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Archive for the ‘Regency London’ Category

Last month I wrote about my trip to the Morgan Library in New York to view A Woman’s Wit:Jane Austen’s Life and Legacy, and of my impressions of the letters.

Exhibition room for Jane Austen's artifacts at the Morgan Library

But I didn’t mention the many other interesting artifacts: the Gillray prints of a lady dressing and Rowlandson’s caricature of The Comforts of Bath,

Progress of the Toilet, The Stays, James Gillray

the books that Jane owned,

Jane Austen's personal books, including The Spectator and Poems by William Cowper

a lovely steel engraved oval image of her,

Steel engraved image of Jane Austen and Lady Susan

an original copy of the Memoir of Jane Austen, fair copies of the first 7 letters of Lady Susan,

Viewing the Lady Susan letters on the far wall of the exhibit room

a rough 12-page fragment of The Watsons, a watercolor by Paul Sandby,

Paul Sandby's View in a Park

and a well-known image from An Analysis of Country Dances by Wilson, 1811.

Five positions from An Analysis of Country Dancing by Wilson, 1811

An account of Jane’s personal purchases of a little over 42 pounds for the year (1807), Isabel Bishop’s images for Pride and Prejudice,

Isabel Bishop's image of Jane and Bingley standing together

and the correspondence between Jane and Cassandra, her letter to Francis Talbot, the Countess of Morley and a letter from the Prince Regent’s librarian, James Clarke add to our knowledge of her world.

James Clarke's letter to Jane Austen, on the left

There were artifacts from Byron and Fanny Burney and Sir Walter Scott, and more images than I can recall so many weeks later.

The Panorama of London

William Blake and Georges Mail drew two portraits that forcibly reminded me of my internal images of Jane and Elizabeth Bennet

Georges Maile (fl. 1818–1841) Marchioness of Huntley.

Which brings me to my only (and major) disappointment with this exhibit: no catalogue. Thankfully, I can reconstruct my memory of the visit from my notes, images I have gleaned online or taken myself, and from a list provided by the Morgan Library (see the link below.) For anyone who lives within striking distance of the Morgan Library, you have until March 14th to travel to New York. The exhibition room might be small, but it is filled with treasures and is well worth the effort.

More links:

View PBS’s video of the Jane Austen exhibit at the Morgan Library on YouTube.

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Another book review so soon on this blog? Well, yes. This book from Shire Publications, Victorian and Edwardian Horse Cabs by Trevor May, is short, just 32 pages long, but it  is filled with many facts and rare images of interest to lovers of history. In Jane Austen’s day most people walked to work, town, church, and market square, or to their neighbors. Six miles was not considered an undue distance to travel by foot one way. The gentry were another breed. They either owned their own carriages or hired a public horse cab. These equipages were available as early as the 1620’s.

Hackneys, or public carriages for hire made their first significant appearance in the early 17th century. By 1694, these vehicles had increased to such a number that a body of Hackney Coach Commissioners was established in London. The commissioners dealt out licences, which was a bit of a joke, for a mere four inspectors were responsible for over 1,000 vehicles.

Hackney Coach 1680

Most of these licensed hackney coaches were purchased second hand. All that an enterprising person needed to establish his own hackney coach business was enough money for a used carriage and three horses, two that worked in rotation, and one that could be used as a replacement in case of injury or illness. The death of a horse could lead to a cab owner’s financial ruin. Another important ingredient was housing for the horses.

Hackney Coach 1800. Image @Wikimedia Commons

By, 1823, the lighter horse cabs began to replace cumbersome hackney coaches in great quantity, and by the mid 1830’s, the hansom cab set the new standard for modern horse cabs. Aloysius Hansom, an architect, designed the first carriage. When Hansom went bankrupt through poor investments, John Chapman took over, designing an even lighter, more efficient cab, one whose framework did not strike the horses on their backs or sides whenever a carriage ran over an obstacle in the road.

Hansom Cab

Commercial cab firms tended to be small, even as late as 1892. Only one or two proprietors provided a large number or variety of equipages, like Alfred Pargetter, whose concern advertised removal carriages, cabs, and funeral coaches for hire. While cabs were licensed, their drivers were not and the road could present a dangerous obstacle course. The video clip below shows how adroitly horses and carriages managed to avoid each other with seemingly few rules (mostly towards the end of the clip). Notice how some lucky individual horses pulled relatively light loads compared to other horses forced to pull heavy carts.

These two video clips, one from 1903 and the other from 1896 (unbelievable!) show the end of an era, for by 1914, motorized vehicles were rapidly replacing the horse-drawn cart.

I recommend this book to anyone with an insatiable appetite for a pictorial history on a particular topic. Trevor May is an expert on the Victorian era, and he has managed to squeeze more information about horse-drawn cabs in this short book (more a thick pamphlet) than I have read before. The images are simply splendid.

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Vendors of fruit and flowers, of milk and muffins are not agreeable visitors when they roar for a living, and the poor organ-grinder little knows, let us hope, the anguish he inflicts upon sensitive nerves. – Street Noises, The Illustrated London News, 1882

the musicianWilliam Hogarth’s famous 1741 etched engraving of ” The Enraged Musician” visually described the cacophony of sounds heard all over the city of London: the shouts of vendors, clattering of wagon wheels and clopping of horses’ hooves, impromptu concerts from street musicians, clackety-clack of ladies’ pattens (which protected delicate shoes from mud), and the clapping of hooves and bleeting of animals as drovers guided them to Smithfield Market. Laws were enacted to control these noises, but the change did not occur overnight, nor did these laws completely eliminate all irritating sounds for city dwellers. In 1841, 100 years after Hogarth engraved his famous scene, Charles Knight described London’s noises (London, Vol 1, Charles Knight, 1841):

Enraged_musician William Hogarth

In this extraordinary gathering together of the producers of the most discordant sounds we have a representation which may fairly match the dramatist’s description of street noises …

street musician and vendor

Here we have the milk maid’s scream, the mackerel seller’s shout, the sweep upon the house top, to match the fish wives and orange women; the broom men and costar mongers …

chimney boy

The smith, who was ominous, had no longer his forge in the busy streets of Hogarth’s time, the armourer was obsolete, but Hogarth can rival their noises with the pavior’s hammer, the sow gelder’s horn, and the knife grinder’s wheel…

drummer and knife sharperner

The waits of the city had a pension not to come near Morose’s ward, but it was out of the power of the Enraged Musician to avert the terrible discord of the blind hautboy player.

Bellman, Book of Days

The bellman who frightened the sleepers at midnight was extinct, but modern London had acquired the dustman’s bell. The bear-ward no longer came down the street with the dogs of four parishes, nor did the fencer march with a drum to his prize …

Hogarth, Bear-Ward, Bear and Monkey

…but there was the ballad singer with her squalling child, roaring worse than bear or dog, and the drum of the little boy playing at soldiers was a more abiding nuisance than the fencer Morose, and the Enraged Musician had each the church bells to fill up the measure of discord…

crying baby

In our own days there has been legislation for the benefit of tender ears, and there are now penalties with police constables to enforce them against all persons blowing any horn or using any other noisy instrument for the purpose of calling persons together, or of announcing any show or entertainment, or for the purpose of hawking selling distributing, or collecting any article or of obtaining money or alms…

bell horn and shouts

These are the words of the Police Act of 1839, and they are stringent enough to have banished from our streets all those uncommon noises, which did something to relieve the monotony of the one endless roar of the tread of feet and the rush of wheels…

peeing in the road

The street noise now is deafening when we are in the midst of it, but in some secluded place, such as Lincoln’s Inn Gardens, it is the ever present sullen sound of angry waves dashing upon the shingles. The horn that proclaimed extraordinary news running to and fro among peaceful squares and secluded courts was sometimes a relief…

hornmen great news

The bell of the dustman was not altogether unpleasant. In the twilight hour, when the shutters were not yet closed and the candles were not yet burnin,g the tinkle of the muffin man had something in it very soothing…

muffin man 1841

It is gone, but the legislators have still left us our street music…

street music 1789

There was talk of its abolition, but they have satisfied themselves with enacting that musicians on being warned to depart from the neighbourhood of the house of any householder by the occupier, or his servant, or by a police constable, incur a penalty of forty shillings by refusal. De la Serre, who came to England with Mary de Medici when she visited the Queen of Charles I, is enthusiastic in his praises of the street music of London In all public places … – London, Vol 1, Charles Knight, 1841

Addendum: Compared to the noises of the City, the West End’s new neighborhoods were comparatively quiet.

buy a broom 1881 cries of london

An interesting aside: To add insult to injury, one closeup of Hogarth’s etching shows a young boy relieving himself in the middle of the street. The sour smells of London added greatly to the din as well.

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English Pleasure Gardens

It would be very pleasant to be near Sydney Gardens; we might go into the labyrinth every day. – Jane Austen to Cassandra Wednesday, January 21, 180

The English Pleasure Garden 1660-1860 is a small, slim volume that easily slips into my purse. I was rather skeptical that a mere 63 pages could contain very much information but I was wrong.  Sarah Jane Downing, the author, has assembled a large variety of pleasure garden images that I have not seen before, and written about the topic in a clear and readable style that was loaded with information. This book is a must for history buffs and historical romance authors who wish to write a scene set in Vauxhall or Ranelagh gardens, or perhaps in venue that is less well known, for Ms Downing writes about gardens I had not known existed.

While London’s west end boasted clean and spacious streets, the rabbit warren streets in The City were filthy, overcrowded, and dangerous. The possibility of a few hours of escape to a pleasure garden with its broad walks, decorative shrubbery, hidden bowers, music and entertainments, and fireworks drew a large number of crowds. In the 18th century, London and its environs boasted sixty-four pleasure gardens of various sizes. Aside from their obvious attraction, pleasure gardens attracted a variety of visitors from all walks of life. Aristocrats rubbed elbows with the hoi polloi, who could gain entry to even the most luxurious gardens if they could come up with one shilling for a ticket (no mean feat, for an ordinary day laborer made no more than one shilling per week.)

Vauxhall Pleasure Gardens

Vauxhall Pleasure Gardens

There were three kinds of public gardens people could choose from: 1) Bowling greens at pubs or tea gardens with a small but pleasant green space and limited social opportunity, 2) fashionable spa resorts that offered bowling, taking the waters, and pleasant graveled walks, and provided some entertainments, and 3) the great pleasure gardens, which were filled with glamorous and wondrous sights, and acres of lighted paths, music pavilions and private supper boxes, and arranged for a variety of fantastic entertainments, music, and dancing. The best known pleasure gardens were Vauxhall, once known as Spring Gardens, and Ranelagh Gardens, which gave Vauxhall a run for its money. Its spacious Rotunda allowed for large crowds to gather inside. Ranelagh could open in February, whereas other gardens waited until Easter.

View of a lunch party inside Ranelagh garden's famous rotunda

View of a lunch party inside Ranelagh garden's famous rotunda

Vauxhall tickets, British Museum

Vauxhall tickets, British Museum

All good things must come to an end and the gardens’ success at attracting large crowds spelled their doom. Eventually it was hard to tell the aristocrats from the poseurs, or a courtesan from a lady. As the gardens attracted an increasingly larger group of dubious people and fewer of the upper classes, their reputations suffered. Rowdy behavior, vandalism, crime, and prostitution all served to keep the “right” people away, but this development didn’t necessarily spell their death knell. They would eventually close due to competition from a distant source. The advent of cheap and rapid transportation allowed people to seek their pleasures along the grand promenades at sea side resorts, and once again the classes separated during leisure hours, each into their own niche.

This lovely little book also describes pleasure gardens outside of London – Sydney Gardens in Bath, Vauxhall Gardens in Birmingham, Tinker’s Garden in Manchester, etc. At $12.95, The English Pleasure Garden 1660-1860, loaded with color images, is a bargain. Read my post about 18th & 19th Century Pleasure and Tea Gardens in London at this link.

These links lead to more information about pleasure gardens, but they do not match the variety of information to be found in this slim volume.

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write letter byron 2003Gentle readers,

The Lady Susan Soiree is going full tilt at Austenprose, where Laurel Ann and her band of readers are finishing up Jane Austen’s last published novel. Lady Susan is an epistolary novel, or one that is written in letter format. Last week I wrote a post about Upper Seymour Street, one of the prominent addresses in the novel, this week I will be writing about the postal service during the Georgian era. Not only did Jane Austen write a novel in letter format, she was a great letter writer herself. Sending a letter over two hundred years ago was much like sending an email today: the service was expensive and it depended upon the smooth running of a money making operation. But in London the service was different, for the Penny-Post had been introduced. This form of sending letters was both easy, affordable and practical, and explains how a lady with straitened finances like Lady Susan Vernon could afford to write so many letters in such a short space of time.

During the eighteenth century a letter from London to Bath could take three days to arrive, but by the 1820s, mail was delivered the morning after posting in towns more than 120 miles apart. In central London the postal service was so efficient, and there were such frequent deliveries, than an invitation issued in the morning could be acknowledged the same afternoon. – High Society, Venetia Murray, ISBN: 0670857580, p. 2.

Venetia Murray’s entry about the postal service was short and to the point, but it does not come close to telling the entire story. Because I uncovered so much information, I am dividing this post into three parts: 1) Letters and the Penny-Post, 2) Post Roads and Post Boys, and 3) John Palmer and the Royal Mail Coach.

Part One: Letters and the Penny-Post

In 1635 Charles I opened up his ‘royal mail’ for use by the public. Oliver Cromwell established the General Post Office in 1657 and after the Restoration, Charles II authorized the General Post Office to operate the ‘royal mail’, with the revenue from the postal service going to the Government.

Small cross written letter

Small cross written letter

In those early days, postal rates were calculated according to the distances traveled and the number of sheets that comprised a letter. Because of their cost, only businesses and the wealthy could afford to send letters. Others simply had to entrust their missives to friends and family members, or ask people traveling to another town to serve as a messenger. Even the wealthy kept their sheets of paper small and wrote in a cross writing style to conserve space. (See the  image at right and click here to read my post on Letter Writing in Jane Austen’s Time.) Envelopes would have been considered an additional sheet, so these very early letters did not include them.  A letter was simply folded over and sealed with wax that was stamped by a signet ring or a seal.  Recipients, not the sender, had to pay for the cost of a letter. This system caused hardship in cases where the recipient did not have the money, and as a result many letters languished on a post office shelf or were thrown away. Knowing these facts about the postal system of the period helps the reader to understand the following passage from Mansfield Park. Even though this scene occured in the early 19th century, the costs associated with sending letters from one city to another had not changed in over 100 years, for the postal system would not significantly improve until 1837, when Rowland Hill set out to reform it.

    “But William will write to you, I dare say.” “Yes, he had promised he would, but he had told her to write first.” “And when shall you do it?” She hung her head and answered hesitatingly, “she did not know; she had not any paper.”

    “If that be all your difficulty, I will furnish you with paper and every other material, and you may write your letter whenever you choose. Would it make you happy to write to William?”

    “Yes, very.”

    “Then let it be done now. Come with me into the breakfast room, we shall find every thing there, and be sure of having the room to ourselves.”

    “But, cousin—will it go to the post?”

    “Yes, depend upon me it shall; it shall go with the other letters; and, as your uncle will frank it, it will cost William nothing.”

    “My uncle!” repeated Fanny, with a frightened look.

    “Yes, when you have written the letter, I will take it to my father to frank.”

    Fanny thought it a bold measure, but offered no farther resistance

Edmund also sits down to write “with his own hand his love to his cousin William, and sent him half a guinea under the seal.” This was a remarkable sum of money for the day, and demonstratedEdmund’s character like no words could. From this point on, William would have enough money to pay for Fanny’s letters as they came.

William Dockwra's postal markings

William Dockwra's postal markings

Interestingly, the Post Office did not handle letters sent from one London address to another. The city was a thriving metropolis and trading center, yet merchants had to employ private messengers to carry letters and packages across town, much like the poor in other parts of the country. In 1680, an enterprising merchant named William Dockwra introduced a local Penny-Post in London, which carried letters within a ten mile radius. His service also introduced the pre-payment of letters, a revolutionary idea. William’s advertisement in the Mercurius Civicus read:

“The Undertakers for the Incomparable and Advantageous Design for the Speedy and safe Conveyance of Letters and packquets under a pound weight, to all parts of the Cities of London and Westminster, and the suburbs thereof … [have] ordered their Messengers to call for all Letters at all Coffee-Houses in the High Roads and Streets following . . . And all persons, who leave their Letters at any of the places aforesaid, may be sure to have them speedily dispatched for ONE PENY”.

William’s method of operation was immediately successful, “particularly as letters left at any Penny-Post House were sent out “successively every hour of the Day, till Eight of the Clock at Night”. Furthermore, to ensure that correspondence was delivered as soon as possible, each letter was stamped with the hour of the day on which it was sent out. This way, people could work out whether the “delays that may happen be really in the Office, or their own Servants (or other) with whom their Letters were left in due time”. “– Potted History by Ben Locker

Dockwra used two main postmarks for each letter. One was a triangular stamp with “Penny-Post Paid” on the three sides and the initials of the sorting office in the centre. This indicated that the rate had been paid and there was no further charges necessary on receipt. The second postmark was a heart shaped stamp indicating the date and time of dispatch.

There was a great deal of opposition to Dockwra’s post from porters and messengers whose livelihood was affected by the service. The church, a powerful force at the time, also had strong opposition!

The most serious opposition to Dockwra’s system came from the General Post Office, which heavily resented the competition. As such, in 1682 legal action was taken against William Dockwra in the name of the Duke Of York (Later King James II.) who was responsible for overseeing the Post Office at the time. – William Dockwra

Unfortunately, the Duke of York  held the monopoly on collecting revenue from the mail. He prosecuted Dockwra for £100 (Wikipedia says it was £2,000)  in damages and forced the merchant to relinquish control of his enterprise. Four days after the judgement, the London Gazette announced that the Penny-Post would shortly be reopened as part of the General Post Office.  For nine years Dockwra petitioned the Duke to save him and his “family of 9 children from Ruine.” Eventually in 1689, after James II’s death, Dockwra received a “seven-year pension of £500 “in consideration of his good service in inventing and setting up the business of the Penny-Post.” (Potted History by Ben Locker)

General Post Office in Lombard Street, London

General Post Office in Lombard Street, London

“The Penny-Post was quickly adopted in other cities and towns, like Dublin, Edinburgh and Manchester. Revenues steadily increased, and by 1727 the London District Post was so well regarded that ‘Daniel Defoe praised it for not charging for “a single Piece of Paper, as in the General Post-Office, but [sending] any Packet under a Pound weight . . . at the same price.'” The employment of extra letter carriers increased the number of deliveries, so that the system became even more efficient. From the 1770s the numbering of houses began, and by 1805 this system became mandatory in London Streets, making it even easier for letter carriers to deliver mail (Potted History by Ben Locker).  In contrast to the Penny-Post, letters that went out via the General Post Office still charged recipients for distance traveled and the number of sheets used, so that a letter sent from Steventon Rectory to Chawton would be quite expensive as compared to a letter sent from one London address to another, or one Manchester address to another.

Letter carrier, 1800, with bell and satchel

Letter carrier, 1800, with bell and satchel

For ordinary people the cost of receiving a letter was a significant part of the weekly wage. If you lived in London and your relatives had written to you from Edinburgh you would have to pay one shilling and one pence per page – more than the average worker earned in a day. Many letters were never delivered because their recipients could not afford them, losing the Post Office a great deal of money.” – Rowland Hill’s Postal Reforms

To help finance the war against Napoleon, the London Penny-Post was increased to tuppence in 1801; in 1805 the amount was raised to three pence. The beginning of uniform penny postage in 1840 made sending mail affordable to all for the first time. In 1837, English schoolmaster, Rowland Hill, wrote a pamphlet, Post Office Reform: its Importance and Practicability, which was privately circulated. In that year, he also invented the postage stamp, which necessitated the use of an envelope. “The Penny-Post system that began in 1840 used a lozenge-shaped sheet more akin to today’s aerogrammes, though in the same year George Wilson patented a system for printing several envelopes from one large sheet of paper, and in 1845 a steam-driven cutting and folding machine was invented.”  History of the Humble Envelope

Hill’s famous pamphlet, Post Office Reform, was privately circulated in 1837. The report called for “low and uniform rates” according to weight, rather than distance. Hill’s study showed that most of the costs in the postal system were not for transport, but rather for laborious handling procedures at the origins and the destinations.

Costs could be reduced dramatically if postage were prepaid by the sender, the prepayment to be proven by the use of prepaid letter sheets or adhesive stamps (adhesive stamps had long been used to show payment of taxes – for example, on documents).

Letter sheets were to be used because envelopes were not yet common – they were not yet mass produced, and in an era when postage was calculated partly on the basis of the number of sheets of paper used, the same sheet of paper would be folded and serve for both the message and the address. In addition, Hill proposed to lower the postage rate to a penny per half ounce, without regard to distance. He presented his proposal to the Government in 1838.

Postal service rates were lowered almost immediately, to fourpence from the 5 December 1839, then to the penny rate on the 10 January 1840, even before stamps or letter sheets could be printed. The volume of paid internal correspondence increased dramatically, by 120%, between November, 1839 and February, 1840. – Rowland Hill

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