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Archive for the ‘19th Century England’ Category

Dr. Syntax Visits a Boarding School for Young Ladies

One of the most unexpected (and wonderful) finds in the Emporium at the 2012 JASNA meeting in NYC were the four Rowlandson prints that I purchased. One, entitled “Dr. Syntax Visits a Boarding School for Young Ladies” is charming. I included a number of images I found online to accompany this post. Except for the composition, t is remarkable how strikingly different each looks. My print resembles none of the ones displayed here – it is slightly yellowed and delicately colored, but the colors are neither bright nor faded. I can’t wait to frame it.

Dr syntax visits a boarding school for young ladies,1821. This image from the Yale Center of British Art is much paler than mine, in which the headmistress’s skirt is colored red and the young ladies in the foreground wear colored dresses.

This 190+ year old hand-colored aquatint came from The Tour of Doctor Syntax, published by Ackermann’s Repository in London from 1812-1821. Dr. Syntax, a British clergyman, sits under a tree next to a stern looking Lady Governess, who addresses the young pupils arrayed around them. The scene accompanies text in The Second Tour of Dr. Syntax, In Search of Consolation. The illustration reveals how Rowlandson works, outlining the figures with a reed pen and then delicately washing certain areas of the print with color. His pen and inks were then etched by a professional engraver, an artist in his own right. The impressions were then hand colored.

Rowlandson’s Prints

Rowlandson was prolific. Art historians deem his earlier works to be more artistic and carefully observed. As his reputation spread, he began to produce his designs in haste and the quality of his art began to suffer. His caricatures became predictable and in some instances overly exaggerated, but he never lost the facility with which he handled his pen.

In this series, Rowlandson created the illustrations first. Writer James Combe then wrote the narrative that accompanies the images. “This series is one of the best parodies of the more traditional narratives on journeys to different parts of England featuring more “serious” landscape illustrations and prose.” ( Prints from The Tours of Dr. Syntax, Prints With a Past.)

This print is similar to the one I purchased, but slightly more colorful. Image from Dr. Syntax’s Three Tours at Internet Archive, Cornell University Library

Doctor Syntax talks to the Young Ladies at Boarding School

Below sits the text (in verse) that accompanied this image, in which Dr. Syntax expounds on his listeners’ youth and character, and how they can learn from good example:

In the following page, Dr. Syntax exhorts his young charges to never swerve from virtue’s path and to take care of their good looks, for “flowing looks display’d to view, of black or brown or auburn hue, and well combin’d in various ways, a certain admiration raise…”:

Dr. Syntax does not want for words. In fact, he is a bit of a windbag. How those girls could sit enraptured during this speech is a marvel to me. In this section the rich graces of the mind hold the beauty of the whole, the mortal form, th’ immortal soul.

I wonder if Dr. Syntax even drew breath! In this section the good doctor reinforces the concept that a woman’s place is in the home, overseeing the family and household.

The Doctor says his goodbye, admonishing the listeners to pay attention the kind preceptress, who “will explain what of this subject doth remain, and bring the whole before your view, to prove my solemn doctrine true.”

Sources: 

Books:

  • Dr. Syntax’s Three Tours Doctor Syntax’s three tours in search of the picturesque, consolation, and a wife. By William Combe. The original ed., complete and unabridged, with the life and adventures of the author, now first written, by John Camden Hotten. Eighty full page illustrations drawn and coloured after the originals by T. Rowlandson. Published 1868 by J. C. Hotten in London . Library of Congress, PR3359.C5 D6 1868

Other posts about the JASNA NYC 2012

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The Industrial Revolution is not mentioned specifically, but implied in Jane Austen’s novels, the more rapid means of transportation being one of them. Life was hard for the working poor, and many died premature deaths. But miracles did occur. Take the tale of John Evans, a miner in a coal pit at Pentre’r Fram Colliery, Minera, Wrexham, Wales. On the 27th of September in 1819, almost 200 years ago, the pit flooded and two men lost their lives and a third went missing.

John Evans in 1819. Image from the National Museum Wales

The miner was trapped by the flood 120 yards below the surface with 18 other men. Fifteen were rescued, but not Evans and two other miners. During the 7 days that it took to pump the water out, three coffins were made to bury the presumed dead men. On day 8, two bodies were recovered, but John Evans was nowhere to be found. His wife begged for the rescuers to continue so that she could give her husband a proper burial.

He was found alive on the 13th day. His daughter reported that he had managed to survive by eating tallow candles and drinking water droplets from the roof of the mine. After his rescue, John took the coffin home with him and used it as a cupboard for many years. He died in April, 1865 at the advanced age of 73. The colliery closed during the Depression after 124 years of continuous work. – Callaghan Family Archives

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The period between 1811 and 1820 is known in British history as the Regency. In 1811 King George III was deemed unfit to rule and his son, the Prince Regent, ruled in his place. On his father’s death in 1820, the Prince was crowned King George IV. Coincidentally, Jane Austen’s novels were published between 1811 and 1818 and her writing has come to define how we imagine life was lived in the Regency era.

Miniature of the Prince Regent, Courtesy of the library archives of Canada

Yet so successful has Jane Austen been in implanting images in her readers’ minds that there is a danger that we begin to accept fiction as fact, to confuse the lives of her heroines with her own life, to interpret the lives of the few as being the lives of the many. And in that process there is also the risk that we lose sight of her skill and imagination as a writer. She was without doubt a keen observer, but the settings and people she describes, come as much from her imagination as from what she saw or experienced.

Company at play, the Comforts of Bath, Thomas Rowlandson

Jane chose to set two of her novels (Northanger Abbey and Persuasion) in Bath. She lived in the city between 1801 and 1806 and it’s still possible to retrace her footsteps, to see some of what she saw. The pattern of roads is largely unchanged in the older part of the city. Many of the places she would have frequented are still there; The Royal Crescent, The Circus, Queen Square, Milsom Street, Pulteney Bridge, the Upper Assembly Rooms, the Pump Rooms, the Guildhall, and Sydney Gardens, to name but a few.

South Parade, Bath, Thomas malton, 1775 (the year of Jane Austen’s birth).

It is easy to imagine these places as she depicts them in her novels, yet it is almost impossible to separate fact from fiction. For example, in “Northanger Abbey” we read;

They arrived in Bath. Catherine was all eager delight; – her eyes were here, there, everywhere, as they approached its fine and striking environs, and afterwards drove through those streets which conducted them to the hotel. She was come to be happy, and she felt happy already.”

Yet Jane also records on moving to Bath, her own “first impression” of the city, in a letter to her sister, Cassandra, on May 5th 1801;

The first view of Bath in fine weather does not answer my expectations; I think I see more distinctly through rain. The sun was got behind everything, and the appearance of the place from the top of Kingsdown was all vapour, shadow, smoke, and confusion.”

Panoramic view of Bath from Beechen Cliff, 1824

Again in “Northanger Abbey” she describes a formal ball held in the Upper Assembly Rooms;

The season was full, the room crowded, and the two ladies squeezed in as well as they could. As for Mr Allen, he repaired directly to the card-room, and left them to enjoy a mob by themselves. With more care for the safety of her new gown than for the comfort of her protégé, Mrs Allen made her way through the throng of men by the door, as swiftly as the necessary caution would allow; Catherine, however, kept close at her side, and linked her arm too firmly within her friend’s to be torn asunder by any common effort of a struggling assembly.”

Fancy Ball at the Upper Rooms, Bath, Thomas Rowlandson

Yet her own experience was somewhat different, as she reports in letter to her sister on May 12th 1801;

By nine o’clock my uncle, aunt, and I entered the rooms, and linked Miss Winstone on to us. Before tea it was rather a dull affair; but then the before tea did not last long, for there was only one dance, danced by four couple. Think of four couple, surrounded by about an hundred people, dancing in the Upper Rooms at Bath.

After tea we cheered up; the breaking up of private parties sent some scores more to the ball, and though it was shockingly and inhumanly thin for this place, there were people enough, I suppose, to have made five or six very pretty Basingstoke assemblies.”

They say you should write about what you know and Jane Austen certainly knew about people, but was her life really comparable to those of her heroines? She attended dinner parties, suppers, formal balls and had some insight into high-society. Yet that society was very stratified with rigid conventions and social etiquette. Those rules defined who was on a level with whom, and Jane was certainly not part of its upper echelons. She was part of that “society” but in truth she was fairly low down in the “pecking order.” Her Uncle and Aunt were wealthy and lived in the Paragon. They might have provided her with opportunities to glimpse their way of life, but they do not seem to have been over-generous to Jane or her family.

Number 1, Paragon, where the Leigh-Perrots lived. Image @Austenised

When Jane’s family moved to Bath they leased a house at 4, Sydney Place. It was a fine house in a good area, near the popular Sydney Gardens, but it was not a prestigious address in comparison with other parts of the city. And when the lease ended they moved to a house in Green Park Buildings. This was an area the family had dismissed when they first moved to the city and it’s easy to see why from Jane’s description;

Our views on G. P. (Green Park) Buildings seem all at an end; the observation of the damps still remaining in the offices of an house which has been only vacated a week, with reports of discontented families and putrid fevers, has given the coup de grace. We have now nothing in view. When you arrive, we will at least have the pleasure of examining some of these putrefying houses again; they are so very desirable in size and situation, that there is some satisfaction in spending ten minutes within them.”

Before leaving Bath the family also lived for a while in 25, Gay Street. (The Jane Austen Centre is nearby at 40 Gay Street). It was a “good address” but by then, after the death of Jane’s father, they were reduced to “taking rooms” as boarders rather than occupying a house as tenants. By then the family were largely dependent on the charity of relatives.

Old Houses. Westgate Street , Bath, Thomas Elliot Rosenberg, 1820. Image @Victoria Art Gallery, Bath

It’s obvious too that Jane was well aware of the plight of the genteel poor. In “Persuasion” Sir Walter Elliot refers to Westgate Buildings as, “Everything that revolts other people, low company, paltry rooms, foul air, disgusting associations.” Westgate Buildings was by no means the worst of streets but it was situated on the border of the Avon Street slum area. My own novel “Avon Street” has an opening scene in Westgate Buildings and explores the darker aspects of the City.

Brock illustration of Captain Wentworth entreating Anne Elliot to read his letter, Persuasion.

Opinion is divided on whether or not Jane Austen actually liked Bath, but she certainly knew how to use it as a setting. Jane Austen created an image of Regency life which still survives today. That is a testament to her imagination and skill as a writer. She chose to depict a way of life in her novels that did not always reflect her own everyday experience. Indeed it was not representative of the lives of most, yet it pleased her readers then and still pleases them today.

Inquiring readers: Paul Emanuelli, author of Avon Street (click here to view the book and order it), has contributed a post for this blog before about the City of Bath as a Character and Law & Order and Jane Austen’s Aunt, and Food – To Die For: Food Preparation in the Georgian EraHe has graciously sent in an article about crime and an incident involving Jane Austen’s aunt, Mrs James Leigh-Perrot. Paul writes about Bath in his own blog, unpublishedwriterblog. It is well worth a visit!

  • Paperback: 320 pages
  • Publisher: The History Press (March 28, 2012)
  • Language: English
  • ISBN-10: 0752465546
  • ISBN-13: 978-0752465548

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You’ve supported Jane Austen’s World since 2006, now it’s time to give back. Inquiring readers, I have enjoyed your comments and been most humbled by your visits. On the day that the 5 millionth reader visits my blog, I am giving a gift certificate of a Kindle mobi file from Amazon.com U.S. of Jane Odiwe’s Searching for Captain Wentworth. Who will it be?

Note: Contest Closed! Congratulations, Ruth!! Just leave a comment as to why you think that Persuasion is the best of Jane Austen’s novels. Or not. I am not picky. I just want your opinion. Click here to read my review of this time travel book.

The random generator drawing will be held on the day that my counter shows the magic number of 5 mill. (Estimate 1-2 weeks.)

Thank you, thank you for your interest and support. I intend to answer each comment, but will not include my replies in the drawing!

(Sadly, my offer only applies to U.S. readers. I do apologize to my foreign readers. Once again you are left out of the loop.)

Note: the green links lead to WordPress ads. The blue links are mine. I do not make money from my blog.

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What did ladies do in the morning 200 years ago? Why, write letters and draw and paint, of course. A genteel lady knew all three arts and achieved them with varying skills. This delightful La Belle Assemblee print details how a well-dressed woman would look at her work table. This young Regency miss works like me, btw: with everything out and cluttering surfaces.

Morning Dress, March 1812, La Belle Assemblee

First, a description of the outfit:

MORNING or HOME COSTUME: A white cambric frock with a demi train, short sleeves fastened up in front with cordon and tassels, a necklace formed of two rows of opal; the hair dressed in full curls, and confined by a demi turban of very fine muslin tied on the right side with a small bow; silk stockings with lace clocks richly brocaded; and plain black kid slippers.”

Detail of hair and bodice, La Belle Assemblee, March 1812. Note the lovely bandeau, the ringlets framing the face, and the relatively high neckline with ruff.

The magazine goes on to say that embroidery on all gowns, whether for domestic parties or home attire, seems very prevalent. Embroidery on evening gowns made of costly materials is frequently of gold and silver. India muslins are again coming much into wear and were very decently priced:

for the information of our Fashionable Readers, we have observed, at the house of Millard, in the City, some of the choicest production of the East Indies from the Company’s recent Sale of Bengal Muslins, &c. Their beauty is exquisite…”

Detail of ladies round worktable with drawer. La Belle Assemblee, March 1812. This one most likely had a top and decorative swaths made of green baize, which prevented sliding.

These small and elegant worktables were portable and could be easily carried near a light source or fireplace, or stashed against a wall when company came. They varied, some coming with a variety of compartments – some hidden – that contained writing and painting supplies. Many had book stands for reading, others had drawers that contained paper or embroidery threads and sewing supplies.

Ackermanns Lady’s work table, 1823. Image from EK Duncan

This work table was “equally adapted to the boudoir and drawing-room, and answers the purpose of a drawing-table as well as a work-table, and a desk for writing and reading.”

This was a very elegant and expensive work table for a rich lady.

This English work table, circa 1815, is a curious fusion of the refined neoclassicism of Robert Adam and the exotic eclecticism which emerged during the Regency period.  The finely carved tri-form giltwood stand, based on a Roman form, is typical of Adam’s adaptation of the antique. – Carlton Hobbs Work Table

… it was also a Regency characteristic to employ finely tooled scarlet leather, such as that fitted to the interior of this piece.”

Jane Austen’s niece, Fanny Knight, paints watercolors on a regular table.

This rather plain octagonal worktable has four legs instead of the pedestal on Fanny Knight’s table.

As you can see, work tables varied in design and construction. This simpler and smaller cocuswood work table suited a lady’s purpose as well as a fancier one, but it has fewer compartments.

This plain worktable with a single drawer is an:

Early 19th century regency cocuswood work table with a rectangular top and single drawer.The turned legs are joined by a turned stretcher with circular platform, with paper label to underside inscribed purchased by ABM.

A few months ago I featured a short video of an 18th century French mechanical worktable, which showed how the hidden mechanisms worked and how easily the table could be moved from place to place. Click on this link to view it.

Note: The blue links are mine: the green links are ads placed here by WordPress. I make no money from this blog.

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