudice was published, by Thomas Egerton (Whitehall, London).
21 January 1814: Austen begins writing Emma.
The Joys of Sleuthing
I hope you’ve enjoyed this first installment of our month-by-month exploration of Jane Austen’s world. I was pleasantly surprised to find that there was so much more to research and explore about the month of January than I anticipated. I enjoyed sleuthing around, following my nose, and discovering what I could uncover–just with the word “January.” If you have ideas about what I might pursue for February in Jane Austen’s World, please share your ideas in the comments.
Fashionable Goodness: Christianity in Jane Austen's England is now available! By JAW contributor Brenda S. Cox. See Review. Available from Amazon and Jane Austen Books.
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