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Archive for the ‘Jane Austen’s World’ Category

Some of my most memorable family moments are during the times when we gather to play board or word games. On New Year’s Eve we played Apples to Apples, laughing and not caring whether we won or lost. During Jane Austen’s day, games helped to wile away the time on long dark winter nights or rainy evenings. Games could be fun, educational, or intellectual, just like today’s. 

As discussed in previous articles in this blog, during the Regency era, writing in verse and rhyme was a popular pastime and mode of communication for the gentry, pseudo gentry, diarists, and authors. Mrs Cassandra Austen wrote recipes in rhyme; her daughter Jane wrote poetry (although they lacked the genius of her prose); guidebooks, such as Christopher Anstey’s New Bath Guide (1766) were written in rhyme; and stories in verse, like John Matthews’ description of a day in Bath, entitled Bath: An Adumbration in Rhyme (1795), had a dry, humorous tone admired during that time.

About Bouts-Rimé, a literary game (pronounced Boo-ReeMay):

Brittanica.com defines Bouts-Rimé as rhymed words or syllables to which verses are written, best known from a literary game of making verses from a list of rhyming words supplied by another person. The game requires that the rhymes follow a given order and that the results make a modicum of sense.

According to Wikipedia, a minor 17th century French poet named Dulot complained that he’d been robbed of valuable papers and three hundred sonnets. When surprised people wondered at his having written so many, Dulot explained that the sonnets were blank except for the ending rhyming words. The idea struck everyone as amusing, and what Dulot had done seriously was taken up as a jest. Bouts-rimés became the fashion throughout the 18th century” and is still played today. The term means “rhymed ends” or a set of pre-selected final words. 

The trick in writing bouts-rimés is to make sense of the words, The rhymes should seem effortless and natural, but a person choosing the rhyming words can put a spoke in the wheel of an opponent’s effortless creativity by selecting a set of rhyming words that seemingly have no connection.

Bouts-Rimés created by Mrs. Cassandra Austen and her grandson George Knight

The Jane Austen Centre website published a post on its blog with four bouts-rimés written in 1820 at Chawton House. Two were written by Jane Austen’s mother (C.A.) and two by Jane’s nephew, George (G.K.). On reading them, you might list the rhymed ends, and decide whose/which bouts-rimés are better in your estimation and why. Did they fit the criteria of the definitions listed above?

Why d’you ask me to scribble in verse 

When my heart’s full of trouble and sorrow? 

The cause I will briefly rehearse, 

I’m in debt, with a sad empty purse, 

And the bailiffs will seize me tomorrow. C. A. 

I’ve said it in prose, and I’ll say it in verse, 

That riches bring comfort and poverty sorrow, 

That it’s better to ride in a coach than a hearse, 

That it’s better to fill than to empty your purse, 

And to feast well to-day than to fast till to-morrow. C.A. 

To mutton I am not averse, 

But veal I eat with sorrow, 

So from my cradle to my hearse 

For calves I’d never draw my purse 

For lambs I would to-morrow. G. K. 

I hate your French tragedies written in verse, 

They fill me with laughter, not sorrow; 

What Racine has written, let Talma rehearse, 

The notions I’ve formed he would never disperse, 

Though he laboured from now till to-morrow. G. K.

Screen Shot 2022-01-15 at 6.27.51 PM

This digital collection features poems by John Tenniel (1820–1914) and others, with illustrations by Tenniel. From theHarry Ransom Center, Digital Collections, University of Texas at Austin

A modern version of a Bouts-Rimé

A post on the blog dVerse~Poets Pub mentions that the practice of writing boutes-rimés continues through the 19th century and to this day. Bouts-Rimés Revisited; Meeting the Bar | dVerse (March 10, 2016, Gayle Walters Rose.)

This bouts rimé printed in dVerse~Poets Pub and written in 2016 by Jack Collom, is more complicated than the verses written by A.C. and G.K. in 1820. Collom’s bouts-rimé consists of 14 lines based on the following words:

jump, fanned, lump; reading, lawn, misleading, yawn; yo-yo, death, no-no, breath; France and pants, as outlined  in the book by Ron Padgett, in ‘The Teachers and Writers Handbook of Poetic Forms’ (2nd Edition).”

Posted are five of the 14 lines:

Getting burnt, evaporated, bleached, or tanned

By the sun ain’t no way to jump.

I’d rather plop in shadow, be fanned

By some geisha girl, and lay around like a proverbial lump.

I’m not that hot for so-called good reading …

(find the full 14 lines of this bouts rimé here)

Additional Resources:

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Inquiring readers,

This time last year, Jane Austen’s World blog recommended our team’s favorite books to read in 2021. For 2022, we recommend ways you can attend Jane Austen workshops and discussions electronically, via either zoom broadcasts or podcasts. Here are some suggestions. Most of these experiences are free, but those that require payment are often worth the cost.

Jane Austen & Co (Free Zoom series)

Logo of Jane Austen & Co.

Logo of Jane Austen & Co.

At the beginning of the COVID pandemic, I took refuge in watching workshops offered by Jane Austen & Co, a free public Zoom series focused on the life, histories, and writings of women living in the Regency era. This organization began as a book group in Durham, North Carolina. Since Summer 2020, the group has offered a diverse array of excellent lectures by experts, Q&As, and digital programming. Past series and discussions are archived and can be accessed on the site. While programming is free, the group does passively ask for donations for a Jane Austen summer program. 

The series:

2020: “Staying Home with Jane Austen,” explored domestic life, labor, and practices during the Regency, including dress, music, embroidery, gardening, and gaming.

2021: “Race and the Regency,” explored the role of race, nationalism, colonialism, and identity in the culture of the long eighteenth century, exploring topics such as slavery, abolition, portraiture, and modern representations of historical people of color. 

2022: “Asia and the Regency,” starting off the year with three new talks on adaptations of Jane Austen in Japan and India, entitled “Pride and Prejudice in Japan,”  “Emma in Bollywood,” and “Jane Austen in India, Jane Austen and India.” Click here to sign up for live talks If you’ve missed them, they are archived here.

Conversations with authors of modern Austen adaptations, including Ibi Zoboi (author of Pride), Margot Melcon and Lauren Gunderson (co-authors of Miss Bennet: Christmas at Pemberley), and Jo Baker (author of Longbourn).

Banner for Jane Austen Society of North America

Publication banner for Jane Austen Society of North America

Jane Austen Society of North America (JASNA virtual conference, Fee required)

Membership to this important organization is not only affordable, but its website acts as a gateway to all news, events, and publications of importance to the Janeite community.

Major Membership Benefit: 

The AGM (Annual General Meeting) – now with Zoom benefits:

This yearly conference was so highly competitive when delivered onsite, that if members did not sign up within hours of open registration, they were out of luck. I attended only two in person. The pandemic has changed this situation. In 2020, I attended a virtual conference and was able to view every presentation online, since my conference fee allowed me to view the links for a month. In 2021, an onsite AGM was given in Chicago. Immune-compromised individuals like myself still didn’t feel comfortable attending such a large function. Right now, I still have nearly a month (until February 15) to watch most of the workshops and presentations online. What a bargain at $99!

Regional Memberships in local JASNA societies:

Over the years I’ve joined local JASNA societies in Richmond, my former hometown, and Baltimore, my current location. I also belong to the societies in Northern California and New York – all offer a variety of JA discussions and workshops, most virtually until the pandemic subsides significantly.

 Podcasts/Audio Recordings

This list of podcasts is a mixed bag. According to your preferences, you might or might not like some of the choices below. The good news is that they are all free. Many are available on an app for your tablet or smartphone. While not all might suit you, I am sure you can find new and interesting information about Austen and her era. The first two choices are available on websites only.

Audios

Chawton House – Podcasts – Chawton House

In these relatively new offerings, find podcasts that discuss the restoration of Chawton House, their recent acquisitions and writing contests, Caroline Jane Knight, who spent her childhood in Chawton House and is Jane Austen’s fifth great niece, interviews, history of Chawton House, and more!

BBC podcast

Choices of the BBC Radio 4 collection of audios

BBC Radio 4Jane Austen Collection

These radio programmes feature discussions about Emma, Epistolary Literature, Pride and Prejudice Anniversary Special, and so much more. There is nothing more pleasurable than listening to these programmes while sewing or crocheting (even housecleaning)!

Podcasts

Player FM: Jane Austen Podcasts Click here to enter this indexed site 

This mega site lists too many Austen podcasts to mention in one paragraph, so I’ve included two with detailed descriptions and three more links. It is worth looking at this Jane Austen podcast collection to see what suits your fancy. I love listening to podcasts on long drives 

The Austen Connection: podcasts

These podcasts talk about the stories of Jane Austen – how they connect to us today, and connect us to each other.

Reading Jane Austen – 3 Seasons completed (Pride & Prejudice, Sense & Sensibility, & Mansfield ParkAbout us – Reading Jane Austen

Example, in Season One, P&P, Chapters 1-6, Ellen and Harriet, talk about how the book sets up the relationship between love and marriage, the way the characters are introduced so gradually, what we see in Darcy and the fact that we quickly learn how much money everyone has. We discuss Mrs Bennet in some detail, and then Ellen talks about class in the early nineteenth century, and the type of neighbourhood Pride and Prejudice is set in. Ellen is a retired senior lecturer in sociology, and Harriet works for an education publishing company. Both are lifelong Jane Austen readers. 

The following podcasts are for those who think outside the box or who like cheeky humor.

Manners and Madness: A Jane Austen & David Lynch Podcast on Apple Podcasts

Reclaiming Jane: A Jane Austen Podcast for Fans on the Margins

First Impressions: Why All the Austen Haters Are Wrong

In addition to these links, view our page Audio/Podcasts at the top of this blog. Enjoy!

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During Jane Austen’s lifetime, conduct literature that advocated ideal conduct and character for young women was common. In the form of letters, pamphlets, and full-length novels, conduct literature covered an array of topics meant to instruct and inform.

Conduct manuals played a large part in forming Austen’s culture and the world of her novels. To better understand her world and her characters, let’s take a closer look at the world of conduct literature for young ladies.

Conduct Books

Whereas etiquette books of the last century, such as Emily Post’s Etiquette, stressed good manners and how to behave in specific social situations, the conduct manuals and letters written for young ladies in Jane Austen’s time focused mainly on propriety. The central purpose was to mold the character of a young woman and teach her how to think, act, and speak in a way that was both morally and socially proper.

Conduct manuals discussed a wide range of subjects, including household chores, religion, and what to look for in a husband. However, the underlying concern evident in most of the conduct pamphlets being written at this time was the cultivation of “virtue” in the female sex. As Mary Wollstonecraft Godwin states in Thoughts on the Education of Daughters (1787), “the main business of our lives is to learn to be virtuous.” And according to many eighteenth-century conduct books, a woman’s virtue was expressed in her attitudes, her carriage, her accomplishments, and her actions and speech. 

But what did these books, letters, and pamphlets actually say? Let’s take a closer look at three examples from the late 1700s to see what young ladies were taught during Austen’s youth and adolescence:

“A Father’s Legacy to His Daughters”

In John Gregory’s popular conduct book, A Father’s Legacy to his Daughters (first published in 1774), Gregory told his daughters that they should aspire to the kind of “virtue” their deceased mother possessed and put on “a certain gentleness of spirit and manners extremely engaging in [women].”


Carl H. Pforzheimer Collection of Shelley and His Circle, The New York Public Library. “A father’s legacy to his daughters.” The New York Public Library Digital Collections.

The topics for this particular conduct book are as follows:

  • Religion
  • Conduct and Behaviour
  • Amusements
  • Friendship, Love, Marriage

On the topic of Amusements, Gregory has this to say:

Some amusements are conducive to health, as various kinds of exercise: some are connected with qualities really useful, as different kinds of women’s work, and all the domestic concerns of a family: some are elegant accomplishments, as dress, dancing, music, and drawing. Such books as improve your understandings, enlarge your knowledge, and cultivate your taste, may be considered in a higher point of view than mere amusements. There are a variety of others, which are neither useful nor ornamental, such as play of different kinds.

John Gregory, A Father’s Legacy to his Daughters

On the topic of Friendship, Gregory makes these comments:

A happy choice of friends will be of the utmost consequence to you, as they may assist you by their advice and good offices. But the immediate gratification which friendship affords to a warm, open, and ingenuous heart, is of itself sufficient motive to court it. In the choice of your friends, have your principal regard to goodness of heart and fidelity. If they also possess taste and genius, that will still make them more agreeable and useful companions.

John Gregory, A Father’s Legacy to his Daughters

“An Unfortunate Mother’s Advice to Her Absent Daughters”

In Lady Pennington’s An Unfortunate Mother’s Advice to Her Absent Daughters (1761), she covers many topics for young ladies, complete with an index of books her daughters should read as part of her discussion on how her daughters should make “mental improvements” through reading, which gives us insight into other literature of the time period that was considered edifying for young ladies:

Along with Gregory, Pennington suggests that virtue should be a person’s highest goal: “Aim at perfection, or you will never reach to an attainable height of virtue.”

She goes into great detail on an expansive number of subjects, but one interesting highlight that seems to have been common for Jane Austen herself and for her leading ladies is in regard to one’s daily schedule. She explains that mornings should be spent in domestic duties and “improvement.” Afternoons “may then be allowed to diversions” (which includes “company, books of the amusing kind, and entertaining productions of the needle, as well as plays, balls”).

But, she says, the former part of the day should be “devoted to more useful employments”:

One half hour, or more, either before or immediately after breakfast, I would have you constantly give to the attentive perusal of some rationally pious author, or to some part of the New Testament, with which, and indeed with the whole Scripture, you ought to make yourself perfectly acquainted, as the basis on which your religion is founded. From this practice you will reap more real benefit than can be supposed by those who have never made the experiment.”

Lady Pennington, An Unfortunate Mother’s Advice to Her Absent Daughters
Carl H. Pforzheimer Collection of Shelley and His Circle, The New York Public Library. “An Unfortunate Mother’s Advice to Her Absent Daughters, in a letter to Miss Pennington,” The New York Public Library Digital Collections.

Further advice includes studying “your own language thoroughly, that you may speak correctly, and write grammatically.” She suggests being “well acquainted” with French and, if possible, Italian; the history of England other European nations; Geography, as this will “make history more entertaining to you;” Philosophy; and the “first four rules of Arithmetic.” Music and Drawing are humorously described as “accomplishments well worth the trouble of attaining, if your inclination and genius lead to either: if not, do not attempt them; for it will be only much time and labour unprofitably thrown away.”

Finally, a quote I found personally inspiring which I can imagine Austen might have agreed with:

Expect not many friends, but think yourself happy, if, through life, you meet with one or two who deserve that name, and have all the requisites for the valuable relation.

Lady Pennington, An Unfortunate Mother’s Advice to Her Absent Daughters

“An Enquiry into the Duties of the Female Sex

Austen herself read a conduct manual titled An Enquiry into the Duties of the Female Sex, written by Thomas Gisborne (1797), which followed his popular “Enquiries into the Duties of Men.” It covers topics such as the differences between men and women, female education, introducing young women into society, conversation and letter writing, dress, entertainment, the employment of time, choosing a husband, the duties of parents, and so forth.

I am glad you recommended “Gisborne”, for having begun, I am pleased with it, and I had quite determined not to read it.

Letter from Jane to Cassandra, 30 August 1805

To explain Austen’s possible reason for this common, the British Library has this to say:

“We don’t know why Austen had ‘determined not to read’ An Enquiry. Perhaps she expected it to be similar to the Mr Collins-endorsed Sermons to Young Women, referred to in Pride and Prejudice, which stresses the need for women to be submissive and modest. In fact, Gisborne praises woman’s capacity for ‘sprightliness and vivacity’, ‘quickness of perception’ and ‘fertility of invention’ – as well as the more traditional female virtues of offering comfort and cheer to those around them.

“Though Gisborne’s views seem conservative to modern readers, many of them are similar to those that Austen expresses in her novels. He urges women to spend time each day reading improving books, mentioning as particularly suitable the works of William Cowper, one of Austen’s favourite poets (p. 219). He warns against the ‘absurd and mischievous’ belief that a woman can reform a cruel and immoral man after marrying him (p. 238), and criticises mothers who prioritise wealth over happiness in choosing husbands for their daughters.” (British Library, Conduct Book for Women)

Forms of Conduct Literature

There were countless other conduct books, letters, and pamphlets written during Austen’s lifetime. These, along with sermons and religious writings, were the only kind of reading material that was thought proper for young ladies. Later, didactic novels that taught a moral lesson in story form, became more popular. Still within the genre of conduct literature, didactic novels were written to entertain and instruct. Stay tuned for more on that topic next month.

I encourage you to follow the links above and read some of these books for yourself. It’s quite interesting to find out what exactly young women were taught during Jane Austen’s time. And it’s easy to see where Austen may have found instruction, inspiration, and even, at times, amusement within their pages.


RACHEL DODGE teaches college English classes, gives talks at libraries, teas, and book clubs, and writes for Jane Austen’s World blog and Jane Austen’s Regency World magazine. She is the bestselling author of The Anne of Green Gables Devotional: A Chapter-By-Chapter Companion for Kindred Spirits and Praying with Jane: 31 Days Through the Prayers of Jane Austen. Her newest book The Little Women Devotional is now available. You can visit Rachel online at www.RachelDodge.com.

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Inquiring Readers, We will soon be ringing in 2022 and celebrating New Year’s Eve. Superstitions and traditions from the Regency era still survive. This post mentions customs Jane Austen and her family probably knew about or personally followed.

Did you know that the New Year’s Day date was changed to January 1st in 1752?

William Savage, who writes about Georgian England in his blog and who lives in England, writes that his oldest relatives still often refer to January 6th as ‘Old Christmas Day.’ The change came: 

from the time in 1752 when Britain adopted the Gregorian calendar to align our dates with those in use on the continent. The calendar was advanced by 11 days: Wednesday 2nd September, 1752 was followed by Thursday 14th September, 1752 and the year shortened to just 355 days to allow the New Year to fall on January 1st.” – The Superstitious Eighteenth Century, William Savage, Pen and Pension: Immerse Yourself in Georgian England 

Black and white engraving of two men in a tavern shaking hands at midnight, singing Auld Lang Syne

The Complete Works of Robert Burns: Containing the Poems, Songs, and Correspondence. Illustrated By W.H. Bartlett, T. Allom, and Other Artists. With a New Life of the Poet, and Notices, Critical and Biographical by Allan Cunningham, London: George Virtue, ca. 1841. Image, Wikimedia Commons

Cleaning

Savage also mentions that washing any clothes on New Year’s Day was considered as “washing someone out of the family,” resulting in their death in the coming year. Meanwhile, the Chinese avoided any cleaning on New Year’s Eve, since they believed that any scrubbing or cleansing would guarantee that no one in the house would  experience luck in the next twelve months.

Donna Hatch states, however, that “During the Regency and Georgian Eras, one tradition was to clean the house thoroughly, including ashes in the hearth, scraps, and rags, and even eating or discarding any perishable food in order to start the year fresh, discarding bad luck and inviting good luck.” Her source, I believe, is Maria Grace’s book, A Jane Austen Christmas: Regency Christmas Traditions. 

Doors and Thresholds

As part of their New Year’s celebrations on the final day of the old year on the Gregorian Calendar, also known as Hogmanay, the Scots still practice ‘first footing,’ an ancient Gaelic tradition, in which the first person to cross a home’s threshold can bring good or bad luck in the next year. This individual should be someone who was not in the house before midnight, and  

… should be someone who is tall, dark, handsome and bearing gifts such as coins, coal, salt, bread and whiskey. But beware, as fair-haired males are considered unlucky. It is believed this superstition dates back to the Viking invasion, back when blonde strangers turning up at your door usually meant trouble.” – East Anglian Daily Times, 12 quirky New Year’s Eve superstitions” 

 A Dozen Guests or An Even Number?

In ‘Regency Folklore: An Uneven Superstition,’ Regency Reader writes:

A popular superstition alive in the Regency era had all to do with an uneven number of dinner guests.  Apparently, if the number of guests at a table reached 13, it was a bad omen. Of death. Specifically, death to the youngest at the table and within a year of the dinner party.”

The Last Supper was one obvious basis for this tradition/superstition. The feast featured 13 people, one of whom (Judas) betrayed Jesus. The omen of death makes sense in this context. Less known by many is a Viking legend passed through oral tradition in Christian Britain, one that concerns twelve people sharing a meal in Valhalla, which was crashed by Loki, a cunning trickster and spirit of strife. One person at that banquet ended up dead. The unlucky number 13 figures most highly with superstitious people.

The even number of guests might explain a French theory of why most dinner sets come in multiples of twelve. This article from How Stuff Works describes why

The thirteenth person who ends up with a mismatched plate would feel unloved, and come into bad luck.”

As an aside, my family’s tradition has been to give our guests the matching dinner service, while we use the mismatched ware. It also seems that any uneven number of guests at the New Year’s table might bring ill luck in the new year. Protocol and etiquette, especially in proper Regency and Victorian households, required an even number at the table so that guests were paired. 

Auld Lang Syne

Who hasn’t sung this famous song when the clock strikes midnight?  Kristen Koster writes that Auld Lang Syne translates to “old long since.”

After a long tradition of being sung during the Scottish celebration of Hogamany on New Year’s Eve, the Scottish poet, Robert Burns, collected and wrote down the lyrics in 1788 and it was first published in 1796. It quickly spread to much of the English-speaking world and is now sung at the stroke of midnight instead of when the guests leave the party. – A Regency Primer on Christmastide & New Year’s

“Auld Lang Syne” – Music and Lyrics by Trad.(Robert Burns). Arranged by Dougie MacLean. Published by Limetree Arts and Music (PRS & MCPS UK), Butterstone Studios.

Happy New Year, ALL!

In conclusion, our blog team wishes you a Happy New Year’s Eve and a joyous 2022. May the pandemic release its stranglehold on our world citizens and may we experience freedom of movement once again to go where and when we like.

Other Resources

New Year’s articles on this blog

English Historical Fiction, English History Authors: A Regency Holiday Calendar

Regency Folklore: An Uneven Superstition

Custom Survived: New Year’s Day First Footing 

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by Brenda S. Cox

“This is quite the season indeed for friendly meetings. At Christmas every body invites their friends about them, and people think little of even the worst weather.”–Mr. Elton, Emma

I hope you are all enjoying the holidays. In Austen’s novels, Christmas is a time for parties and for family and friend to gather, just like today. It was also a day for attending church (see Emma ch. 16 and Mansfield Park ch. 23), after weeks of Advent when prayers focused on the coming of Christ. For more on the prayers and readings that Austen would have prayed and read for Advent and Christmas, see my post Advent with Jane Austen. You can also find many posts at this site (and others) on Christmas customs in Jane Austen’s England.

I recently gave a presentation on “Satirical Cartoons and Jane Austen’s Church of England” at JASNA’s Annual General Meeting (you can read it in this month’s Persuasions On-Line, or, if you are a JASNA member, you can watch it in the AGM on Demand).  Today I’d like to share a few cartoons about Christmas in Austen’s England. (I didn’t find many; perhaps Christmas was not a popular subject for caricatures.)

Triumphal Procession

Let’s start with this wild one.

The Triumphal Procession of Merry Christmas to Hospitality Hall, Richard Newton, 1794.
© Trustees of the British Museum (CC BY-NC-SA 4.0) via wikimedia

In an earlier post about the Clerical Alphabet cartoon, I wrote about Richard Newton, a prolific young artist of the time. Newton drew the above cartoon in 1794, satirizing the general gluttony and drunkenness associated with Christmas. In The Triumphal Procession of Merry Christmas to Hospitality Hall, men on a carriage feast on large pieces of meat while behind them a naked man sits on a barrel, probably of wine or another alcoholic beverage.

Academics at Christmas

Christmas Academicks, Playing a Rubber of Whist, Thomas Rowlandson, 1803.
Public domain via the Metropolitan Museum of Art.

University professors have a much more restrained celebration, though still not a devout one. Thomas Rowlandson’s The Christmas Academicks Playing a Rubber of Whist (1803) shows four academics playing cards, while a fifth stands nearby and a servant brings drinks. All are clergymen, probably fellows (professors or tutors) at the University of Oxford or Cambridge, who would be single clergymen. (Jane Austen’s father was a fellow at Oxford until he married.) As in many satirical cartoons of the time, the clergymen are pictured as overweight and self-indulgent. They are gambling and drinking, not in church. 

Farmer Giles’s Establishment, Christmas day, 1800, by William Heath, 1830
Courtesy of The Lewis Walpole Library, Yale University

Farmer Giles: Christmas Through the Years

Some years later, in 1830, William Heath drew a series on Christmas as a political satire. It begins with a delightful version of an 1800 country Christmas, such as the Musgroves or Westons might have enjoyed in Austen’s novels.

Farmer Giles was a symbol of the unsophisticated country farmer. Here he feasts with his joyful family at Christmastime. As we see in Austen’s novels, Christmas was a time for parties and feasts. Greenery decorates the fireplace and the wife is slicing plum pudding. Farmer Giles is apparently prosperous and he becomes more so.

Farmer Giles’s Establishment Christmas 1816 by William Heath, 1830
Courtesy of The Lewis Walpole Library, Yale University

By 1816, the farmer has done well and moved up into fashionable society. This Christmas he and his wife are playing cards (gambling) while guests dance in the ballroom. However, they look much less happy than in the first print. The children are grown now, and looking on. The farmer’s hand appears to be bandaged for the gout, from overeating and excessive drinking.

Farmer Giles’s Establishment!!! Christmas 1829 by by William Heath, 1830
Courtesy of The Lewis Walpole Library, Yale University

Their financial prosperity doesn’t last, though. The agricultural economy crashed.

In the third plate, Farmer Giles’ Establishment!!! Christmas 1829, the farmer is in a debtors’ cell. He holds a paper saying his children have been sent to the work house. His wife is doing laundry in a tub.

So this series becomes political satire, criticizing the government for its policies which led to an agricultural depression. A very sad Christmas.

The Merry Musgroves

But let’s return to Austen’s happier times. 

The Musgroves and children at Christmas
C.E. Brock, Persuasion, Volume 2, chapter 2

As Austen describes Christmas at the Musgroves, in Persuasion:

On one side was a table, occupied by some chattering girls, cutting up silk and gold paper; and on the other were tressels and trays, bending under the weight of brawn and cold pies, where riotous boys were holding high revel; the whole completed by a roaring Christmas fire, which seemed determined to be heard, in spite of all the noise of the others. . . .

Anne, judging from her own temperament, would have deemed such a domestic hurricane a bad restorative of the nerves, which Louisa’s illness must have so greatly shaken; but Mrs. Musgrove, . . . concluded a short recapitulation of what she had suffered herself, by observing, with a happy glance round the room, that after all she had gone through, nothing was so likely to do her good as a little quiet cheerfulness at home. . .

“I hope I shall remember, in future,” said Lady Russell, as soon as they were reseated in the carriage, “not to call at Uppercross in the Christmas holidays.”

Every body has their taste in noises as well as in other matters . . .

I hope this Christmas is just to your taste! Many blessings to you in the New Year.

Brenda S. Cox writes on Faith, Science, Joy, and Jane Austen. She is currently working on a book entitled Fashionable Goodness: Faith in Jane Austen’s England.

 

For more on satirical cartoons in Jane Austen’s England, see:

Satirical Cartoons and Jane Austen’s Church of England

The Stereotype of the Self-Indulgent Clergyman: Rowlandson’s Parsonage 

The Clerical Alphabet: Problems in Austen’s Church of England 

Keeping Within Compass  Mike Rendell also shows and discusses many other fascinating cartoons from Austen’s era on this blog, but be aware that many are risque. I am indebted to Mike for posting on the Newton Clerical Alphabet cartoon that got me started looking at cartoons and the clergy.
 

For more on Christmas in Austen’s England, see:

Party Like the Musgroves, by Rachel Dodge, to have your own party like the Musgroves did in the passage above!

Christmas Georgian Style 

Archive for Regency Christmas Traditions (various posts on this site)

Christmas Traditions (various posts from various sites)

More Regency Christmas Traditions (and scenes and stories, various posts from Maria Grace’s site) 

Joy to the World: Psalms, Hymns, and Christmas Carols in Austen’s England

Regency Christmas Carols

Handel’s Messiah in Jane Austen’s England 

Advent with Jane Austen: Now, and Not Yet 

Georgian Christmas Pie Recipes

Regency Christmas Songs and Games

A Jane Austen Christmas: Regency Christmas Traditions, book by Maria Grace

Christmas in Jane Austen’s Time

Jane Austen’s Christmas

. . . and much more!

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