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Archive for the ‘Jane Austen’s World’ Category

Contest Closed: Using a random number generator, the winner is Leslie Ann McCleod. Her quote was:

“Tell me if, when I returned to England in the year eight, with a few thousand pounds, and was posted into the Laconia, if I had then written to you, would you have answered my letter? would you, in short, have renewed the engagement then?”

“Would I!” was all her answer; but the accent was decisive enough. – Persuasion

Thank you all for participating!

Good news! You have an opportunity to win a copy of Fashion in the Time of Jane Austen! All you need to do is leave a comment with your favorite line from a Jane Austen novel. The line can come from any character and be on any topic. The winner will be announced two weeks from today on April 19th. One lucky person will be chosen using a random number creator. Those who live in Canada and the U.S. are eligible to enter the contest.

Read my review of the book

Format: Trade Paperback, 64 pages
Author: Sarah Jane Downing
Price: $12.95
ISBN: 978-0-7478-0767-4 (0-7478-0767-1)

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This Easter weekend is a perfect time to reflect on Jane Austen and Easter. Hats and bonnets were prevalent, of course, and so were Easter Fairs and eating hot cross buns.
Ladies' bonnets, 1802

In her book, Jane Austen and the Clergy, Irene Collins writes: Clergymen in Jane Austen’s day were not expected to write original sermons every Sunday. “Henry Crawford, assessing Edmund Bertram’s commitments at Thornton Lacey, judged that ‘a sermon at Christmas and Easter ‘would be’ the sum total of the sacrifice.” Mr. Collins produced only two sermons between his ordination at Easter and his visit to Longbourn in November of the same year.- p. 96.

Jane Austen herself mentions Easter, most notably in Pride and Prejudice:

In this quiet way, the first fortnight of her visit soon passed away. Easter was approaching, and the week preceding it was to bring an addition to the family at Rosings, which in so small a circle must be important. Elizabeth had heard, soon after her arrival, that Mr. Darcy was expected there in the course of a few weeks, and though there were not many of her acquaintance whom she did not prefer, his coming would furnish one comparatively new to look at in their Rosings parties, and she might be amused in seeing how hopeless Miss Bingley’s designs on him were, by his behaviour to his cousin, for whom he was evidently destined by Lady Catherine; who talked of his coming with the greatest satisfaction, spoke of him in terms of the highest admiration, and seemed almost angry to find that he had already been frequently seen by Miss Lucas and herself.

At Rosings with Colonel Fitzwilliam

Colonel Fitzwilliam’s manners were very much admired at the parsonage, and the ladies all felt that he must add considerably to the pleasure of their engagements at Rosings. It was some days, however, before they received any invitation thither, for while there were visitors in the house they could not be necessary; and it was not till Easter-day, almost a week after the gentlemen’s arrival, that they were honoured by such an attention, and then they were merely asked on leaving church to come there in the evening. For the last week they had seen ver little of either Lady Catherine or her daughter. Colonel Fitzwilliam had called at the parsonage more than once during the time, but Mr. Darcy they had only seen at church.

The invitation was accepted of course, and at a proper hour they joined the party in Lady Catherine’s drawing room. Her ladyship received them civilly, but it was plain that their company was by no means so acceptable as when she could get nobody else; and she was, in fact, almost engrossed by her nephews, speaking to them, especially to Darcy, much more than to any other person in the room.

Elizabeth Bennet, Mr. Darcy and Colonel Fitzwilliam at the pianoforte

Ellen Moody noted that dating Sense and Sensibility presented a problem. It was revised several times and as a result the chronology remains inconsistent. Towards the book’s end, Easter is mentioned as occurring on March 31. This would have fallen in 1793, when the first draft of the novel was written. But, there is another reference to Easter in early April, which would have placed the novel in 1798 (the most likely), 1801, 1803, and 1809.

More on the topic:

Jane Austen’s Easter: Jane Austen Centre Online Magazine

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Gentle readers, Collette from the Serendipity franchise has graciously allowed me to reprint her review of Jane Austen’s Sewing box. I wrote “franchise” because her online presence includes: Serendipity Vintage, Serendipity Handmade, Vintage Life Network, Serendipity Vintage Facebook, and SerendipityVintage on Twitter.

I also now have a copy of the lovely Jane Austen’s Sewing Box: Craft Projects and Stories from Jane Austen’s Novels. You may have seen a review or two on other craft blogs. As I am a Austen aficionado I could not pass it up:

It is a beautiful book, filled with gorgeous color fashion plates of the time that are worth a look. I read it cover-to-cover and enjoyed every moment. However, I would recommend purchasing it only if you enjoy historical Regency costume and /or are a die-hard Regency or Jane Austen fan.

As for the crafts themselves, some are probably of more interest to the costume enthusiast (like the cravat, the bonnet, or the tippet). There is only one photo of each project and even one more photograph of each project would have enhanced this book. Yet one whole page might be devoted to one short quote from one of Austen’s novels, or to a lovely painting from the time period:

The actual instructions for each project were also quite succinct and limited to only one page. If you’ve ever read any of the antique craft books from the early-to-mid 19th century you know that project instructions were usually all text and that diagrams were sparse. The actual descriptions of the the projects were very reminiscent of the actual books of the time. Still, I would like to make this case for embroidery thread:


In the time of the Regency you would store your
embroidery thread on a bone or wood thread winder

Austen mentioned each craft project in one of her novels, and it is fascinating to read the excerpts from the novels and then read Forest’s commentary about the craft as it was practiced at the time. If you are interested in historical craft and want to know more about the role of crafts in the lives of Regency women you will love the historical detail in this book. It’s definitely an informative and charming read!

Photographs from Jane Austen’s Sewing Box, Murdoch Books, or in the public domain. Review reprinted with permission.

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The Antique Prints Blog offers a wonderful post about Ackermann’s Print Shop with excellent illustrations. I will definitely be visiting this site often!

Ackermann Shop Interior: Image from Antique Print Blog

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Ever since I learned that this book would be coming out in the spring, I couldn’t wait for its arrival. The title alone told me that it was tailor made to my interests. Slim and more a monograph than a book, Fashion in the Time of Jane Austen‘s 62 pages are jam-packed with information and images. Some of the material that author Sarah Jane Downing wrote about was familiar, but much of it was new. While I finished the book in two sittings, I know I will be using it frequently for future reference.

Until the Napoleonic Wars, France had influenced fashions in Britain and Europe. It was the custom of messengers known as les grandes couriers de la mode to deliver the latest French fashions to the great courts of Europe in person. Wearing designer creations, their costumes were analyzed from head to toe and then tried on and taken apart. Patterns were made from the resulting pieces. People who visited cities and returned home were plied with questions about the latest trends in fashions by those who stayed behind. Soon, fashion journals appeared showing images of fashions, home furnishings, and architectural plans, and new styles trickled down to even those who lived in the farthest reaches of England.

Walking gowns, 1796

The French Revolution marked a radical shift from the elegant, wide-skirted brocade gowns so prevalent for most of the 18th century to the streamlined, body-hugging, empire-waisted silhouettes of the Directoire Period that were inspired by classical antiquity. Wide hooped skirts were still worn for appearances at court, but gowns became simpler, narrower, and more vertical. In fact, the change in dress silhouettes was so dramatic that such a radical shift in style would not occur again until the flapper era and the jazz age over a century later.

Jane Austen’s books were written during the narrow time frame when empire dresses with their high waists, short sleeves and décolletté necklines reigned supreme in the fashion world. When long sleeves were introduced in evening dress, she wrote Cassandra:

I wear my gauze gown today long sleeves & all; I shall see how they succeed, but as yet I have no reason to suppose long sleeves are allowable. Mrs. Tilson has long sleeves too, & she assured me that they are worn in the evening by many. I was glad to hear this. – Jane Austen, 1814

1815 Long sleeved evening dress. Costume of the ladies of England 1810-1823.(NYPL Digital Collection)

Male attire also went through a dramatic change. Ruffles and ornate brocaded fabrics gave way to intricately folded neckcloths, simple shirts, stark jackets and leg-hugging breeches. The emphasis was on the neckcloths, but not the shirts, which were sewn by women, not tailors. Jane was known to be an excellent seamstress, and she wrote about completing a batch of shirts for her brother Charles: “[I] am to send his shirts by half dozens as they are finished; one set will go next week,” and “In Mansfield Park Fanny price works diligently to ensure that her brother’s linen is ready when he goes to sea.” – p 13.

1816 Riding Habit

There are so many other interesting tidbits of information that I won’t share in this review lest I spoil the reader’s pleasure. Fashion in the Time of Jane Austen discusses accessories, underwear, half dress, full dress, court dress and more. I wish a timeline had been included of when hems were raised and when they became decorative; precisely how the Napoleonic Wars affected fashion in both England and France and who influenced who and when; and when waists when up, then down, then up and down again. Another quibble I had was with the book’s cover, which John Pettie painted in 1887. With all the lush images and paintings available of regency misses and their chaperones and suitors, why choose a Victorian painting? The woman in this painting belongs so obviously to another age that I find her face a little creepy.

Be that as it may, I give this book three out of three regency fans and recommend it highly to all readers who are interested in Regency fashion and historical romance writers who are interested in precise details of dress.

More on the topic

Another excellent book about fashion is Penelope Byrd’s A Frivolous Distinction: Fashion and Needlework in the works of Jane Austen.

Regency Fashion History is an excellent site.

And Cathy Decker’s comprehensive site cannot be topped.

Order the book here.

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