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Downton Abbey, a PBS Masterpiece Classic mini-series, is as much a tale about the servants below stairs as about the noble Earl of Grantham and his family who employed them. With the recent airing of the updated version of Upstairs Downstairs in Great Britain, I am sure a debate will long rage about which series portrayed their eras and class differences better. In both cases, the viewer is the winner.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Downton Abbey (Highclere Castle, an “Elizabethan Pile”) Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Images Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

No matter how expertly this mini-series of Downton Abbey tries to portray this bygone era, it is nearly impossible to capure life in an Edwardian country house exactly as it once was. The viewer should be aware that we can glimpse only a faint, musty, museum shadow of the complex and thriving community that a great English estate once supported.

Downton Abbey. Jane Austen's World. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The Crawleys and the servants of Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Images Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

It is a well-known fact that grand country houses could only be run with a great deal of help. As early as the 18th century, Patrick Colquhoun estimated that there were around 910,000 domestic servants (in a population of 9 million). By 1911, the number of domestic servants had risen to 1.3 million. Eighty percent of the land during the Edwardian era was owned by only 3% of the population, yet these vast estates were considered major employers.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The earl (Hugh Bonneville) and his heir, Matthew Crawley (Dan Stevens), survey his vast estate. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

In the grander and larger houses, the ratio of servants (both indoor and outdoor) to the family could approach 1:7 or 1:10, but as the industrial revolution introduced improvements in laundering, lawn maintenance, and cooking, the number of servants required to run a great estate was greatly reduced.

Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The earl and his heir, Matthew Crawley, survey the cottages and outer buildings on his estate. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

After World War One and the rise in taxes for each servant employed, many great families no longer kept two sets of house staff. They began to bring servants from their country house to their house in Town, leaving only a skeleton crew behind to maintain the family seat in their absence.

Grounds of Downton Abbey (Highclere Castle)

Country estates were designed to showcase the owner’s wealth via collections of art, furniture and other luxurious possessions, such as carriages, lawn tennis courts, and the like. The main house sat at the end of a long and winding drive through acres of beautifully landscaped park lands.

Downton Abbey.

The Duke is greeted by both the family and the servants. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The spectacle did not end there, for approaching the house, guests would see a grand facade or an equally imposing flight of stairs that led to the first floor (or both). In Downtown Abbey, the family awaited the arrival of the Duke of Crowborough (Charlie Cox) along with their servants, who were arrayed in line according to their station.

Downton Abbey. Jane Austen's World

The servants await their new masters at Norland. Sense and Sensibility, 2008.

Such a display of staff was also evident in the 2008 adaptation of Sense and Sensibility, when Fanny and Robert Dashwood arrived to claim Norland Park.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Grand interior hall of Downton Abbey, floor leading to the private rooms. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Once introductions had been made, the guests would ascend the imposing stairway and enter an equally impressive high-ceilinged hall that contained yet another grand staircase, which led to the private rooms upstairs. The ladies customarily brought their own maids, who would also require lodging. (In Gosford Park, a poor female relation had to make do with one of the hostesses’ house maids to help her with her dress and hair.)

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Thomas (Rob James-Collier), the first footman, is chosen to act as valet to the duke. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The guests’ servants were expected to enter the house through a separate, back servant’s entrance, and shared quarters with the regular staff. The host supplied his own butler or footmen to help serve as valet to his male guests.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The Earl of Grantham’s impressive library/study. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

A host’s willingness to lavishly entertain his guests did not necessarily reflect the family’s daily schedule:

In 1826 a German visitor to England remarked that: it requires a considerable fortune here to keep up a country house; for custom demands… a handsomely fitted-up house with elegant furniture, plate, servants in new and handsome liveries, a profusion of dishes and foreign wines, rare and expensive desserts… As long as there are visitors in the house, this way of life goes on; but many a family atones for it by meagre fare when alone; for which reasons, nobody here ventures to pay a visit in the country without being invited, and these invitations usually fix the day and hour… True hospitality this can hardly be called; it is rather the display of one’s own possessions, for the purpose of dazzling as many as possible.(3)” – The Country House: JASA

Downton Abbey. Jane Austen's World

Travel in winter, Henry Alken, 1785

Guests stayed for a long time for a variety of reasons. In the 17th and 18th centuries, travel over a long distance was laboriously slow and difficult, for roads were notoriously poor and dangerous. Long visits, such as Cassandra Austen’s visits to her brother Edward in Godmersham Park, became a custom. Even during the Edwardian age, when travel was much improved, guests tended to stay for the weekend (Saturday through Monday). In Downton Abbey, the Duke of Crowborough arrived amidst much hope and anticipation, until he discovered that the estate had been entailed to a third cousin not the earl’s daughter, whom he had come to woo, and he cut his visit to one short day and evening, making an excuse that did not hold water.

Downton Abbey. Jane Austen's World

Catherine Morland (Katherine Schlessinger) and Eleanor Tilney (Ingrid Lacey), Northanger Abbey 1986

Even during the 18th century, when long-term guests were expected, some overstayed their welcome, like Jane Austen’s anti-heroine, Lady Susan Vernon, whose hostess (sister-in-law) despised her but was forced to tolerate her because she was ‘family.’ Desirable guests, like Catherine Morland of Northanger Abbey, were invited to extend their visit. In Catherine’s instance, Eleanor Tilney, a motherless young lady who lived without a female companion, found the young girl’s company delightful. By the time General Tilney discovered that Catherine was no heiress, she had been with the Allens in Bath and the Tilneys in Northanger Abbey for a total of 11 weeks. As previously noted, Edwardian hosts, while generous, expected house guest to stay for only three days. During this time every luxury was lavished upon them, but it was considered bad form if they stayed longer than arranged or without invitation.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Breakfast was a substantial meal served at 9:30 a.m. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

At set times, Edwardian guests would congregate in the common rooms, which included the drawing room, music room, dining room and breakfast room, the library or study, the gallery (where ancient family portraits were hung), the billiard room, and the conservatory. Vast lawns and gardens were laid out for promenading; guests could ride or walk through the parklands to view picturesque follys or dine alfresco (outdoors), take tea under an awning, or paint a vista or two.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Taking tea alfresco. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The reputation of a host rested on the entertainments, which helped to pass the time – walking, riding, shooting (in winter), and hunting (in fall) for outdoor activities; and card parties, musicales, and dances for indoor festivities. A fox hunt, such as the one depicted in Downton Abbey, required riding skill and stamina, for the chase would take riders over hills and dales, and hedges, and over long distances for much of the day.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The hunt required riding skills and stamina.Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Billiards made an appearance during the 17th century, and by the 19th century billiard rooms had become a staple. Private libraries offered a variety of books and periodicals. In the summer, Edwardians enjoyed lawn tennis, croquet, cricket, and golf (by the men).

The male guests in Regency House Party (2004) could pretty well behave and move around as they pleased.

Ladies and gentlemen tended to spend the day apart. Male guests were more active and could engage in almost any activity during the day, except at the time reserved for dinner, when they were expected to show up. In an Edwardian house, men did not escort their female dining partners into the dining room. Rather, after the host served cocktails in the drawing room a half hour before the meal, the group moved to the dining room where they were seated according to a set pattern, with guests sitting between members of the family and their neighbors.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The new heir of Downton Abbey (Dan Stevens) sits next to his hostess, the Countess of Grantham (Elizabeth McGovern). Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

After dinner, the ladies would remove to the drawing room, which became increasingly larger and more feminine over time, while the gentleman relaxed at the dining room table, drinking port, smoking their cheroots, and discussing manly topics.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The drawing room at Downton Abbey was large and feminine. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

While an 18th century gentlemen would have talked about horse flesh and carriages, Edwardian guests would have included automobiles and their rapidly changing technology, road improvements, and the availability of petrol as well.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Transportation was changing rapidly at the turn of the 20th century. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Unlike the gentlemen, a lady’s day was more restricted and confined. She spent her day following a set routine, starting with breakfast, and wearing appropriate outfits and getting into them and out of them. Mothers spent some time overseeing the nannies and the care of their children (if they were brought along). Ladies, married or not, would also receive visitors, sew, gossip, read, walk, participate in charity work, observe the men at sport (if invited) or take a ride in the carriage. They did join in on more active, outdoor games at set times during the appropriate season, such as cricket, croquet, lawn tennis, lawn bowling, and the like, but they would have been properly dressed for the occasion.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

The head maid (Joanne Froggatt) dresses Lady Mary’s (Michelle Dockery) hair for dinner. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Imagine poor Eleanor Tilney in the late 18th century, alone in a grand house without female companionship, having no-one to talk to and forced to live a constricted life. No amount of walking, charity work, practicing the piano, or overseeing the household would have made up for her boredom, and thus Catherine Morland’s companionship was so welcome.

Manor House (2002), dressing Lady Olliff-Cooper. Image @PBS

In Regency House Party (the 2004 mini-series), the modern women who portrayed Regency ladies chafed under the strict rules of protocol, forced chaperonage, and daily tedium. A lady’s routine did not much improve during the Edwardian era, although towards the end of this period changing one’s gown for afternoon tea became obsolete.

Tea gown, circa 1908. Image @Vintage Textiles

In Manor House, the 2002 mini-series set in the Edwardian era, Lady Olliff-Cooper’s spinster sister, the lowest-ranking member of the family, had so little to do and so little say in how she could spend her time, that Avril Anson (who in real life is a professor) left the series for a few episodes to maintain her sanity.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Evelyn Napier (Brendan Patricks) and Matthew Crawley (Dan Stevens) eye their rival before dinner. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Lady Olliff-Cooper … [needed] to change her clothes five or six times a day. And very few of these dresses would be what today we’d call practical. Not only did each meal carry its own dress code, but if she needed to receive a visitor, pay a call or go riding, she’d have to change both her clothes and often her hairstyle as well.” Manor House, clothes

Anna Olliff-Cooper, who portrayed the lady of the house in Manor House, spent an enormous amount of her day changing into new gowns and having her hair dressed. She would stand passively as her maid did all the work. Anna noted how constricting the dresses were, and cried as she described how the tight sleeves of her gowns prevented her from raising her arms above her shoulders or from closely hugging her eleven-year old son. Even the fashions conspired to keep a women passive!

The Dinner Party, 1911, Jules Alexandre Grun

After they had finished their cigars and port, the gentlemen were obligated to rejoin the ladies for cards or music, or both, to while away the evening. The Duke’s behavior in Downton Abbey was egregious, for instead of joining the group for the rest of the evening, he went to bed early. The house party would stay up until 10:30 or so (unless a grand ball had been arranged, and then the guests would stay up until the wee hours of the morning).

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

Male conversation after dinner over port and cigars. The duke and earl have a frank conversation. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

In either case, the last people in the house to retire for the night would be the servants, but their lives and schedule will be described in another post.

Look for Downton Abbey, Part One to air on PBS Masterpiece Classic on Sunday, January 9th! Once again PBS will host a twitter party! Stay tuned for details.

Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

End of the day at Downton Abbey. Credit: Courtesy of © Carnival Film & Television Limited for MASTERPIECE

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Images of Downton Abbey Season 1: Credit Courtesy of © Carnival Film & Television Limited for MASTERPIECE

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Created by Oscar-winning writer Julian Fellowes (Gosford Park), “Downton Abbey” depicts the lives of the noble Crawley family and the staff who serve them at their Edwardian country house. It is April and the Titanic has just sunk.The world will never be the same for the Crawleys, for both the heirs to Downton Abbey went down with the ship.

Hugh Bonneville as the Earl of Grantham. This image speaks of power and privilege.

The earl and countess of Grantham’s three daughters cannot inherit the estate, which is entailed to the male next in succession. He is Matthew Crawley, a third cousin, son of a doctor and a nurse, and a lawyer by trade. Matthew knows nothing about running such a vast estate, and cares little about the niceties of protocol.

Dan Stevens plays Matthew Crawley. He also played Edward Ferrars in Sense and Sensibility.

The answer to the earl’s predicament is simple really – Lady Mary, his eldest daughter, should marry Matthew. But nothing is simple in Downton Abbey, for Lady Mary is stubborn and has a mind of her own.

The Crawley sisters: Lady Edith, Lady Mary, and Lady Sybil

The series is lushly produced and the story lines are riveting. In its depiction of the intertwined lives of servants and aristocrats, Downton Abbey recalls one of television’s most beloved programs, Upstairs Downstairs, which aired on MASTERPIECE (then MASTERPIECE THEATRE ) in the 1970s. One of the thrills of MASTER PIECE’s 40th season is a new three-part Upstairs Downstairs with a new cast of characters set in the same house at 165 Eaton Place, taking the story from 1936 to the outbreak of World War II .

The Earl and Countess of Grantham (Hugh Bonneville and Elizabeth McGovern)

Episode 1
Sunday, January 9, 2011, 9 to 10:30pm
When the Titanic goes down, Lord Grantham loses his immediate heirs, and his daughter Mary loses her fiancé, throwing Downton Abbey and its servants into turmoil. The new heir turns out to be Matthew, a handsome lawyer with novel ideas about country life.

Matthew and his mother are formally received by the servants and family during their first visit to the Abbey

Episode 2
Sunday, January 16, 2011, 9 to 10:30pm
Mary entertains three suitors, including a Turkish diplomat whose boldness leads to a surprising event. Downstairs, the shocking former life of Carson, the butler, is unmasked, and Bates risks his health to remain valet.

Jim Carter (Cranford) as Mr. Carson, the butler

Episode 3
Sunday, January 23, 2011, 9 to 10:30pm
Growing into his role as heir, Matthew brings out the bitter rivalry between sisters Mary and Edith. Servants Thomas and O’Brien scheme against Bates, while head housemaid Anna is increasingly attracted to him. Lady Violet’s winning streak in the flower show is threatened.

The Countess (Elzabeth McGovern) and the Dowager Countess (Maggie Smith) at the flower show.

Episode 4
Sunday, January 30, 2011, 9 to 10:30pm
The heir crisis at Downton Abbey takes an unexpected turn. Meanwhile, rumors fly about Mary’s virtue. Her sister Sybil takes a risk in her secret political life. Anna unearths Bates’ mysterious past. And O’Brien and Thomas plot their exit strategy.

The Countess of Grantham with her daughter Lady Edith

My posts about Downton Abbey

Cast

Hugh Bonneville (Daniel Deronda, Filth)…Robert, Earl of Grantham
Jessica Brown-Findlay…Lady Sybil Crawley
Laura Carmichael…Lady Edith Crawley
Jim Carter (Cranford)…Mr. Carson
Brendan Coyle (Prime Suspect 7: The Final Act)…John Bates
Michelle Dockery (Return to Cranford)…Lady Mary Crawley
Siobhan Finneran (The Amazing Mrs. Pritchard)… O’Brien
Joanne Froggatt (Robin Hood)…Anna
Thomas Howes…William
Rob James-Collier…Thomas
Rose Leslie…Gwen
Phyllis Logan (Wallander)…Mrs. Hughes
Elizabeth McGovern (A Room with a View)…Cora, Countess of Grantham
Sophie McShera…Daisy
Lesley Nicol (Miss Marple)…Mrs. Patmore
Maggie Smith (Harry Potter)…Violet, Dowager Countess of Grantham
Dan Stevens (Sense & Sensibility)…Matthew Crawley
Penelope Wilton (Wives and Daughters)…Isobel Crawley
Charlie Cox (Stardust)…Duke of Crowborough
Kevin Doyle (The Tudors)…Molesley
Robert Bathurst (Emma)…Sir Anthony Strallan
Bernard Gallagher…Bill Molesley
Samantha Bond (Miss Marple)…Lady Rosamund Painswick
Allen Leech (The Tudors)…Tom Branson
Brendan Patrick…Evelyn Napier
David Robb…Dr. Clarkson
Helen Sheals…Postmaster’s Wife

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Have you noticed how dark the new adaptation of Sense and Sensibility seems? Every time I took a screen shot, I needed to use photoshop to lighten the scene, as with these images of Barton Cottage before and after. It rained almost the entire time that the production crew filmed the movie. “We were filming in Devon for a fortnight and filming was plagued by constant rain storms,” recalls Charity [Wakefield.]“That’s fine for the days when we needed it to rain, but I learned that normal rain doesn’t show up on screen. So, even though it was raining, we still had to have these massive rain machines. We were drenched. By the end of the day, you’ve been out in the rain for so long you’re soaked through and exhausted.” The two photographs show the actresses wearing rain hats and thick coats in between scenes. Brrrr.

It also rained throughout the scene in which Dan Stevens as Edward chopped wood. I got chilled merely thinking about how cold Hattie Morahan must have felt wearing only a dress and holding a shawl over her head. At least Dan had the opportunity to warm himself up through the exertion of chopping wood. However, I found nothing romantic about these scenes, which made me shiver despite our own early warm spring weather.

Whoever said that film making was glamorous, evidently never shot a movie on location during a rainy spell in Devon!

Read more here about the film and locations:

NEW! Click here to read Kaye Dacus’s comparison between Sense and Sensibility 2008 and S&S 1995!

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