This Jane Austen blog brings Jane Austen, her novels, and the Regency Period alive through food, dress, social customs, and other 19th C. historical details related to this topic.
This is the time of year when I start to dream of traveling to England or other beautiful places over the summer. I know just how Elizabeth Bennet felt when looking forward to her trip with her Uncle and Aunt Gardiner.
What a delightful thought! Anticipation is half the joy of any exciting pursuit. Her words could not be more true:
Her tour to the Lakes was now the object of her happiest thoughts: it was her best consolation for all the uncomfortable hours which the discontentedness of her mother and Kitty made inevitable; and could she have included Jane in the scheme, every part of it would have been perfect.
“But it is fortunate,” thought she, “that I have something to wish for. Were the whole arrangement complete, my disappointment would be certain. But here, by carrying with me one ceaseless source of regret in my sister’s absence, I may reasonably hope to have all my expectations of pleasure realized. A scheme of which every part promises delight can never be successful; and general disappointment is only warded off by the defence of some little peculiar vexation.”
A view of the Lake District: Parker, John. Ullswater from Above Patterdale. 1825. Wikimedia Commons.
Travel Plans
Like many of us who have had our plans amended, Elizabeth has high expectations of all they might see on their trip, but eventually she finds contentment in the final plans to visit Derbyshire and the Peak District but not venture to the Lakes:
…they were obliged to give up the Lakes, and substitute a more contracted tour; and, according to the present plan, were to go no farther northward than Derbyshire. In that county there was enough to be seen to occupy the chief of their three weeks; and to Mrs. Gardiner it had a peculiarly strong attraction. The town where she had formerly passed some years of her life, and where they were now to spend a few days, was probably as great an object of her curiosity as all the celebrated beauties of Matlock, Chatsworth, Dovedale, or the Peak.
Most of us can relate to Elizabeth’s feelings on the topic:
Elizabeth was excessively disappointed: she had set her heart on seeing the Lakes; and still thought there might have been time enough. But it was her business to be satisfied—and certainly her temper to be happy; and all was soon right again.
Wright of Derby, Joseph. Dovedale by Moonlight. c.1784–1785, oil on canvas. Wikimedia Commons.
Travel Route
Her trip was revised, but there was still much for her to see. I’ve always been intrigued by this paragraph that tells us about the route they took on their way to Derbyshire, for there would have been many interesting sights along the way:
It is not the object of this work to give a description of Derbyshire, nor of any of the remarkable places through which their route thither lay—Oxford, Blenheim, Warwick, Kenilworth, Birmingham, etc., are sufficiently known. A small part of Derbyshire is all the present concern.
If Elizabeth and the Gardiners stopped along the way, what might these locations have looked like at the time? Most scholars agree that this trip would have taken several days, which means they would have had to change horses several times and stop for food and rest and lodging. It’s fun to imagine what all they saw and where they stopped, though we know they would have wanted as much time as possible in Derbyshire.
For anyone curious about how far and how fast people could travel in Jane Austen’s England, I highly recommend Wade H. Mann’s article, “Distance and Time in Regency England” on Quills & Quartos. It breaks down the realities of journeying by carriage, horseback, and foot, giving a clear sense of the distances and travel times that shaped the world Austen’s characters inhabited.
Pollard, James. London to Brighton Stage Coach. c. 1822, coloured aquatint, engraved by Matthew Dubourg (attributed), Wikimedia Commons.
Oxford
Austen’s contemporary readers would have recognized Oxford as a center of learning and culture. High Street and Cornmarket Street bustled with shops, inns, and markets. The architecture would have also been of interest. There are many gardens and parks to explore and walk, museums and libraries, and several religious sites. There would have been much for Elizabeth and the Gardiners to experience along the way.
High Street, Oxford, J. M. W. Turner, Wikipedia, 1810.
Blenheim
Blenheim Palace, the seat of the Dukes of Marlborough (which would later become the birthplace of Winston Churchill), was also on the route. As we see later when Elizabeth and the Gardiners visit Pemberley, by the late 18th and early 19th centuries, many famous estates in England had become informal tourist attractions. Wealthy travelers, and even respectable middle-class visitors, often toured grand houses while traveling through the countryside.
Morris, F. O. Blenheim Palace. 1880. Wikimedia Commons.
Warwick
Today, Warwick is a lovely little village, and the castle is one of my favorite sites to visit. During Austen’s time, Warwick Castle would have boasted recent new landscaping by Lancelot “Capability” Brown (1716–1783). Warwick Castle’s grounds were redesigned in the 18th century, and Brown’s landscapes created sweeping lawns, gentle vistas, and picturesque trees. Visitors like Elizabeth Bennet might have enjoyed exploring the grounds.
Canaletto. Warwick Castle, the East Front from the Courtyard. Birmingham Museum and Art Gallery, Wikimedia Commons.
Kenilworth
Kenilworth Castle, already a famous historic ruin during the Regency Era, offered visitors sweeping views, crumbling walls, and picturesque gardens. Tourists like Elizabeth Bennet might have strolled the grounds and enjoyed the romantic, dramatic scenery that made it a highlight of Warwickshire travel.
Turner, Joseph Mallord William. Kenilworth Castle. c. 1830, watercolour, bodycolour, and graphite on paper. Fine Arts Museums of San Francisco. Wikimedia Commons.
Finally, in Austen’s day, Birmingham was a bustling market and industrial town rather than a landscaped estate. Travelers might stop for lodging, shopping, or supplies, experiencing the commerce of an emerging urban center instead of picturesque grounds or aristocratic architecture.
Derbyshire
Once they arrive in Derbyshire, we know whom Elizabeth and the Gardiners visit and what they see. Unlike Elizabeth Bennet, most of us will never enjoy living at such a glorious estate as Pemberley. But we can visit many of the real, historic sites. And if we’re very lucky, perhaps we might be invited to visit a historic estate or home one day, such as my visit to Sherbourne Park.
Most of all, Elizabeth’s travels remind us that the journey is often just as important and interesting as the destination. Unless, of course, Mr. Darcy is waiting at one of those destinations.
Tune in for more about Elizabeth’s travels in the coming months!
This week I’d like to introduce you to a new book by Helena Kelly called The Worlds of Jane Austen: The Influences and Inspiration Behind the Novels. This book caught my eye, initially, because of its beautiful cover – yes, I admit it! I do judge a book (first) by its cover. But more than that, I was intrigued by the idea that Jane Austen’s novels reveal deeper influences that we might not realize without careful digging.
Austen lived through many historically significant moments, and though Austen doesn’t discuss war or politics or social issues in detail in her novles, Kelly asserts that Austen’s “sharp, observant fiction reveals just how engaged she was with the issues of her time.”
Kelly’s chapter titles include: “The Rectory,” “The Revolution,” “Army and Navy,” “Give a Girl an Education,” “City,” “Countryside,” “Seaside,” and “Empire and Slavery.” Three additional chapters are titled “Legacies,” “Austenmania,” and “Present Day.” Kelly explores the various facets of each topic in detail, providing key examples from Austen’s novels to show the way each influence plays a part in her writing, which is always my favorite part.
The Worlds of Jane Austeninvites readers to see one of Britain’s most beloved authors in a completely new light. Far from the quiet world of country houses and tea parties, Austen lived through revolution, war and major social change, and her sharp, observant fiction reveals just how engaged she was with the issues of her time.
This lively and accessible guide explores the people, politics and places that shaped Austen’s life and work. It features expert insight from bestselling author Helena Kelly alongside over 150 photographs, artworks and illustrations that bring her world vividly to life.
Whether you are discovering Austen for the first time or returning to her novels with fresh eyes, The Worlds of Jane Austen is the perfect companion for curious readers, literature lovers and admirers of classic storytelling.
About the Author
Helena Kelly holds a doctorate in English Literature from Oxford, where she has also taught from time to time and where she is about to return for a visiting scholarship at the Oxford Centre for Life Writing at Wolfson College.
She is the author of The Life and Lies of Charles Dickens (November 2023), already praised by Kirkus Reviews as ‘a literary bio that deftly untangles truth from untruth’, and of Jane Austen, the Secret Radical (2016), hailed as ‘a sublime piece of literary detective work’ (The Observer) and ‘an interpretive coup that is dazzling and dizzying’ (The New Yorker).
Additional Influences
I enjoyed this book tremendously and learned a great deal. I was familiar with some of it, but there were many new areas of information for me to delve into. I do have a few additional area of inspiration and influence I would be curious to investigate further as well.
In Kelly’s words, “Book could teach you almost anything.” I would have appreciated an additional chapter or section devoted to the books Austen read in the chapter about education for women and Austen’s personal education. After all, we are what we read. Our opinions and convictions are a compilation of our influences, and many of those ideas for Austen came through extensive reading. Austen read widely and deeply, even memorizing great portions of text, secular and religious alike, and her reading interests surely influenced her writing and the ideology behind her novels.
In a similar vein, I would have also enjoyed learning about the influence of religion on her writing. Austen had a brilliant mind and read Fordyce’s Sermons, The Book of Common Prayer, William Cowper, and other religious writers and materials during her lifetime. She was not silent about the role of the clergy in her novels, nor was she ignorant of the issues facing the Church of England during her lifetime. As a clergyman’s daughter, her daily life was intertwined with the Church, and it would be fascinating to read more scholarly information about that particular influence in her life.
However, exploring Austen’s influences could become a lifelong project, so I applaud Kelly’s careful research on the topics she chose and her excellent focus on the texts of Austen’s novels. Seeing the “proof” on the page is always the best part! Seeing Austen’s influences play out on the pages of her novels was splendid. Austen tells us so much, even when she’s not telling us much.
New Releases for Austen’s 250th
This is yet another incredible book in the great line up of books releasing this year for the 250th celebration of Austen’s life and legacy. The bounty of books knows no bounds this year! If you’d like to read a comprehensive live of new releases for this year, I invite you to visit this wonderful blog resource that I recently found in my searches: Regency Explorer: “Jane Austen 250 – a list of new books scheduled for 2025” by Anna M. Thane.
If you’re like me, you’ll find yourself overjoyed and overwhelmed by the vast list of books Thane put together. It must have taken an immense amount of time and dedication. I plan to reference it as I continue to explore the many new Austen books that have released this year (and some that are coming next year).
Hello, dear readers! This month, I’m featuring this new edition of Pride and Prejudice, a Handwritten Classics edition. This is a luxurious collector’s edition in two volumes, featuring Austen’s complete novel. Inside, you’ll find a collection of characters’ letters and papers, written and folded by hand.
This new collector’s edition offers a luxurious cloth binding, deluxe paper, and new printed ephemera that lend an additional dimension to the reading experience. Examples include a newspaper clipping announcing that Netherfield Park is available to let, an invitation to the ball at Netherfield, an illustrated guide to Pemberley, Darcy and Elizabeth’s marriage license, and so forth.
This collector’s edition invites fans inside the world of Jane Austen’s Elizabeth Bennet. A deluxe, cloth-bound, two-volume set includes gorgeous replicas of the characters’ letters, plus all-new mementos, such as the Darcys’ marriage certificate and an invitation to the ball at Netherfield.
Heller’s specially curated edition, first published in 2020, brought these epistles to life and became a fan favorite. Pockets throughout the novel contain handwritten replicas of nineteen letters, from Mr. Collins’s unctuous letter of introduction to Jane’s urgent missive announcing Lydia’s elopement. Readers can pull out each piece, peruse its contents, and feel transported to the breakfast table at Longbourn.
Heller’s research notes shed fascinating light on how she imbued each letter with the character’s unique personality and recreated historical postage marks. Delve deeper into the history with guest essays by Philip Palmer, curator and department head at the Morgan Library & Museum, and Dr. Juliette Wells, curator of the Morgan’s 2025 exhibition of Austen’s own letters, A Lively Mind: Jane Austen at 250. For anyone who loves Austen, and for anyone who still cherishes the joy of letter writing or collects printed memorabilia, this book offers an immersive experience of a favorite story.
You can revisit Austen’s original text and experience it in a unique way with physical ephemera that links you directly to the world of Elizabeth Bennet and Mr. Darcy. From the masterful calligraphy and the painstaking attention to historical detail to the hand-folding of the letters and other paper memorabilia—this book is an object made by fans for fans.
The novel is presented in two volumes, cloth-bound, foil-stamped, and housed in an elegant slipcase. It offers an exceptional reading experience, stands apart on the shelf, and makes for a truly lovely gift and keepsake.
Barbara Heller
Barbara Heller is a set decorator for film and television, including The Americans and When They See Us, and a writer and director of award-winning short films that have screened at festivals around the world (Cannes, Berlin, Sundance). She graduated from Brown University with a degree in English Literature. Her previous books include special editions of Pride and Prejudice, Little Women, Persuasion, and Anne of Green Gables. You can read about her work and visit her online HERE.
How the Series Began
Heller, an avid Austen fan, shares about creating this series of handwritten editions of classic books and how it all started:
“I was re-reading Pride and Prejudice for the gazillionth time, savoring my favorite passages in Mrs. Gardiner’s “long, kind, satisfactory” letter to Elizabeth, when a sudden desire to have that letter in my hand came over me. To hold the very letter that Elizabeth Bennet once received – ink faded, paper yellowed – would be utterly satisfying. In truth, I wanted to possess the originals of all the letters in Pride and Prejudice. A vision of myself at a flea market, happening upon the letters, was so real that I experienced the twin electric thrills of discovery and possession. I became determined to transform reverie into reality.
“[It took] three fascinating years during which I examined hundreds of letters written in early 19th century England; dove deep into their cryptic postal marks; agonized mightily over each character’s handwriting, and met the talented scribes who could write a period hand.
“I was extraordinarily lucky to find a home amongst the Austen lovers at Chronicle Books. In this special edition, each letter is tucked inside a glassine envelope bound at the appropriate place in the novel. I have now read the letters so many times I practically have them memorized; and yet, with every re-read, I still get caught up in the story, discover something new, and marvel at (and feel grateful for) the genius of Jane Austen.”
Jane Austen Book Collecting
I personally think this is an edition for serious book collectors and Jane Austen collectors. The price point is high, but it’s currently on sale right now on Amazon (subject to change). It would make a lovely gift or a fun splurge for yourself. It is truly an immersive experience.
As I thought about how I would use this book, I think it would make a wonderful display at a Jane Austen party, book club, program, or exhibit. I can imagine gathering a group of Austen friends together to dress up, have tea, and read the letters and papers out loud together.
As we step into Fall over the next few months, I look forward to sharing several new books that are releasing this year in celebration of Jane Austen’s 250th! I hope you’ve found a few books to add to your shelves along the way.
Many Austen fans enjoy viewing various early editions of Pride and Prejudice – and many of us are familiar with the famous “Peacock” edition. I recently had the opportunity to hold and examine a very early “Peacock” edition in my very own hands. (It was beautiful!!! I may have squealed in my head.)
During this 250th celebration year of Austen’s delightful works, I thought a little trip down “Peacock Lane” might be in order! This beautiful edition has a rich history and has contributed to Austen’s lasting legacy.
A rare “Peacock” edition in a bookstore I recently visited ($3,500).
The Original “Peacock” P&P
George Allen is responsible for the original 1894 “Peacock” edition of Pride and Prejudice, which includes the now-famous illustrations by Hugh Thomson. It includes 65 illustrations and 160 drawings and designs in total.
According to a University of Michigan Library Online Exhibit, Allen’s “Peacock” edition was not only extremely popular at the time, but it also helped revitalize the popularity of Austen’s works in the late 1800s:
“In reaction to the wave of British nationalism in the late nineteenth century, a renowned publisher of the time, George Allen, sought to preserve traditional English values by publishing a series of illustrated classic works of literature.”
Peacock Edition, Cover and Spine (1894).
There’s a reason people love the “Peacock” edition. The cover is striking with its deep navy blue background, gilded title, and resplendent gold peacock feathers. Every detail is exquisite:
“The edition’s iconic features include its gilded peacock cover (symbolic of pride) and 65 full page illustrations, all created by Hugh Thomson. As an acclaimed illustrator of the time, Thomson’s work symbolized grace and refinement, which made him the perfect choice for capturing Allen’s vision.”
Allen’s goal to revitalize interest in Austen’s work proved successful, but the edition itself did better than he ever imagined and went on to become an iconic edition that book collectors salivate over today:
“The edition surpassed expectations, selling over 11,605 copies in England and 3,500 copies in the United States, within the first year. Its popularity was partly due to its large appeal across class divisions, gender spheres, and political factions, functioning most basically as a gift book and mark of good taste. George Allen’s revival has proven to be timeless. Thomson’s peacock design has become the iconic representation of Austen’s Pride and Prejudice in contemporary marketing and merchandising, continuing to capture audiences today.”
George Allen editions of Pride and Prejudice, Emma, and Sense and Sensibility
“Peacock” Illustrations
If Hugh Thomson’s name sounds familiar, you’re right. Jane Austen’s House Museum shares these intriguing details:
“The Irish illustrator, Hugh Thomson (1860-1920), was best known for his pen and ink illustrations and in addition to Jane Austen’s work, illustrated the novels of Charles Dickens, Elizabeth Gaskell and J.M Barrie. Thomson used to visit the British Museum and V&A to research costume styles, room decorations and furniture design for his illustrations. Despite that his drawings for Pride and Prejudice have a distinct Victorian rather than Georgian feel to them.”
If you’ve ever wondered why Thomson chose a peacock for the cover, you’ll find a clue in the old saying, “proud as a peacock.” Male peacocks have long been associated with pride and vanity because of their vibrant plumage and the way they strut about with their feather fanned out around them. Some believe that the peacock’s elaborate display of its tail feathers, especially by the male during courtship, is a fitting image for Pride and Prejudice’s themes of courtship as well. Either way, the peacock as a symbol of pride seems fitting for the cover of Pride and Prejudice.
The interior is filled with beautiful full-page illustrations. The first page of the first chapter is particularly lovely with the peacock plumage on full display:
“Peacock”-Themed Editions Through the Years
Ever since the original “Peacock” edition was released, many other editions of Pride and Prejudice have featured a peacock or peacock feathers. Each one is a nod to the original and to the overarching theme in the novel. Here are a few select highlights:
Signet Classic, 1961 (I read this one from my dad’s bookshelves growing up)
Easton Press collector’s reproduction edition with illustrations by Thomson.
Though the Easton Press leather-bound edition is pricey at $252, it might be worth it to those who want to have a beautiful and exquisitely-reproduced copy of Allen’s original “Peacock” edition with Thomson’s illustrations throughout. It’s truly a work of art in its own right with its “hubbed” spine, sewn pages, acid-free paper, and custom-crafted, clothbound slipcase.
250th Editions Featuring Peacocks
Finally, for the 250th anniversary of Jane Austen’s birth, Austen fans can enjoy several new “Peacock”-inspired editions. These editions pay homage to the original Allen edition with an updated flair. Thus far, I’ve seen these new and upcoming editions advertised:
Whichever edition you enjoy reading, it’s clear that the peacock remains an enduring symbol of pride in the novel. As Elizabeth Bennet says about Mr. Darcy after he snubs her: “I could easily forgive his pride if he had not mortified mine.”
A copy of the original “Peacock” edition is worth a lot of money these days, but its impact is truly priceless. Allen and Thomson helped revive and sustain popular interest in Jane Austen’s work far beyond what they ever imagined.
After spending so much time researching and writing my seasonal, month-by-month “A Year in Jane Austen’s World” blog series last year, I knew it was right down my alley. I am happy to report that the information included in this book covers a variety of intriguing topics, recipes, illustrations, and specially commissioned photos. It feels like taking a tour of Jane Austen’s House Museum each month of the year. It is well worth the read!
“Arranged chronologically across the calendar year, this uniquely intimate insight into Jane Austen’s world offers reproductions of her letters, the objects she held dear, the story of how her first novel Pride and Prejudice came to be published and the routines of her everyday life at this idyllic Hampshire cottage. Experience life as Austen did herself, as both the notable writer she was, and also the daughter, sister and friend she remained to those closest to her.”
Published by Pitkin, A Jane Austen Year releases March 11, 2025. I was grateful to receive a digital copy in order to review it before its release.
First of all, this book makes a beautiful addition to your shelves or coffee table if you’re a book collector or if you like to display your Jane Austen books as part of your home, office, or library decor. I also appreciate that it was put together by the people who work at Jane Austen’s House Museum. Many of the photos and insights come directly from Chawton Cottage, where Jane Austen spent the latter years of her life and writing career, and its collections.
As I read through each month’s offerings in A Jane Austen Year, I enjoyed seeing photographs of Jane Austen’s House Museum during every season and reading through the excerpts from Jane Austen’s letters and novels that pertained to that particular month. Of special note are the recipes for meals, vinegars, and salves, sheet music Jane might have played or heard, costume designs for theater productions of the time, gardening notes and illustrations, photos from the collections held at JAHM, as well as snippets from the film adaptations.
Overall, this is a wonderful book to peruse. I look forward to spending a lot more time with it this year. The photographs are stunning and I can’t wait to delve in deeper with the information provided. Now that I’ve read through the entire book, I plan to go through it month by month for the remainder of the year.
Book Excerpt
“This book is written from Jane Austen’s House in Chawton – one of the most important places in the history of English literature and the development of the novel.
“Here, in this inspiring Hampshire cottage, Jane Austen lived for the last eight years of her life. Here, her genius flourished and she wrote, revised and had published all six of her globally beloved novels: Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey and Persuasion.
“Today, Jane Austen’s House is a cherished museum with an unparalleled collection of Austen treasures, including items of furniture, paintings and household objects. Visitors can discover Jane’s personal letters and first editions of her novels, items of jewellery, portraits of her friends and family, and the tiny writing table at which she wrote.
“This book brings together some of the precious fragments of Jane Austen’s life story, along with world events that shaped her life and understanding, extracts from her novels and letters, and a range of extraordinary objects held here in the museum’s collection. Dip into it as you will, or go through month by month and enjoy a full year of Jane Austen: her life and writings, people and objects she knew and, of course, her beautiful, inspiring home.”
Book Description
This beautifully illustrated book charts the life of one of the world’s most beloved authors through the letters, objects, and manuscripts that shaped her life.
Published in partnership with the curators of Jane Austen’s House, the enchanting Hampshire cottage where Jane Austen’s genius flourished that now attracts thousands of visitors every year.
Arranged over the course of a calendar year, from snowy scenes in January to festive recipes in December, specially commissioned photography of Austen’s home and possessions are brought together with extracts from her books, reproductions of her letters, and stories of her life throughout the seasons. Highlights include the first time Austen read a published copy of Pride and Prejudice to an enraptured audience in her drawing room, affectionate letters to her sister Cassandra reproduced in full and an exquisite miniature portrait of Tom Lefroy, the man she nearly married.
Read this book for a unique and intimate insight into Austen’s world. Dip into it as you will, or visit each month, and enjoy a full year of Austen—her life, works and letters, people and objects she knew, and of course her idyllic, inspiring home.
A Jane Austen Year Podcast
Jane Austen’s House has also released a delightful new podcast to accompany the book. There is a new installment each month! You can listen in HERE.
The A Jane Austen Year podcast is a seasonal journey through Jane Austen’s novels, the story of her life and the world she lived in. It is created and recorded at Jane Austen’s House in Chawton, Hampshire – “the most treasured Austen site in the world.”
For those who haven’t listened yet, I must say that I find this podcast absolutely delightful! It is chock-full of wonderful information about Jane Austen, her writing, her family, her world, and Chawton Cottage. The music, narration, and production make this podcast one of the most soothing and gentle podcasts I’ve heard in a long time. I can’t wait for the next installment!
Podcast Details
A Jane Austen Year transports you to Jane Austen’s House in Chawton, the idyllic Hampshire cottage where Jane Austen lived and wrote her globally beloved novels – now a beloved museum.
Each month, join us on a seasonal journey through Jane Austen’s novels, the story of her life and the world she lived in. Discover scenes, letters, recipes, and objects from the museum collection, bound together with readings and sounds recorded in the House itself.
Each episode is recorded by the people who work at Jane Austen’s House, caring for this special place and protecting it for future generations. January, for example, is voiced by: Lizzie Dunford, Jenny Durrant, Jessica Halmshaw, Amelia Harvell,Sophie Reynolds, Rebecca Wood – with a guest appearance by Dominic Gerrard.
I highly recommend both the book and the podcast. If I could travel to Chawton again this summer, that would be the pinnacle of my Jane Austen year, but these new productions are an absolute gift from Jane Austen’s House Museum. I’m sure it’s been a massive undertaking, and I am grateful!
Fashionable Goodness: Christianity in Jane Austen's England is now available! By JAW contributor Brenda S. Cox. See Review. Available from Amazon and Jane Austen Books.
Available through December 31st, 2025. Click on image for details, and share this poster with other teachers and students!
The Obituary of Charlotte Collins by Andrew Capes
Click on image to read the story.
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Project Gutenberg: eBook of Stage-coach and Mail in Days of Yore, Volume 2 (of 2), by Charles G. Harper
STAGE-COACH AND MAIL IN DAYS OF YORE: A PICTURESQUE HISTORY
OF THE COACHING AGE, VOL. II, By CHARLES G. HARPER. 1903. Click on this link.
Jane Austen's World 