I’ve placed these gorgeous Ackermann fashion plates here to wish my readers who are mothers a Happy Mother’s day. Aren’t these images precious?
Click on images to enlarge.
Posted in 19th Century England, Children's regency fashion, Jane Austen's World, Regency Life, Regency Period, Regency style, Regency World, tagged Ackermann fashion plates, Ackermanns Repository, Regency Fashion on May 13, 2012| 10 Comments »
I’ve placed these gorgeous Ackermann fashion plates here to wish my readers who are mothers a Happy Mother’s day. Aren’t these images precious?
Click on images to enlarge.
Posted in 19th Century England, Jane Austen's World, Regency Customs, Regency Etiquette, Regency Life, Regency Period, Regency society, Regency World, Royalty, tagged Lucy Worstley, Prince Regent on May 3, 2012| 25 Comments »
Elegancy and Decadence: The Age of the Regency is a BBC production hosted by Lucy Worsley, the author of If Walls Could Talk: An Intimate History of the Home. The video is one hour long. So, sit back and enjoy.
Posted in 19th Century England, jane austen, Jane Austen's World, Regency Life, Regency London, Regency society, Regency World, Working class, tagged Georgian street vendors, Regency London, salop on April 28, 2012| 13 Comments »
This 1808 image of an old vendor woman selling salop in London seems simple at first glance. Created by William H Pyne for The Costumes of Great Britain (one of 60 beautifully produced hand-colored drawings), the image shows the vendor surrounded by customers waiting for a warm drink, which she pours fresh and hot into white bowls from a samovar (still). One wonders if the sight was common enough for Jane Austen to have observed it during her visits to her brother Henry in London, or if she purchased the drink or had tasted it. This description shows how even a whiff of salop caused the writer to wax eloquently about the drink, which he had liked long ago:
Suddenly we came upon a still, whence arose the steam of Early Purl, or Salop, flattering our senses. Ye Gods ! what a breakfast ! In vain a cautious scepticism suggests that the liquid was one which my palate would now shudderingly reject; perhaps so; I did not reject it then; and in memory the flavour is beatified. I feel its diffusive warmth stealing through me. I taste its unaccustomed and exquisite flavour. Tea is great, coffee greater ; chocolate, properly made, is for epicures; but these are thin and characterless compared with the salop swallowed in 1826. That was nectar, and the Hebe who poured it out was not a blear-eyed old woman, though to vulgar vision she may have presented some such aspect. – Unctuous Memories, The Cornhill Magazine, 1863 p. 613-617
The problem is not with the drawing; it is with the definition of salop, which is variously spelled salop, salep, saloop, and even sahlib. Experts have offered several explanations and recipes of the drink. I examined three sources, all of which offer different ingredients. Even dictionaries from the 19th century cannot agree with the precise meaning of the drink that was commonly served in coffee houses and stalls and on the streets of London. We can, however, agree on a few observations. A night watchman stands behind the vendor and her mobile table. Thus, salop was a typical nightly drink of Londoners.
Sold between midnight and 6-7 o’clock in the morning for some it was the probate cure of a hang-over while the early birds drank it for invigoration and warming up. (Luder H. Niemeyer)
Salop was definitely popular during the first part of the 19th century.
Charles Lamb, in his essay upon Chimney Sweeps, mentions the public house of Mr. Reed, on Fleet street in London, as a place where Sassafras tea (and Salop) were still served daily to customers in his time, about 1823.
The hot mixture was affordable even for the lowly chimney sweep, who is seen drinking from a bowl. But how was the drink made? The Hobson-Jobson: The Anglo-Indian Dictionary, first published in 1886, says that salop was derived from the tubers of various species of orchis found around Europe. It had the reputation of being a restorative and highly nutritious, and a decoction of the substance, spiced and sweetened, was thought to make an agreeable drink for invalids. – p. 784.

The tea woman sitting behind her street booth – a mobile table with samovar – amidst varied customers, just filling another cup of her much demanded herb-tea. Aquatint printed in color and colored by hand for William Miller in London. 1805.
Hobson-Jobson went on to say that in 1889 a correspondent wrote that the term could also be applied to an infusion of the sassafras bark or wood. Sassafras was imported from the colonies; it did not grow in Europe.
There is also the question of what time of day people preferred to drink salop. In 1850, a source stated that sassafras tea, flavoured with milk and sugar, was sold at daybreak in the streets of London as saloop. In 1882, The St. James’s Gazette said:
Here we knock against an ambulant salep-shop (a kind of tea that people drink on winter mornings); there against roaming oil, salt, or water-vendors, bakers carrying brown bread on wooden trays, pedlars with cakes, fellows offering dainty little bits of meat to the knowing purchaser.”
From the description, one gets the true flavor of an early morning street scene – its sights, smells, and sounds . One also gains the sense that salop was sold much like coffee today – that there was a preferred time to drink it, but that it could be obtained at all hours. But what about the recipe? Was it made with Sassafras bark or with orchis root?
Gourmet Britain says it was made with orchis root, and provides the reader with a history and recipe. Soupabooks mentions that it was made of dried sassafras bark and offers this recipe:
To make Salop
Put a Tea spoonfull of Salop to a Pint of Water, with 3 or 4 Blades of Mace, & some Lemmon Peel cut very thin. Boyl it, & Mill it as you do Chocolate, Sweeten it to your Taste; add some grated Nutmeg, & juice of Lemon to make it Palateable. — Mrs. B.P. Benet, Lathrop Lodge, Swindon, Wilts. From her Book of Recipes from about 1796.
Note that Mrs. B.P. Benet does not describe the Salop, but simply assumes that the reader will know what ingredient to purchase. The salop made with sassafras bark would have a slight taste of licorice.
Early American settlers learned from American Indians how to brew sassafras tea from the root bark and drank it has an herbal remedy. Later they made sassafras the original root in root beer and used it as an important ingredient in Sasparilla, a different but related beverage. Those first Sassafras supporters didn’t know how or why it tasted so good, but a few hundred years later, we do. Sassafras root contains an essential oil called safrole which imparts that characteristic licorice flavor.

Charles Lamb. Image @NNDB
Charles Lamb in his essay about Chimney Sweeps corroborates the sassafras root ingredient:
There is a composition, the groundwork of which I have understood to be the sweet wood yclept sassafras. This wood boiled down to a kind of tea, and tempered with an infusion of milk and sugar, hath to some tastes a delicacy beyond the China luxury. I know not how thy palate may relish it, I have never ventured to dip my own particular lip in a basin, a cautious premonition to the olfactories constantly whispering to me, that my stomach must infallibly, with all due courtesy, decline it. Yet I have seen palates otherwise not uninstructed in dietetical elegancies, sup it up with avidity. This is salop—the precocious herbwoman’s darling—the delight of the early gardener who transports his smoking cabbages from Hammersmith to Covent Garden’s famed piazzas—the delight, and oh ! I fear too often the envy of the unpennied sweep.” – Unctuous Memories, The Cornhill Magazine, 1863 p. 613-617
To complicate matters even more, I found this description of salop: “The tea produced from the male root of the Ragged Robin, so-called salop, was the typical nightly drink of Londoners.” (Luder H. Niemeyer) Ragged Robin seems to be the common name for the cuckooflower lychnis, which is a perennial that has very hardy, fibrous roots. Since Ragged Robin was not mentioned in other encyclopedias, descriptions, or dictionaries that I consulted, I will discount this ingredient from the discussion.

Sassafras root bark. Image @ Vermont Fiddle Heads
The following is a sampling of definitions of Salop, Salep, or Saloop from various dictionaries:
So which ingredient did Pyne’s old female vendor use to make her salop? Orchis tubers, which were found in Europe, or dried Sassafras bark,which had to be imported? In any case, one shudders at the thought of the bowls that the vendor used to pour the drink in for her customers. I see no water jug near at hand to rinse the bowls after each use. Heaven knows how many germs were spread around via these used dishes, which could not be tossed aside or washed easily.
About The Costumes of Great Britain: Between 1800 and 1818, London publishers William Miller, T. M’Lean, and William Bulmer published a series of color plate books, including one that featured 60 color plates of Britain’s working classes just as the Industrial Revolution began to take off. William H Pyne (1769-1843) was commissioned to write and illustrate the book by the publisher, William Miller. The first edition was printed in 1804, but the edition from which this coloured plate was taken was published in 1808. – Science and Society
More on the topic:
Posted in 19th Century England, Fashions, Jane Austen's World, Regency Life, Regency society, Regency style, tagged Ackermann fashion plates, Circassian, Limerick glove, Regency Fashion on April 27, 2012| 16 Comments »
Recently I commented on a morning gown whose influences were largely from British history. In this April 1812 Ackermann fashion plate, the pink ball gown is indicative of the impact of trade and foreign travel in eastern lands and the advances of the Industrial Revolution on fashion. A young lady attending the ball would have (in her mind) come as a strong exotic eastern woman, resplendent in her turban, peasant bodice, and other rich oriental details.
Ball Dress: a round Circassian robe of pink carpe , or gossamer net, over a white satin slip, fringed full at the feet; a peasant’s bodice of pink satin or velvet, laced in front with silver, and decorated with the same ornament. Spanish slash sleeve, embellished with white crape foldings, and finished at its terminations with bands of silver. A Spartan or Calypso helmet cap of pink frosted crape, with silver bandeaus, and embellished with tassels, and rosets to correspond. A rich neck-chain and ear-rings of Oriental gold. Fan of carved ivory. Slippers of pink kid, with correspondent clasps; and gloves of white kid: an occasional square veil of Mechlin lace.”

Detail of the Spartan or Calypso helmet cap, mechlin lace, fan, peasant bodice, and Limerick gloves.
Eastern Turkish influence includes those of Circassian women, whose reputation dates back to the Ottoman Empire and the Sultan’s harem. Circassians became a common symbol of orientalism during the Romantic era. In Europe and America
Circassians were regularly characterised as the ideal of feminine beauty in poetry, novels, and art. Cosmetic products were advertised, from the 18th century on, using the word “Circassian” in the title, or claiming that the product was based on substances used by the women of Circassia.- Wikipedia
The gossamer net represented the advances made in machine made lace during the late 18th and early 19th centuries. (Click here to read my article about net lace.)
The white crape foldings in the Spanish slash sleeves remind me of the puffs in the hem of this early 19th century gown.
Limerick gloves were “a celebrated style of glove that became popular throughout England and Ireland during the late 18th, early 19th century. Commonly referred to as ‘chicken-skins’, the gloves were renowned for their exquisite texture. They were made from a thin strong leather derived from the skin of unborn calves and sold encased in a walnut shell.”

Limerick glove. Image @The Museum of Leathercraft.
Circassian women were regarded as strong, beautiful, and exotic, which is how the woman wearing the ball dress depicted in the Ackermann fashion plate must have felt.
The circassian robe, or an outer garment used in ceremonial occasions, is not as evident in the fashion plate as in the dress below, where it flows over the gown’s train.

Eliza Farren in 'A Scene in the Fair Circassian' with Robert Bensley by James Sayers. Etching ca. 1781 from the National Portrait Gallery NPG D9544
Rich lace, tassels, and an ivory fan completed our fashionable lady’s the ensemble.
More about the ball gown’s fashion influences:
Posted in 19th Century England, Jane Austen's World, Regency Life, Regency London, Regency Transportation, Regency Travel, Travel, tagged 19th century roads on April 25, 2012| 18 Comments »
Back in Jane Austen’s day travel was so difficult and laborious over poorly constructed roads that the majority of the people who lived in that century traveled no farther than 14 miles from where they lived. Most walked, and even so they had to contend with muddy roads that were almost impassible after heavy rains or breathe in choking dust during times of drought. (In cities, dusty streets would be watered down by merchants early in the morning.)
Travel at night was dangerous. Without a widespread means of lighting roads or an organized police force, night travelers were at the mercy of highwaymen. In cities, link boys were paid a half pence to carry a light in front of pedestrians, or for those on horseback and in carriages.

Georgian cast iron light fixtures, Landsdowne Crescent in Bath. Note the cones, which extinguished the light.
Lanterns hung in front of city doors or were carried. In the country, torches hung from trees lining a lane that led up to a house. Balls and parties were planned during the full moon, although a rainy or cloudy night would spoil these well-laid plans.
The situation would not change until the Industrial Revolution brought about such life altering inventions as gas lights, macadam roads (whose hard surface facilitated smoother travel), the steamboat, and rail travel.
The following descriptions of poor road conditions from Old Country Life, a book published in 1892, describes a time just after Jane Austen’s death, but one that her longer lived siblings would have known. While people’s memories of distant events are often faulty, the emotions they felt tend to stay with them. Here then are some eye witness accounts retold many decades later:
What a time people took formerly in travelling over old roads! There is a house just two miles distant from mine, by the new unmapped road. Before 1837, when that road was made, it was reached in so circuitous a manner, and by such bad lanes, and across an unbridged river, that my grandfather and his family when they dined with our neighbours, two miles off, always spent the night at their house.
In 1762, a rich gentleman, who had lived in a house of business in Lisbon, and had made his fortune, returned to England, and resolved to revisit his paternal home in Norfolk. His wish was further stimulated by the circumstance that his sister and sole surviving relative dwelt beside one of the great broads, where he thought he might combine some shooting with the pleasure of renewing his friendships of childhood. From London to Norwich his way was tolerably smooth and prosperous, and by the aid of a mail coach he performed the journey in three days. But now commenced his difficulties. Between the capital and his sister’s dwelling lay twenty miles of country roads. He ordered a coach and six, and set forth on his fraternal quest. The six hired horses, although of strong Flanders breed, were soon engulfed in a black miry pool, his coach followed, and the merchant was dragged out of the window by two cowherds, and mounted on one of the wheelers; he was brought back to Norwich, and nothing could ever induce him to resume the search for his sister, and to revisit his ancestral home.

Pack horses. Image @The Rolle Canal Company
Roads were in such a poor condition that transportation over rivers and canals was preferred. If waterways were not nearby, pack horses and carrier wagons carried heavy and fragile items into areas were roads were near to impassible. Carrier wagons were sturdy wagons pulled by oxen and covered with canvas cloth.
Items had to be safely packed before they could be transported. Paper was expensive and cardboard boxes had yet to be invented. Goods were carried in cloth sacks, metal canisters, leather baskets, wood barrels, sturdy trunks, or wooden crates. Additional containers were made of cloth, woven straw, crockery, glass, and tin.
The safe preservation of foods in metal containers was finally realized in France in the early 1800s. In 1809, General Napoleon Bonaparte offered 12,000 francs to anyone who could preserve food for his army. Nicholas Appert, a Parisian chef and confectioner, found that food sealed in tin containers and sterilized by boiling could be preserved for long periods. A year later (1810), Peter Durand of Britain received a patent for tinplate after devising the sealed cylindrical can. – A brief history of packaging
Fragile items like glass and china received extra protection and were wrapped in cloth or straw. Considering the poor road conditions, it is a wonder that any of these items survived their long journeys intact. View an image and explanation of a stage wagon in this link.
Below is a description of a carrier and his wagon. (click here to see examples):
It is a marvel to us how the old china and glass travelled in those days; but the packer was a man of infinite care and skill in the management of fragile wares.
Does the reader remember the time when all such goods were brought by carriers? How often they got broken if intrusted to the stage-coaches, how rarely if they came by the carrier. The carrier’s waggon was securely packed, and time was of no object to the driver, he went very slowly and very carefully over bad ground. – Old Country Life, Sabine Baring-Gould, 1892

Breakdown of the Christmas stage, a Victorian illustration. Note that oxen are strapped to an empty cart, ready to take on passengers, who are still 10 miles from their destination.
As noted before, people often spent the night when they arrived as guests for dinner. Once a person made the journey to visit relatives, they tended to stay for weeks, even months. Elizabeth Bennet’s visit with Charlotte was of several weeks duration; Cassandra Austen frequently visited her brother Edward for weeks at a time, which is when Jane would write to her.

City streets were crowded and narrow. Thomas Rowlandson. The Miseries of London. 1807. Image @Lewis Walpole Library
“It is of some importance,” said Sydney Smith, “at what period a man is born. A young man alive at this period hardly knows to what improvements of human life he has been introduced; and I would bring before his notice the changes that have taken place in England since I began to breathe the breath of life—a period of seventy years. I have been nine hours sailing from Dover to Calais before the invention of steam. It took me nine hours to go from Taunton to Bath before the invention of railroads. In going from Taunton to Bath I suffered between ten thousand and twelve thousand severe contusions before stone-breaking MacAdam was born. I paid fifteen pounds in a single year for repair of carriage springs on the pavement of London, and I now glide without noise or fracture on wooden pavement. I can walk without molestation from one end of London to another; or, if tired, get into a cheap and active cab, instead of those cottages on wheels which the hackney coaches were at the beginning of my life. I forgot to add, that as the basket of the stagecoaches in which luggage was then carried had no springs, your clothes were rubbed all to pieces; and that even in the best society, one-third of the gentlemen were always drunk. I am now ashamed that I was not formerly more discontented, and am utterly surprised that all these changes and inventions did not occur two centuries ago.” – Old Country Life, Sabine Baring-Gould, 1892, p. 216