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Archive for the ‘19th Century England’ Category

Towards the end of his life Horatio Nelson, the victor of Trafalgar, lived at Merton Place, an elegant country house set in 160 acres of landscaped grounds in what is now the London Borough of Merton in South London in an area more commonly known as South Wimbledon, where I live.

Merton Place. Image @National Maritime Museum, Greenwich

Nelson had gathered many honours for services to his country during his career. Horatio Nelson was known as  1st Viscount Nelson, 1st Duke of Bronte KB. The KB is the term for Knight of the Bath, which is a high-ranking knighthood. Knighthoods came and still come in different categories. Nelson’s knighthood was the top rank.

Admiral Lord Nelson

Nelson was born into a prosperous family in Norfolk on the 29th September 1758. His uncle, Maurice Suckling, encouraged him to join the Navy. His talent was recognised at an early age because he served with the leading naval officers of the time and he rose rapidly through the ranks. He obtained his first command in 1778 at the age of twenty. His reputation grew because of his courage and valour in battle and his ability to gather a firm grasp of naval tactics very quickly. Nelson was a sickly individual and often had periods of illness. After The Wars of American Independence he was laid off and was without a ship for a while.

Emma Hamilton in an attitude of dance

With the onset of the French Revolutionary Wars, Nelson was called back into service to serve primarily in the Mediterranean theatre of war. He fought in various minor battles just off Toulon, at the Capture of Corsica, and then was given diplomatic duties with the Italian States. On 12 September 1793, he first met Lady Hamilton. At the time, Nelson was a 35-year-old post captain and she was the 28-year-old wife of Sir William Hamilton, the British Envoy to Naples. Emma was famous as a great beauty and a performer of ”Attitudes”, based on Ancient Greek statuary. She wore diaphanous floating materials for these poses but some , which left nothing to the imagination. (What an old buffer like Sir William Hamilton was doing with a party girl, as a wife is another story!)

Nelson loses his arm

In 1797, Nelson came to prominence again as captain of HMS Captain at the Battle of Cape St Vincent. Soon after he took part in the battle of Santa Cruz de Tenerife, in which he was badly wounded and lost his right arm. He was forced to return to England to recuperate.

Extract from HMS Theseus medical officer’s journal for 25 July 1797 relating to the amputation of part of Nelson’s right arm. Image @National Archives

It is interesting to note, in the Georgian navy any badly damaged limb was always amputated. This was the only way they could prevent disease setting into the wounds. If ever you have the chance to visit HMS Victory at Portsmouth you can see the surgeon’s instruments laid out on the deal-operating table below decks.  The surgeon had two assistant surgeons and used the help of the seaman’s mates to hold him down. They experimented with alcohol as an anaesthetic but discovered that getting the injured sailor drunk made the blood thin and it wouldn’t clot. The only thing they could do at that time was to strap him down and give him a piece of leather to grip between his teeth. A scalpel paired back the skin and flesh. A caffater was used to drain the blood. The arteries were severed and then a saw was used to cut quickly through the bone. A file was used to smooth the end of the bone. The arteries were tied. The flap of skin was sewn over the stump. The stump was dipped in tar and then and only then, the man was given rum, lots of it, to get drunk. All done and dusted in 90 seconds.

In 1798 Nelson returned to action and beat Napoleons navy at the battle of The Nile. One of Nelson’s greatest achievements. He remained in the Mediterranean to support the State of Naples against a French invasion. In 1801 Nelson was ordered to go to the Baltic and this time he defeated the Danes at The Battle of Copenhagen. The Danes to this day don’t like Nelson. The Danish fleet was in port and by attacking the fleet in port a lot of the bombardment also hit the city of Copenhagen and destroyed much of the city,  killing many ordinary citizens.

 

HMS Victory. Image @Tony Grant

After this encounter in the north Nelson took over the blockade of the French and Spanish fleets in Toulon. They escaped and Nelson chased them to the West Indies and back without bringing them to battle. He now began the blockade of the French and Spanish in Cadiz. The end game was approaching although nobody knew that at the time. He returned to England and Merton Place for some respite with his family that had become Lady Hamilton, her husband Sir William (who was living with them),  Nelson and Emma’s daughter, Horatia. It was a scandalous arrangement for the time, but Sir William Hamilton appeared to be comfortable with the situation. That tells another story.

Sir William Hamilton, Emma, and Admiral Nelson. Image @The Nelson Society

In October  1805, Nelson returned to action off Cadiz. He was a great national hero by this time, and he journeyed in triumph from Merton Place, cheered by villagers as he made his way to Portsmouth. Normally a sea captain or admiral would have been rowed by longboat to his ship waiting at sea from the hard at Portsmouth, which is next to the dockyard entrance.

Nelson leaving Southsea beach, just outside of Portsmouth.

However, massive crowds had gathered to see Nelson leave for Cadiz. Worried about safety, he asked to leave from Southsea beach, about three quarters of a mile east of Portsmouth.  So it was Southsea he was rowed from, to a waiting ship that took him to HMS Victory off Cadiz harbour. A famous painting portrays Nelson’s departure from Southsea beach.

HMS Victory, broadside. Image @Tony Grant

People talk about “the Nelson touch,” and the superiority of the British Navy. The British navy like the British army was and is a family. Officers knew each other personally and socialised together. Nelson was going to Cadiz to meet friends, the other naval officers commanding the ships under his overall command. They knew each other’s weaknesses and strengths and Nelson played to these. He knew who could do what, exactly. It was a, “well oiled machine.” Also British gun crews trained continuously in the using and firing of their guns. They were trained thoroughly. The whole fleet worked as a well-run unit.

Trafalgar

The fact that the French and Spanish were a combined fleet made up of two navies had an inbuilt fault. Their gun crews were not so efficient. There were two languages to contend with and there was a matter of pride on each side that caused friction. The French and Spanish commanders did not know their men and captains as well as the officers in the British navy knew theirs. The British fleet was smaller but a much more efficient group. Nelson also utilised unconventional tactics. Because of the superior numbers of the opposing fleet Nelson decided not to go for a broadside attack where the two fleets would have passed each other firing side by side until one side gave in. He was outnumbered and this would not have faired well for the British fleet. Nelson decided to form his fleet into two parts, each forming a line, which sailed into the French and Spanish fleets, like two arrows fired perpendicularly to the line of French and Spanish ships.

 

Battle of Trafalgar

This split the opposing force into three parts. Nelson’s fleet dealt with each part separately. The Spanish and French fleet was taken unawares with this tactic and many of their ships were not able to engage the British at first. This gave time for the British to pick off the enemy, slowly destroying them almost, one by one. Nelson was victorious. A sniper high in the rigging of the mizzenmast of the French ship Redoubtable picked out Nelson and Captain Hardy standing on the poop deck of the Victory and shot Nelson. The bullet passed through his shoulder, through his lungs and severed his spine. The ships surgeon later did an autopsy to find the cause of Nelson’s death and extent of his injuries. A marine called John Pollard revenged Nelsons death by shooting the French sniper dead. He was seen falling from the mizzenmast into the shrouds hanging from the Redoubtable.

 

Death of Nelson

To illustrate Nelson’s shear courage and perhaps bravado, minutes before he himself was shot, an officer standing next to him had been severed in half by a cannon ball from the French ship and the blood and body parts of this unfortunate had only just been cleared away when Nelson himself was struck.

The stern of the HMS Victory. Image @Tony Grant

Most injuries and deaths in a battle of this sort were from flying splinters of wood. Victory was made from 6000 trees, 90% of which were oak but some elm, pine and fir were used. When you see the Victory and some of the massive wooden elbows, struts and planks used in it’s construction you can imagine how great sharp pieces of wood could go flying about when hit by a cannon ball going at the speed of sound. The majority of fatalities were from splinters to the head.

Nelson was not the nicest of personalities. He was proud, vain, and authoritarian but he was also extremely brave, astute and a brilliant tactician. He was loved and admired by his men and the whole of the British nation.

Bullet hole in Nelson's uniform.

If you go to The National Maritime Museum at Greenwich you can see the admirals coat Nelson was wearing when he was shot. The bullet hole is visible in the shoulder and the expensive white silk lining is heavily blood stained.

Nelson did not want a sea burial. He had the right to ask for a land burial. It would be months before The Victory would return to Portsmouth so the ships surgeon suggested they place Nelson’s body in a large cask of rum. They did this and the body remained in relatively good condition until Nelson’s state funeral and burial in the crypt of St Paul’s Cathedral. There is rather a gruesome story following Nelson’s funeral. The crew of HMS Victory are reputed to have drunk the rum Nelson’s body had been preserved in.

Nelson's crypt in St. Paul's Cathedral. Image @LIFE Magazine

So, Nelson’s final journey to super stardom and the gratitude of an adoring nation started from Merton Place in South Wimbledon.
Merton Place no longer exists and the 160 acres of land Nelson owned around Merton Place have long been sold off and used for housing over various generations.

London road today crossing what was Nelson's estate. Image @Tony Grant

Roads of Victorian, Edwardian and more modern flats and housing now covers what was once Nelson’s idyllic estate of Merton. There is much evidence still existing though, if you take the time to look.

Merton Place as it once was, also former home of Thomas Sainsbury, Lord Mayor of London. Image @Old London Maps

By 1801 Nelson had separated from his wife Fanny. He wanted to find a home where  he could entertain his friends. Lady Hamilton found Merton Place situated next to the picturesque Wandle River and Nelson paid £9000 for it.

 

The Wandle River. Image @Tony Grant

Nelson paid for the house’s development. Great changes to it took place in 1805. Nelson employed the architect Thomas Chawner to create a new layout. It became a double fronted house with a grand drive leading up to it.

Merton Place, parish of Merton.

Also a tributary from the Wandle River was dug leading up to the house. This was named The Nile, after Nelson’s famous victory. If you go to the site of Merton place to day there is a housing estate; houses and flats built in the 1960’s.

 

Nelson's estate today. Image @Tony Grant

On the very site of, “Merton Place,” is a block of flats called, “Merton Place.” On the site of the entrance to the grand drive that lead up to the house from the London Road is a pub called, The Nelson Arms.

The Nelson Arms on the site of the entrance to Merton Place. Image @Tony Grant

It is a spectacular Edwardian edifice with large tiled pictures of Nelson’s portrait and HMS Victory.

 

The gatehouse site today. Image @Tony Grant.

A few hundred yards form The Nelson Arms are some housing and flats that are on the site of a building that was called, The Gatehouse. The owner was a friend of Nelson’s, James Halfhide. Nelson often visited James in The Gatehouse. A little further along the London Road, leading into Tooting, is Wandle Park, the site of Wandle Park House. Lady Hamilton and Nelson are known to have visited the owner James Perry the editor and owner of the Morning Chronicle, the most successful London Newspaper in Georgian times.

St. Mary the Virgin. Image @Tony Grant

A mile west of Merton Place is the church of St Mary the Virgin, where Nelson worshipped regularly on a Sunday. The pew he used is still there.

Bell ropes, St. Mary the Virgin. Image @Tony Grant

Not far from here is a newer church called St John the Divine. Built in 1914, it was designed by the architect C. Cage to mark the anniversary of the death of Nelson. The church was built on what was part of the western extension of Nelson’s lands as a memorial to Nelson, and was financed by funds collected from local people.

St. John the Divine, Burne Jones window

It has a stained glass window designed by the pre-Raphaelite artist Edward  Burne Jones and was made at the William Morris works situated next to the Wandle River near Merton Place. The high altar is made from a piece of timber from HMS Victory.

Nelson Park. Image @Tony Grant

Next to the church is a small park with a granite monument that has an inscription recalling Nelson. This stone is flanked by two cannons which stood at the entrance to the doorway into Merton Place.

The cricket pitch at Mitcham. Image @Tony Grant

A mile and a half south of Merton Place at Mitcham, is Mitcham Cricket club, which still exists today. Some excellent pubs surround the cricket green at Mitcham and it is very relaxing to sit out in front of one of the pubs on a balmy summers day, drinking a pint of local Youngs beer, watching white flannelled cricketers hitting leather on willow.  It is one of the most famous and oldest local, amateur cricket clubs in England. Nelson watched cricket here.

Mordern Lodge. Image @Tony Grant

Going west from Mitcham Cricket club back towards Merton is Mordern Lodge. It is set back from the road and set within some beautiful grounds. It is a private residence surrounded by lawns, shrubs and trees and can be just glimpsed from the road. Here lived in the 19th century Abraham Goldsmid, an eminent Jewish banker of Anglo Dutch decent. He was a senior partner in one of the Capitals most powerful brokerage firms, Goldsmid. He had friends in high places – The Prince Regent, Sheridan, the playwright William Pitt, and the prime minister were friends, and Nelson himself was a personal, close friend. They lived virtually next to each other.

After Nelson’s death, Abraham and a group of fellow trustees gave Emma Hamilton £3,700 to save her from spiralling debt.

Eagle House. Imge @Tony Grant

A mile and a bit north of Merton Place are Wimbledon Village and Wimbledon Common. There is a very elegant and unusually designed house called Eagle House in the village, once owned by the Reverend Thomas Lancaster. Nelson visited when it was a school for young noblemen and gentlemen. After Nelson’s visit it was renamed “Nelson House School.”

Tile panel on The Nelson Arms. Image @Tony Grant

Wimbledon and South London do not look the same as in Nelson’s day but he would recognise some of it. Wimbledon Common and much of the village has not changed much since his day. He would certainly recognise some buildings, but Merton Place, the house and grounds he loved so much, no longer exist. He would think he was in some alien landscape.

Written by Jane Austen’s World contributor, Tony Grant, London Calling.

 

The Princess Royal Pub on the Nelson Estate. Image @Tony Grant

More on the topic

Pub sign, Princess Alexandra Pub. Image @Tony Grant

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She lost her pattens in the muck
& Roger in his mind
Considered her misfortune luck
To show her he was kind
He over hitops fetched it out
& cleaned it for her foot…
From the Middle Period Poems of John Clare (1820s)

It is commonly acknowledged that country roads in the day of Jane Austen became muddy and rutted in heavy rains, and therefore nearly impassable. In cities and towns, streets required constant sweeping of horse dung and dirt by street sweepers. Ladies wearing long white gowns and soft satin or kid slippers were constantly dodging dirt, protecting their hems from wet grass, and finding ways to walk on roads and cobblestones whose condition were poor at best.

Diana Sperling's watercolor of a walk to a neighbor's house in mud

Diana Sperling painted her delightful watercolor sketches between 1812 and 1823. In two of the paintings, she shows precisely how difficult it was for ladies (and gents) to walk over poorly maintained roads – or no roads at all! One imagines that Jane Austen and her family, who were country gentry like the Sperlings, encountered similar difficulties when walking.

Charles Sperling conveys a lady over wet grass, by Diana Sperling.

In Ang Lee’s Sense and Sensibility, one can see Marianne in particular holding up her skirts and daintily traipsing over a London street as the party walks from their carriage to the Dashwood’s ball in London. I found this scene particularly interesting, for this is one of the few films that depict how difficult it was for ladies to keep their garments clean as they walked down London’s streets. Regency women must have collectively heaved a sigh of relief when hemlines became fashionably short.

 

Marianne Dashwood (Kate Winslet) holds up her skirt, shawl, and reticule as she walks gingerly towards the ball.

 

 

In Rolinda Sharples' Clifton Assembly Room (1817), one can see the lady on the lower right changing her slippers in the cloak room.

The problem of keeping one’s feet and skirts clean was solved by wearing pattens, although this practice was rapidly fading in the early 19th century.

 

Lady wearing pattens in snow. Image @City of London

In A Memoir of Jane Austen, her James Edward Austen Leigh wrote about his aunts Cassandra and Jane:

The other peculiarity was that when the roads were dirty the sisters took long walks in pattens. This defence against wet and dirt is now seldom seen. The few that remain are banished from good society and employed only in menial work…

As an illustration of the purposes which a patten was intended to serve, I add the following epigram written by Jane Austen’s uncle Mr Leigh Perrot, on reading in a newspaper of the marriage of Captain Foote to Miss Patten

Through the rough paths of life,

with a patten your guard,

May you safely and pleasantly jog,

May the knot never slip,

nor the ring press too hard,

Nor the Foot find the Patten a clog.

18th century fragment, iron shoe patten

A patten was an oval shoe iron that was riveted to a piece of wood and then strapped to the underside of a shoe. This unwieldy and loud contraption served to raise the shoe out of the mud or a dirty street.  Even a clean street would sully the hems of delicate white muslin gowns, and thus ladies would commonly wear pattens. However, these contraptions were loud. As Jane Austen described in Persuasion:

“When Lady Russell, not long afterwards, was entering Bath on a wet afternoon, and driving through the long course of streets from the Old Bridge to Camden Place, amidst the dash of other carriages, the heavy rumble of carts and drays, the bawling of newsmen, muffin-men, and milk-men, and the ceaseless clink of pattens, she made no complaint..”

Early 19th century pattens

Pattens had been banned from churches for some time. As early as 1390, the Diocese of York forbade clergy from wearing pattens and clogs in both church and in processions, considering them to be indecorous: “contra honestatem ecclesiae”*. An 18th century notice in St Margaret Pattens, the Guild Church of the Worshipful Company of Pattenmakers, requested that ladies remove their pattens on entering; other English churches had similar signs, and in one case, provided a board with pegs for ladies to hang them on. One surmises that churches banned the use of pattens because of their loud clatter on stone floors.

Early 19th century pattens. Image @Museum of Fine Arts, Boston

Constance Hill, who with her sister followed in the footsteps of Jane Austen a century after Jane’s death, described the noise of these raised iron clogs:

It is true that in bad weather ladies could walk for a short distance in pattens, which were foot-clogs supported upon an iron ring that raised the wearer a couple of inches from the ground. But these were clumsy contrivances. The rings made a clinking noise on any hard surface, and there is a notice in the vestibule of an old church in Bath, stating that “it is requested by the church-wardens that no persons walk in this church with pattens on.” – Constance Hill, Jane Austen: Her Homes and Her Friends

Pattens were clumsy platforms that raised the shoe a few inches from the ground. The most common patten after the 17th century was made from a  flat metal ring which made contact with the ground. The ring was then attached to a metal plate nailed into the wooden sole. By the 18th and 19th centuries, men’s shoes had thicker soles and the wealthier gentlemen tended to wear riding boots, and thus pattens were worn only by women and working-class men in outdoor occupations.  Soon, pattens were abandoned by ladies as well, and only the lower classes wore them as they went about their duties.

Pattens worn by a maid, 1773

There were three main types of pattens: one with a wooden ‘platform’ sole raised from the ground by either with wooden wedges or iron stands. The second variant had a flat wooden sole often hinged. The third type had a flat sole made from stacked layers of leather.*

18th century silk shoes protected by pattens. Image @Wall Street Journal

One can imagine the sad state of paths and roads the world over, which necessitated the use of such clumsy footwear in England, America, Turkey, and China, to name a few countries.

Late 19th century Chinese porcelain patten shoes

Images of pattens over the centuries:

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From the desk of Shelley DeWees…An interview with Karen V. Wasylowski, author of Darcy and Fitzwilliam: A Tale of a Gentleman and an Officer

About the book: The first ever Jane Austen BROmance from debut author Karen V. Wasylowski, Darcy and Fitzwilliam: A Tale of a Gentleman and an Officer is a truly original look into the life of Mr. Darcy. Butch Cassidy has the Sundance Kid, Felix has Oscar. Darcy has…Fitzwilliam! Readers of Pride and Prejudice know that Darcy and Fitzwilliam are thick as thieves and each other’s most cherished counsel. But as strong as their bond is, the two are still polar opposites! Darcy is quiet and reserved, while the vivacious Colonel Fitzwilliam is a confirmed bachelor whose military feats have made him a hero. Cousins, best friends, and sparring partners, Darcy and Fitzwilliam have always been there for each other.

To read Shelley de Wees’s refreshing review of this debut novel, click on this link to Jane Austen Today.

1.The problems faced by the characters in Darcy and Fitzwilliam are not quaint trifles by any means. Rather than being consumed by dilemmas of fashion or gossip or health, they’re instead met with huge setbacks and major trials of spirit. They encounter serious issues of social expectations, the solutions of which require lots of thinking and personal toil. What inspired you to write this way, especially in a genre that’s usually overrun with fluffy worlds of happiness and harmony?

First of all, thank you so much for saying that because that was truly what I wanted, to portray these men as real people, not Darcy the perfect romance hero and Fitzwilliam the affable side kick, nor did I want the women to be just caricatures of femininity. Real life is a struggle, very often between men and women, and that is so much more interesting to me than ball gowns and Almacks. There is a saying that life is what happens while we are busy making other plans and that’s the truth. Love and family can bring ecstasy and make you crazy, and sometimes all at once.

2. I really admired the way Lady Catherine De Bourgh was portrayed. Witty and stubborn yet refreshingly aware of her surroundings, your representation of her was one of the more ambitious ones in Austenesque literature. What motivated you to develop her so fully?

I loved writing Lady Catherine. I could say outrageous things that made no sense. As head of the family she feels she has the right, no the obligation, to infuriate these two men and interfere in their lives because, in her eyes, they are still horrid boys. She means well, she really does, and she’s the voice of the older generation that never can quite come to terms with the younger one. In my head Judy Dench starred as Lady Catherine, looking outraged at Fitzwilliam’s filthy boots or explaining procreation to Lizzy. Judy Dench was brilliant in my head.

3. When you’re not writing or volunteering, how else do you spend your time? Do you have any other hobbies?

No, not really. We live in Florida and that’s a pretty laid back lifestyle. Eating out is a hobby here, sleeping late. I love writing but I’m not disciplined in the least and I don’t feel much confidence yet. At any moment I think I’ll never create another scene or another word and that is scary, but exhilarating.

4. Tell us about the process you engage in when you sit down to write. Do you need complete silence, or do you write in the bedroom while throwing wild parties in the livingroom? Do you stick to a schedule? Do you prefer to write barefoot? Any other weirdness you’d like to share for the sake of our fascination?

Most of the time I need silence; anything on the television in the family room will bother me and I sit at my desk and marvel at the amount of female screaming there is on television – very disturbing on many levels. Other times a car could backfire in the family room and I wouldn’t hear it. There is no rhyme or reason. I have no schedule at all, spend a great deal of time ‘getting ready’ which means I play computer chess, and solitaire, I check Facebook, answer e-mails, go into the chat rooms, read the fan fiction sites, see if anyone left a nice compliment for one of my stories there, etc. After about an hour of this I feel ready to start. And then the phone rings – I get angry, grumble that I’m being disturbed, and the whole process begins again. It’s amazing I finished a book at all.

5. Are you working on anything new? Any more beguiling tales of love and intrigue we should know about?

Well, to tell you the truth, I have two books started. One covers the time before Darcy and Fitzwilliam, centering on Lizzy and Darcy and how they coalesce into a single unit as it were. I imagine it was quite a process for him to really understand her family and for her to adjust to his status. Their differences were vast, and I don’t think we, two hundred years later, can truly appreciate how difficult their adjustment must have been. I also want to show the effects of the war on Fitzwilliam and how years of warfare had attacked his spirit, causing his slide into the sort of debauched lifestyle he was living at the beginning of Darcy and Fitzwilliam.

The second book then is the period after Darcy and Fitzwilliam. It involves their children and all the blessings and madness that go with parenthood and getting older. Only heaven knows if either book will see the light of day but it is fun to be with my boys again. I told my husband, “You know it’s like I know what goes on in their heads.” He looked at me like I was crazy and said, “Karen, you are their heads.” I had forgotten. They are that real to me.

6. Finally, is there anything else you’d like to say?

I’d like to thank Deb Werksman and Sourcebooks Landmark for publishing Darcy and Fitzwilliam. No agent would even consider me – I wasn’t a famous name, nor a celebrity. So, I defied all logic and sent my manuscript directly into the publisher who gave me my chance. It proves that if you really love what you are doing and if you have faith in it, anything is possible. Never give up.

Karen Wasylowski

About the author Karen V. Wasylowski: Karen is a retired accountant and CPA. This is her first novel. She and her husband spend much of their free time volunteering with charitable organizations in their community. Karen and her husband live in Bradenton, Florida.

About the interviewer Shelley de Wees: This is Shelley de Wees’s first interview for this blog. She has written five reviews for me – three for Jane Austen’s World and two for my other blog, Jane Austen Today. Shelley also oversees her own blog, The Uprising, which features vegan recipes. Yum. She lives in the northern U.S. I shiver just thinking about the cold at this time of year.

Image of the author taken from My Jane Austen Book Club.

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Mr. Darcy’s Secret is Jane Odiwe’s third Jane Austen sequel for Sourcebooks. The story picks up after the Darcys’ marriage and Elizabeth’s introduction as Lady of the Manor. Lizzy is a quick study, for it is not easy for someone to pick up on all the intricacies of managing such a great house as Pemberley, but through her natural grace she quickly gains the respect of the staff and villagers and settles into her new home – where she uncovers a secret, one that places her relationship with Darcy in emotional jeopardy.

The delightful author Jane Odiwe has done it again – created a novel using Jane Austen’s characters that leaves you turning the pages to find out how the story will end. Jane Odiwe lives in Bath and London, and travels extensively all over England. This is obvious, as she is able to single out details as only someone who is intimately acquainted with the regions can. She has also researched Jane Austen and the Regency era for many years, so that the facts ring true and are sometimes surprising, as with the ability for people during that era to marry without posting the banns in one church in Derbyshire, a legacy from the days of King Charles 1.

In so many ways, Ms. Odiwe gets the characters right, which makes reading her books so enjoyable. Take Lady Catherine de Bourgh, for instance:

Lady Catherine de Bourgh looked Mrs Darcy up and donw with such an expression of horror and contempt it was all Lizzy could do to keep her nerve. “Does your husband know that you are running around the countryside dressed as a gypsy riding in a donkey cart, Miss Bennet?” she asked in scolding tones. “What on earth can you mean by disgracing Mr Darcy in such a fashion? Have you no idea of decorum, are you insensible to the honours bestowed on you by him, that fool of a nephew of mine who has singled you out above all other women to bear his name?”

Wickham remains his dastardly self; Lydia is still immature and silly. We learn more about Darcy’s sister, Georgiana, and how she is influenced by Lizzy, with whom she falls in love, and about her backstory with her governess, a most nasty creature named Mrs Younge. Miss Caroline Bingley provides comic relief in a funny story line, as does the ever reliably silly Mrs Bennet. In short, devotees of Jane Austen sequels will not be disappointed with Jane Odiwe’s latest venture in Austen territory. Reading Mr Darcy’s Secret prompted me to ask the author a few questions, and she graciously answered them.

1. Why did you wait until your third book to write about Darcy and Elizabeth?

For me, it was just a natural progression. Initially, I hadn’t wanted to write their story because I really wanted to do something different from the books that were being published. But, after writing Lydia Bennet’s Story, and Willoughby’s Return, I wanted to set myself a real challenge. I felt absolutely compelled to write Darcy and Elizabeth’s story, and also wanted to give Georgiana a happy ending. I’m a great believer in letting things happen organically, and perhaps I wasn’t really ready to write their story until now. I wanted to do justice to the characters, and have the kind of twisting plot with humour, surprises and shocks along the way that Jane Austen liked to write herself, which I hope I’ve achieved.

2. Does living in England give you a different perspective on how Jane Austen’s environment influenced her work?  If so, how does this knowledge affect your own writing about her characters?

Perhaps it does, but if so, I think it is an unconscious perspective. This country is the place of my birth; I am English, and the feelings of connection to its people, landscape and history are very strong. It’s a part of who I am. I was a teacher, and consider myself very lucky and fortunate to have had the joy of teaching pupils from every walk of life, which means I have witnessed the behaviour and customs of a vast cross-section of society from the very poor to the very rich. I’m just an ordinary person, but I have been able to witness first-hand what it’s like to attend high society balls (a long time ago now) and enjoy 20th/21st century equivalents of the kind of experiences that Jane Austen would have done. Rather like Jane too, feeling apart from that world, not really belonging, made the observation of it all the more fun. I’ve seen a world of privilege, I’ve seen the extreme opposite, and everything in between. I think all of life’s experiences and the knowledge gained help to inform your writing, but whether this means that I am successful in writing about Jane’s characters, I will leave my readers to decide.

3. For you, which comes first? The plot or the characters? How long does it take for you to outline your book before you start writing, or do you just dive in and plot as you go along?

Now that is a tricky one, but I think it’s been different for every book. I generally think about what I’m going to write for a long time, several months usually,  before I commit any thoughts to paper, though occasionally I might jot down a few initial ideas or key words. I think the idea for Mr Darcy’s Secret was really started by thinking about what we knew about Mr Darcy, or rather, what Elizabeth did not know. It occurred to me that she really didn’t know him very well at all. Jane Austen gives us no clues about his past, and so that set me thinking.
I used to meticulously write out the plot from start to finish before I commenced writing, but I’ve discovered that for me it doesn’t really work because the characters always do their best to take me away from what I’ve originally planned. So now I have a general idea of where I want to story to go, and have an idea of the ending, but the journey is always an adventure! The characters always want to tell their own story, and I let them.

4. What research  for your book surprised you the most? Did you leave out any material that you found fascinating but couldn’t use? If so, please give an example and tell us why you decided not to use this bit of information.

The research that surprised me most was the fact there was a Gretna Green of Derbyshire. In the village of Peak Forest its church is dedicated to ‘Charles, King & Martyr’ (King Charles 1) and until an Act of Parliament was passed in 1804 its minister was able to perform marriages without having the banns read.

I really enjoyed all the research into Derbyshire which I’ve visited many times from school trips as a child to spending holidays with my sister.
There is a lovely tradition of ‘well-dressing’ which I would have liked to include, but I couldn’t fit it into the timeline or plot – unlike Jane, I decided we’d spend more time in the Lake District.

I remember as a child being disappointed not to see any of the villages we passed in Derbyshire decorated with flowers. The pagan custom started many years ago with blessing the water supply, and there is a history of making clay plaques pressed with flower petals to ornament the wells, which they still carry on today. I would have liked to have included a lot more of the folklore in the book. The area is well known for its stone circles, petrified rocks, witches and ghosts! Maybe next time…

5. Have you plotted your next novel?

I have written another novel, but I’m still tinkering with it…not quite there yet. It’s not a sequel, and it’s a bit off the wall, but I’ve really enjoyed writing it. It’s inspired by Bath, Jane Austen and Persuasion, my great passions after my family.

Oooh, you have me intrigued already! As always, Jane, it is a pleasure talking with you. I wish you much success with this book and the next, and thank you for stopping by .

Read my reviews of Jane Odiwe’s other books and interviews with the author in the following links:

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Scheduled for this week are:

  • A review of Mr. Darcy’s Secret and interview with author Jane Odiwe on February 7th
  • A post by Tony Grant about the highwayman, Jerry Abershawe
  • And an interview with Darcy and Fitzwilliam author Karen V. Wasylowski on February 10th.

Stay tuned for more!

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